No Flow, But Good to Go

6.18.11 - Raleigh, NC (John Crouch)

On Saturday night in Raleigh, Phish pieced together a show that didn’t necessarily add up to more than the sum of its parts—but many of its parts were quite impressive. Highlighted by an eerie and abstract exploration of “Split Open and Melt,” the second set was broken up by random songs placed in between each mini-jam sequence, a format that eliminated any overall flow to the frame. But in a set that featured ups and downs and was generally all over the place, the band played still found plenty of time for engaging improvisation.

Official Raleigh Print (J.Helton)

Opening the second half of the show with a short but sweet “Twist,” Phish got into some serious interplay as Trey ripped off a series of staccato leads amidst a jam that felt like it had the makings of something more. But instead of pushing into the unknown, the band wrapped up the tight set-opener and followed with “Rift”—so much for flow. And as the third song of the set, Trey chose an incredibly mellow route, dusting off “Prince Caspian” for the first time since tour’s opening night in Bethel. But instead of rocking out the anthemic piece, Trey laid back, using delicate licks rather than a crushing solo. As a result, the band sailed into a cerebral version that melted—unfinished—into spacious and ambient improv that found its way to near silence before merging with “Esther.” The combinations of songs was successful and seamless, if not a bit mellow for its second-set placement. When “Esther” concluded, Trey began to adjust a second microphone, leading many fans to believe a guest appearance was imminent. But in the surprise of the evening, the band tore into Jane’s Addiction’s “Been Caught Stealing” for the first time since 12.28.1998. Running an effect through the second mic to alter his voice to a high-pitched squeal like Perry Farrell’s, Trey added a new element to the cover since we’d last seen it nearly 300 shows ago. Though an exciting bustout, the song seemed completely out of place following “Esther” in the middle of the second set—another bizarre speedbump in its contour.

6.18.11 (J. Crouch)

The second jam sequence of the half came next in “Piper > My Friend, My Friend.” Wasting no time getting creative with “Piper,” the band launched into a dynamic conversation within the piece’s breakneck textures, and when the band broke things down, the music became increasingly interesting. Mike, Trey and Page joined forces in a whole-band effort that featured equitable contributions, all the while remaining glued to the beat science of Jon Fishman. Responding to each other creatively and with negligible reaction time, “Piper” took on an adventurous trajectory, though when the band seemed to be delving deeper, Trey had other ideas as he started up”My Friend.” One random second-set call was followed by another with a generic run through of “Kill Devil Falls.” By this point, the second half had lost any sense of cohesion. But in a set-saving decision, the band kicked into “Split.”

Focusing their exploratory spirit on a song already known for reaching crazy places, last night, Phish gradually built “Split” into a haunting and hypnotizing show-highlight. Taking the jam far off the deep end, the band forged through several stages of distinctly slow, dissonant and abstract playing en route to a menacing trip through the dark side. Displaying all sorts of patience in this jam, Trey blended into a four-part, psychedelic symphony that engulfed the pavilion with its ever-deepening textures. While the band had no problem getting into this gorgeous, musical lunacy, they did have a bit of trouble getting out. They had brought the jam to such an abstract plane—at one point, with no band members playing at all over a drone soundscape—that they couldn’t quite find their way back from the netherworld into the “Split’s” final build. Getting a bit lost in this attempt, the guys finally bailed on the ending of the song, popping weakly into its final riffs. But anytime the band can’t find their way back to earth because they’ve traveled so far into the cosmos, that’s one kind blemish I can handle every single time.

6.18.11 (John Crouch)

As if Trey put his internal iPod on shuffle last night, the show ended innocuously with “Golgi” and “First Tube” before an encore of “Good Times, Bad Times brought things home. The first set, however, did carry a bit more cohesion. Opening up with two bustouts—presumably from signs—in “Cars, Trucks, Buses” and Frank Zappa’s “Peaches En Regalia” (a song Trey just couldn’t handle) things got off an running in a hurry. The other highlight of the set came in a “Halley’s Comet” jam that was almost let loose. In a strange case of second guessing himself, Trey allowed the band to jam forth from the song’s normal break, getting into some infectious rhythms in a hurry. But before the piece got a chance to get anywhere significant—a jam that Trey, himself, allowed to blossom—Big Red performed a back-alley abortion on the the growing piece, inexplicably starting “46 Days” with his band fully immersed in a groove. We can ask “Why?” until the cows come home, but sometimes there are just no answers. A smoking, old-school sounding “Antelope” closed the opening set with a quick-paced exchange that underlined the band’s current connectedness.

6.18.11 (J.Crouch)

Though I may never listen to this show from start to finish, I’ll certainly revisit the highlights, as Phish had it going last night—though they displayed it in spurts. While far from a face-melting epic, there was still plenty of standout music within Phish’s penultimate show of June to keep everyone happy. An odd show—no doubt—the unexpected, however, comes in many forms, and last night the second set was anything but predictable. But with an arsenal of heavy artillery armed and ready for tonight, something tells me we’ll walk away from nTelos Pavilion slightly more wide-eyed than Walnut Creek. As I gaze across the water towards the locale of the intimate, 7,000-person tour-closer, a blowout lingers in the air. See you on the flip side.

I: Cars Trucks Buses, Peaches en Regalia, AC/DC Bag, Guyute, Possum, Halley’s Comet > 46 Days, The Divided Sky, The Ballad of Curtis Loew, Run Like an Antelope

II: Twist, Rift, Prince Caspian > Esther, Been Caught Stealing, Piper > My Friend, My Friend, Kill Devil Falls, Split Open and Melt, Golgi Apparatus, First Tube

E: Good Times Bad Times

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708 Responses to “No Flow, But Good to Go”

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  1. BrandonKayda Says:

    Listening to Split now.

  2. kayatosh Says:

    thanks, miner, for the scoop. and thanks butter and sumodie for the first hand accounts.

    peace
    happy father’s day

  3. st8 of mind Says:

    A blowout definitely lingers. Have fun tonight everybody. Thanks Miner! Happy Fathers Day.

  4. joe Says:

    enjoy the last night everyone. Thanks Mr. Miner for taking us along on your journey. Hope you can get some well deserved rest on the way to ramping it up for the biggest blowout to come in a few weeks.

  5. kayatosh Says:

    tonight looms large.

  6. Corey Says:

    Like said last night, best Split since Cincinnati 09.

  7. Steve P. Says:

    Happy Father’s Day!

    Enjoy the last night of the run. Middle 2nd set “Been Caught Stealing”- interesting.

  8. BrandonKayda Says:

    I thought the Split reentry was pretty well done for 3.0 – I mean you made it sound like they went straight from space into the ending coda, atleast they jammed on the chords again for a minute or so.

    Parts of that Split are golden. Trey sounds kind of directionless at some points though.

  9. BrandonKayda Says:

    Brother tonight, obviously.

  10. cal Says:

    It was indeed a weird-ass show. I was about ready to throw something at Trey a few times, I swear. Oddly enough, it was “BCS” that finally brought the energy into the set. The only real issue I had after that was the bonehead placement of “KDF”; otherwise the jams were terrific, especially “Split”, and I actually loved the “Golgi”>”First Tube” to close.

    Not on the level of some other shows I’ve seen this year but some amazing Phishyness nonetheless. No more for me til UICbitches. Boo…

    Enjoy the leg-closer tonight!

  11. Oldskool Says:

    Back-alley abortion, WOW…

  12. halcyon Says:

    Tonight’s Poster is a Pollock.

  13. Robear Says:

    Nice halcyon. Hope it’s a warm up run for the Ball!

    Lol at lil pat ” likes the singing, but the jams make them, them”

  14. doc Says:

    Damn, CK5 is going to town with those lights. Can’t wait to see what he does with the Bowl’s proscenium.

  15. Robear Says:

    Was out last night. When I came home and read the setlist, I had one thought:
    ‘Craziest setlist ever?’

  16. Robear Says:

    2.0 shirt: ‘Dont Bowie my Maze’

    3.0 shirt ‘Dont Numberline my Ghost’

  17. Mike in Austin Says:

    Happy Fathers day to everyone.

    Trey couldn’t handle Peaches. Agreed.

  18. Admiral Ackbar Says:

    Due to a quirk in the Mon Calamari reproductive system, I am my own father.

    Having said that, happy father’s day to all the BB dads!

  19. Plord Says:

    Happy Fathers Day to all BB dads!

  20. Plord Says:

    Jinx, Ackbar. You owe me the Mos Eisley Cantina equivalent of a Coke.

  21. themanatee Says:

    such a strange setlist – nothing like an esther mid second set – i know its old school quirky phish but not exactly a momentum or flow builder. Anywhooo cant wait to listen to the Split. The Stash from Camden is very very nice…checking it out now for Phish Yoga today 🙂

  22. win butler Says:

    Why does Phish keep releasing their jammy songs on video?

  23. c0wfunk Says:

    Same peaches sign was in atl and Clt looked like it was stolen from a peach stand.. as thhe mound stopped trey said “we will play that just not tonight “.. referring to a sign.. was he referring to peaches?

    If so guess he wanted some time to practice but apparently didn’t get enough.. wonder when the last time they really nailed peaches .. iirc the msg 09 (?) One was a lil rough too

  24. cal Says:

    I will admit, the encore of last night’s show that happened in my dream last night was way more interesting. Camel Walk->Cavern->Llama->Camel Walk, followed by a short abstract animated film voiced by the boys. It was so bizarre I can’t even put it into words.

    It was a weird mindfuck show last night, still trying to process it…

  25. c0wfunk Says:

    @win butler they’ve released all types of things on vid this tour.. wilson comes to mind.

    Regardless I hafta assume the 4 boys aren’t making that call

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