The Brightest Stars of Summer

(Dan Shinneman)

Though many different songs took center stage throughout Leg One, the following four jams were undeniably the brightest stars of summer. While “Light,” “Ghost,” and “Golden Age” consistently forged innovative paths, “Sand” consistently brought down the house. Let’s take a closer look at the four improvisational pillars of Phish’s opening run of 2012.

“Light”

The signature jam of the modern era continued to grow expand this summer, as every version provided a totally unique take on the ever-changing jam. Beginning in AC with a hard-edged groove mashup with “Manteca,” and continuing with Star Lake’s new-school venture into a plinko paradise, Phish pushed improvisational boundaries with “Light” each time it hit the stage. At Alpine Valley, Phish wove a minimalist, melody-driven and ethereal tale that transformed into one of the more cerebral highlights of tour. And in their tour finale st SPAC, the guys took the jam for one last joyride, landing in a stunning melodic theme. Sculpting a tour highlight each time they played the song—less a standard run through at Bonnaroo—the boys put “Light” in strong position inb the MVP race. But its main competition would come from a revival story.

 “Ghost”

6.30.12 (K.Harris)

Resurrecting “Ghost” from the dead, Phish revitalized their late-‘90s jam vehicle in profound fashion this summer. For the most part, modern-era “Ghosts” had remained a springboard into groove or guitar-led jamming, but rarely a launch into full-band exploration. That all changed on the opening night of tour with a seductively, laid-back rendition that saw the band forge original ground with the tune for the first time in ages. Remaining in the background due to its location at the beginning of tour, it deserves a rightful place at the table with any summer versions.  Then came Blossom. Emerging from a standout “Golden Age,” “Ghost” settled into a sinister full-band groove before moving into the abstract on the backs of Fishman and Trey. Getting into a very creative, drone-like pattern, the band was now infusing totally fresh ideas into “Ghost.” And speaking of new ideas, out of a new-age, synth ending of “Light,” came the Alpine “Ghost.” With virtually no time in conventional realms, the band moved into a “live-tronica” sequence that knocked down yet another music door before slithering into a slow musical dungeon. The band also showcased “Ghost” in, arguably, the set of the summer, once again rising from the depths of a jam—this time, “Sneakin’ Sally.” Carving out a stunning version that spent zero time vamping, Phish used one-minded interplay to sculpt a quasi-ambient jam that covered all sorts of ground before a cathartic arrival. Easily the comeback player of the tour, the only question is whether “Ghost” brings home one trophy or two.

 “Golden Age”

7.3.12 (S.Lehrman)

In 2012, the band finally decided to settle on “Golden Age” as a jam vehicle. After a demented pinko foray at Super Ball, 2011 only saw the cover come off the shelf as late-set filler. But that all changed this tour. When the song’s first summer outing fused into “2001” at Bonnaroo, the guys found a go-to combo that would come out twice more over the rest of the run. At Blossom, however, when breaking “Golden Age” to open the second set, they stretched it out far more significantly. Following an super slick rhythm sequence, Trey initiated a more intricate groove in which Fish followed right along, soon blossoming into a deep space sound sculpture. Alpine’s version featured delicate textures and plinko theatrics before smoothly moving into “2001.” Jones Beach’s version, however, may be the most complete of tour. Migrating from throw-down funk into a percussive palette, and gradually into a slowed down piece of Floydian psych-rock, Phish jammed this one to absolute completion. Entering a totally different style of music altogether, Jones Beach gets my nod out of the several of tour. Ending with a brief version at SPAC that, again, segued into “2001,” the band capped a run of standout jams from their modern era cover.

“Sand”

7.8.12 (R.MacNeil)

“Sand” has become the Phish’s preeminent launch pad to crack-like grooves. Filled with whole-band, rhythmic passion, each time the guys seeped into the millennial-era jam, everyone knew they were in for a treat. Kicking off the tour with, arguably, the most dynamic version of 2012, the band cranked through eight of the densest minutes of music you’ll ever hear. Laced with melody and evoking the sound of late-’70s Dead, the band annihilated a piece that segued seamlessly into the bluegrass juxtaposition of “Nellie Kane.” AC’s late-set version also popped out of the usual groove, and growled with a bit more guitar-focus than those sandwiching it. Cincy’s late-set version was in the dance floor, melodic variety of Worcester’s and segued smoothly into “Roggae.” But Deer Creek’s “Sand” was far more extended with outstanding—and stylistically diverse—guitar narration from Trey throughout. Jones Beach’s July 3rd version built into a second, consecutive multi-tiered scorcher that touched on several variant textures before landing in a plinkofied, looped out segment that brought them into “Golden Age.” The final version of tour came our of a gnarling “Carini” at SPAC and became the third spotlight version in a row that moved through several distinct segments of lockstep jamming.

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Jam of the Day:

Light -> Ghost” 7.1, East Troy, WI

Summer’s two heaviest hitters wrapped into one staggering sequence from Alpine.

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501 Responses to “The Brightest Stars of Summer”

  1. thnkfstpal Says:

    I saw TGD on the rail 5/21/95 my only show. For my noob mind it was S.I.C.K. Unbroken Chain, West LA, Jack Straw, Days Between, Eyes etc.

    Deadhead for life after that.

    I saw Furthur last year 2011 at The Greek Los Angeles. Bobby wasn’t high enough in the mix and his vocals were “mostly” great, couple off moments vocally but the guitar playing was great. Phil steered the ship for the most aprt and Kadlecik sang Jerry tunes pitch perfect as well as SLAYED on the guitar. He’s my new favorite guitar player after that show.

    I’m sure they’re not that good night in night out but your review seemed a bit “heady” IMO. Usually I enjoy your insight ROBEAR but that post seemed like you went in to the show pissed about the price of the ticket and sat their thinking “there is no way this could ever be as good as TGD” when in reality it CAN be as good if not better sometimes than TGD especially late era Dead.

    2 cents.

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