2011’s “Type I” Highlight Reel

8.6.11 - The Gorge (Graham.Lucas)

Phish’s current creativity is far-reaching, seeping into all parts of their show and certainly extends beyond their exploratory jamming highlighted on Friday. I was going to wait until this coming Friday to highlight the band’s best contained, or “type I,” jamming of  2011, but instead, let’s get right to it! This following is how these picks are organized. First, I listed—in no particular order—the band’s strongest “type I” vehicles of the year, and highlighted my favorite version of each. I also noted one or two other standout versions as well. The tracks are simply ordered for playlist listenability. Then, I have a series of “One Timers,” or songs that only blew up once during the year—but that version deserves mention. Enjoy the many tunes, our the continuing look back at the year that was 2011.

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Bathtub Gin” 5/28 I, Bethel, NY

“Bathtub Gin,” though never making into the second set last year, still produced a couple of standout versions and was always reliable for a solid piece of improvisation. My favorite version of the year came in Phish’s second show in Bethel, New York. Closing a spectacular first set, this jam moves into a serious funk jam, eventually blending with “Manteca” and back into “Gin.” One can hear the electricity in the air during this version, as Phish began their conquest of 2011. Honorable Mention: 9/4 Denver—a guitar clinic in groove.

[audio:http://phishthoughts.com/wp-content/uploads/2011/07/ph2011-05-28t11.mp3]

***

Reba > David Bowie” 7/3 I, Watkins Glen, NY

The Gorge 2011 (G. Lucas)

Phish played some standout versions of both of these classic jams throughout 2011, and wound up pairing them to finish the first set of Super Ball on July 3rd. Each of these Super Ball versions represent my pick for the top “Reba” and “Bowie” of the year. You can hear the fluidity of the band as they were in top form for their mid-summer festival, specifically, this final show of the weekend. Page and Trey flirt with “Dave’s Energy Guide” as the “Reba” builds into an out-of-character section. The two songs are joined by an ambient, storage-laced bridge. Honorable Mention: “Reba” 6/17 Charlotte—a second set version where the band swims in IT, “Bowie” 6/3 Clarkston, MI—the conclusion of “Disease -> Fluffhead > Bowie”

[audio:http://phishthoughts.com/wp-content/uploads/2011/07/ph2011-07-03.ka500.603a.lb_.m10.set1_.t13_Reba.mp3,http://phishthoughts.com/wp-content/uploads/2011/07/ph2011-07-03.ka500.603a.lb_.m10.set1_.t14_David_Bowie.mp3]

 ***

Sand” 6/19 II, Portsmouth, VA

“Sand” absolutely blew up in 2011. Every single version, less 12/30’s, was a legitimate highlight of its show. Featuring full-band interplay in every version since its reinvention last Fall, this became one of the anthems of summer. My favorite version came in June’s final show at Portsmouth, Virginia. Getting into a retro-futuristic stop/start funk jam, as well as a “Sand Reprise,” the band’s dynamic, rhythmically-focused imporv truly popped off in this summer highlight. A “Sand” and then some.  Honorable Mention: 8/6 The Gorge—Trey infuses a slight whale call into the groove while the band crushes within the venue’s open air anvirons; segues back into “Tweezer!”

[audio:http://phishthoughts.com/wp-content/uploads/2011/07/phish2011-06-19.d2t06.mp3]

***

Run Like an Antelope” 8/6  II, The Gorge, WA

6.5.11 — Cincy (M.Stein)

Though “Antelope” has remained fairly standard throughout 2011, a couple versions expanded beyond the norm. In the Gorge’s version of 8/6, not only did Trey provide a summation of the second set within the song’s intro, the band locked into a slammin,’ yet laid back, jam that oozed with both patience and ferocity. Passing through a “Golden Age” segment of the jam, teasing the final song from the set, Phish came together in this “Antelope” in far more engaging fashion that any other time last year. Honorable Mention: 6/4 Blossom—a quality first set closing rendition.

[audio:http://phishthoughts.com/wp-content/uploads/2012/01/2.10-Run-Like-an-Antelope.mp3]

 ***

Wolfman’s Brother” 8/15 I, Chicago, IL

It seems like “Wolfman’s” has permanently settled into a role as a first set song in 3.0. After taking some of its jams out in 2010, Phish brought the song, largely, back to form but for one or two occasions when it segued into another. My selection for the most engaging “Wolfman’s” of the year is an easy one—UIC’s version from 8/15. After moving through a legitimate funk session, Phish moved into a second jam where Trey initially laid way back in the mix filling in the space of his band mates groove. Gradually he integrated his lines into the music, finishing in victorious fashion. Honorable Mention: 7/2 Super Ball—a fury of funk grooves to get the festival going during its first set.

[audio:http://phishthoughts.com/wp-content/uploads/2011/09/1.07-Wolfmans-Brother.mp3]

***

Stash” 7/2 II, Watkins Glen, NY

Though “Stash” more often than not provides the first jam of its show, and hasn’t made it into the second set since the band’s return—the noted shows was a three-setter, and set II was essentially set I—Super Ball’s version carried a bit more rhythmic complexity than usual. This “Stash” represented the point where the band began to build momentum for the rest of the show and their late-night Storage Shed extravaganza. A quality moment that is often forgotten about from the last year’s festival. Honorable Mention: 6/10 Camden—a classic, modal take on the jam with quality tension and release.

[audio:http://phishthoughts.com/wp-content/uploads/2011/07/ph2011-07-02ccm4S2t.05.mp3]

 ***

Tweezer” 6/5 II, Cincinnati, OH

Though I highlighted the phenomenal Denver “Tweezer” on Friday, most often, the song was a vehicle for “type I” jamming rather than open exploration. In this Cincy version, the band sits into a vicious funk exchange for much of the piece before Trey peaks it with foreshadowing “Crosseyed” licks. Far dirtier and groovier than Denver’s melodic mind-meld, this is the other side of “Tweezer. Honorable Mention: 7/2 Super Ball—a crunchy, mechanical, larger-than-life version dripped from the speaker towers before ending abruptly for “Julius.”

[audio:http://phishthoughts.com/wp-content/uploads/2011/07/ph2011-06-05t14.mp3,http://phishthoughts.com/wp-content/uploads/2011/07/ph2011-06-05t15.mp3]

 ***

Harry Hood > Roggae” 9/4, II, Denver, CO

9.2.11 - Denver (G.Lucas / webcast)

“Harry Hood” continued to offer energetic and passionate playing throughout 2011, often finishing sets with cathartic exclamation points. But each of my two picks are versions that were more centrally located in their second sets. Denver’s 9/4 version melds the jam’s modern staccato soundscapes with the airtight, thematic playing of lore to create a new-school masterpiece. A truly triumphant piece of music, no version approached the Denver “Hood” this year. And the “Roggae” that followed harnessed the same vibe as the “Hood” jam, standing out in its own right. Honorable Mention: 5/28 Bethel—more exploratory than given credit for, 8/15 UIC—ended the night on a huge high.

[audio:http://phishthoughts.com/wp-content/uploads/2011/09/ph2011-09-04t17.mp3,http://phishthoughts.com/wp-content/uploads/2011/09/2.06-Roggae.mp3]

 ***

Slave to the Traffic Light” 6/19 II, Portsmouth, VA

Several times this era, Phish has centered “Slave” in the second set rather than leaving it as the shows denouement. And my pick for “Slave” of 2011 comes from Portsmouth, Virginia, in this exact context. Capping an opening run of “Crosseyed > Walls,” this version was incredibly patient and reached divine levels of interplay. Complete and utter bliss, this rendition is what this song is all about. Honorable Mention: 8/9 Lake Tahoe—another mid-set monster, 9/2 Denver—the conclusion of the “S” show, Trey holds a sacred note for quite some time.

[audio:http://phishthoughts.com/wp-content/uploads/2011/07/phish2011-06-19.d2t04.mp3]

 ***

Chalk Dust Torture” 8/16 I, Chicago, IL

8.15.11 - UIC (M.Stein)

The usually straightforward Phish anthem veered into more than a couple memorable jams in 2011, and my pick for the “Chalk Dust” of the year comes from the first set of UIC’s second show. Roaring to life like few versions have this era, Phish attacked this jam with uncharacteristic aggression, reaching intricate points that were more reminiscent of “David Bowie.” Sparking the show as the third song, this one provided a golden memory. Honorable Mention: 6/3 I Clarkston—a laid-back and patient take on the song to close the first set, 8/9 Lake Tahoe—intense version laced with teases and breaks down beautifully into “Slave,” 12/29 MSG—a fantastic transition into “Hyrogen” amidst a “Mike’s Groove.”

[audio:http://phishthoughts.com/wp-content/uploads/2011/09/1.03-Chalkdust-Torture.mp3]

 ***

Backwards Down the Number Line” 5/28 II, Bethel, NY

On a night when the band could do no wrong, they shredded this second set “Number Line” with atypically active interplay for this song. Focused on a whole band conversation rather than Trey’s noodling, this jam gets intricate and quite engaging, easily qualifying as version of the year. Honorable Mention: 6/19 Portsmouth—Trey gets into some Allman—esque soloing while the rest of the band is playing gently accompanying him.

[audio:http://phishthoughts.com/wp-content/uploads/2012/01/2.03-Backwards-Down-The-Number-Line.mp3]

***

Crosseyed and Painless” 7/1 II, Watkins Glen, NY

7.1.11 (G.Lucas)

Though it pains me that Phish has decided to use this once prolific jam vehicle as a means to high-speed and aggressive rock playing, they, nonetheless, routinely shred the composed jam to bits. Two versions standout above all others in my memory from 2011, and its no surprise that each contained a little bit extra. My highlight version comes from Super Ball, as an ambient jam led into the song and out of it before a Trey emerged with a cool transition into “Chalk Dust.” Honorable Mention: 8/17, UIC—featured a tripped out interlude between “Crosseyed” and “No Quarter.”

[audio:http://phishthoughts.com/wp-content/uploads/2012/01/2.02-Jam.mp3,http://phishthoughts.com/wp-content/uploads/2012/01/2.03-Crosseyed-and-Painless.mp3,http://phishthoughts.com/wp-content/uploads/2012/01/2.04-Chalkdust-Torture.mp3]

 ***

Weekapaug Groove” 6/8 II, Darien, NY, and 12/29 II, NYC, NY

“Weekapaug” has consistently proven to be more interesting than “Mike’s” in this era, a trend which certainly held true last year. Two versions stand out to me from 2011, the plinko-laced rendition from Darien Lake and the more commanding percussive-funk of December 29th’s version. Since we are all familiar with the recent one, I’ll play Darien.”

[audio:http://phishthoughts.com/wp-content/uploads/2012/01/2.08-Weekapaug-Groove.mp3]

***

ONE TIMERS:

2001” 6/8 II, Darien Center, NY

[audio:http://phishthoughts.com/wp-content/uploads/2011/07/2.09-Also-Sprach-Zarathustra.mp3]

Light Up or Leave Me Alone” 6/14 I, Alph., GA

[audio:http://phishthoughts.com/wp-content/uploads/2011/07/phish2011-06-14.d1t11.mp3]

Destiny Unbound” 7/3 I, Watkins Glen, NY

[audio:http://phishthoughts.com/wp-content/uploads/2011/07/ph2011-07-03.ka500.603a.lb_.m10.set1_.t07_Destiny_Unbound1.mp3]

The Curtain With” 6.10 I, Camden, NJ

[audio:http://phishthoughts.com/wp-content/uploads/2011/07/1.13-The-Curtain-With.mp3]

 —

Limb by Limb” 8/16 I, Chicago, IL

[audio:http://phishthoughts.com/wp-content/uploads/2011/09/1.12-Limb-By-Limb.mp3]

Wilson” 7/3 I, Watkins Glen, NY

[audio:http://phishthoughts.com/wp-content/uploads/2011/07/ph2011-07-03.ka500.603a.lb_.m10.set1_.t09_Wilson.mp3]

Mound” 7/3 I, Super Ball

[audio:http://phishthoughts.com/wp-content/uploads/2012/01/1.10-Mound.mp3]

Scents and Subtle Sounds” 9/2 II, Denver, CO

[audio:http://phishthoughts.com/wp-content/uploads/2011/09/ph2011-09-02t21.mp3] Tags: , ,

794 Responses to “2011’s “Type I” Highlight Reel”

  1. butter Says:

    i’ve heard DC/Alpine end of June/beginning of July

  2. kayatosh Says:

    we’ve got the alexander valley 2006 cab

  3. joe Says:

    whatever the rumored dates, I hope they include more scents and subtle sounds played like this one here.

  4. kayatosh Says:

    new avatar, courtesy of mia. steal your face, ladies and gentlemen. don’t mind if i do.

  5. Mike in Austin Says:

    I like it all.

    Steal your kayatosh.

  6. kayatosh Says:

    spinning 7.22.84 brother esau + mkultra in honor of the steal your tosh. top 3 bobby tune. love it. I know it’s not a popular choice, but absolutely love jerry’s guitar work on a good esau.

    PEACE

  7. El Duderino Says:

    Esau is a great Bobby tune
    You should find the Stir it Up jam tho’

  8. kayatosh Says:

    shadow boxing the apocalypse and wandering the land.

    late at night, I feel more than understand.

  9. albert walker Says:

    Gotta love esau kid

    Shit is dope yo.

  10. kayatosh Says:

    The sports stealie are cool too.

    bulls are a quality team, but look out for the young, athletic, and well-coached 76ers. team ball.

    10-9-8-76ers.

  11. kayatosh Says:

    as you saturate with phish, switch over to the GD live catalog. deep and lovely.

  12. kayatosh Says:

    I always seek out the bro. esaus

    real nice brokedown palace in this 7.22.84 show too. don’t sleep on 84.

    peace

    bath duty

  13. El Duderino Says:

    the 76er’s are better than ATL this year IMO.
    could go as high as 6 seed

  14. dorn76 Says:

    That was some great advice AW dropped earlier.

    Crack no, First Tube Dance yes.

  15. albert walker Says:

    I wonder if Trey is counting zeros during first tube prance

    Suckas

  16. garretc Says:

    “I wonder if Trey is counting zeros during first tube prance”

    I doubt it, based simply on his ability (or lack thereof) to count beats during the Ghost break of late…

  17. joe Says:

    little extra hidden track bonus free attached to the tweezer.

  18. albert walker Says:

    Really enjoyed first spin of

    Cross
    Simple
    Lifeboy

    Fuck guyute. Worse set killer ever cept maybe scent of a mils

    Dug that first trio. Kinda rawkin but tight and fun

  19. butter Says:

    steal your avatar

  20. albert walker Says:

    Week is the goods. Great version.

    The whole Mikes groove rawked the fuck out

    This set 2 29th Def hot phish. Smoking paug

  21. guitarpicker420! Says:

    Just posted review of 12-28 sources. Went with the MK41>KC5 source. However, this source has the encore patched from KCY source. Ditch that and replace it with the SPC4 source. All of the sources have trouble with bass definition. Any comments from folks in the room on the quality of the bass tone on 12-28?

  22. Gavinsdad Says:

    Didn’t get my source an Xmas present. Can’t write him about dates.

    I’ll be at coachella. Staying at the Ace. Holla.

  23. Mr. Palmer Says:

    Isles beating the Red Wings 3-0.. Thats something you don’t see…ever. They’ll blow it.

  24. Mr. Palmer Says:

    I wasn’t a fan of the sound in the new mSg. I think it used to sound better.

  25. albert walker Says:

    Trey is killing it too which probably leads to a lot of the wanking

    Check out every note of his show of life solo. Total composition first note to last and he just shreds it. Beautiful guitar work.

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