Exploratory Excursions

7.1.2012 (Jenni Brennison)

To conclude their Midwestern visit, Phish balanced Saturday night’s explosive throwdown with a Sunday performance whose highlights focused on cerebral, nouveau improvisation. Despite an inability to close the second set with authority, the band had already flexed their improvisational muscle considerably during a 25 minute segment of “Light -> Ghost” and a first set “Fee” that stands up to any ever played. Although a spottier show overall, Phish still showcased the type of fresh ideas and experimental playing that has flooded this summer’s tour. Using these three vehicles, the guys scripted a triumvirate of indelible jams that will hang in the 2012’s Hall of Fame.

7.1.12 (J.Brennison)

During a first set consisting of all but two summer debuts, things got serious in an instant as the band slid through a wormhole out of “Fee.” Stepping through a door into the ether, the guys ascended into a spectral daydream. Elevating through patient cooperation, Page tickled the piece with “plinkofied” clav textures while Trey sprouted soul-tugging leads over a rolling pocket. Using a beatless interlude in the jam, the guys turned a corner with a series of with fresh ideas, this time snaking into even more heavenly places. A jam that only a mature Phish could pull off, the band pushed and pulled the music as a single-cell organism, discovering an exalting plain of ambient groove. Creating an alternate reality midway through the first set, Phish smashed down the walls of their bust-out jukebox with majestic and mysterious music. Supported by a slew of rarities in the first set, it sure seems that the band is taking their self-imposed, 200-song challenge to heart. Covers of “Soul Shakedown Party,” “Lonesome Cowboy Bill” and “Frankenstein” saw the stage for the first time this year, as well as Phish originals, “Vultures,” “A Song I Heard the Ocean Sing” and “Meat.” The difference with bust outs this year as opposed to the past couple, is that all songs have all been clearly practiced and performed cleanly, a facet that makes all the difference in the world when playing one-off pieces. A fun first half—with a profound swan dive into ambient adventure—set the table for some serious music come the second.

Alpine’s two-night onslaught of covers continued at the top of the main event as a fiery version of “Crosseyed and Painless” dissolved into the oft-teased Zeppelin epic, “No Quarter.” Played with particular poignancy last night, this version dripped popped with the psychedelic energy with it was birthed on “Houses of the Holy.” But when the band concluded playing the music of others and focused on two of their central launch pads of 2012, the show reached its most magnificent heights.

7.1.12 (J.Brennison)

Crashing into “Light” out of  “No Quarter’s” dissonant residue, the band strapped on their jamming shoes and put the pedal to the medal. Following two completely original versions of their modern era epic in AC and Star Lake, the band came right back with a third. In this incarnation of the jam, the band shied from groove and took off into long-form improvisation. Favoring a rolling and melodic ambient texture, all four guys played as one unit as dramatically as any time this summer. A meticulous exercise in multi-part harmonies and symbiotic, melodic interplay, “Light” blasted into totally new places last night with free-form improv. Mike teased the bass line of “Frankie Sez” midway in the jam, and—momentarily—it seemed as thought that is where we were headed—but not even close. Continuing to push the envelope with one-minded bliss, Phish allowed the jam to blossom into a lush garden of Rhodes-laced, avant-garde tapestry. Playing with such attentive ears, each member’s musical ego dissolved into a stunningly gorgeous conversation. As Fishman dropped his beat, the band drifted further outward, melding naturally into a synth-based final segment that artistically transformed into “Ghost.”

7.1.12 (J.Brennison)

Now we have spoken of the fresh ideas bubbling from Phish this summer, but this “Ghost” has taken that concept to new heights. Moving so far from conventions, the guys engaged in a jam that—at times—hardly sounds like Phish at all. Taking “Ghost” for its third joyride of summer, this one would, again, sound distinctly different. After the guys settled into the piece, they promptly popped out convention as Trey hit a faster lick. Fishman immediately caught on and made a change to a house beat that one might expect to hear from a “jamtronica” outfit. The entire band hopped on this out-of-character shift, and Phish took a brief foray into the type of music that legions of their one-time followers have made famous. As Fishman switched up the rhythm again, the music took another turn, this time for the abstract. Morphing smoothly into another original segment, this jam seemed to be guided by a greater force as the music spilled out as if scripted. Migrating from beauty into a menacing groove, this “Ghost” gave musical density a new meaning. Layering a slow vocal reprise of “Still Waiting” over this murky groove, the guys gradually built out of the jam with a seamless segue into “Back on the Train.” Serving as a groovy landing pad for an extended sequence of unique and transcendent jamming, “Train” centered the crowd for what was certainly shaping up to be one of the sets of the summer.

Alpine Valley Official Print

A minimalist take on “Farmhouse” shone as a mid-set breather, as the band’s the meticulous improvisation spilled into the millennial-era ballad. But once “Farmhouse” ended, the band, however, crushed their own musical momentum with a series of questionable song choices. Sputtering to the end of the show with a first-set-esque sequence of “46 Days,” “Heavy Things,” “Joy,” and “Julius,” a set that had flowed as well as any through “Farmhouse” took a nosedive and never recovered. I, honestly, think that the band shot their proverbial load on the otherworldly sequence of “Ghost -> Light,” and if they felt like they had to play songs for the rest of the set, then so be it. Sometimes when you have such strong centerpieces to a show—and “Fee,” “Light” and “Ghost” are all “type II” reveries—whatever falls around them is just gravy—too salty, or not.

When looking back on 2012’s return to Alpine Valley, many fans will rightfully recall the airtight, powerhouse second set of Saturday night. But when crafting any summer highlight reel, it will be a moral imperative to include Sunday night’s top-shelf trifecta. As the band moves beyond the Midwest and into the stretch run of Leg One, things are strong as ever in the world of Phish. Playing with a focused creativity unseen since the late-‘90s, the guys are mining musical gold on a nightly basis. Whether a set, an entire show, or—in the case of last night—a few timeless jams, one can be sure to leave any current Phish show with some form of improvisational treasure.

I: Soul Shakedown Party, Lonesome Cowboy Bill, Vultures, Gotta Jibboo, Dirt, A Song I Heard the Ocean Sing,Access Me, Meat, Frankenstein, Fee, Maze, The Squirming Coil

II: Crosseyed and Painless > No Quarter > Light -> Ghost -> Back on the Train, Farmhouse, 46 Days, Heavy Things, Joy, Julius

E: Meatstick

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1,479 Responses to “Exploratory Excursions”

  1. punkmug Says:

    They walked away from the jam. 🙁

  2. Henry Says:

    I loved the silence to end too. Eerie. Good stuff

    Was dubious to spend $ since my 2 shows were Portsmouth, but glad I did

  3. phoammhead Says:

    What!

  4. c0wfunk Says:

    last set 2 wolfman’s – 10/24/10

    walk awayd

    that whatcha mean plord?

  5. plord Says:

    Yeah that was kinda clanky right there.

  6. Lycanthropist Says:

    Seriously? People not digging this? Does not compute

  7. c0wfunk Says:

    it always seems like such a good idea to trey, til they realize the rest of the band has to get it together too. Fishman has the toughest task in those moments.

  8. TheSloth Says:

    I love the way golden aged ended.

  9. MiA Says:

    The front row … Not so hot.

  10. c0wfunk Says:

    eh? all were digging lyc I think? just commenting that that was a bit of a forced moment. All is good though. Nice set thus far.

  11. Lycanthropist Says:

    well a foul in wolfmans. But every thing prior? $$$

  12. plord Says:

    Lycan the Sand->GA was straight money all day.
    No missing love there at all!

  13. MiA Says:

    Yep. Favorite GA of ’12

  14. phoammhead Says:

    Yeah, it wasnt bad . . . At all

  15. phoammhead Says:

    Trey fire

  16. willowed Says:

    That was hot

    This is hot

  17. punkmug Says:

    Did not see any hate for the Sand>GA. Wolfman’s was getting into some pretty uncharted territory. It got out there just as quick as that Gin from DC2 did and similarly got cut off in favor of moving the set along for whatever reason.

  18. c0wfunk Says:

    yeah .. nice set so far.

    I love this point in the set after ~45 min or so of straight killin it .. catching breath as trey said

  19. DocGanz Says:

    That cascading piano at the end of the last 2 Walk Aways has a Tweeprise sound to it

  20. c0wfunk Says:

    been there for a bit doc .. 10 maybe? i know the telluride one had it and that wasn’t the first. Definitely a tweezerprise progression happening there.

  21. c0wfunk Says:

    2010 that is.

  22. phoammhead Says:

    Take a bug every day of week

  23. phoammhead Says:

    Killing it

  24. c0wfunk Says:

    grabbed these redhook long hammer ipas last weekend on sale.. Pretty dang good brew.

  25. c0wfunk Says:

    ..taking a bain hiatus this week.. 1 week off for the first time in .. God Knows How Long. Been an interesting ride. Reality isn’t as hazy as I thought lol.

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