Equitable Exchanges

6.18.11 (John Crouch)

Phish punctuated their opening leg of summer with a tour-closing show at nTelos Pavilion that displayed musical dominance from beginning to end. Everything the band touched turned to gold last night, as they greeted the intimate audience with a plethora of four-part conversations in a show whose improvisational creativity and quality song selection never stopped. Finishing tour with a stellar three-night finale, the band left everyone in Portsmouth, Virginia, with a night of top-level playing and outstanding exchanges in a show that flowed beautifully from start to finish.

Official Portsmouth Print (Pollock)

As the band took the stage for the final time in June, they dropped a bomb, opening with “Harpua” for the first time since the 10.20.89! It turned out that the elusive bustout was a vehicle to bring the band’s four fathers on stage for Father’s Day in the most comedic fashion. When the song reached its classic narrative between Jimmy and his father about the fate of his cat, Posternutbag, one by one, each of the band member’s fathers came onstage to narrate part of the conversation. Dr. Jack McConnell delivered the line of the night altering the climactic lyric to the deadpan “Your, goddamn cat died.” A quality start to a special evening, the familial opening continued with the third consecutive Father’s Day version of “Brother,” each time featuring the band member’s kids jumping in a tub with each other while the band played—and laughed—behind them.

But when the family fun concluded, the band got musically serious very quickly with a shredding exploration of “Down With Disease.” Taking the jam for its only first-set ride of tour, the band pushed the song into an adrenalized jam that included creative tangents within. Setting the tone of full-band interplay early on in the night with “Disease, the next no-brainer highlight of the set came a couple songs later in “Timber Ho.” A song that has popped off the stage each time the band has played it this summer, did so once again in one of its most creative outings of tour. Trey laid back allowing Mike and Page direct the onset of the jam, joining in later with refined and meticulous phrasing. Transforming the piece into a completely equitable conversation—something that took place all night long—the band was clearly listening to each other and responding efficiently, gathering musical momentum by the moment.

6.18.11 (John Crouch)

Following the danceable duo of “Wedge” and a particularly gooey “Moma Dance,” Phish debuted Bruce Springsteen’s “Thunder Road”—a song that graced so many of my high school mix tapes—in honor of The E Street Band’s saxophonist, Clarence Clemmons, who passed away the previous day. Though admittedly a bit shaky on the song, Trey told the audience they had quickly learned it out of love—and to be honest—I thought it was an amazing and emotional moment for Trey and so many of us that grew up listening to the Big Man’s passionate playing. Closing the set with “Tube,” “Alaska,” and “David Bowie,” the standout of the three emerged in the patient, four-minded exchange of the set-closer. Page stood out within this “Bowie” while helping steer course of the jam—a trend of recent days as his playing has been at the top of his game. The band’s attentiveness was again on display as they echoed, responded to, and danced around each other’s ideas with marksman-like precision. Typical of the many improvisational passages throughout the show, the band collaborated in the truest sense of the word during “Bowie,” sculpting one of several equitable excursions.

6.18.11 (J.Crouch)

And this type of jamming picked right back up after setbreak as Phish dropped into their third “Crosseyed” of June. This time, however, once the band annihilated the composed grooves of the song like a one-brained assassin, they pushed right beyond them, forging original territory that moved from aggressive playing into a darker experiment. Lingering in the jam’s sonic fallout, the band floated through space into “Walls of the Cave.” In centering the Round Room song in the second set for the first time since the post-hiatus era, Phish not added spice to their setlist, they also infused its jam with creativity for the first time in ages. Without leaving the “Silent Trees” textures, Trey played diverse leads over the driving rhythmic pocket as Page complimented him quite well on piano for the duration. A more honest conversation than the song’s usual guitar wankery, the new-era Phish breathed new life into the post-hiatus song that had turned quite dull by the time 2004 rolled around (with some obvious and notable exceptions.) “Walls” worked great in the second slot last night, and instead of returning to the song’s final lyrical reprise, the band took migrated into an ambient outro that bled beautifully into “Slave.”

Phish’s intimate communication was expressed powerfully in two wholly-divergent second set masterpieces—“Slave” and “Sand.” Touching on the divine and the demonic, though these highlights diverted in feel, they were united by their sublime and selfless jamming. The “Slave” carried a slower tempo than usual, providing each band member plenty of space to articulate his thoughts. What resulted is one of the most patient, emotional and soul-drenched versions of the song that we’ve heard in quite some time. Mike, Page, and Trey led the jam, collectively, and Fishman framed the musical portrait of catharsis. Then, following a “Fluffhead” that worked perfectly well within the set, and featured a gargantuan guitar peak, the band unveiled “Sand”—the show-stopping jam of the night.

6.18.11 (J.Crouch)

If Phish grooves get you off, sit back, crank this and bask in the bliss of this musical crack. Having featured several standout versions of “Sand” this leg, the band punctuated tour with—easily—the song’s most impressive outing of summer. Going utterly ballistic, Phish hopped into a vat of boiling rhythms and came out with one of the most infectious dance sessions of this era. Connecting like they were marionettes controlled by a universal puppeteer, the band played a version that—on playback—resembles a filthy and disgusting joke. Locking into original and cooperative patterns, the guys never hesitated in crafting one of the swankiest joyrides of the season. Trey turned towards distinctly jazzier leads before stepping outside the box with his offerings within the context of a completely original conversation. The band was grooving and they were grooving hard—so much so, that upon the ending of this  next-level jam, the band paused and broke back into the groove they had just left in a move that ignited the crowd into a frenzy.

6.18.11 (J.Crouch)

Slipping into a “Sneakin’ Sally” that moved into “Light” without much of a post-vocal jam, the band kept when the band reached the fork in the road in “Light,” they more than made up for it. Trey veered from his atonal soloing for a more delicate whole-band textures. Allowing their modern-era epic to breathe far more than most versions of summer, last night, the band dropped into a wholly segment of wholly surreal jamming out of “Light.”

The show—and tour—ended on the upbeat trifecta of a delicate “Number Line,” a smoking “Suzy Greenberg” set-closer, and a rocking “Julius” encore. Using these happier songs to resolve a largely ominous set, Phish balanced the tone of their improv well throughout set, and show. Catching fire once again following Alpharetta’s largely contained, webcasted affairs, Phish finished up a spectacular opening leg with three strong shows in a row—a great sign of things to come as we take a quick ten-day break before meeting up again at Watkins Glen. If this summer is going to progress from leg one to leg two in the way Summer of ’09 and ’10 did, boy, are we off to a spectacular start!

I: Harpua, Brother, Down with Disease, Back on the Train, Funky Bitch, Timber, The Wedge, The Moma Dance, Thunder Road*, Tube, Alaska, David Bowie

II: Crosseyed and Painless > Walls of the Cave > Slave to the Traffic Light, Fluffhead, Sand, Sneakin’ Sally through the Alley > Light > Backwards Down the Number Line, Suzy Greenberg

E: Julius

*debut, Bruce Springsteen, dedicated to Clarence Clemmons

***

(I’m taking a couple days off to get back to my family. I’ll be back…)

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1,905 Responses to “Equitable Exchanges”

  1. ohhphee Says:

    @big pat

    Glad to hear you had such a memorable Father’s Day Weekend. This is the stuff that dreams are made of.

  2. kayatosh Says:

    spun last night’s first set (through alaska) while working in the yard. extremely well played. does not sound like a tired band charging for the barn. they sound fresh and patient. timber really jumped out for me b/c of Page’s unique work. more of a jazzier feel.

  3. JMelby Says:

    Thank you Mr. Miner for all your work during leg 1. So much fun to start my day this way and have you put us right in the venue with your reviews.

    Get some sleep man because the SuperBall is right around the corner.

  4. albert walker Says:

    no doubt kaya

    the more medium TEMPO jazzy phish that started to rear it’s head during the new years run in the Sand and Twist seems to be pushed by some fresh Page licks on the Grand piano and rhodes pulling Trey into some great musical conversations

    a lot less auto pilot soloing this tour and more conversed type I

  5. albert walker Says:

    glad you had a great run Butter. the magic of that RnR > Ghost really jumps out on tape. must have been fun kicking it with your daughter for a nice little run.

    looking forward to catching some shows with you kids on your own turf coming up here in a bit.

  6. voopa Says:

    c0w- I saw a post last night that there’s supposed to be a SBIX webcast announcement on the 28th.

  7. butter Says:

    yea, Kaya and AW – Trey at back right away and let that Timber breathe, and we know good things happen from there

  8. butter Says:

    Phish’s intimate communication was expressed powerfully in two wholly-divergent second set masterpieces—“Slave” and “Sand.” Touching on the divine and the demonic, though these highlights diverted in feel, they were united by their sublime and selfless jamming. -Miner

    ^those are my two highlights, described to a tee

  9. angryjoggerz Says:

    what up all, back from a super great weekend in MI, have not heard a note of weekend phish, seems that all was good.

  10. DukeOfLizards Says:

    As always, big thanks to Mr. Miner for everything he does. Just waiting on the wrap-up piece to find out whether June 2011 was any good ;).

    Can’t wait to get home and spin this one. Need to do it before everyone gets home because I WILL tear up when Thunder Road starts.

  11. butter Says:

    of note: last year Slave was in the two hole for set 2 at this venue, this year it gets the three slot

    love the creativity – of not putting Slave in the obvious spot, then some latter second set jamming

    two nights ago, late jamming in the second with Split, also

  12. butter Says:

    ^Trey sat back right away and let the Timber breath

  13. guitarpicker420! Says:

    Got a nasty storm just sitting right on top of us. Tons of thunder and lightning. Lots and lots of rain. Not going to have to water the garden for a few days for sure.

  14. guitarpicker420! Says:

    Got six sources to review for MPP2. Hopefully they sound better than MPP1 sources.

  15. negev79 Says:

    Morning everyone! Thanks for all the reviews Miner! Glad to hear you’re going to spend some time with family, I suspect they miss you!

    So, I am uploading a “best of Leg 1” mix for some friends, including one for whom the Gorge will be show #2 (though it will be the first one she will really be open to, musically speaking). I currently have 75 (!) songs, not counting anything from last night. Here’s the list – again, appreciate opinions on glaring omissions:

    Bethel 1:
    Tweezer
    MFMF
    Wolfman’s
    Walk Away
    Stash
    KDF
    Carini
    BOTT
    Boogie On
    Waves
    Caspian
    CEP

    Bethel 2:
    Cities
    Halley’s
    Jim
    Gin
    BDTNL
    Makisupa
    Hood

    Bethel 3:
    Light
    Slave

    Holmdel 1:
    Sand
    After Midnight
    Possum
    Drowned
    Maze
    Split

    Holmdel 2:
    Seven Below
    Tweezer
    No Quarter
    Twist

    Pine Knob:
    DWD
    Fluff
    Bowie

    Blossom:
    Possum
    Steam
    Piper
    Lizards
    Sally
    Hood-Have Mercy-Hood
    Zero
    Slave

    Cinci
    Mound
    Tweezer

    Great Woods
    Rock and Roll
    Mango

    Darien
    Golden Age
    Mike’s
    FEFY
    Weekapaug
    WTU
    Theme
    2001
    Hood

    MPP
    Reba
    On Your Way Down

    Alpharetta 1
    Gin
    LUOLMA
    Sand
    DWD
    Maze
    Bug

    Alpharetta 2
    Timber

    Charlotte
    Rock and Roll
    Ghost
    Reba
    Icculus

    Raleigh
    Split

  16. kayatosh Says:

    love when trey trusts and listens to his mates.

    have a great week, folks. I probably won’t be around here much until friday.

    PEACE

  17. guitarpicker420! Says:

    negev – you need to get ruthless with your best of list. Try to cut it to 3 or 4 hours max. Editing really will do wonders. There are tons of highlights for sure, but just try and cut it back and see how it comes out when you are done.

  18. angryjoggerz Says:

    CDT from DTE is a glaring omission, imo

  19. Corey Says:

    Man, that nTelos show…Whattaburger!

    Beginning Bethel in its entirety…summer’s here for this teach…Mondays off, kick.

  20. negev79 Says:

    But it’s so hard to leave anything out! 🙂

  21. albert walker Says:

    I love Bethel DWD too. great jam overshadowed by the DTE monster.

  22. albert walker Says:

    Bethel Crosseyed is real sick too

  23. angryjoggerz Says:

    Gotta have some rules in those playlists – how about one version of each song only? Tough choices!

  24. ma Says:

    Beautiful night. Happy for everyone!!

  25. guitarpicker420! Says:

    I’ll have my best of list up on mediafire after I finish reviewing all the sources. I’m kind of looking forward to it, haven’t done that with the blog before.

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