A Stunner To Start Off

8.5.11 - "Rock and Roll" (Graham Lucas)

Without missing a beat, Phish stepped onto the Gorge’s stage—the grandest of tour—and played one of the magnificent shows of 2011. Building directly off of their white-hot momentum of Super Ball and a furious opening leg, the band showed us that the best part of summer is just beginning. Showcasing an improvisational patience that the Gorge always brings out of them, Phish never wavered—nor skipped a beat—for the better part of an hour in the second set, crafting a masterful sequence in “Rock and Roll -> Meatstick -> Boogie On” that jumped right onto the top shelf of summertime adventures. And with plenty of other standout music to offer, last night’s performance has to be considered one of the band’s defining nights of the year.

8.5.11 - Graham Lucas

At the center of this sequence, and the show, stood a gargantuan “Rock and Roll” that blended so many styles of Phish’s past through their razor sharp jaws of today and came up with music to behold. Infusing the exploratory gem with a hefty dosage of “Storage” jamming—including a stint with Page on Theremin—Phish stepped to Leg Two with the most compelling piece of music we’ve heard since Detroit’s “Disease.  But any musical comparisons would end there. This was a different monster altogether. This was the Gorge. This jam dropped into half-time—and into a distant universe. In this jam, Phish coyly crept upon menacing “Black-Eyed” teases amidst liquid textures, pushing minds to the brink of explosion. In this jam, the band actualized and integrated so much of what they have been honing in on stylistically—and then pushed right beyond it into new frontiers. Within this 20-minute jam, Phish realized so many aural fantasies of mine it would feel too intimate to go on much further. In short, this “Rock and Roll” represents a seminal piece of improv; a piece that on the first night of tour that stomped a new foot forward for a band that won’t stop making musical leaps and bounds in front of our eyes.

8.5.11 - The Gorge (Graham Lucas)

And they were hardly done there, segueing energetically into “Meastick,” Phish just kept bringing it, allowing their chops to take them where they may. Honestly, the songs seemed completely secondary at this point in the show, as the guys were tapped into IT on a stratospheric plane. Songs emerged as natural outgrowths of musical conversations, not because anyone cared about the setlist or curfew. This was Phish on top of the world again. And what better view of the band’s technicolor multiverse than the wide-open vistas of the Columbia River Gorge. Everything I dream of about Phish at the Gorge—patient jams where creativity is the only muse—took hold last night, and left the crowd with a show to be reckoned with to kick off Leg Two.

8.5.11 - The Gorge (Graham Lucas)

And there was so much more. There was the dripping psychedelia of a stunning, first-set “Roggae” that saw the loose and exploratory vibe descend from overhead. There was the phenomenal “Bathtub Gin” that kick-started  the second half of tour, in earnest. There was the intricate and introspective “David Bowie” that brought nightfall to the Gorge. There was the gorgeous “Farmhouse” that resolved the second-set’s odyssey and was backed by bouncier basslines, giving the song a reggae feel. And then there was the cathartic “Show of Life” under a Washington heaven as Trey’s guitar solo likened a child reaching for a falling star. A crunching “Zero” put an exclamation point on a set that exists as “must-hear-now” for every Phish fan on the planet.

Something about opening nights of tours have always gripped me. Whether or not they turn out to be one of the best nights of tour, openers always seemed to possess gritty improvisational memories. Whether it be “Tweezer -> California Love” from Portland ’98, “Bathtub > 2001 > YEM” from the Palace in ’99, “Free” from Bonner Springs ’99, the “Stash” from Vegas ’97, openers have always shot improvisational daggers. But rarely in their history has Phish put together such a prolific set together to kick off a run. Building off Bethel’s summer-opening blowout, Leg Two has started with one of its own. But this one is only half way over…

I: Kill Devil Falls, The Wedge, Bathtub Gin, Nellie Kane, My Friend, My Friend, Cavern, Taste, Roggae, Walk Away, Funky Bitch, Roses Are Free > David Bowie

II: Backwards Down the Number Line, Rock and Roll* -> Meatstick -> Boogie On Reggae Woman > Farmhouse, Show of Life, Julius, Character Zero

E: Loving Cup

*Page on Theremin

Official Gorge Print (Brad Klausen)

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684 Responses to “A Stunner To Start Off”

  1. ThePigSong Says:

    is there a name for that twisty slingshot riff that Trey does all the time? Most notably in the MSGhost and last nights Gin, but it’s all over every era in all different speeds.

  2. ThePigSong Says:

    ^ I obviously don’t play music

  3. butter Says:

    got it, couldnt hear what he was saying, thought it was something other than RnR

    they could use a twenty minute track time anyway 🙂

  4. BrandonKayda Says:

    I think I know the exact lick you’re talking about @Pig. Seriously. 6:18-6:25 ish on last night’s Gin right? It’s in the Gorge 09 Gin too, and every jam ever.

  5. ThePigSong Says:


    beautiful, I need to do this run next time.

  6. RamblinMind Says:

    RnR (7:00) > Gorge Jam (10:00) > RnR Reprise (00:15) > Gorge Jam (5:00)

    Problem solved. Lou Reed gets 15 seconds of royalties for Mike’s outburst

    (haven’t heard it yet so have no idea when mike starts singing)

  7. ThePigSong Says:

    yeah Brandon, not sure how to phrase it. He definitely plays the same-ish riff everywhere. I’ve been thinking about it for years and wondering if people call it something other than the twisty slingshot trey riff.

  8. DaNcInG fOoL Says:

    hammer ons and pull offs?….

  9. DaNcInG fOoL Says:


  10. ThePigSong Says:

    sure dude, like I said I don’t play any instruments in front of people. So basically I have no idea what you just said 😉

  11. ThePigSong Says:

    and yeah I guess it’s a lick not a riff bk

  12. dusty Says:

    Seun Anikulapo Kuti & Egypt 80 is solid. Caught them live last month to my delight. Enjoy the show tonight all. Pliny and plumberry for me.

  13. DaNcInG fOoL Says:

    lol it’s like one of the most basic guitar techniques

  14. BrandonKayda Says:

    I hear a similar lick a lot in the RnR jams in like 09-10 before it’d go into the typical funk percussion part. It’s hard to explain but when i hear it i can point it out. I’ll find an example sometime tonight

  15. ThePigSong Says:

    that’s so funny!

  16. Bigjig Says:

    Gorge Ghost has a nice ring to it!

  17. Bad Nirvana Cover Band Says:

    jig, at the lower booth tonight. might get walked into your vip.

  18. DaNcInG fOoL Says:

    woah i just realized that bad nirvana is a pseudonym

  19. Bigjig Says:

    K do it. Pretty easy

  20. Gavinsdad Says:


  21. voopa Says:

    Wow, Shannon Sharpe was fantastic on the HOF ceremony just now.

    Oh, and he’s still going, big surprise 🙂

  22. butter Says:

    bigjig back on tour…..

  23. brother Says:

    After listening to this r n r a few times thru now i definitely hear the floyd-esque sounding “careful with that axe eugene” sound there for a bit, then into some bethel waves soundcheck type of jamming, then into that last dark funky explosion unlike anything i’ve heard….incredible.

  24. Bigjig Says:

    Like I was twenty again. Except this time I don’t have to sell shit! Super custy

  25. ThePigSong Says:

    just schooled myself on hammer on and pull offs – seems like it’s a technique more than a specific arrangement of notes. Trey may utilize the technique, but I believe the flow is fairly unique.

    can you practice the hammer on and pull of on any sequence of notes?

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