The Second Sets of Summer

6.17.12 (Michael Stein)

While gazing over the summer setlists this past weekend, there were so many great second sets that ordering them one-by-one seemed like an exercise in futility. But as I looked a little longer at the second sets of Leg One, I found that four “tiers” of shows emerged. Using nameable qualities—or lack thereof‑—to separate these tiers, a macro picture of summer emerged. But before we get into analyzing—and overanalyzing—what shows should be where, let’s take a step back to recognize that even the Tier Four shows have solid chunks to offer, and in some cases, more than one. Point being, Phish just played an amazing tour.

The main elements that separated shows were lack of flow or the “fizzle factor.” The first is self-explanatory, while the second refers to a set that started out strong but didn’t finish with authority. The elite sets that made the top tier of Leg One, in my opinion, contain outstanding improv—most often with a centerpiece jam, possess an undeniable flow from beginning to end, and have supporting jam sequences that could be no-brainer highlights of lesser shows. Let’s take a look at these four groupings and then inspect a couple takeaways. Each tier is listed in chronological order. (I wasn’t at Bonnaroo, thus it isn’t included.)



6/7, Worcester:

Carini -> Taste > Ghost > Boogie On > If I Could, Quinn, Hood > Cavern > Buried Alive Reprise

The opening night of tour featured a second set that can stand up to any of summer. The opening sequence of “Carini” through “If I Could” is pure improvisational gold. Juxtaposed against the mediocre MSG shows over New Years, this tour-opening set felt like an indoor soul cleansing. With central jams of “Carini” and “Ghost -> Boogie On,” there is no question that this set belongs in the upper echelon of 2012.

6/15, Atlantic City:

My Soul, Birds -> Back on the Train > Heavy Things > Twist > Piper > Billy Breathes, Sneakin’ Sally > David Bowie

Atlantic City’s first night has everything I look for in a second set. Start-to-finish flow, a centerpiece jam in “Birds” and incredibly strong supporting sequences of ‘Twist > Piper” and “Sally -> Bowie.” A scorcher through and through, and a set of non-stop adventure, AC’s opening night stole the show down the shore.

6/23, Star Lake:

Jibboo, Mike’s > Simple > Light > Weekapaug > Seven Below, Bouncin, Julius, Slave

This unbelievably cohesive frame of music is centered on a sublime, 45-minute chunk of jamming—“Simple > Light > Weekapaug > Seven Below.” Interlacing “Light’s” jam in “Weekapaug,” and “Weekapaug’s” in “Seven Below,” Phish was flowing like lava on this Saturday night with a modern-sounding symphony. Sparked with “Jibboo,” “Mike’s” and brought home with “Bouncin,” “Julius,” and an outstanding “Slave,” Star Lake stopped for nobody.

6/28, Deer Creek:

Mike’s > McGrupp, Back on the Train -> HYHU > Bike > HYHU > Weekapaug, Caspian > Waves > Bug > Bowie

With an unconventional setlist and a Fishman appearance in the middle of the frame, Phish pulled of one of their most musically impressive second sets of summer. Served in wonderfully packaged pre-and post-Fishman suites, this set flowed particularly well, and several jams jumped off the deep end. Pairing the greatest “McGrupp” that I know with a deeply psychedelic “Back on the Train,” and following Fishman with the seamless sequence of “Caspian > Waves > Bug > Bowie,” this set is an absolute gem. The “Waves” is a tour highlight, and in the running with best versions ever played.

7/6, SPAC:

Chalk Dust, Carini > Sand, Roses Are Free > Punch You In the Eye > Sneakin’ Sally > Ghost > Suzy, Antelope

Phish took no prisoners on the first night of SPAC, putting together one of the finest second sets of tour. Opening with a scathing combo of “Carini > Sand” and focusing on the even more adventurous combo of “Sally > Ghost,” Phish played live without a net on this night. Using “Roses” to ground the set before utilizing “Punch” to launched into its second half, Phish didn’t come close to a ballad in frame of fire. Capping their performance with aggressive runs through “Suzy” and “Antelope,” Phish had the pavilion buzzing long after they left the stage.


Tier Two

6/16, Atlantic City:

Crosseyed > Slave, Light -> Manteca -> Light > Theme > Golgi Apparatus, Sand, Number Line, Antelope

This set was hard to keep out of the top tier, but I just didn’t feel it held up to the crème de la crème. Centered on the stellar “Lighteca,” and supported by a “Crosseyed” that all-but-seamlessly segued into a knee-buckling “Slave,” the only other piece of interest was a late-set “Sand.” With songs like “Theme,” Golgi,” and “Number Line” compromising the flow of the set, this one just missed the bar.

6/22, Riverbend:

Disease > Guelah Papyrus, Kill Devil Falls > Twist > Halley’s > Sand -> Roggae, Carini > Chalk Dust, Golgi

Laced with magical interplay throughout, including one of the jams of tour in “Twist,” Cincy’s second set was kept in the second tier due its choppiness. Though “Disease” was glorious, Trey ended it quite abruptly with “Guelah Papyrus,” and after “Roggae,” the final three songs of “Carini > Chalk Dust,” and “Golgi,” felt like they were picked out of a hat. But when focusing on the jams—“Disease,” “KDF-> Twist,” and “Sand > Roggae,” this set packs plenty of improvisational gold.

 6/30, Alpine Valley:

Number Line, Carini > Wilson > Golden Age -> 2001 > Rock and Roll > Steam > Piper > Quinn, Hood > Zero

What the first night of Alpine lacks in a centerpiece jam, it more than makes up for with relentless momentum, non-stop flow and several 10-minute gems. Never stopping for air, the band crafted an ultra-groovy first half of the set through “2001,” including a plinko-funk throwdown in “Golden Age.” And then the guys sculpted two standout excursions in “Rock and Roll” and “Piper,” highlighting exploratory playing during the second portion of the set. Filling in the gaps were the only version of “Steam” this year and a show-capping combo of “Harry Hood” and “Zero.” If I weren’t being so stingy with Tier One, this set one could be argued upward. Though the following night at Alpine reached higher highs, this set was a start-to-finish powerhouse. Had there been a significant closer versus “Quinn,” Hood,” and “Zero,” this would be sitting higher.

7/1, Alpine Valley:

Crosseyed > No Quarter > Light -> Ghost -> Back on the Train, Farmhouse, 46 Days, Heavy Things, Joy, Julius

This set is one of my favorite of sets summer through “Farmhouse”—but then the fizzle factor came into play in major fashion. The final segment of the show read like the middle of a first set—“46 Days,” “Heavy Things,” “Joy,” and “Julius.” Though everything was solid, it seemed like the band had shot their load during the first half of the set and coasted to the finish line. Sometimes that’s what it takes for them to reach their highest highs these days—and “Light -> Ghost” is my favorite playing of tour—but the set’s final third certainly keeps it out of the top tier.

7/3, Jones Beach:

Chalk Dust, Sand -> Golden Age, Wolfman’s -> Walk Away, Bug, Fluffhead, Wedge, Antelope

The first night of Jones Beach seems to have everything to qualify for Tier One, but is missing that intangible “x” factor. A smoking opening combo of “Chalk Dust,” Sand -> Golden Age” featured one of the jams of tour in “Golden Age.” And though the band hit a slight stumble between “Wolfman’s” and “Walk Away,” they didn’t fizzle out, following “Bug” with the summery triumvirate of “Fluffhead,” “Wedge,” and “Antelope.” “Antelope”—the first to raise a brow since Utica—provided a late set highlight, but when I had this paragraph in Tier One—and that’s where it started—it just didn’t feel right. Is it because “Wolfman’s” wasn’t allowed to breathe, cut short for a trio of jamless songs? I’m not totally sure. I had a blast at this one, but listen back boils down to “Sand -> Golden Age” and “Antelope.”

7/8, SPAC:

Axilla > Light > Twist, KDF -> My Friend > Swept > Steep > Piper > Free, Kung > Hood > Cavern, Bowie

This set was one of the hardest for me to place. Though it doesn’t hold up in flow to the top sets, it is played well throughout, and centered on two monster jams in “Light” and “Piper.” Supported by a “Kill Devil Falls” with quite an interesting outro, the rest of the set is just kind of there. The awkward mid-set c0mbo of “My Friend”—best used as a set opener—and “Swept > Steep”—best used as a landing pad for improv—provided a lull in the action, and while Trey shines in “Harry Hood,” nothing else really pops to me. But, damn, “Light” and “Piper” are right up there with the jams of tour.



6/8, Worcester:

Disease > Sand -> Nellie Kane, Mike’s > Makisupa > Weekapaug, Velvet Sea, 2001 > Zero

Kicking off with an explosive combination of “Disease > Sand -> Nellie Kane,” and supported by a late set “2001” that is one of the dark horse gems of tour, this set suffers from a case standarditis right in the middle of the second set in the form of “Mike’s > Makisupa > Weekapaug.” The only real keeper from this one is “Sand -> Nellie Kane,” hence its placement.

6/20, Portsmouth:

Rock and Roll > Tweezer > Free, Guyute, Birds, Hood -> What’s the Use? > Velvet Sea, Possum

Though compared to Portsmouth’s first show, this felt like a colossal triumph, on listen back, I feel this is a very solid tier three show. A quality—though unspectacular— opening combo of “Rock and Roll -> Tweezer > Free” set the table for a huge set, but the band hit some momentum issues with “Guyute” and a standard “Birds.”Hood -> What’s the Use?” is the highlight of the set, even though it’s a sin that the band didn’t follow Fishman back into “Hood.” A “Velvet,” “Possum” pairing closed this night with a whisper.

6/24, Blossom:

Golden Age > Ghost > Sweet Virginia, Rift, Tweezer -> Walk Away > Horse > Silent > Piper > Waste, Antelope

A fun-filled and powerfully-played set peaked with the opening pairing of “Golden Age > Ghost.” Though this sequence was great, albeit chopped a bit too soon, there was little other true meat to the set. The “Tweezer” was pure fire until antics ensued and “Piper,” though short, was notable. A hell of a lot of fun to be at, this isn’t a set with timeless playback quality from top to bottom.

7/4, Jones Beach:

Boogie On, Tweezer > Twist > Taste, Quinn, Julius, Rock and Roll > Horse > Silent, Hood, Shine a Light, Show of Life, Slave

Another front loaded set, Phish’s July 4th edition was centered on a blissful “Twist” and a gorgeously divergent “Harry Hood.” “Tweezer” seemed destined for the stars before the band slipped into “Twist,” and after “Taste,” the guys played an hour of completely standard music, less “Harry Hood.” And when the band followed “Hood,” with similarly mellow song selections of “Shine a Light,” “Show of Life,” and “Slave,” it made me wonder why they no longer use setlists.



 6/17 Atlantic City:

Drowned > 2001 > Reba, Roses > Chalk Dust > Caspian -> Silent, Bug > A Day in the Life > Disease

Bursting out of the gates with “Drowned > 2001 > Reba,” this set caught the first train to Fizzletown as soon as that sequence was over. Fine versions of mellow songs provide a nice soundtrack to a Sunday night while doing something else, but that’s not what we’re looking for here.

6/19 Portsmouth:

Back on the Train, Rift, Split, Mango, Number Line, Limb, Shine a Light, Lengthwise -> Maze, Cavern, Fire

Portsmouth’s second set amounted to a ninety-minute extension of its first, and were it not for Trey’s entertaining light saber antics, this set would have fallen fairly flat. The show that birthed “tucking” was focused far more on fun and songs than any sort of cohesive jamming. “Split Open” stood out, but that’s about it.

6/29 Deer Creek:

Disease > Sand -> Twist -> Rift, Bathtub Gin > Fluffhead, Ride Captain Ride, Antelope

Though the front of this set is front-loaded with a one-two punch of “Disease” and “Sand,” I haven’t found myself revisiting either version very much in favor of others. “Disease” is jammed to completion without ever getting anywhere super-engaging, and after “Sand,” the set kind of fell apart. Trey was certainly having a blast, but when he aborted “Twist” for “Rift,” and the band cut an intriguing “Gin” far shorter than first set versions for a midset “Fluffhead,” serious music didn’t seem to be their concern on this night. A fun Phish set—kind of—I haven’t found much playback value in this one.

7/7 SPAC:

Disease -> Blister in the Sun > Disease > Boogie On, Golden Age -> 2001 > Number Line, Caspian -> Scent of a Mule -> Blister in the Sun -> Scent, Mike’s > Contact > Weekapaug

This is one of those gimmicky sets—like the Moby Dick escapade of 2000—that some fans will treasure and some will yawn at. After a very significant “Disease” stopped off in “Blister in the Sun,” the rest of the set amounted to a standard performance with countless “Blister” teases. Showcasing the playful side of Phish in between two more musically-focused second sets, this one fit fine in SPAC’s three pack, but doesn’t stand very well on its own.



It’s pretty clear that the first night of any given stand exploded, and the following shows were composed of its fallout. There were no occasions over the summer where subsequent nights of any given stand clearly outshone the first, less Portsmouth. What’s the reason for this? Who knows. But don’t miss those first shows! It was also pretty crazy to me to have a high-quality set like Blossom’s in the third tier of tour, but that speaks to the consistent greatness of Phish these days. I would genuinely say that there were no bad shows this tour, just varying qualities of good, and that is exactly where we want to be. Phish 2012—it’s been a long ride, but it’s great to be here!


Jam of the Day:

Waves > Bug” 6.28 II, Noblesville, IN




6.19.2012 (Michael Stein)

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232 Responses to “The Second Sets of Summer”

  1. Robear Says:

    MiA, sweet. Do u use some kind of headphone amp or software on your iPhone for listening to music?

  2. Kaveh Says:

    Kaveh, leg 2 plans?

    ^ Denver.

  3. Type III Jamming Personality Disorder Says:

    I already posted what pham b is looking for on page one

  4. MiA Says:

    nuForce2 for my laptop to my HD595’s at work.

    USB based. Works awesome.

    But nothing for my iPhone to headphones. These HD595’s draw a lot, so the extra power is very noticeable. The walkabout headphones leak so much form external sound, probably overkill to try to get better sonic fidelity out of them.

  5. Phamily Berzerker Says:

    T3 MiA,

    It is a hybrid of both. are you not seeking the same?

    SF is on the ropes due to some challenges both internal and external in Berzerkerville, mostly external.

    I hope they wait til Denver to drop that in concert. Probably soundcheck it a couple of times first.

  6. Type III Jamming Personality Disorder Says:

    since we are kinda on the topic…
    finally figuring out how to connect my macbook pro to the teevee. for audio, is the only output the headphone jack or can I use one of the usb ports or something?

  7. MiA Says:

    USB ports work with that nuForce type thing. Not sure you would need to do that, although it will go to that RCA type input (and coaxial) if you don’t have an optical input.

    The MacBook Pro has that optical output (Toslink) that if your amp has an optical input, works great.

  8. Phamily Berzerker Says:

    Denver is all systems go for Team Berzerker!

  9. Type III Jamming Personality Disorder Says:

    what if I was going (gasp!) straight to a tv?
    let’s just say I’m not looking to spend that much cabbage here.
    the $30 for the mini display to hdmi converter was more than I wanted to spend.
    I know I can do it real cheap with a 3.5mm to rca splitter but that’s like listening to phish via laptop speakers 😎

  10. MiA Says:


  11. MiA Says:

    T3, you mean you didn’t want to spend that many clams. What is this cabbage you speak of? I thought this was what you wanted to stay out of?

  12. Type III Jamming Personality Disorder Says:

    sorry, I meant for the converter plus the 10′ hdmi cable to get to my tv without having to have my laptop perched precariously within toddler’s reach, plus shipping from newegg.

    and I might have rounded up slightly. 😐

  13. kayatosh Says:

    keep er outta da cabbege

  14. Type III Jamming Personality Disorder Says:

    no, I meant cabbage. as in cabbage roll. green stuff. money.

    cabbage roll
    the green
    the moolah
    you gotta work hard
    cuz no one give it to ya

  15. MiA Says:

    I guess that cable I posted doesn’t have a converter? And it’s 15′ long.

    Why do you need a converter and an HDMI cable?

    On another note:

    I bought this
    href=”″>Sanus mount this weekend.

    Super heavy duty. On a whim, I went to BestBuy and they had it in stock for retail at $599 (ouch).

    Pulled up my “amazon price check” app, and scanned the barcode on it. Some place on there had it for $343 with free shipping. Asked them if they “price matched” and they said they would. Walked out for under $370 including taxes. Awesome.

    I love Best Buy right now.

    Download that “price checking app” works great.

  16. oldskool Says:

    agreed that computer speakers typically suck. However, I have the new 15″ Retina display MacBook Pro and the speakers are leaps and bounds above previous models

  17. Robear Says:

    Anybody in the Ann Arbor area today? I’m heading there now.

  18. Snigglebeach Says:

    I also tend to focus on the second set most nights, but after listening back on my vaca drive this weekend, I am really digging the Spac 1 set 1. (even beyond Psycho killer)

    This set just represents everything that is awesome about Phish. To me, best flowing set since the return. Even the Bouncing’ and fishman antics fits for me. I almost never bother putting first sets on my phone (space issues) but this is my new #1.

  19. oldskool Says:


    completely budget dependant but this is my portable setup with a pair of high quality in-ear monitors. Great for travel!! got to love enjoying a tube amp on the go.

  20. MiA Says:

    HTML Fail. That track was awesome T3.

  21. Type III Jamming Personality Disorder Says:

    and you helped amazon with their pricing strategy too (everything you look up gets fed back to the mothership). I’m sure the bezos appreciates it.

    when I was looking the all-in-one cable+converter dealios were all about $30-$40. oddly, that sort of one didn’t come up for me. bummer. but I also wanted a separate long hdmi cable for other porpoises.

  22. Type III Jamming Personality Disorder Says:

    Liquid Soul (that album in particular) spent a good chunk of time as my go-to lot music to turn heads’ heads in 98-00 and thereabouts. fun fun band to see too. iirc our chicago peeps (duder maybe?) have some connection to them

  23. Robear Says:

    Oldskool, heyzeus! That’s more than my home system costs…..

    Ballin on a budget.

  24. MiA Says:

    I have location services turned off. Although they do know what I am shopping for based on my username. But too late for them. Already bought it.

    They wanted me to “input” what price I was looking at. Screw that. Amazon is my bitch.

    One of my favorite punchlines: Transporting gulls across the state lion for immortal porpoises?

  25. dusty Says:

    morning BB. thunderstorm up in tahoe last night…crazy! Was cleaning out the parents garage back in NJ and discovered some late 90’s tour gear. My only other possessions besides my surfboard up in the attic wear a 5ft long board skate for fall tour cooler duty, assortment of single sting kites, and the first portable tape recorder ever…the Nak 550. I think it ran on D batteries…ala radio raheem.

    What memories…I think my favorite might be the ball and the single sting. Once you get a kite up 500+ feet…its not going to come down for lack of wind. Had that sucker up the day after the hershey drive with glow sticks attached ever 25ft at night. Easy way for your friends to find your campsite at night.

    If anyone has any lines of extra SF tix…please let me know.

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