Thinking Out Loud

9.12.09 - Carnegie Hall (B.Slayter)

One thing that stood out to me at Trey’s performance with the LA Philharmonic on Saturday, was his absolute focus and attention to every minute detail from note of the show through the last. Trey—while usually far more playful and animated—seemed to approach this performance with a sense of respect and reverence. His emotional presence and his incredibly precise playing illustrated a capacity for—dare I say it—perfection. Wrong notes are not allowed in the symphony, and Trey did not hit one throughout the near two and half hour show. The diligence with which he listened to the orchestra and meticulously placed his offerings within the context of the whole, provided a snapshot of an ego-less musician respecting and honoring the music above all else. Trey’s performance was nothing short of breathtaking, and the thought I had later that night was, “What if he brought the same attitude to Phish these days?”

Despite 2011’s musical greatness, which I am the first to tout, the band’s democratic dynamic often seemed unbalanced at times throughout the year. Beyond the well- documented cases of “Rip Cord Red” pulling the string on so many jams-in-progress, there was an overwhelming sense that whatever Trey wanted, musically, was what happened. If he didn’t feel comfortable within a jam, for whatever reason, most often he simply interrupted the musical conversation with the chords of a new song. I’m not quite sure what the orchestral equivalent is to an awkwardly aborted “Ghost” jam, but lord knows Trey would never come close to committing such an atrocity on the stage of a symphony. He just wouldn’t. Has he lost his sense of reverence for Phish? Are jams no longer sacred to him? One can only wonder.

The Gorge '09 (G.Lucas)

While the essence of an orchestra is precision, the essence of Phish has very much been about improvisation. And while the band—no doubt—engaged in many thrilling jams last year, the overall vibe of many shows shifted from a group-mind led journey to to a Trey-led rock concert. When Trey did let go of his over-orchestration of setlists in 2011, Phish played some of the greatest shows of this era. For prime examples of this, see Bethel 1 & 2, Clarkston, Charlotte, The Gorge 1, UIC 1 and 2 to name more than a few shining examples. In these standout shows, the music flowed with far greater vitality and with far more care than the lesser shows of summer. There was no obvious impatience on the part of Trey to get through a certain number of songs; these shows carried an organic movement from beginning to end, a far cry from the choppiness of of PNC 2, Merriweather 1, Camden, Raleigh, Tahoe 2 or UIC 3, among others. One question I’ve often wondered after these less impressive and less cohesive efforts—“Do they talk about the show?”

At one point in his career, Trey, self-admittedly, pored over setlsts for hours each night, making sure that Phish shows had the perfect composition. Then the band executed this plan as a whole. Not to belabor the analogy, but this process sounds similar to his orchestral performance. When looking at Phish shows of last year, there are many instances where it seemed that Trey was trying to execute one plan while his band mates were immersed in another. Was Trey listening as closely to Mike and Page as he hacked the PNC “Ghost,” Alpharetta “Tweezer” or (insert many jams here), as he was to the first chair violin player on Saturday? Clearly not—but the unanswerable that question begs to be asked is, “Why not?”

8.16.11 - UIC (M.Stein)

Looking back over Phish’s most prolific years, regardless of era, there is an unspoken patience between all band members that allowed the music to progress as a single entity—a four-headed, though single-minded, creation. Masterful segues like 7/22/97’s “Disease -> Mike’s” or 6/26/95’s “Disease -> Free” unfolded over the course of minutes as a natural progression of the entire band, not as the impulsive idea of one member. For a while in this era, I could understand the “sobriety makes Trey less patient” line of thinking, but after observing his patience on Saturday—albeit in a different setting—and in shows like 8/5/11 and 8/15/11—I no longer give that theory credence. Trey is still Trey, a master of his craft, and I am convinced that it his mind and lack of attention that get in the way of weaker Phish shows, not his skill set.

One of the most commonly heard laments by fans these days is the ever-present 3.0 gripe, “They don’t jam enough.” In a very candid recent interview given by Chris Kuroda, he even joked about how Phish doesn’t jam as much any more. Jokingly (but not so jokingly) he said “they should look into that,” while then sharing a funny aside about how he and Brad Sands give the band shit about this issue all the time. But he also made sure to say that it was all out of love. Kuroda also hypothesized this improvisational shift wasn’t premeditated, but just a natural extension of who the guys are at this stage in their life. But if we are going with his theory, Mike, Page, and Fish seem at a different stage in their lives than Trey. Either way, with Kuroda’s admission, it’s clear the band is aware of their lessened jamming, but do they care?

As many know, I’m the first to gush over Phish when they are killing it, which—I believe—they are quite capable of doing on a nightly basis. But the shows that feel bumpy or “off” all seem to stem from the attention—or lack thereof—of our beloved six-string assassin. The puzzling factor to me has been how the “on” nights, where the whole show flows well, and the “off” nights, where just a jam or two stand out, are totally arbitrary. This factor makes seeing a couple shows very hit or miss for a fan. While there is a distinct possibility that one will walk out blown away, there is just as likely a possibility that he won’t—an interesting dynamic.

"2001" - 8.10.11 (E.Batuello)

With a full slate of Phish this summer, one has to wonder which side of Trey is going to show up more often—the patient collaborator and sound-sculpter whose playing brings the band to an entirely different level, or the impatient rock star who focuses more on his own agenda and song choice than what is actually happening on stage? With the band’s skills quite polished, and the clear willingness of Mike, Page, and Fish to go deep, we are all waiting to see which way the captain will steer the ship this summer. Your guess is as good as mine.

Just months ago, on September 5th, 2011, Trey was quoted in Believer Mag saying such things as:

I see improvisation as a craft and as an art. The craft part is important. There’s a lot of preparation and discipline that goes into it just so that, when you’re in the moment, you’re not supposed to be thinking at all.

…Musicians come and go and they’re stewards of the music for a brief period of time. But once the music plays — it’s really between Beethoven and the listener at that point. The musicians are there to get their goddamn hands off of it. All that training! Thousands of hours! Sight-reading every day! All so they can get the hell out of the way because nobody gives a crap about them at all. The less you notice them, the better it sounds…

But are these simply sound-bytes that he has programmed in his mind since the mid-’90s, or are these thoughts still the driving ethos of Phish? Sometimes it is hard to tell.


Jam of the Day:

Ghost” 6.15.00 I

This “Ghost” inspired me yesterday, so I am featuring it today. Enjoy the only version from Japan 2000—an uplifting beast—remastered by Kenny Powers.

[audio:] Tags:

361 Responses to “Thinking Out Loud”

  1. MiA Says:

    Free lodging at the MiA abode Silly. Love to see you if you make it down.

  2. litteringand Says:

    So in a stroke of dejavu, I once again hit on all three of my requests and got pavs. The seats are not nearly as good as the last time, but trust me I’m not complaining. I think I might have firgured out how to up the odds of success for ptbm. I might be crazy luck, but maybe not

  3. BingosBrother Says:

    Littering doses his envelopes. You might be crazy luck.

  4. MiA Says:

    I’ve upped my odds of getting pavs by not letting PTBM get in my way.

  5. BingosBrother Says:

    Those looking for the BBBracket.

  6. BingosBrother Says:

    I prefer the getting ptbm lawns, selling 4 of them for $20 on lot, and buying 1 pav approach. Then again, I’m Coran Crapshaws bitch.

  7. SillyWilly Says:

    Thanks, MiA!

    I’ll be in touch, for sure.

    just need to talk to my gf and take a quick peak at the summer tour budget and see what i can do

    i’ve always wanted to see Austin and seeing you and your wife and Sel J just makes it so much more important that I get down there.

  8. MiA Says:

    Exactly Bingos. I have two photographs around somewhere of like 40 lawn tickets put in the fence going into Alpine in ’09 and the “Alpine Valley Sold Out!” sign.

    I luckily sold my 4 extras for each night in a tiny little gas station about 100 miles away in Indiana or something. Saw 4 young wannawooks in a Honda civic, and told Mrs MiA, hey ask them if they’re going to Phish, and need tickets.

    She walked up, they said yes, and we sold all 8 of them. I said “You did hear they are sold out right? Have you been to Alpine?” “No” “Man, good luck on getting tickets. That place is SLAMMING!”

    I felt very dirty for lying.

  9. jonacho Says:

    thats not lying. thats wisdom
    wannawooks is the word of the day now

  10. sumodie Says:

    wow, there are Phish presales for Alpine Valley, Star Lake, and Blossom too

    Thur 10am for AV & Star Lake, Fri 10am for Blossom

  11. Mr palmer Says:

    Still waiting..,. No yahoo email either.

  12. MiA Says:

    Will go for those Pavs at AV for trades for Pavs at Star Lake and Blossom.


  13. Selector J Says:

    Sounds good to me @silly! See you in April!!

    I just wrote you another terribly long email about the atrocities committed against the Spear Burning mp3 album.

    I should probably find a new hobby.

  14. sumodie Says:

    Fok! Score 1 6/19 Portsmouth and NOT the 6/8 Woosta floor I expected (also denied for 6/7 & 6/20)

    And that email was from yahoo

  15. Kaveh Says:

    And that email was from yahoo

    ^ Soon enough Mr. P; soon enough we will know.

  16. kayatosh Says:

    My pad often times has various kids and mothers (in addition to the ones that live here) in the mix. The mother here today was convinced that the word widow applies to both a man and a woman. I corrected her, but she insisted she was right. We bet that if I was right she had to flash her breasts (super nice), and if she was right I had to flash her.

    I showed her the definitions of widower and widow, and she was aghast. I let her welch on the bet. Mr. nice guy.

  17. SillyWilly Says:

    I aspire to both have the ear for reggae that you do, and to have the knowledge, Sel J.

    I think all the history and then the politics behind the release of the albums is fascinating.

    I just read your email on my phone. It’s so cool how you can hear stuff and recognize when it was done and where it was done and maybe even who the instrumentalists are.

    My name is SillyWilly. And I love dub music.

  18. DukeOfLizards Says:

    Got hooked up with not just nosebleeds, but the the literal last row for Jones Beach.

    Page side, though!

  19. voopa Says:

  20. lumpyhead Says:

    that is classic @ MiA.

    also, would like to see that photo

  21. kayatosh Says:

    duke: saw your comment re. soulive w/ porter and martin. africa is the set highlight. I nixed just kissed, hey pocky, and funkify your life due to whack sounding guitar.

  22. Phamily Berzerker Says:

    voopstar, interesting!

    tt sesh anyone?

  23. sumodie Says:

    Live Nation will be selling:

    2-day Portsmouth ticket

    3-day SPAC ticket

  24. MiA Says:

    Here’s our Fenway seats…

  25. BingosBrother Says:

    “I let her welch on the bet. Mr. nice guy.”

    She wouldn’t have bet if she didn’t want to show you. #1 or NPA.

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