The Elements of Phish

8.15.11 - UIC Pavilion (Michael Stein)

What happens when you get Phish out of California, put them in a tiny venue in Chicago and let them loose? Well—last night happens. Scripting another page in their rich history at UIC Pavilion, Phish sculpted a top-shelf second set defined by free-form jamming and stunning original interplay. One of their most musically adventurous sets of the year was comprised of song selections that represented Earth’s classical elements in “Sand,” “Light,” “Dirt,” “Waves,” “Steam,” and “Fire.” And with the set’s final piece, “Undermind”—a song whose self-referential lyrics rang the truest since Hampton—Phish was the symbolic fifth element in a universe where all things felt aligned again.

Official UIC Print (Grzeca)

Taking the audience on a non-stop journey through the depths of psychedelia, Phish plunged into the unknown time and time again during a set that has to be considered among their finest efforts of the year. Playing comfortably on the astral plane, Phish danced more than a few spiritual jigs last night in a second set that flowed as naturally as ever. It’s tough to discuss any single highlight of a musical experience in which the entire whole stood out. Each piece, while magnifying different aspects of the band’s repertoire, was tied together with remarkable cohesion as the band migrated from one musical plane to another as naturally the patterns of the Earth.

Starting with the sinister swank of “Sand” the band showcased their one-minded playing with a heroic dose of Phish groove. The band took the song far beyond rhythmic gymnastics however, as they moved right past the song’s conclusion into a hard-edged ambiance. Amidst this context Mike and Trey had an eerie, one-on-one conversation that gradually brought the band towards “Light.” And after a small time off from being the band’s central portal into the center of the cosmos, “Light’s” two versions of tour have been exactly that. Taking last night’s piece into the heart of modern Phish experimentation, Mike stood at the center of an intergalactic jam. As the band pushed eclectic and alien boundaries, the wide-open style of play that defined the jam would soon come to define the entire set.

8.15.11 (M.Stein)

Whispering through “Dirt,” the band’s spirit of exploration came right back into play in the to-die-for sequence of “Waves -> Undermind > Steam.” The band followed its musical senses wherever they led them, never altering their natural flow for a moment in one of the year’s most endearing improvisational segments. The band spilled out of the lyrics of “Waves” with a delicate-turned-ferocious groove in which Fishman and Mike set the stage for Trey join in with seething accompaniment. And the groove that the band dropped into at this juncture was pure magic. This dark escapade, more than a few times, seemed heading for “Timber Ho,” but Trey took everyone by surprise as he layered the lyrics of “Undermind” seamlessly over the bands undulating patterns. And out of this song—so lyrically poignant at this stage of the game—came some of the most magnificent music we’ve heard this year.

8.15.11 (M.Stein)

Trey has routinely said throughout his career, that he feels that musicians are vessels for universal music and vibrations that already exists among us. The musician’s job is to get his ego out of the way so this tidal wave of universal sound can flow through him and enlighten the audience to this common realm. And within a tour and era where this egoless state hasn’t been readily attainable on a show-to-show basis, last night it most definitely was; the music coming from “Undermind” is the only proof you need. (Though the entire set will provide more than a few mind-numbing illustrations). Flowing naturally from the song’s textures into a totally transcendent reality, spirits merged within the sweltering psychedelic storage shed of UIC. And when this spectacular journey was seemingly winding down, the band continued jamming with purpose, gradually transforming the piece into “Steam.”

8.12.11 (E.Battuello)

Placing their newest song in its most significant slot yet, the band dripped through “Steam”— a landing point that seemed perfectly fitting within the inhumane temperatures and humidity of UIC. The band had just melted our faces with four centerpiece jams, and then used Jimi Hendrix’s “Fire” as a musical victory lap around the pavilion. Adding the tongue-in-cheek cap on a thematic set of “jamming with the elements,” Phish left nobody begging for more when this set ended. But there was a lot left to come.

With an all-killer-no-filler second half, the band, apparently, pulled up a bit short of curfew. Performing an unprecedented quadruple (or quintuple) encore that featured “Camel Walk,” “Guyute,” and a monster version “Harry Hood” as the cathartic exclamation point, the band left it all onstage last night in the heart of Chicago.

With communication divine, the band took their audience on a musical journey into the heart of the present moment in Phish’s world. With a lens on new styles and experimental jamming, the band brought the Midwest up to speed with one of their most impressive performances of 2011. Delicate and soulful, yet demonic and cutting-edge, UIC’s opener showed what the band is capable of right now. And for those who liked what they saw, you’re in luck, there are two more nights to go…

8.15.11 (M.Stein)

1st Set Notes: A slow-starting first set blasted off in earnest with an incredibly creative take on “Wolfman’s Brother.” Building the groove into uncharted ground, Trey laid way back as the rest of the band formed an emphatic rhythmic template. Slinking into the mix one note at a time, soon Trey stood atop the jam leading the troops to glory. But the journey between these two points is quite astounding. Balancing the experimental grooving of “Wolfman’s” with a classic dose of bliss, the band unveiled a first-set “Reba” that sailed through tranquil waters with with unparalleled band-wide interplay. In addition to playing a particularly shreddy “Alumni Blues” to end the first half, the guys also unveiled Mike’s most promising song in a while, “Babylon Baby.” What seemed at first like quirky Gordeaux horse-hockey, upon re-listen, really has substance. Coming pre-loaded with a whole-band launch pad, it will be interesting to see if song sticks around.

I: Back on the Train, Rift, Guelah Papyrus, Scent of a Mule, Jesus Just Left Chicago, Wolfman’s Brother, Anything But Me, Babylon Baby*, Reba, Alumni Blues > Letter to Jimmy Page > Alumni Blues

II: Sand > Light > Dirt, Waves -> Undermind** > Steam > Fire

E: Camel Walk, Guyute, The Horse > Silent in the Morning, Harry Hood

*debut, **Page on theremin

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1,414 Responses to “The Elements of Phish”

  1. albert walker Says:

    Similar to gorge 1 where a single jam is sick enough to carry a set.

    Fiery legit YEM too.

    First set had a real beauty limb and a great rendition of my girls fav let it loose

    Fun well played more song based affair with a killer centerpiece DWD and great YEM

    Had a blast but under 3 hours of sleep second day straight is taking its toll

  2. albert walker Says:

    7 below
    Tweezer
    Ghost
    RnR
    Drowned
    Simple
    Timber
    Mikes
    Week

    Very interesting group of jam vehicles left.

  3. Kdub Says:

    Loved both nights. And I was on couch tour. Think a lot of you have lost the openess you had when you started listening to this band.

  4. Cable Hogue Says:

    You’d think a Mike’s>Simple>Weekapaugh would be an odds-on favorite for tonight.

    Simple is one of my very favorite jam vehicles, but I’ve gotta say, I don’t really mind it going into such a long rotation….make it special when it drops and all. But the typical contour of that jam is so perfectly suited for the kind of textures and colors they’ve been giving the improv lately.

    Maybe Piper tonight also?

    My call for tonight: After Midnight opener and an even longer encore…..

  5. Cable Hogue Says:

    Chance of Possum tonight: %85

  6. Luther T. Justice Says:

    It wouldn’t be 3.0 Phish if they didn’t throw in a Possum during a 3 night run. I predict the return of TTE tonight bitches! In and out focus, time turns elastic.

  7. EL Duderino Says:

    Frontera is a great place to eat.
    Y’all should go before you leave town.

  8. EL Duderino Says:

    @ aqua

    I feel # Line is played out. Unless we get a Bethel style jam in it.

  9. EL Duderino Says:

    Jibboo is another to add to that list

  10. albert walker Says:

    Forgot about

    ASIHTOS
    Scents
    Pebbles

  11. fat bastard Says:

    if monday was a 10 last night was a 7

  12. albert walker Says:

    Depends how you look at it FB

    Considering how little truly longer morphing several themed jams we’ve gotten I’d say that DWD alone makes it a great show to see.

    Def had a more typical 2011 feel but that DWD was the straight bizness. Why I go.

    haven’t spun it yet but def a jam of the run contender

    agreed though def lacked the flow and heat throughout of night 1

    but damn that DWD was sick

    Sally
    Birds
    left too

  13. Esteban Says:

    Nice lists, @AW. Many will be pleased if even just a few of those hit

  14. fat bastard Says:

    yeah im just tired and cranky

  15. phoammhead Says:

    how was the let it loose?

  16. albert walker Says:

    sick phoammhead

    page killing it all run

    I’m thinking Drowned set II opener that gets storage stylee treatment

  17. fat bastard Says:

    i thought let it loose started great and then fell a little flat. but i loved that they played it.

  18. phoammhead Says:

    good to hear, adub. bustout, for sure.

  19. dbone Says:

    does anyone know what’s up with downloads for UIC? (not lp and not torrent – can’t do that from work) No no spoilers or anything else – though I haven’t looked too much. any links or info would be much appreciated.

  20. phoammhead Says:

    try yawningdrone dot com to stream audience, dbone

  21. albert walker Says:

    I didn’t hear that at all. I mean at Indio Page had monster back up singers filling in the space that is on the album so trying to pull it off without the huge harmonies was a risk and he nailed it IMO. I thought it was great.

  22. DryIceFactory Says:

    So by my evaluations, (PrincessP stream last night only) Disease touched upon (in this order)

    Timber
    Piper
    No Quarter
    2001
    and some sounds that resemblemed WTU

    Down with Disteaser.

  23. dbone Says:

    thanks phhead. i’m new to this interwebs thing 😉

  24. albert walker Says:

    Def had the we’re gonna do what we want more song based feel last night. Ha Ha Ha and Mexican Cousin were played from signs and I didn’t know is always kinda silly.

    Trey seems to be love with WOTC lately.

    Def one of those shows that doesn’t quite work for me setlist wise but cuz of the high level of playing and sick Trey leads it still works for me.

    Obviously the DWD also makes the night.

  25. albert walker Says:

    and def one of the stronger YEM’s of 3.0

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