A Southern Scorcher

6.20.12 (Michael Stein)

In stark contrast to their first show in Portsmouth, Virginia, on Wednesday night Phish threw down a heavy hitting, two-set affair with jams aplenty, several bustouts and a pair of well crafted sets. The ominous tone of the music provided balance to lighter feel of the first night, providing the yang to the latter’s yin. And where night one was light on improv, night two provided a coherent musical journey. Boasting flow from the beginning of the show the through the end, last night sits among the most robust overall performances of this young tour. Let’s take it from the top!

Unofficial Portsmouth Print (Masthay)

When the band stepped on stage to start the show, they immediately rolled out six 2012 debuts, including sought after bustouts, “Ha Ha Ha” and a sign-induced “Dog Log.” The fresh setlist gave the show an energetic jump-start without needing a lick of jamming. Also included in this sequence was a mid-set rendition of “Divided Sky,” a song that provided far more of a treat with its diminished role in the rotation. But when the summer debuts ended, the band kicked into high gear with “Mike’s Groove.” A slowed pace and thunderous groove of “Mike’s” rattled the undersized environs and the show was off and running. “Weekapaug” provided the the first glimpse of the outstanding, full-band communication we’d see from all night as Trey tore off continuous melodies over a popping groove that was anchored by Fishman’s smooth work on the skins. The first set wound to a close with a four song run that included another two 2012 premieres in “Ya Mar” and “Bold As Love.” Trey wove the “Ya Mar” lick quite smoothly, albeit a bit early, into the liquid textures of “Cities” and the band switched into the summer favorite. When “Bold As Love” seemed like it would close an extended first set, the band punctuated the frame with a nuanced “Juluis,” a jam that Fish and Mike framed to perfection with a shuffle beat pocket. With such a pronounced first set, the second was sure to bring huge things. And it did.

6.20.12 (M.Stein)

Taking both “Rock and Roll” and “Tweezer” off the shelf for the first time since Bonnaroo, Phish combined the two crowd favorites in a fantasy sequence to spark the second half. Forging through “Rock and Roll’s” composed jam with notable rigor, the band was clearly locked and loaded for a big set. The progressed out of song structure with a slick, Trey-led, slowdown and passed quickly into an ethereal spacescape. Trey favored loops and effects amidst this elegant sonic mystery. Hinting at a Digital Delay Loop Jam, this segment painted a portrait of the universe’s outer realms before Trey slinked into the “Tweezer” for which so many on tour had been jonesing. Playing through the actual song with all sorts of bells and whistles, Phish revved their collective motor and prepared to enter freezer.

From the onset of the jam, Page assumed leadership, pacing the quartet with his piano chords and assuming the melodic lead as Trey remained in the background. Coiled like a viper behind the groove, Trey alternately raised his head and struck with accented licks, effected layers of sound, rhythm chops, and outright leads. All the while, Mike and Fish remained locked in urgent and powerful dance rhythms. Page hopped to his clavinet and brought the “Tweezer” into Crunchville with a filthy tangent, and the crowd responded to the change of texture with roars of delight. Snapping into “Tweezer’s” traditional build, Red brought the house down with a soaring final peak before the guys slid through an outro groove and smoothly into “Free.”

6.20.12 (M.Stein)

Used as a landing pad for the past three years, it seemed that is exactly what was happening last night. But, momentarily, things got very interesting. As the band seeped out of Mike’s bass solo, Trey began to slice and dice the jam like he hasn’t in years, including a short plinko line that seemed to be pushing the band into the first “Free” jam of 3.0! But he forgot to tell his bandmates. Having been programmed since 2009 to go right to the song’s final chord changes out of the bass solo, that is exactly what the rest of the band did. Trey’s attempt was in vain, but perhaps this illustrates a willingness to stretch out one of the band’s long lost jams of the modern era.

The unquestionable highlight of the night, however, had still yet to be played. The stylistically opposing “Guyute” and “Birds of a Feather” provided a mid-set buffer before the guys jumped of the deep end into a profound “Harry Hood.” Once again, Trey laid way back as the band joined forces, allowing Page and Mike to set an ambient tone to things from the jump. Trey merged with this idea, offering minimalist “Hood” licks to the collective, and then layering his own psychedelic offerings into to a thickening dreamscape. Utterly awing in every sense, the band built an abstract take on an old tale, captivating the crowd with their originality. This excursion reached planes that “Hood” rarely, if ever, touches, and provided a welcome improvisational diversion. And when things reached their most abstract, Trey coyly laid in the melody of “What’s the Use?!” The band all took heed and adjusted within measures, sculpting another staggering summer segue.

6.20.12 (M.Stein)

The Siket Disc instrumental blanketed the pavilion with its post-apocalyptic sound, though the band—not rushed at all—moved through the piece with a bit more tempo that usual. As “What’s the Use?” came to an end, Fishman made the obvious decision and moved directly back into “Hood’s” cadence—it seemed that the band would complete their early classic. But as Page took over with a piano solo leading away from the song, the band missed a golden opportunity for another magnificent transition. Page’s hijack took the set into “Velvet Sea,” which, given the larger musical circumstances, wasn’t altogether inappropriate. The stage seemed set for a monster “YEM,” but—for whatever reason—the band is holding back their seminal piece this summer and, instead, turned to “Possum” to close the second set.

The Final "Tuck" (M. Stein)

The encore provided thematic closure on nTelos Pavilion’s two-night stand as Trey came out and quietly played the Star Wars theme before the band launched into a final tucking” episode in “Sleeping Monkey.” During the song, Trey put his guitar down and serenaded Fishman, finally asking him to come out for one last “tuck.” And as you might guess, Fishman was more than happy to oblige. Torching the venue aflame with “Tweezer Reprise,” Trey stomped like a madman around the stage, pushing the 6,500 person crowd into a frenzy. And when the guys took their final bow of the night, everything seemed back on track in Phishland as they prepare to invade the Midwest.

I: Sparkle, Ha Ha Ha, AC/DC Bag, Divided Sky, Dog Log, Undermind, Mike’s Song > I Am Hydrogen >Weekapaug Groove, Cities -> Ya Mar, Bold As Love, Julius

II: Rock and Roll > Tweezer > Free, Guyute, Birds of a Feather, Harry Hood -> What’s the Use? > Wading in the Velvet Sea, Possum

E: Sleeping Monkey > Tweezer Reprise

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754 Responses to “A Southern Scorcher”

  1. Beaten Worker Says:

    Didnt mean to spark up such a toxic and polarizing discussion…..

    So how about that Worcester Carini?!?

    Anyone? Anyone?

  2. neemor Says:

    Worcester Carini was the good stuff.

    aw, someone steal your binkie today?

  3. marcoesq Says:

    no, sumodie, I just didn’t word it correctky. 47 or 48, however old he is. sometimes I’m not the most eloquent writer.

    Carini will slay this weekend

  4. Type III Jamming Personality Disorder Says:

    @dorn
    I’m thinking they bust out the sriracha sauce for the Midwest: Multi-textured flavor with a healthy dose of heat

  5. harryhood Says:

    @ beaten

    Apparently there are others on here more qualified to discuss all things Phish then myself, but if you would like some interesting insight into your last post, hit me up offline….

    BoireC@Hotmail.com

  6. marcoesq Says:

    Here goes the Hood>WTU?. Let’s see this shit roll

  7. GhostPhunk Says:

    the internetz is srsbznz

  8. GhostPhunk Says:

    Neemor I’m pretty sure the jersey thing was all in fun but if it wasn’t I’ll just give you two hugs next time we meet. Worry not.

  9. GhostPhunk Says:

    You see poop is so caught up in his quest to be a 1%’r that he’s already left his fellow 99ers behind. This is typical of money driven asshats and he’ll fit in well with his new friends.

    **the internetz is srsbznz**

  10. harryhood Says:

    @AW

    Sorry man, was happy to finally meet you at DCU, and still think you’re a good guy, but people who argue just for the sake of arguing have a way of really getting me wound up. One of my best friends is the same way, so I get it, but picking on someone for what they wear to a show? Cmon man.

  11. sumodie Says:

    Regardless of whether or not Trey is sober (whatever that means….)

    It is obvious that nowadays (~last 2 years..?) on stage he is back to being comfortable about cracking herb jokes

    Early in 3.0 Trey either omitted comical herb chatter or referenced his troubles (‘peeing in a cup’ line from one early 3.0 show, etc)

    Dunno if it’s because he’s off probation, or he’s more comfortable in his skin, or whatever…

    In any case, Trey’s sour diesel reference was dope!

  12. marcoesq Says:

    The band hasn’t finished a Hood since 2011

  13. GhostPhunk Says:

    My image of poop laughing right now is getting me through the morning.

  14. MiA Says:

    You could be wearing the same shoes as AW, and he’d give you shit for wearing them.

    That’s what makes him such a character. Good stuff.

  15. RoosterPizza Says:

    Sour diesel reference was dope…nice

  16. Type III Jamming Personality Disorder Says:

    in case you were wondering, the aforelinked upton boogie gif also fits nicely with the Julius shuffle

  17. litteringand Says:

    It is time for them to rage 2.0 stuff. for reals

  18. GhostPhunk Says:

    the upton boogie fits well with silence also.

  19. harryhood Says:

    @marco

    DCU Hood was finished.

  20. Robear Says:

    Last two shows nowhere near the level of musicianship seen at AC, nowhere near the freedom from Worcester.

    I’ve done a bunch of webcasts, and last two nights were weak sauce Phish.

    Nothing we haven’t seen. If they can’t drop last nights Tweezer in their sleep, I don’t know Phish.

    A quick plinko strum in Free? Wow. WTU? Been there, done that in 3.0.

    I’m not jaded either. Give me a break. The whole webcast felt like a joke to be honest. The final punch line being the set break music. Then the final insult, the Sleeping Tucking.

    Hartford 09= Phishy antics
    Portsmouth = fill the time without great musicianship

    I’d love to hit DC> Alpine if possible still. Doesn’t change anything. A spade is a spade. I saw a shot show in 95 once.

  21. sumodie Says:

    T3, now if only Fallon’s hottie guest was made to do the Tuck first…

  22. alf Says:

    @selector

    sick

    thanks as always for the riddims

  23. halcyon Says:

    Mmmmm Sriracha

  24. Type III Jamming Personality Disorder Says:

    I’ve done a bunch of webcasts

    pfft. wake me when you hit 60, n00b.

    @sumo
    I like it. maybe we can sync her gq spread video to some hot jam… anyone have her number? I’ll be happy to share show space with her

  25. Type III Jamming Personality Disorder Says:

    @halcy
    you drop/adding?

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