“First Tube” Poster Show in AC
First Tube Poster Show
If you are heading to Atlantic City for Phish’s three-night boardwalk extravaganza, be sure to stop by “First Tube,” a poster and art show that will be held on Saturday June 16, from 10am-3pm in the Westminster Room at the Trump Plaza Hotel. This show will feature Phish inspired art by artists from around the country, including limited edition art made specifically for the show. I will also have a table there, selling and signing copies of my book. Admission is free, so be sure to come by and say hello. This show was developed and produced by a group of artists and fans known as the Mothership Art Collective. More comprehensive details are excerpted from the press release below.
*****
The initial artists announced for First Tube represent some of the best artists in the Phish community and poster art. Longtime Phish artists AJ Masthay, TRiPP, Ryan Kerrigan, John Warner, Erin Cadigan, Noah Phence and Bruce Horan have been a part of many poster shows in the past and each have a large portfolio of concert poster art across a wide range of musical acts. Mike DuBois designed and illustrated the cover art to Levon Helm’s Electric Dirt and has created posters for the Grateful Dead, The Allman Brothers Band, Pink Floyd and many more. Newcomers Jiggs, Lauren Domsky and Branden Otto are featured in their first Phish poster show, as well as writer and author, Dave Calarco, who will be selling his book ‘Mr. Miner’s Phish Thoughts’ at the show.
Worcester 2012 (Masthay)
Non-profits include The Mockingbird Foundation, which has given grants for music education totaling more than $600,000 over the past 14 years; HeadCount, a non-profit, non-partisan voter registration organization that promotes civic participation and knowledge of the issues; PhanArt, a book and website created as a way to showcase the art made by Phish fans and raises money for Mockingbird Foundation, and Screen ‘n’ Suds, who combine craft beers and posters to benefit the National MS Society and chairities in Richmond, Virginia.
Phish poster shows have been held over the years with great success, as unique posters made for the Phish shows that weekend and stop on the tour feature some of the best concert art being produced today. ‘First Tube’ is the first event for 2012 produced by the Mothership Art Collective, a group within the Phish community, comprised of artists and organizations who promote the art inspired by the band Phish. The eclectic artists featured at this event show the broad scope of Phish related art and capture the inspiration of the band in their art. The creative fan base that Phish has makes for amazing art inspired by the band, the locales and the music. The collective will work hard to bring a show to the Phish touring public each year.
In keeping with the great tradition and success of past poster shows, First Tube will offer free entry to all patrons, tubes available for purchase, charitable donations from the event made to the Mockingbird Foundation and a wide array of artists with posters to fit any budget.
=====
Jam of the Day:
“Ghost -> Mango Song” 10.26.10 II
A standout, modern era “Ghost” from Manchester, New Hampshire.
[audio:http://phishthoughts.com/wp-content/uploads/2012/03/2.10-Ghost.mp3,http://phishthoughts.com/wp-content/uploads/2012/03/2.11-The-Mango-Song.mp3] Tags: Art, Culture, Summer 2012
Joe- I’m a Tweezer magnet. Somethings got to give at Worcester!
figure two opening nights of tour are good chances to get one. I’m like 1 (or 2) for about 15 in 3.0 (only in our world would 15 seem like an inadequate number in the last 3 years)
last summer they opened with one @ Bethel. That was fun. Only thing with an opener Tweez is that you have to figure it’s not gonna go beast-mode. Still an adrenaline shot to the dome.
I’ve stopped trying to call openers and such in 3.0 but my younger step brother who I don’t know that well asked me for my opener call at Alpine2 in 2010 and I just knee-jerk answered tweez
When they started it up his head almost exploded and I earned cool points forever
I’ve seen more TTEs than Tweezer in 3.0 (I actually don’t hate on the song like most do, but it’s an example of bad timing on my part)
Bethel 1 tweez opener set a great mood that nite.
George is up a few with 40 minutes to go, so if you haven’t voted, DO EET! Go George Go!
George FTW! Piss Wall on wax imminent.
It is official? George wins? If so, go Internet!
Back from Kimock. Bernie Worrell on “organ, keyboards, melodica, vocals, and benevolent presence”. Kimock playing a new fretless Scott Walker Phoenix guitar through unknown fx chain and getting full-on Satchmo raggedy ass horn sounds out of it, completely wack sound. Also laying down the law on lap steel as always.
But. Kimock is more sensitive to crowd energy than most musicians I know, and the *lame, chatty, distracted crowd vibe* may have been a factor in a really uneven show. Or could be that they are only 4 or so shows into his first tour in a couple years, and he spent the interval doing serious navel-gazing just intonation solo playing for 10 hours a day. The high points– a Many Rivers To Cross with gorgeous slide work, 2 of the 4 distinct sections of It’s Up To You, Baby Baby on the fretless– were up to the usual jaw dropping standard. Other parts of the show lagged. Stupid talkers.