No Flow, But Good to Go

6.18.11 - Raleigh, NC (John Crouch)

On Saturday night in Raleigh, Phish pieced together a show that didn’t necessarily add up to more than the sum of its parts—but many of its parts were quite impressive. Highlighted by an eerie and abstract exploration of “Split Open and Melt,” the second set was broken up by random songs placed in between each mini-jam sequence, a format that eliminated any overall flow to the frame. But in a set that featured ups and downs and was generally all over the place, the band played still found plenty of time for engaging improvisation.

Official Raleigh Print (J.Helton)

Opening the second half of the show with a short but sweet “Twist,” Phish got into some serious interplay as Trey ripped off a series of staccato leads amidst a jam that felt like it had the makings of something more. But instead of pushing into the unknown, the band wrapped up the tight set-opener and followed with “Rift”—so much for flow. And as the third song of the set, Trey chose an incredibly mellow route, dusting off “Prince Caspian” for the first time since tour’s opening night in Bethel. But instead of rocking out the anthemic piece, Trey laid back, using delicate licks rather than a crushing solo. As a result, the band sailed into a cerebral version that melted—unfinished—into spacious and ambient improv that found its way to near silence before merging with “Esther.” The combinations of songs was successful and seamless, if not a bit mellow for its second-set placement. When “Esther” concluded, Trey began to adjust a second microphone, leading many fans to believe a guest appearance was imminent. But in the surprise of the evening, the band tore into Jane’s Addiction’s “Been Caught Stealing” for the first time since 12.28.1998. Running an effect through the second mic to alter his voice to a high-pitched squeal like Perry Farrell’s, Trey added a new element to the cover since we’d last seen it nearly 300 shows ago. Though an exciting bustout, the song seemed completely out of place following “Esther” in the middle of the second set—another bizarre speedbump in its contour.

6.18.11 (J. Crouch)

The second jam sequence of the half came next in “Piper > My Friend, My Friend.” Wasting no time getting creative with “Piper,” the band launched into a dynamic conversation within the piece’s breakneck textures, and when the band broke things down, the music became increasingly interesting. Mike, Trey and Page joined forces in a whole-band effort that featured equitable contributions, all the while remaining glued to the beat science of Jon Fishman. Responding to each other creatively and with negligible reaction time, “Piper” took on an adventurous trajectory, though when the band seemed to be delving deeper, Trey had other ideas as he started up”My Friend.” One random second-set call was followed by another with a generic run through of “Kill Devil Falls.” By this point, the second half had lost any sense of cohesion. But in a set-saving decision, the band kicked into “Split.”

Focusing their exploratory spirit on a song already known for reaching crazy places, last night, Phish gradually built “Split” into a haunting and hypnotizing show-highlight. Taking the jam far off the deep end, the band forged through several stages of distinctly slow, dissonant and abstract playing en route to a menacing trip through the dark side. Displaying all sorts of patience in this jam, Trey blended into a four-part, psychedelic symphony that engulfed the pavilion with its ever-deepening textures. While the band had no problem getting into this gorgeous, musical lunacy, they did have a bit of trouble getting out. They had brought the jam to such an abstract plane—at one point, with no band members playing at all over a drone soundscape—that they couldn’t quite find their way back from the netherworld into the “Split’s” final build. Getting a bit lost in this attempt, the guys finally bailed on the ending of the song, popping weakly into its final riffs. But anytime the band can’t find their way back to earth because they’ve traveled so far into the cosmos, that’s one kind blemish I can handle every single time.

6.18.11 (John Crouch)

As if Trey put his internal iPod on shuffle last night, the show ended innocuously with “Golgi” and “First Tube” before an encore of “Good Times, Bad Times brought things home. The first set, however, did carry a bit more cohesion. Opening up with two bustouts—presumably from signs—in “Cars, Trucks, Buses” and Frank Zappa’s “Peaches En Regalia” (a song Trey just couldn’t handle) things got off an running in a hurry. The other highlight of the set came in a “Halley’s Comet” jam that was almost let loose. In a strange case of second guessing himself, Trey allowed the band to jam forth from the song’s normal break, getting into some infectious rhythms in a hurry. But before the piece got a chance to get anywhere significant—a jam that Trey, himself, allowed to blossom—Big Red performed a back-alley abortion on the the growing piece, inexplicably starting “46 Days” with his band fully immersed in a groove. We can ask “Why?” until the cows come home, but sometimes there are just no answers. A smoking, old-school sounding “Antelope” closed the opening set with a quick-paced exchange that underlined the band’s current connectedness.

6.18.11 (J.Crouch)

Though I may never listen to this show from start to finish, I’ll certainly revisit the highlights, as Phish had it going last night—though they displayed it in spurts. While far from a face-melting epic, there was still plenty of standout music within Phish’s penultimate show of June to keep everyone happy. An odd show—no doubt—the unexpected, however, comes in many forms, and last night the second set was anything but predictable. But with an arsenal of heavy artillery armed and ready for tonight, something tells me we’ll walk away from nTelos Pavilion slightly more wide-eyed than Walnut Creek. As I gaze across the water towards the locale of the intimate, 7,000-person tour-closer, a blowout lingers in the air. See you on the flip side.

I: Cars Trucks Buses, Peaches en Regalia, AC/DC Bag, Guyute, Possum, Halley’s Comet > 46 Days, The Divided Sky, The Ballad of Curtis Loew, Run Like an Antelope

II: Twist, Rift, Prince Caspian > Esther, Been Caught Stealing, Piper > My Friend, My Friend, Kill Devil Falls, Split Open and Melt, Golgi Apparatus, First Tube

E: Good Times Bad Times

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708 Responses to “No Flow, But Good to Go”

  1. JeffieM Says:

    I’m surprised we didn’t get a third Steam this weekend.
    It looms large for the festy.

  2. Lycanthropist Says:

    i love this set top to bottom..

    i will acknowledge the rough segues.. but i thought everything wa—

    then suzy.

  3. DukeOfLizards Says:

    Now that’s what I don’t get. Why play #Line at all if they’re wrapping things up with Suzy?

  4. Corey Says:

    See, that’s my (and others) thing: Light was going somewhere deep, new, creative, then let’s get to Numberline…Suzy, WHAT!??!?!….and Numberline didn’t go anywhere, do anything…it just blocked the Light.

  5. Lycanthropist Says:

    yeh suzy stopped me in my defensive tracks..

  6. DukeOfLizards Says:

    Whatever call me cu$ty but Suzy is one of my favorite set cappers.

    Anything that guarantees a trip to Page’s house is a winner in my book.

  7. SillyWilly Says:

    gotta get some sleep for work tomorrow

    from the stream seemed like a great second set.

    will definitely leave us stoked for SuperBall

    going to be fun to catch up on listening the next two weeks!

    good night

  8. Lycanthropist Says:


    the light went deep quick and did see a few ideas fleshed out to their ends..

  9. BrandonKayda Says:

    “Suzy Greenburger”

    Love the Hoodstream chat sometimes.

    But yeah, I agree with you guys on the strange happenings from Light on…

  10. Corey Says:

    Suzy Greenburger…

  11. Corey Says:

    Dang, @BK, you beat me to the burger….

  12. DukeOfLizards Says:

    ^ Dr Jack raging the pav. Awesome.

  13. jdub Says:

    I am 1000x more judgemental on couch tour than at a show, but I just don;t understand the need to do both #Line and Suzy to close the show. Pick one, let Light or Sally develop a bit more. Other than that this show sounds like a blast.

  14. Lycanthropist Says:

    gotta love some page rippage.

  15. Bwana Says:

    what i’m looking forward to at the festival is three days in the same place with plenty of funky scenes going on all day and the band allowing themselves to break out of the standard show structure…

  16. Lycanthropist Says:

    #Line > Suzy for Father’s Day..

    numberline for the kids
    suzy for Dr. Jack

  17. jdub Says:

    For sure @Bwana, so looking forward to it.

  18. Corey Says:

    Hoodstream beat me to the burger…PHiSH is ready to go on break. Then, WHAM! (no not wham songs) SBIX takes us on another wonderfully adventuresome weekend…to Page’s house.


  19. DukeOfLizards Says:

    Definitely not going to let a misplaced #Line get in the way of my enjoyment of this show.

  20. Bwana Says:

    but that was definitely a rockin’ finish!

  21. BrandonKayda Says:

    Hoping at Super Ball they let things stretch out a bit, Bethel/Greek/Gorge style

    Although I think the West Coast environment and chill crowd will lead to great shows as usual. Leg II should be interesting.

    Plenty of highlights in Leg I, that’s for sure, although I’d say Bethel is still the best run overall.

  22. DukeOfLizards Says:

    Sticking with [something]>Tweeprise to end it.

  23. BrandonKayda Says:

    Contact, Frankenstein encore?

  24. Tom Says:

    anyone hear what trey said

  25. Bwana Says:

    looks like a superb Simple is in the works for SBIX!

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