Third-Set Thunder

7.1.11 - Watkins Glen (Graham Lucas)

Of all the stellar musical sequences that took place over Super Ball weekend, the opening segment of Saturday night’s third set—”Golden Age” > “Caspian” > “Piper” > “Tweezer”—represents one of the improvisational best. Combining four flowing and creative pieces, the band kicked off the nighttime festivities with a run of music that showcased a broad spectrum of their styles while blowing just about everyone out of the water.

7.3.11 (G.Lucas)

It’s no coincidence that “Golden Age” has emerged as one of this era’s defining covers. Lyrically poignant for Phish’s modern renaissance, this song has grown in each outing since its Albany ’09 debut (11.27), and this summer “Golden Age” has broken out of its shell. In Darien, not only did the band take the jam further than it had ever gone, the song became the theme of the set, reemerging prominently in “Weekapaug” and “2001.” But when the guys dropped into the dance anthem at Super Ball, the piece took on a whole new life. Transcending the rhythm grooves that dotted Darien’s excursion, Phish explored demented and percussive planes while launching into genre-defying improv at Watkins Glen. All of a sudden, the fun cover became a trampoline into the void as its jam became more abstract and psychedelic by the minute. Mike completely owned the latter portions of this piece, acting as the musical rudder while Trey and Page bubbled at the water’s surface. Fishman’s quickened and precise break-beats bordered on inhuman as the band delved into a tightly-laced musical jigsaw puzzle. And each piece was exactly in the right place.

Upon conclusion of “Golden Age’s” adventure, Phish dropped into “Prince Caspian” but, applying their teeming creativity to the song, played an alternate take of the usually straightforward ballad. Trey started his solo with less notes, carrying each out for longer and creating an incredibly emotional feel over the band’s slowed, festival-sized canvas. But instead of bringing the song to a peak, Trey backed off and the band moved with him into a more delicate conversation. As the band brought the piece down an intricate path, Trey briefly hinted at the heavy chords that typically end the song, before they slid right into “Piper” without stopping.

Watkins Glen (Graham Lucas)

Phish barreled forth with enormous energy built from the set’s opening combo, and “Piper” took little time to reach soaring planes. As soon as the lyrics ended, this version burst wide-open with instinctual jamming—the kind where the music commands the band and all becomes one energetic blur. Chugging as a single-minded monster, the guys poured laced this high-paced jaunt with passionate interplay. Mike continued his mastery with accelerated bass lines that bled musical darkness. Trey fed off Gordon’s energy, soon sprouting melodic cries while Fishman annihilated his set like there was no tomorrow. Page filled in on piano and the band was off and sprinting through fields of psychedelic debauchery. As Trey inserted rhythmic chops to ease the mania, the band leaped on his idea, creating sparse and connected percussive textures. But before long, Phish collectively constructed another wall of sound—a wall that Trey tore down with the opening lick of “Tweezer.”

Super Ball (B.Ferguson)

From the get-go, this “Tweezer” had IT. Infused with creative fills, hits and stops during the composed section, when the jam dropped everyone knew things were gonna’ get buck wild. Dripping with over-sized grooves and an aggressive growl from Big Red, the band applied their retro-stop/start jamming to this festival sized monster, creating even more gooey, rhythmic tension. This was one of those versions that one lived rather than listened to—the shit was just raw. And as the colossal textures threatened to envelop the concert field, Trey initiated a pattern of seething guitar cries—which he echoed himself—before chopping the jam with his seismic, orbit-altering effect and oozing into jam’s next segment. Mike twisted teases of “Scents and Subtle Sounds” into this mellower groove as the band methodically moved towards a guitar-led build. The piece seemed to be winding to natural conclusion, but Trey jumped the gun a bit, rushing into the beginning of “Julius.” But after a such a stellar four-song run, everything else felt like gravy.

Though Sunday’s show would prove to be a more complete effort through and through, this segment from Saturday’s night’s third set provided one of the unquestionable high points of Super Ball’s unforgettable weekend.

The age of miracles.
The age of sound.
Well there’s a Golden Age
Comin’ round, comin’ round, comin’ round!

=====

Jam of the Day:

Piper > Tweezer” 7.2.11 III

The latter half of this next-level run of music.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Tags: , ,

465 Responses to “Third-Set Thunder”

  1. Mike in Austin Says:

    Reality. What a concept.

  2. Phamily Berzerker Says:

    Reality is a nice place to visit but living there has its challenges…

  3. BrandonKayda Says:

    Truth.

  4. tela'smuff Says:

    for you night owls, i’ve found another internet toy to play with. turntable.fm

    i’m playing some ambient and post-rock tunes as i work late into the night, as usual.

    http://turntable.fm/ambientpostrock

  5. themanatee Says:

    shiva shakti tantra

  6. Robear Says:

    Duke, SBIX Ghost is an amazing piece of music.

  7. chefbradford Says:

    Agree with Duke and Rob (Robear seems to read my mind, often before I’ve heard something, and explain exactly why I like it and why it’s fucking awesome)

    I also had an instructive time IXthis afternoon in which the SBIX “Simple” revealed itself to me in all its glory. Holy shit. What a glorious rendition of ANY song, let alone one so seemingly silly

  8. voopa Says:

    Agreed. SBIX Simple tells the mysteries of the universe.

  9. chefbradford Says:

    And don’t get me wrong, I love Simple, have always loved it, but lately it’s become a song whose lyrics/composed section I FF> through. This one is a fucking keeper though. (Although I’ll probably still usually skip through the lyrics)

  10. chefbradford Says:

    Miner mentioned a day or two ago in the comments that most people seemed to gloss over the SB Simple. That just doesn’t compute for me. What an absolutely wondrous telling of the song.

  11. BrandonKayda Says:

    SBIX Simple reveals the purpose of the moon.

  12. BrandonKayda Says:

    An hour has passed.

  13. mitch Says:

    Did anyone have room from Reno to Tahoe? We fly in the morn of the show. Anyone going from hbowl to Tahoe?

  14. mitch Says:

    Also, someone offered a ride from Tahoe to sf. Can’t remember who tho.

    Burnout’d. Should really be writing this stuff down.

  15. DukeOfLizards Says:

    Burnout’d. Should really be writing this stuff down.

    Should also be posting today’s thread.

Leave a Reply