The Brightest Stars of Summer

(Dan Shinneman)

Though many different songs took center stage throughout Leg One, the following four jams were undeniably the brightest stars of summer. While “Light,” “Ghost,” and “Golden Age” consistently forged innovative paths, “Sand” consistently brought down the house. Let’s take a closer look at the four improvisational pillars of Phish’s opening run of 2012.


The signature jam of the modern era continued to grow expand this summer, as every version provided a totally unique take on the ever-changing jam. Beginning in AC with a hard-edged groove mashup with “Manteca,” and continuing with Star Lake’s new-school venture into a plinko paradise, Phish pushed improvisational boundaries with “Light” each time it hit the stage. At Alpine Valley, Phish wove a minimalist, melody-driven and ethereal tale that transformed into one of the more cerebral highlights of tour. And in their tour finale st SPAC, the guys took the jam for one last joyride, landing in a stunning melodic theme. Sculpting a tour highlight each time they played the song—less a standard run through at Bonnaroo—the boys put “Light” in strong position inb the MVP race. But its main competition would come from a revival story.


6.30.12 (K.Harris)

Resurrecting “Ghost” from the dead, Phish revitalized their late-‘90s jam vehicle in profound fashion this summer. For the most part, modern-era “Ghosts” had remained a springboard into groove or guitar-led jamming, but rarely a launch into full-band exploration. That all changed on the opening night of tour with a seductively, laid-back rendition that saw the band forge original ground with the tune for the first time in ages. Remaining in the background due to its location at the beginning of tour, it deserves a rightful place at the table with any summer versions.  Then came Blossom. Emerging from a standout “Golden Age,” “Ghost” settled into a sinister full-band groove before moving into the abstract on the backs of Fishman and Trey. Getting into a very creative, drone-like pattern, the band was now infusing totally fresh ideas into “Ghost.” And speaking of new ideas, out of a new-age, synth ending of “Light,” came the Alpine “Ghost.” With virtually no time in conventional realms, the band moved into a “live-tronica” sequence that knocked down yet another music door before slithering into a slow musical dungeon. The band also showcased “Ghost” in, arguably, the set of the summer, once again rising from the depths of a jam—this time, “Sneakin’ Sally.” Carving out a stunning version that spent zero time vamping, Phish used one-minded interplay to sculpt a quasi-ambient jam that covered all sorts of ground before a cathartic arrival. Easily the comeback player of the tour, the only question is whether “Ghost” brings home one trophy or two.

 “Golden Age”

7.3.12 (S.Lehrman)

In 2012, the band finally decided to settle on “Golden Age” as a jam vehicle. After a demented pinko foray at Super Ball, 2011 only saw the cover come off the shelf as late-set filler. But that all changed this tour. When the song’s first summer outing fused into “2001” at Bonnaroo, the guys found a go-to combo that would come out twice more over the rest of the run. At Blossom, however, when breaking “Golden Age” to open the second set, they stretched it out far more significantly. Following an super slick rhythm sequence, Trey initiated a more intricate groove in which Fish followed right along, soon blossoming into a deep space sound sculpture. Alpine’s version featured delicate textures and plinko theatrics before smoothly moving into “2001.” Jones Beach’s version, however, may be the most complete of tour. Migrating from throw-down funk into a percussive palette, and gradually into a slowed down piece of Floydian psych-rock, Phish jammed this one to absolute completion. Entering a totally different style of music altogether, Jones Beach gets my nod out of the several of tour. Ending with a brief version at SPAC that, again, segued into “2001,” the band capped a run of standout jams from their modern era cover.


7.8.12 (R.MacNeil)

“Sand” has become the Phish’s preeminent launch pad to crack-like grooves. Filled with whole-band, rhythmic passion, each time the guys seeped into the millennial-era jam, everyone knew they were in for a treat. Kicking off the tour with, arguably, the most dynamic version of 2012, the band cranked through eight of the densest minutes of music you’ll ever hear. Laced with melody and evoking the sound of late-’70s Dead, the band annihilated a piece that segued seamlessly into the bluegrass juxtaposition of “Nellie Kane.” AC’s late-set version also popped out of the usual groove, and growled with a bit more guitar-focus than those sandwiching it. Cincy’s late-set version was in the dance floor, melodic variety of Worcester’s and segued smoothly into “Roggae.” But Deer Creek’s “Sand” was far more extended with outstanding—and stylistically diverse—guitar narration from Trey throughout. Jones Beach’s July 3rd version built into a second, consecutive multi-tiered scorcher that touched on several variant textures before landing in a plinkofied, looped out segment that brought them into “Golden Age.” The final version of tour came our of a gnarling “Carini” at SPAC and became the third spotlight version in a row that moved through several distinct segments of lockstep jamming.


Jam of the Day:

Light -> Ghost” 7.1, East Troy, WI

Summer’s two heaviest hitters wrapped into one staggering sequence from Alpine.



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501 Responses to “The Brightest Stars of Summer”

  1. Mr. Palmer Says:

    wow. that monster Playin was actually pretty enjoyable.

    Trying to wrap my head around what that must be like to be at a show with a jam like that.

    Think the longest jams i’ve ever seen in person were the albany ’95 Yem and the Scents from Camden ’03. Both were over 30 minutes.

  2. snow Says:

    People see this already?

    I have been slacking on my BB reading.

    I’m also just sick enough that it is annoying.

    @Robear- do you not have bane on purpose? WTF Dude? you’re scaring me.

  3. snow Says:

    read back and answered my own questions in less than 4min.

    I just want to add…


  4. phoammhead Says:

    good to see page get out there and plan for a little freshie

  5. Jtran Says:

    6/24/73 very nice DS. Thanks kaya

  6. kayatosh Says:

    i’m just calling out some random GD recs. for palmer.

    as far as listening, spinning on random, a 32 GB iaudio 10 FLAC player loaded w/ summer leg I, and highlights from the following: 2.28.2003, june/july and sept. 2000, 11.19.98, 7.26.97, 11.23.96, 11.6.96, 10.29.96, 11.22.95, 6.10.95, 8.17.93, 4.13.93 AND

    JGB: 3.9.74, 6.4.74, 10.17.75
    garcia and grisman 12.8.91
    GD 9.11.74 Eyes
    11.7.69 DS
    2.20.70 DS
    2.24.71 bird song
    4.88.72 DS>sugar mags
    9.2.80 morning dew
    5.15.80 stranger playin>UJB
    4.20.81 Shakedown street

    math games w/ fareed haque 3.30.12
    soulive w/ george porter billy martin and others 3.8.12

    WRW 3.2.12 (will bernard and robert walter and some other cat)
    1.28.12 GSBG show

    ^^^ makes for some good listening.

  7. Mr. Palmer Says:

    Think the longest jams i’ve ever seen in person were the albany ’95 Yem and the Scents from Camden ’03. Both were over 30 minutes.

    ^^ Vegas Wolfman’s clocks in at a little over 30 minutes as well. Pretty sure those are my top 3 in length. 3 sick jams also.

  8. kayatosh Says:

    add 7.21.97

  9. Dorn76 Says:

    Def going to try and hit night 2 of that MeterMen show. Tix on sale Fri Morning… $40. Nice.

  10. kayatosh Says:

    re. long jams: camden Jim 2000 and camden twist 2003

  11. kayatosh Says:

    4.88.72 should be 4.8.72

  12. Guyute711 Says:

    95 Albany YEM is far more than a sick jam. Absolutely legendary I think is a better description.

  13. kayatosh Says:

    albany YEM — $$$. 12.9.95 — i love that show.

  14. snow Says:

    So did trey get his stable goat back in 2012?

    Is a dialed in Fishman his stable goat?

    IS there any chance that learning about stable goats won’t be the best thing that happend to me today?

  15. makisupaman Says:

    Nice write-up, Mr. Miner. Did anyone happen to hear the “I Know What Boys Like” phrasing during the Alpine “Golden Age”? Seemed pretty clear to myself and a few friends during the show.

  16. Jtran Says:

    The Who playing Quadrophenia this winter

  17. Guyute711 Says:

    Geez, I saw the Who do Quadrophenia probably like 15 years ago. They were considered old then.

  18. MiA Says:

    Albany YEM = $$$$.

    One of my all time favorite YEMs. Really is a top contender for me. And I wasn’t there, but I imagine that was incredible, with the “silent” jam, etc.

    I think all of my “longest” jams were at IT.

    There was like a 40 minutes 46 days and a 40 minute Ghost. I don’t know if you can count all the “secret sets” as a jam though. So I don’t.

    35 mins of Bowie in Minneapolis in ’94 was the longest jam up to that date.

  19. MiA Says:

    Did anyone happen to hear the “Call Me Maybe” teases during AV Ghost?”

    I swear Fishman was playing that drum beat for awhile.

  20. Jtran Says:

    been spinning Lowell 95 voter’s choice from the top.

    On Reba now. $$$

    Very fun show with good banter

  21. voopa Says:

    The Who was old in 1978. I remember when they retired in 1989.

  22. kayatosh Says:

    jtran: flip

  23. Type III Jamming Personality Disorder Says:

    now that you mention it, I seem to recall that… spinning now to hear if I hear it again

  24. Mr. Palmer Says:

    secret sets don’t count, agreed. Man, IT had some monster jams. Totally blew that off. My interest was waning a bit in 2.0, i guess, although i loved the shows I saw. I just wasn’t making any sort of effort to see them anywhere that wasn’t close to home.

    Ill have to research and see if there are any other big jams that i overlooked. counts Phish playing the Letterman Marquee as a “show”. Anyone else find that weird? I wouldn’t count it.

  25. Type III Jamming Personality Disorder Says:

    yup. there it is. around the 8 minute mark. maybe not intentional, per se, but they play with that theme for a bit.

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