No Flow, But Good to Go

6.18.11 - Raleigh, NC (John Crouch)

On Saturday night in Raleigh, Phish pieced together a show that didn’t necessarily add up to more than the sum of its parts—but many of its parts were quite impressive. Highlighted by an eerie and abstract exploration of “Split Open and Melt,” the second set was broken up by random songs placed in between each mini-jam sequence, a format that eliminated any overall flow to the frame. But in a set that featured ups and downs and was generally all over the place, the band played still found plenty of time for engaging improvisation.

Official Raleigh Print (J.Helton)

Opening the second half of the show with a short but sweet “Twist,” Phish got into some serious interplay as Trey ripped off a series of staccato leads amidst a jam that felt like it had the makings of something more. But instead of pushing into the unknown, the band wrapped up the tight set-opener and followed with “Rift”—so much for flow. And as the third song of the set, Trey chose an incredibly mellow route, dusting off “Prince Caspian” for the first time since tour’s opening night in Bethel. But instead of rocking out the anthemic piece, Trey laid back, using delicate licks rather than a crushing solo. As a result, the band sailed into a cerebral version that melted—unfinished—into spacious and ambient improv that found its way to near silence before merging with “Esther.” The combinations of songs was successful and seamless, if not a bit mellow for its second-set placement. When “Esther” concluded, Trey began to adjust a second microphone, leading many fans to believe a guest appearance was imminent. But in the surprise of the evening, the band tore into Jane’s Addiction’s “Been Caught Stealing” for the first time since 12.28.1998. Running an effect through the second mic to alter his voice to a high-pitched squeal like Perry Farrell’s, Trey added a new element to the cover since we’d last seen it nearly 300 shows ago. Though an exciting bustout, the song seemed completely out of place following “Esther” in the middle of the second set—another bizarre speedbump in its contour.

6.18.11 (J. Crouch)

The second jam sequence of the half came next in “Piper > My Friend, My Friend.” Wasting no time getting creative with “Piper,” the band launched into a dynamic conversation within the piece’s breakneck textures, and when the band broke things down, the music became increasingly interesting. Mike, Trey and Page joined forces in a whole-band effort that featured equitable contributions, all the while remaining glued to the beat science of Jon Fishman. Responding to each other creatively and with negligible reaction time, “Piper” took on an adventurous trajectory, though when the band seemed to be delving deeper, Trey had other ideas as he started up”My Friend.” One random second-set call was followed by another with a generic run through of “Kill Devil Falls.” By this point, the second half had lost any sense of cohesion. But in a set-saving decision, the band kicked into “Split.”

Focusing their exploratory spirit on a song already known for reaching crazy places, last night, Phish gradually built “Split” into a haunting and hypnotizing show-highlight. Taking the jam far off the deep end, the band forged through several stages of distinctly slow, dissonant and abstract playing en route to a menacing trip through the dark side. Displaying all sorts of patience in this jam, Trey blended into a four-part, psychedelic symphony that engulfed the pavilion with its ever-deepening textures. While the band had no problem getting into this gorgeous, musical lunacy, they did have a bit of trouble getting out. They had brought the jam to such an abstract plane—at one point, with no band members playing at all over a drone soundscape—that they couldn’t quite find their way back from the netherworld into the “Split’s” final build. Getting a bit lost in this attempt, the guys finally bailed on the ending of the song, popping weakly into its final riffs. But anytime the band can’t find their way back to earth because they’ve traveled so far into the cosmos, that’s one kind blemish I can handle every single time.

6.18.11 (John Crouch)

As if Trey put his internal iPod on shuffle last night, the show ended innocuously with “Golgi” and “First Tube” before an encore of “Good Times, Bad Times brought things home. The first set, however, did carry a bit more cohesion. Opening up with two bustouts—presumably from signs—in “Cars, Trucks, Buses” and Frank Zappa’s “Peaches En Regalia” (a song Trey just couldn’t handle) things got off an running in a hurry. The other highlight of the set came in a “Halley’s Comet” jam that was almost let loose. In a strange case of second guessing himself, Trey allowed the band to jam forth from the song’s normal break, getting into some infectious rhythms in a hurry. But before the piece got a chance to get anywhere significant—a jam that Trey, himself, allowed to blossom—Big Red performed a back-alley abortion on the the growing piece, inexplicably starting “46 Days” with his band fully immersed in a groove. We can ask “Why?” until the cows come home, but sometimes there are just no answers. A smoking, old-school sounding “Antelope” closed the opening set with a quick-paced exchange that underlined the band’s current connectedness.

6.18.11 (J.Crouch)

Though I may never listen to this show from start to finish, I’ll certainly revisit the highlights, as Phish had it going last night—though they displayed it in spurts. While far from a face-melting epic, there was still plenty of standout music within Phish’s penultimate show of June to keep everyone happy. An odd show—no doubt—the unexpected, however, comes in many forms, and last night the second set was anything but predictable. But with an arsenal of heavy artillery armed and ready for tonight, something tells me we’ll walk away from nTelos Pavilion slightly more wide-eyed than Walnut Creek. As I gaze across the water towards the locale of the intimate, 7,000-person tour-closer, a blowout lingers in the air. See you on the flip side.

I: Cars Trucks Buses, Peaches en Regalia, AC/DC Bag, Guyute, Possum, Halley’s Comet > 46 Days, The Divided Sky, The Ballad of Curtis Loew, Run Like an Antelope

II: Twist, Rift, Prince Caspian > Esther, Been Caught Stealing, Piper > My Friend, My Friend, Kill Devil Falls, Split Open and Melt, Golgi Apparatus, First Tube

E: Good Times Bad Times

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708 Responses to “No Flow, But Good to Go”

  1. Bwana Says:

    Theme from the Burger

  2. Bwana Says:

    Burgerhead

  3. Cheard Says:

    I’d like to get his autograph
    But he looks too much like Dave Thomas

  4. Cheard Says:

    Quadrophonic Toppings

  5. Bwana Says:

    http://www.quickmeme.com/meme/3zhr/

  6. Random Poster...Nutbag Says:

    Divided Fry

  7. locust the lurker Says:

    I was taught a month ago….to bite my burger and take it slow….

  8. Cheard Says:

    Rally’s Comet

  9. Cheard Says:

    Open Faced Boy

  10. Bwana Says:

    Stealing Time from the Frying Pan

  11. BrandonKayda Says:

    ^ Great stuff right there @Bwana.

  12. Cheard Says:

    When the Waitress Comes

  13. Cheard Says:

    Spilt Open and Patty Melt….

    sorry can’t stop

  14. Cheard Says:

    cars trucks burgers

  15. Bwana Says:

    same here @cheard

    tonight’s show definitely left me feeling good heading to the festival… even from the couch.

  16. Bwana Says:

    here’s a few we don’t even have to change

    Taste>Meat>SplitOpen&Melt

  17. Cheard Says:

    burger and a movie

  18. Bwana Says:

    i saw you!!!! with a burger in your hand!!

  19. Cheard Says:

    burger kung

  20. Bwana Says:

    crosseyed and burgerless

  21. locust the lurker Says:

    Spock’s Burger

  22. Cheard Says:

    stretches but…

    burger turns elastic
    burger of ’89

  23. Bwana Says:

    we’ve got it simple,
    cause we’ve got a burger…

  24. Bwana Says:

    fee was a burger prodigy

  25. Cheard Says:

    Somebody’s jumping in the tub with your burger

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