No Flow, But Good to Go

6.18.11 - Raleigh, NC (John Crouch)

On Saturday night in Raleigh, Phish pieced together a show that didn’t necessarily add up to more than the sum of its parts—but many of its parts were quite impressive. Highlighted by an eerie and abstract exploration of “Split Open and Melt,” the second set was broken up by random songs placed in between each mini-jam sequence, a format that eliminated any overall flow to the frame. But in a set that featured ups and downs and was generally all over the place, the band played still found plenty of time for engaging improvisation.

Official Raleigh Print (J.Helton)

Opening the second half of the show with a short but sweet “Twist,” Phish got into some serious interplay as Trey ripped off a series of staccato leads amidst a jam that felt like it had the makings of something more. But instead of pushing into the unknown, the band wrapped up the tight set-opener and followed with “Rift”—so much for flow. And as the third song of the set, Trey chose an incredibly mellow route, dusting off “Prince Caspian” for the first time since tour’s opening night in Bethel. But instead of rocking out the anthemic piece, Trey laid back, using delicate licks rather than a crushing solo. As a result, the band sailed into a cerebral version that melted—unfinished—into spacious and ambient improv that found its way to near silence before merging with “Esther.” The combinations of songs was successful and seamless, if not a bit mellow for its second-set placement. When “Esther” concluded, Trey began to adjust a second microphone, leading many fans to believe a guest appearance was imminent. But in the surprise of the evening, the band tore into Jane’s Addiction’s “Been Caught Stealing” for the first time since 12.28.1998. Running an effect through the second mic to alter his voice to a high-pitched squeal like Perry Farrell’s, Trey added a new element to the cover since we’d last seen it nearly 300 shows ago. Though an exciting bustout, the song seemed completely out of place following “Esther” in the middle of the second set—another bizarre speedbump in its contour.

6.18.11 (J. Crouch)

The second jam sequence of the half came next in “Piper > My Friend, My Friend.” Wasting no time getting creative with “Piper,” the band launched into a dynamic conversation within the piece’s breakneck textures, and when the band broke things down, the music became increasingly interesting. Mike, Trey and Page joined forces in a whole-band effort that featured equitable contributions, all the while remaining glued to the beat science of Jon Fishman. Responding to each other creatively and with negligible reaction time, “Piper” took on an adventurous trajectory, though when the band seemed to be delving deeper, Trey had other ideas as he started up”My Friend.” One random second-set call was followed by another with a generic run through of “Kill Devil Falls.” By this point, the second half had lost any sense of cohesion. But in a set-saving decision, the band kicked into “Split.”

Focusing their exploratory spirit on a song already known for reaching crazy places, last night, Phish gradually built “Split” into a haunting and hypnotizing show-highlight. Taking the jam far off the deep end, the band forged through several stages of distinctly slow, dissonant and abstract playing en route to a menacing trip through the dark side. Displaying all sorts of patience in this jam, Trey blended into a four-part, psychedelic symphony that engulfed the pavilion with its ever-deepening textures. While the band had no problem getting into this gorgeous, musical lunacy, they did have a bit of trouble getting out. They had brought the jam to such an abstract plane—at one point, with no band members playing at all over a drone soundscape—that they couldn’t quite find their way back from the netherworld into the “Split’s” final build. Getting a bit lost in this attempt, the guys finally bailed on the ending of the song, popping weakly into its final riffs. But anytime the band can’t find their way back to earth because they’ve traveled so far into the cosmos, that’s one kind blemish I can handle every single time.

6.18.11 (John Crouch)

As if Trey put his internal iPod on shuffle last night, the show ended innocuously with “Golgi” and “First Tube” before an encore of “Good Times, Bad Times brought things home. The first set, however, did carry a bit more cohesion. Opening up with two bustouts—presumably from signs—in “Cars, Trucks, Buses” and Frank Zappa’s “Peaches En Regalia” (a song Trey just couldn’t handle) things got off an running in a hurry. The other highlight of the set came in a “Halley’s Comet” jam that was almost let loose. In a strange case of second guessing himself, Trey allowed the band to jam forth from the song’s normal break, getting into some infectious rhythms in a hurry. But before the piece got a chance to get anywhere significant—a jam that Trey, himself, allowed to blossom—Big Red performed a back-alley abortion on the the growing piece, inexplicably starting “46 Days” with his band fully immersed in a groove. We can ask “Why?” until the cows come home, but sometimes there are just no answers. A smoking, old-school sounding “Antelope” closed the opening set with a quick-paced exchange that underlined the band’s current connectedness.

6.18.11 (J.Crouch)

Though I may never listen to this show from start to finish, I’ll certainly revisit the highlights, as Phish had it going last night—though they displayed it in spurts. While far from a face-melting epic, there was still plenty of standout music within Phish’s penultimate show of June to keep everyone happy. An odd show—no doubt—the unexpected, however, comes in many forms, and last night the second set was anything but predictable. But with an arsenal of heavy artillery armed and ready for tonight, something tells me we’ll walk away from nTelos Pavilion slightly more wide-eyed than Walnut Creek. As I gaze across the water towards the locale of the intimate, 7,000-person tour-closer, a blowout lingers in the air. See you on the flip side.

I: Cars Trucks Buses, Peaches en Regalia, AC/DC Bag, Guyute, Possum, Halley’s Comet > 46 Days, The Divided Sky, The Ballad of Curtis Loew, Run Like an Antelope

II: Twist, Rift, Prince Caspian > Esther, Been Caught Stealing, Piper > My Friend, My Friend, Kill Devil Falls, Split Open and Melt, Golgi Apparatus, First Tube

E: Good Times Bad Times

Tags: ,

708 Responses to “No Flow, But Good to Go”

  1. Cheard Says:

    i apologize for those looking for reviews…

  2. Bwana Says:

    shit, cut me off… too much. hilarious though!

  3. MrCompletely Says:

    it couldn’t really be the last show of summer tour 2011 if they didn’t numberline a light jam, now, could it?

    looks like a hoot tho

  4. MrCompletely Says:

  5. Bwana Says:

    yup that’s it MrC… it wasn’t really out of place because we’re getting used to it. ha!

  6. Cheard Says:

    last one…thanks to Phish for the Little Feat and Toussaint channeling of late…

    Don’t Burger That Joint

  7. Bwana Says:

    repost for MrC:

    one of the streamers tonight took off mid-Slave and went to buy a Beach Burger. then at the peak of Fluffhead, he had to go to the bathroom and said “if you ever come to a show here, don’t get the beach burger”!

  8. locust the lurker Says:

    I couldn’t understand why the Slave seemed to be fading into the background. Then I heard the stream dude ordering a burger and a coke.

  9. MrCompletely Says:

  10. MrCompletely Says:

    priceless. even couch tour is getting its own legends

  11. Cheard Says:

    Seriously.. let’s talk about fav versions of songs this tour.

    I’m prejudiced because it was the only one I saw live, but I loved CLT RNR thru Icculus.

    I predict Steam is a big hit out west.

  12. locust the lurker Says:

    I hope they have good burgers at Tahoe.

  13. Bwana Says:

    all burgers aside…

    there were some top notes versions for playback: Crosseyed>Walls, Slave, Sand>Sally, Light

  14. Bwana Says:

    Sand probably the tops for me…

  15. Cheard Says:

    Sand Sally segue sounded super sweet!

  16. MrCompletely Says:

  17. Bwana Says:

    yeah, now you see… pretty fun messin with the burger theme!

  18. Cheard Says:

    Oh no I’m…

    Back at the Burger Shack

  19. Bwana Says:

    the last three nights have reassured me that SBIX will be great musically… i already felt the vibe would be great after reading the Trey and Lars (sculptor/festival art director) interview. i made my plans for SBIX the day before that interview came out. it was perfect timing and just made me even more psyched that i’d pulled the trigger…

  20. Bwana Says:

    Burger on the Brain

    When I jumped off I had a bucket full of chickan
    When I first jumped off I held that bucket in my hands
    Finger-lickin’ goodness all around the world
    I stood and watched the smoke behind the oven curl
    It took me a long time to get chicken off my brain

    Now I’m gone and I’ll never look back again
    I’m gone and I’ll never look back at all
    You know I’ll never look back again
    I turn my face towards the burger man
    It took me a long time to get chicken off my brain

    See my face in the mirror that’s flashing by
    See me standing with ketchup on my chin
    See me running for the burger bar
    I left that bucket behind me and I’ve traveled far
    It took me a long time to get chicken off my brain

  21. David Burger Says:

    I swear it’s my last time…

    Burger Your Face, The Helping Friendly Burger, Gliders, Gotta Jiburger,
    The Burger With, Happiness is a Warm Burger, Burger in the Morning, Burger Time, Burgers en Regalia, You Enjoy My Burger, Ha Ha Hamburger, Alburgerque

  22. DaNcInG fOoL Says:

    new bon iver gets a 9.5 from pitchfork.

  23. Matso Says:


    Of course it does.

  24. DaNcInG fOoL Says:

    must here sand before bed

  25. DaNcInG fOoL Says:

    lol hear

Leave a Reply