Taking a fantasy-like setlist and tearing it to shreds, Phish crafted a larger-than-life dance party on Saturday night in the greatest venue on Earth. Focused on wide open-dance grooves to match the Gorge’s vast surroundings, Phish threw down a rhythmic juggernaut on the second night of tour; a perfect yin to the exploratory yang of tour’s opening night. Anchoring the second set with two-massive dance excursions in “Tweezer” and “Sand,” the band threw down dueling crack-like groove sessions set that will need to be relistened time and time again to be fully appreciated. However, the entire second set deserves a full run down. so let’s get to it.
After a rocking “Chalk Dust” opener, “Tweezer” cracked open the second-set fiesta with an carpet bombing of chunky grooves that, on the Gorge’s massive, open-air sound system, sounded like a slice of heaven. A sonic aura that can not be replicated by soundboards and only approximated by audience tapes, poured onto the crowd like nectar from the gods. Laced with phenomenal interplay between Trey and Mike, the band oozed with attitude and triumph through a throughout this soul-cleansing romp. Then—building off of this mountain of rhythmic narcotics—Phish morphed from a snarling exercise into a melodic, four-part exchange that added introspective intrigue into the mix. Taking their time to work through this section, the band built an eventual bridge into “Prince Caspian.”
Favoring the song’s classic, guitar-solo contour, Trey tore into this “Caspian” like he hasn’t in some time while the band has, more often than not, taken the piece in variant directions. Skirting the song’s final chords, Phish drifted into an ethereal texture towards that, surprisingly, merged with “Sand.” And at this juncture, we met our second sky-scraping dance escapade of the set.
A rendition that fused “Sands” past and present, last night’s outing featured an amalgam of styles. Embarking on this ocean of rhythmic adventure, Trey likened refined jazz player, but by the end, he assumed his rightful position as the world’s greatest guitar assassin. Taking the band out with some of the most laid-back funk stylings you’ll ever hear, and drenching the music with a swanky, James Brown sensibility, Trey laid down a ridiculously infectious opening. The piece’s recent jazz-proclivity shone as it built, peaking in a series of atonal rhythm chords by Trey before he annihilated the “Sand’s” final sequence with a six-string assault. And then—at the top of the jam—Trey wove in the “Tweezer” lick and brought the band—legitimately—back into “Tweezer!” A completely head-bursting maneuver had the crowd in dribbles as the band slowed back into the chunky groove. But just as soon as they had pulled-off the unprecedented move and seemed headed for the Storage shed, they pulled the rug from underneath the experimental direction in favor of a heat-seeking “Birds of a Feather.”
A brief exhale of “Waste” made way for…“Golden Age!?” This time around, the band employed the base-song only as a set that featured one surprise after another still had one of its best yet to come—a unexpected late-set, left-hook in “Reba.” A delicate and majestic build matched the environs congruently as as Trey ripped off one enchanting, perfectly phrased lick after another. A cool breeze blew through the amphitheatre as if cued by Kuroda, enhancing an overwhelmingly blissful late-night scene.
To wrap up a set of dreams, the band closed with a “medley” style “Antelope” into which “Reba,” “Tweezer,” and “Sand” were teased in the intro before “Antelope’s” ferocious jam passed through a “Golden Age” section, summing up all the major points of a spectacular set of music. Stringing together creative versions of their classic songs, last night turned into a cathartic celebration of Phish groove. And that exact vibe highlighted the opening set, taboot.
An syrupy, early-show, “Moma” immediately brought memories of the previous night’s musical pornography that was “Rock and Roll,” using the piece to artistically bridge both shows. At sunset, Little Phish came out to play with a thick version of “On Your Way Down” that featured a guitar solo for the ages. And then, upon the onset of night, came the opening half’s defining jaunt in “Wolfman’s -> Maze.” Another in the emerging series of “Wolman’s” jams that depart from funk grooves and move into unique explorations of their own, this rendition passed through a tease of Led Zepplin’s “Heartbreaker” and a subsequent staccato funk breakdown before passing through a darker realm and into a scorching “Maze.” Finishing the first set on the old-school tip, the band paired “Wilson” and “Fluffhead,” punctuating an impressive opening frame.
Each of the past two summer tours, the band has made monumental leaps from leg one to leg two, but after an incredible June run and Super Ball, I wondered if a similar quantum leap was possible in 2011. Well, Phish came right out of the doors and answered that question with, arguably, their two best shows of the summer—an explosive start that few could have imagined. But if there is one virtual-objectivity that we were reminded of after a year’s absence is that there is no venue on the planet that speaks to Phish like the the Gorge. But, nonetheless, I’m willing to travel south to see what this Hollywood Bowl is all about! Plus, we have plenty to listen to in the meantime.
I: Possum, The Moma Dance, Sample in a Jar, Limb By Limb, Ocelot, Poor Heart, On Your Way Down, Wolfman’s Brother > Maze, Wilson, Fluffhead
II: Chalk Dust Torture, Tweezer > Prince Caspian > Sand -> Tweezer > Birds of a Feather,Waste, Golden Age > Reba, Run Like an Antelope
E: Suzy Greenberg, Sanity, Tweezer RepriseTags: 2011, Summer 2011