2011’s “Type I” Highlight Reel

8.6.11 - The Gorge (Graham.Lucas)

Phish’s current creativity is far-reaching, seeping into all parts of their show and certainly extends beyond their exploratory jamming highlighted on Friday. I was going to wait until this coming Friday to highlight the band’s best contained, or “type I,” jamming of  2011, but instead, let’s get right to it! This following is how these picks are organized. First, I listed—in no particular order—the band’s strongest “type I” vehicles of the year, and highlighted my favorite version of each. I also noted one or two other standout versions as well. The tracks are simply ordered for playlist listenability. Then, I have a series of “One Timers,” or songs that only blew up once during the year—but that version deserves mention. Enjoy the many tunes, our the continuing look back at the year that was 2011.

***

Bathtub Gin” 5/28 I, Bethel, NY

“Bathtub Gin,” though never making into the second set last year, still produced a couple of standout versions and was always reliable for a solid piece of improvisation. My favorite version of the year came in Phish’s second show in Bethel, New York. Closing a spectacular first set, this jam moves into a serious funk jam, eventually blending with “Manteca” and back into “Gin.” One can hear the electricity in the air during this version, as Phish began their conquest of 2011. Honorable Mention: 9/4 Denver—a guitar clinic in groove.

[audio:http://phishthoughts.com/wp-content/uploads/2011/07/ph2011-05-28t11.mp3]

***

Reba > David Bowie” 7/3 I, Watkins Glen, NY

The Gorge 2011 (G. Lucas)

Phish played some standout versions of both of these classic jams throughout 2011, and wound up pairing them to finish the first set of Super Ball on July 3rd. Each of these Super Ball versions represent my pick for the top “Reba” and “Bowie” of the year. You can hear the fluidity of the band as they were in top form for their mid-summer festival, specifically, this final show of the weekend. Page and Trey flirt with “Dave’s Energy Guide” as the “Reba” builds into an out-of-character section. The two songs are joined by an ambient, storage-laced bridge. Honorable Mention: “Reba” 6/17 Charlotte—a second set version where the band swims in IT, “Bowie” 6/3 Clarkston, MI—the conclusion of “Disease -> Fluffhead > Bowie”

[audio:http://phishthoughts.com/wp-content/uploads/2011/07/ph2011-07-03.ka500.603a.lb_.m10.set1_.t13_Reba.mp3,http://phishthoughts.com/wp-content/uploads/2011/07/ph2011-07-03.ka500.603a.lb_.m10.set1_.t14_David_Bowie.mp3]

 ***

Sand” 6/19 II, Portsmouth, VA

“Sand” absolutely blew up in 2011. Every single version, less 12/30’s, was a legitimate highlight of its show. Featuring full-band interplay in every version since its reinvention last Fall, this became one of the anthems of summer. My favorite version came in June’s final show at Portsmouth, Virginia. Getting into a retro-futuristic stop/start funk jam, as well as a “Sand Reprise,” the band’s dynamic, rhythmically-focused imporv truly popped off in this summer highlight. A “Sand” and then some.  Honorable Mention: 8/6 The Gorge—Trey infuses a slight whale call into the groove while the band crushes within the venue’s open air anvirons; segues back into “Tweezer!”

[audio:http://phishthoughts.com/wp-content/uploads/2011/07/phish2011-06-19.d2t06.mp3]

***

Run Like an Antelope” 8/6  II, The Gorge, WA

6.5.11 — Cincy (M.Stein)

Though “Antelope” has remained fairly standard throughout 2011, a couple versions expanded beyond the norm. In the Gorge’s version of 8/6, not only did Trey provide a summation of the second set within the song’s intro, the band locked into a slammin,’ yet laid back, jam that oozed with both patience and ferocity. Passing through a “Golden Age” segment of the jam, teasing the final song from the set, Phish came together in this “Antelope” in far more engaging fashion that any other time last year. Honorable Mention: 6/4 Blossom—a quality first set closing rendition.

[audio:http://phishthoughts.com/wp-content/uploads/2012/01/2.10-Run-Like-an-Antelope.mp3]

 ***

Wolfman’s Brother” 8/15 I, Chicago, IL

It seems like “Wolfman’s” has permanently settled into a role as a first set song in 3.0. After taking some of its jams out in 2010, Phish brought the song, largely, back to form but for one or two occasions when it segued into another. My selection for the most engaging “Wolfman’s” of the year is an easy one—UIC’s version from 8/15. After moving through a legitimate funk session, Phish moved into a second jam where Trey initially laid way back in the mix filling in the space of his band mates groove. Gradually he integrated his lines into the music, finishing in victorious fashion. Honorable Mention: 7/2 Super Ball—a fury of funk grooves to get the festival going during its first set.

[audio:http://phishthoughts.com/wp-content/uploads/2011/09/1.07-Wolfmans-Brother.mp3]

***

Stash” 7/2 II, Watkins Glen, NY

Though “Stash” more often than not provides the first jam of its show, and hasn’t made it into the second set since the band’s return—the noted shows was a three-setter, and set II was essentially set I—Super Ball’s version carried a bit more rhythmic complexity than usual. This “Stash” represented the point where the band began to build momentum for the rest of the show and their late-night Storage Shed extravaganza. A quality moment that is often forgotten about from the last year’s festival. Honorable Mention: 6/10 Camden—a classic, modal take on the jam with quality tension and release.

[audio:http://phishthoughts.com/wp-content/uploads/2011/07/ph2011-07-02ccm4S2t.05.mp3]

 ***

Tweezer” 6/5 II, Cincinnati, OH

Though I highlighted the phenomenal Denver “Tweezer” on Friday, most often, the song was a vehicle for “type I” jamming rather than open exploration. In this Cincy version, the band sits into a vicious funk exchange for much of the piece before Trey peaks it with foreshadowing “Crosseyed” licks. Far dirtier and groovier than Denver’s melodic mind-meld, this is the other side of “Tweezer. Honorable Mention: 7/2 Super Ball—a crunchy, mechanical, larger-than-life version dripped from the speaker towers before ending abruptly for “Julius.”

[audio:http://phishthoughts.com/wp-content/uploads/2011/07/ph2011-06-05t14.mp3,http://phishthoughts.com/wp-content/uploads/2011/07/ph2011-06-05t15.mp3]

 ***

Harry Hood > Roggae” 9/4, II, Denver, CO

9.2.11 - Denver (G.Lucas / webcast)

“Harry Hood” continued to offer energetic and passionate playing throughout 2011, often finishing sets with cathartic exclamation points. But each of my two picks are versions that were more centrally located in their second sets. Denver’s 9/4 version melds the jam’s modern staccato soundscapes with the airtight, thematic playing of lore to create a new-school masterpiece. A truly triumphant piece of music, no version approached the Denver “Hood” this year. And the “Roggae” that followed harnessed the same vibe as the “Hood” jam, standing out in its own right. Honorable Mention: 5/28 Bethel—more exploratory than given credit for, 8/15 UIC—ended the night on a huge high.

[audio:http://phishthoughts.com/wp-content/uploads/2011/09/ph2011-09-04t17.mp3,http://phishthoughts.com/wp-content/uploads/2011/09/2.06-Roggae.mp3]

 ***

Slave to the Traffic Light” 6/19 II, Portsmouth, VA

Several times this era, Phish has centered “Slave” in the second set rather than leaving it as the shows denouement. And my pick for “Slave” of 2011 comes from Portsmouth, Virginia, in this exact context. Capping an opening run of “Crosseyed > Walls,” this version was incredibly patient and reached divine levels of interplay. Complete and utter bliss, this rendition is what this song is all about. Honorable Mention: 8/9 Lake Tahoe—another mid-set monster, 9/2 Denver—the conclusion of the “S” show, Trey holds a sacred note for quite some time.

[audio:http://phishthoughts.com/wp-content/uploads/2011/07/phish2011-06-19.d2t04.mp3]

 ***

Chalk Dust Torture” 8/16 I, Chicago, IL

8.15.11 - UIC (M.Stein)

The usually straightforward Phish anthem veered into more than a couple memorable jams in 2011, and my pick for the “Chalk Dust” of the year comes from the first set of UIC’s second show. Roaring to life like few versions have this era, Phish attacked this jam with uncharacteristic aggression, reaching intricate points that were more reminiscent of “David Bowie.” Sparking the show as the third song, this one provided a golden memory. Honorable Mention: 6/3 I Clarkston—a laid-back and patient take on the song to close the first set, 8/9 Lake Tahoe—intense version laced with teases and breaks down beautifully into “Slave,” 12/29 MSG—a fantastic transition into “Hyrogen” amidst a “Mike’s Groove.”

[audio:http://phishthoughts.com/wp-content/uploads/2011/09/1.03-Chalkdust-Torture.mp3]

 ***

Backwards Down the Number Line” 5/28 II, Bethel, NY

On a night when the band could do no wrong, they shredded this second set “Number Line” with atypically active interplay for this song. Focused on a whole band conversation rather than Trey’s noodling, this jam gets intricate and quite engaging, easily qualifying as version of the year. Honorable Mention: 6/19 Portsmouth—Trey gets into some Allman—esque soloing while the rest of the band is playing gently accompanying him.

[audio:http://phishthoughts.com/wp-content/uploads/2012/01/2.03-Backwards-Down-The-Number-Line.mp3]

***

Crosseyed and Painless” 7/1 II, Watkins Glen, NY

7.1.11 (G.Lucas)

Though it pains me that Phish has decided to use this once prolific jam vehicle as a means to high-speed and aggressive rock playing, they, nonetheless, routinely shred the composed jam to bits. Two versions standout above all others in my memory from 2011, and its no surprise that each contained a little bit extra. My highlight version comes from Super Ball, as an ambient jam led into the song and out of it before a Trey emerged with a cool transition into “Chalk Dust.” Honorable Mention: 8/17, UIC—featured a tripped out interlude between “Crosseyed” and “No Quarter.”

[audio:http://phishthoughts.com/wp-content/uploads/2012/01/2.02-Jam.mp3,http://phishthoughts.com/wp-content/uploads/2012/01/2.03-Crosseyed-and-Painless.mp3,http://phishthoughts.com/wp-content/uploads/2012/01/2.04-Chalkdust-Torture.mp3]

 ***

Weekapaug Groove” 6/8 II, Darien, NY, and 12/29 II, NYC, NY

“Weekapaug” has consistently proven to be more interesting than “Mike’s” in this era, a trend which certainly held true last year. Two versions stand out to me from 2011, the plinko-laced rendition from Darien Lake and the more commanding percussive-funk of December 29th’s version. Since we are all familiar with the recent one, I’ll play Darien.”

[audio:http://phishthoughts.com/wp-content/uploads/2012/01/2.08-Weekapaug-Groove.mp3]

***

ONE TIMERS:

2001” 6/8 II, Darien Center, NY

[audio:http://phishthoughts.com/wp-content/uploads/2011/07/2.09-Also-Sprach-Zarathustra.mp3]

Light Up or Leave Me Alone” 6/14 I, Alph., GA

[audio:http://phishthoughts.com/wp-content/uploads/2011/07/phish2011-06-14.d1t11.mp3]

Destiny Unbound” 7/3 I, Watkins Glen, NY

[audio:http://phishthoughts.com/wp-content/uploads/2011/07/ph2011-07-03.ka500.603a.lb_.m10.set1_.t07_Destiny_Unbound1.mp3]

The Curtain With” 6.10 I, Camden, NJ

[audio:http://phishthoughts.com/wp-content/uploads/2011/07/1.13-The-Curtain-With.mp3]

 —

Limb by Limb” 8/16 I, Chicago, IL

[audio:http://phishthoughts.com/wp-content/uploads/2011/09/1.12-Limb-By-Limb.mp3]

Wilson” 7/3 I, Watkins Glen, NY

[audio:http://phishthoughts.com/wp-content/uploads/2011/07/ph2011-07-03.ka500.603a.lb_.m10.set1_.t09_Wilson.mp3]

Mound” 7/3 I, Super Ball

[audio:http://phishthoughts.com/wp-content/uploads/2012/01/1.10-Mound.mp3]

Scents and Subtle Sounds” 9/2 II, Denver, CO

[audio:http://phishthoughts.com/wp-content/uploads/2011/09/ph2011-09-02t21.mp3] Tags: , ,

794 Responses to “2011’s “Type I” Highlight Reel”

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  1. Thrust Says:

    No Blossom?

  2. Converse with Ed Says:

    first?

  3. kenny powers Says:

    awesome post Miner. This should make for a sick-ass playlist.

  4. Mike in Austin Says:

    Good stuff right there. Nice.

    No love for the Blossom tube, huh?!

  5. Cable Hogue Says:

    Great post Miner. A lot of creative stuff going on in here for a “type-1” list.
    My only off-the-top-of-the-head addition: Mansfield Divided Sky. I know everyone is sick of D-Sky, but there was something different going on in this one. Trey goes off while leaving enough space in the solo for everyone else to really shine. Also notable as the “redemption” version after the PNC bork job.

    Thanks for everything, have a great day/week everyone.

  6. Jtran Says:

    Now I’m more excited for work today

  7. litteringand Says:

    Love the Scents from SBIX. I think its the return of the intro. I was hoping that the intro was back but I dont think so

  8. kenny powers Says:

    i also thought Blossom KDF and Ocelot smoked too.

  9. Dr Pronoia Says:

    Great post miner

    Damn I wish I had a job where I could listen to music

  10. Dr Pronoia Says:

    Great post miner

    Damn I wish I had a job where I could listen to music

  11. Cable Hogue Says:

    To me, another great “type-1” moment from Summer 2011 was the SBIX Peaches. To hear them tackle it right off the bat, less than a week after a less-than-stellar performance at Raleigh, and absolutely slay it…it was very heartening. To me it was one of the best moments of the year, for what it said about the band’s intent and commitment. To my ears as well-played as any Phish “Peaches” ever…it was significant as a statement.

    Worth reflecting on after the MSG run when so many (including me) worried about slop, and questioned the intent and commitment and amount of rehearsal etc.

  12. Dr Pronoia Says:

    Has anyone put the top 11 jams, and then this playlist, into a mediafire playlist? Hint hint

    Cuz that would be awesome

  13. Cable Hogue Says:

    ^on second thought, not really a “type 1” moment…just a rare occasion of a nailed composition that provided true uplift (for me anyway…)

  14. bob dylan Says:

    #NeedsMoreScents/Subtle/Sounds

  15. Type III Jamming Personality Disorder Says:

    23TFM FTMFW

  16. SillyWilly Says:

    good morning, kids

    thanks for the list, Mr. Miner

    hope everyone’s week is off to a solid start

  17. halcyon Says:

    Good Monday Morning!

    Bathtub Gin from 9/4 Denver is another contender for me. That was a straight up funky dance party. Got my groove on. Straight up BB Boogie down section during that song.

    Divin in to Miner’s list in 3-2-1

    As human beings, our greatness lies not so much in being able to remake the world as in being able to remake ourselves.

    – Mahatma Gandhi –

  18. Type III Jamming Personality Disorder Says:

    some great desktop wallpapers for the new you in the new year

  19. willowed Says:

    I hate the ocean. And fuck seafood. Classic!

  20. Kaveh Says:

    Morning BBers! Hope all is well.

    @KP: You recommend any software to convert 24 bit to 16 bit for a MAC?

  21. Jtran Says:

    Forgot how great this Reba > Bowie segment was from SB9

  22. litteringand Says:

    Jtran,
    and the wilson>mound, ocean, and time loves a hero before that. No doubt that is the best set I of the year, possibly since the return

  23. Jtran Says:

    Forgot how great this Sand was from Portsmouth

  24. ReidIcculus Says:

    @Miner

    My wife got me your book for Christmas. I love it, however she failed to purchase the midget companion that will hold it up and turn the pages for me so my legs don’t fall asleep while it is in my lap. Do I need to order one through the same website?

  25. SillyWilly Says:

    goin out to kansas city’s best disc golf course, TypeIII

    apparently they’ve had some pro tour events here.

    a little worried. because im not good.

    maybe my lack of distance will help me. just think of me like Tiger that year he blew away the field at St. Andrews only playing woods and long irons off the tees.

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