The First “Four-Song Set” of Fall ’97

Fall '97 Advertisement

Fourteen years ago tonight, Phish stunned an undersized audience in West Valley, Utah, with their first four-song set of Fall ’97. Fans were left counting songs on one hand after the last notes of “Slave” crashed down, and what we had witnessed was the beginning of history. Phish went on to play several more four-song masterpieces that Fall and beyond, but with Utah’s second set—a frame that featured creative jamming on songs old and new, and the onset of several fall tour trends—the golden road of Fall ’97 was just getting started.

Following a truly stellar first set, the band came out to open the second with “Wolfman’s Brother.” The last we had heard from the song was the epic Great Went version and when the guys began taking this set-opener into uncharted waters, one couldn’t help but think back to the Limestone’s monster. Pushing far beyond the funk in consecutive renditions, this final stages of this jam sounded, momentarily, as if it might land in “Simple,” just as its predecessor, but the guys crafted a melodic bridge into “Piper” instead. This “Wolfman’s” jam was a significant signpost at the beginning of the road of Fall ’97, as its foray into a deeper, groove-based psychedelia began an evolution of “funk” jams from summer’s less refined pieces into the multi-faceted excursions that became a signature of the fall. Additionally, “Wolfman’s,” itself, would blossom into reliably exploratory vehicle by tour’s end.

The band had debuted “Piper” in Europe at the beginning of the summer and it quickly became a staple of setlists throughout the season. After the previous night’s “Mike’s Song” in Las Vegas sounded as though it might merge with the new school piece, Phish used it as the landing point of a more profound jam in “Wolfman’s Brother.” Still (most often) consisting of a drawn out intro and a raucous, though circular guitar peak, the band tore through a climactic version of greater magnitude than we had heard in the US that summer, and this proved to be the onset of another emerging beast. “Piper” dissolved into its kindred song, “Twist,” and it would be this jam in which Phish dove into the cosmos.

Fall '97 (C. Taylor Crothers)

Navigating the jam’s groovy textures and far beyond into original planes, Phish gradually worked their way into space.  As the band reached a wildly abstract soundscape, Trey tore into a soul-bearing guitar solo that spoke to a new stylistic paradigm—Fall ’97’s psychedelic spectrum was just beginning to develop. Staggering in both sound and scope, it felt as though the band had broke through a portal in space-time and Trey was offering universal information in a seething, six-string prophecy. Finding into a different dimension than many summer jams, this psychedelic abstraction foreshadowed a far more expansive style that would grace so many jams of fall. Dark though deeply spiritual, this version of “Twist” warmed the psyche of fans to centerpiece jams that would routinely transcend funk during Fall ‘97—a tour that gets too often pigeonholed as Dance Party-only.

Fall '97

And to resolve the creative madness that had ensued since Page’s opening notes of “Wolfman’s,” Phish dripped into a massive version of “Slave,” rounding out the four-song suite. More nuanced than the linear builds of many “Slaves,” this version concluded the set with exclamatory beauty and drama. Jams were huge on this night in Utah and fans were floored. It was only the second night of tour and it felt like Phish had elevated their game from an amazing summer with a deep and cohesive adventure into a parallel universe. The band’s four-song set in Salt Lake City— 14 years ago tonight—immediately raised the bar for Fall ‘97, and provided a starting point for so many of the tour’s iconic show to build from.

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Jam of the Day:

Twist > Slave” 11.14.97 II

The second half of Utah’s early-Fall explosion.

[audio:http://phishthoughts.com/wp-content/uploads/2011/11/2.03-Twist.mp3,http://phishthoughts.com/wp-content/uploads/2011/11/2.04-Slave-to-the-Traffic-Light1.mp3]

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The Mimi Fishman Foundation’s Online Charity Auction

The Mimi Fishman Foundation

The Mimi Fishman Foundation has launched a new charity auction that features many items including ticket packages to the end-of-year, sold-out Madison Square Garden shows. The online auction is currently live with the bidding period closing on Thursday, December 1st. Proceeds from this auction will benefit the Delta Gamma Center for Children With Visual Impairments, Phish’s WaterWheel Foundation, as well as the Vermont flood victims.

To view and/or bid on the auction, as well as read about the charities the auction supports, please visit the Mimi Fishman Foundation Auction Page.

In addition to the MSG ticket package, other items up for auction include:

  • Signed Summer Tour 2011 posters
  • Greek Theater Pollack Package: A numerically matching set of the three Pollock prints from the Greek Theater shows in 2010
  • A signed poster from the recent Phish Vermont benefit (9/14/11)

http://www.mimifishman.org/auctions/

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846 Responses to “The First “Four-Song Set” of Fall ’97”

  1. EL Duderino Says:

    sorry to hear PB… hope all goes well.

    Telas’ is so god damn tall too, se he’s easy to follow

  2. tela'smuff Says:

    vibes PB!!! big vibes.

  3. kayatosh Says:

    http://bt.etree.org/details.php?id=548362

    ^^^ 9.14.2011.

  4. EL Duderino Says:

    someone just put up a matrix of TAB @ 10/08/11 Ram’s Head on the ‘nerd fwiw in lossless

  5. Leo Weaver Says:

    Good vibes on the way @PB…he’ll be fine, my grandpop has that done every 5-6 years it seems.

  6. SillyWilly Says:

    Best to you and yours PhamB!!

    we’re here if you need us

  7. kayatosh Says:

    fully wooked out listening to 9.14.0211 BDTNL. some tasteful whale and a shreddy crescendo ending. $$$.

    have I just had too playful a lunch, or is this 9.14.2011 set II really as exceptionally great as it sounds?

    this was phish’s last show. bodes well for the upcoming NYE run. woot!

  8. tela'smuff Says:

    @kaya, the Carini>Disease>Slave was exceptional, but the rest kinda peters out for my liking. spoiled after Denver!

  9. EL Duderino Says:

    @ Leo
    Check texts

  10. kayatosh Says:

    denver should be in it’s own category.

  11. bob dylan Says:

    Dear Phish,
    Check what UM is doing for their ticketing. Please follow suit.

    Greetings from UM HQ,
     
    In an effort to continue to provide our fans with the most efficient and cost effective way to see Umphrey’s McGee, we are proud to announce a complete overhaul of UMticketing. Starting with our 2012 tour, we’ll be partnering with Topspin to streamline our direct to fan pre-order & VIP ticketing services. As a result you can now expect: 
    Lower service fees on every ticket
    All ticket prices are now inclusive of all fees 
    More intuitive, user friendly browsing & purchase experience 
    UMLive digital downloads will now be available with every ticket at a discount (as well as future exclusive merch bundling options)
    Multiple show purchases in the same transaction
    We hope you find the new system new and much improved. Your support through our direct ticketing helps us continue to do what we love, and that’s bring you face melting rock and roll. 
     
    Sincerely,
    phanners

  12. kayatosh Says:

    its. cringe

  13. bob dylan Says:

    Dunno if it really works since Phish has more demand

    #justsayin

  14. Type III Jamming Personality Disorder Says:

    yeah, bob, I saw that. they get it.

  15. bob dylan Says:

    That’s cause UM is better than Phish

    (driveby then slide out the side door before AW starts trolling)

  16. voopa Says:

    Good Vibes

  17. Phamily Berzerker Says:

    ^ Excellent Vibes!

  18. Type III Jamming Personality Disorder Says:

    dubby vibes

    phishy vibes

  19. Type III Jamming Personality Disorder Says:

    PHISHY VIBES, I command thee!

  20. halcyon Says:

    ::vibes:: PB

  21. Mr.Miner Says:

    Phish doesn’t care about scalping. Doesn’t anyone get this.

  22. kenny powers Says:

    UM does some really cool shit. I think once Phish dropped all their friends from their organization and went w/ a management company, the chances of grassroots/innovative/fan-friendly policies dropped big time. And like Miner said, they just probably don’t care any more, they just want to play and live their lives.

  23. tela'smuff Says:

    is it that they don’t care, or is that Red Light doesn’t care? or is it that Phish chooses to not care about a lot of things, thus they have let RLM rule the roost, so to speak.

    i think the band cares, but leaves it up to RLM to handle, and RLM probably doesn’t care a whole lot. which i guess is a reflection of the band maybe not caring??! arrgghh.

    i hate the “just deal with it” attitude, although in reality, that’s basically what i do! fuckerpants.

  24. Kaveh Says:

    Back from FL and back in the saddle. What is up BBers?

  25. kayatosh Says:

    most of us don’t take TAb all that seriously, but a lot of it is quite compelling., especially wiht Red playing so well. e.g., 10.1.2011 simple twist up dave. tight playing, afrobeat power and drive.

    I don’t even bother with the mike band shows. that band just doesn’t do it for me. something’s off. at least, TAb sounds smooth and familiar. that said, did see an entertaining mike band show back in 2 thousand dickety? with gdad.

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