The Second Sets of Summer

6.17.12 (Michael Stein)

While gazing over the summer setlists this past weekend, there were so many great second sets that ordering them one-by-one seemed like an exercise in futility. But as I looked a little longer at the second sets of Leg One, I found that four “tiers” of shows emerged. Using nameable qualities—or lack thereof‑—to separate these tiers, a macro picture of summer emerged. But before we get into analyzing—and overanalyzing—what shows should be where, let’s take a step back to recognize that even the Tier Four shows have solid chunks to offer, and in some cases, more than one. Point being, Phish just played an amazing tour.

The main elements that separated shows were lack of flow or the “fizzle factor.” The first is self-explanatory, while the second refers to a set that started out strong but didn’t finish with authority. The elite sets that made the top tier of Leg One, in my opinion, contain outstanding improv—most often with a centerpiece jam, possess an undeniable flow from beginning to end, and have supporting jam sequences that could be no-brainer highlights of lesser shows. Let’s take a look at these four groupings and then inspect a couple takeaways. Each tier is listed in chronological order. (I wasn’t at Bonnaroo, thus it isn’t included.)

*****

 TIER ONE

6/7, Worcester:

Carini -> Taste > Ghost > Boogie On > If I Could, Quinn, Hood > Cavern > Buried Alive Reprise

The opening night of tour featured a second set that can stand up to any of summer. The opening sequence of “Carini” through “If I Could” is pure improvisational gold. Juxtaposed against the mediocre MSG shows over New Years, this tour-opening set felt like an indoor soul cleansing. With central jams of “Carini” and “Ghost -> Boogie On,” there is no question that this set belongs in the upper echelon of 2012.

6/15, Atlantic City:

My Soul, Birds -> Back on the Train > Heavy Things > Twist > Piper > Billy Breathes, Sneakin’ Sally > David Bowie

Atlantic City’s first night has everything I look for in a second set. Start-to-finish flow, a centerpiece jam in “Birds” and incredibly strong supporting sequences of ‘Twist > Piper” and “Sally -> Bowie.” A scorcher through and through, and a set of non-stop adventure, AC’s opening night stole the show down the shore.

6/23, Star Lake:

Jibboo, Mike’s > Simple > Light > Weekapaug > Seven Below, Bouncin, Julius, Slave

This unbelievably cohesive frame of music is centered on a sublime, 45-minute chunk of jamming—“Simple > Light > Weekapaug > Seven Below.” Interlacing “Light’s” jam in “Weekapaug,” and “Weekapaug’s” in “Seven Below,” Phish was flowing like lava on this Saturday night with a modern-sounding symphony. Sparked with “Jibboo,” “Mike’s” and brought home with “Bouncin,” “Julius,” and an outstanding “Slave,” Star Lake stopped for nobody.

6/28, Deer Creek:

Mike’s > McGrupp, Back on the Train -> HYHU > Bike > HYHU > Weekapaug, Caspian > Waves > Bug > Bowie

With an unconventional setlist and a Fishman appearance in the middle of the frame, Phish pulled of one of their most musically impressive second sets of summer. Served in wonderfully packaged pre-and post-Fishman suites, this set flowed particularly well, and several jams jumped off the deep end. Pairing the greatest “McGrupp” that I know with a deeply psychedelic “Back on the Train,” and following Fishman with the seamless sequence of “Caspian > Waves > Bug > Bowie,” this set is an absolute gem. The “Waves” is a tour highlight, and in the running with best versions ever played.

7/6, SPAC:

Chalk Dust, Carini > Sand, Roses Are Free > Punch You In the Eye > Sneakin’ Sally > Ghost > Suzy, Antelope

Phish took no prisoners on the first night of SPAC, putting together one of the finest second sets of tour. Opening with a scathing combo of “Carini > Sand” and focusing on the even more adventurous combo of “Sally > Ghost,” Phish played live without a net on this night. Using “Roses” to ground the set before utilizing “Punch” to launched into its second half, Phish didn’t come close to a ballad in frame of fire. Capping their performance with aggressive runs through “Suzy” and “Antelope,” Phish had the pavilion buzzing long after they left the stage.

*****

Tier Two

6/16, Atlantic City:

Crosseyed > Slave, Light -> Manteca -> Light > Theme > Golgi Apparatus, Sand, Number Line, Antelope

This set was hard to keep out of the top tier, but I just didn’t feel it held up to the crème de la crème. Centered on the stellar “Lighteca,” and supported by a “Crosseyed” that all-but-seamlessly segued into a knee-buckling “Slave,” the only other piece of interest was a late-set “Sand.” With songs like “Theme,” Golgi,” and “Number Line” compromising the flow of the set, this one just missed the bar.

6/22, Riverbend:

Disease > Guelah Papyrus, Kill Devil Falls > Twist > Halley’s > Sand -> Roggae, Carini > Chalk Dust, Golgi

Laced with magical interplay throughout, including one of the jams of tour in “Twist,” Cincy’s second set was kept in the second tier due its choppiness. Though “Disease” was glorious, Trey ended it quite abruptly with “Guelah Papyrus,” and after “Roggae,” the final three songs of “Carini > Chalk Dust,” and “Golgi,” felt like they were picked out of a hat. But when focusing on the jams—“Disease,” “KDF-> Twist,” and “Sand > Roggae,” this set packs plenty of improvisational gold.

 6/30, Alpine Valley:

Number Line, Carini > Wilson > Golden Age -> 2001 > Rock and Roll > Steam > Piper > Quinn, Hood > Zero

What the first night of Alpine lacks in a centerpiece jam, it more than makes up for with relentless momentum, non-stop flow and several 10-minute gems. Never stopping for air, the band crafted an ultra-groovy first half of the set through “2001,” including a plinko-funk throwdown in “Golden Age.” And then the guys sculpted two standout excursions in “Rock and Roll” and “Piper,” highlighting exploratory playing during the second portion of the set. Filling in the gaps were the only version of “Steam” this year and a show-capping combo of “Harry Hood” and “Zero.” If I weren’t being so stingy with Tier One, this set one could be argued upward. Though the following night at Alpine reached higher highs, this set was a start-to-finish powerhouse. Had there been a significant closer versus “Quinn,” Hood,” and “Zero,” this would be sitting higher.

7/1, Alpine Valley:

Crosseyed > No Quarter > Light -> Ghost -> Back on the Train, Farmhouse, 46 Days, Heavy Things, Joy, Julius

This set is one of my favorite of sets summer through “Farmhouse”—but then the fizzle factor came into play in major fashion. The final segment of the show read like the middle of a first set—“46 Days,” “Heavy Things,” “Joy,” and “Julius.” Though everything was solid, it seemed like the band had shot their load during the first half of the set and coasted to the finish line. Sometimes that’s what it takes for them to reach their highest highs these days—and “Light -> Ghost” is my favorite playing of tour—but the set’s final third certainly keeps it out of the top tier.

7/3, Jones Beach:

Chalk Dust, Sand -> Golden Age, Wolfman’s -> Walk Away, Bug, Fluffhead, Wedge, Antelope

The first night of Jones Beach seems to have everything to qualify for Tier One, but is missing that intangible “x” factor. A smoking opening combo of “Chalk Dust,” Sand -> Golden Age” featured one of the jams of tour in “Golden Age.” And though the band hit a slight stumble between “Wolfman’s” and “Walk Away,” they didn’t fizzle out, following “Bug” with the summery triumvirate of “Fluffhead,” “Wedge,” and “Antelope.” “Antelope”—the first to raise a brow since Utica—provided a late set highlight, but when I had this paragraph in Tier One—and that’s where it started—it just didn’t feel right. Is it because “Wolfman’s” wasn’t allowed to breathe, cut short for a trio of jamless songs? I’m not totally sure. I had a blast at this one, but listen back boils down to “Sand -> Golden Age” and “Antelope.”

7/8, SPAC:

Axilla > Light > Twist, KDF -> My Friend > Swept > Steep > Piper > Free, Kung > Hood > Cavern, Bowie

This set was one of the hardest for me to place. Though it doesn’t hold up in flow to the top sets, it is played well throughout, and centered on two monster jams in “Light” and “Piper.” Supported by a “Kill Devil Falls” with quite an interesting outro, the rest of the set is just kind of there. The awkward mid-set c0mbo of “My Friend”—best used as a set opener—and “Swept > Steep”—best used as a landing pad for improv—provided a lull in the action, and while Trey shines in “Harry Hood,” nothing else really pops to me. But, damn, “Light” and “Piper” are right up there with the jams of tour.

*****

TIER THREE

6/8, Worcester:

Disease > Sand -> Nellie Kane, Mike’s > Makisupa > Weekapaug, Velvet Sea, 2001 > Zero

Kicking off with an explosive combination of “Disease > Sand -> Nellie Kane,” and supported by a late set “2001” that is one of the dark horse gems of tour, this set suffers from a case standarditis right in the middle of the second set in the form of “Mike’s > Makisupa > Weekapaug.” The only real keeper from this one is “Sand -> Nellie Kane,” hence its placement.

6/20, Portsmouth:

Rock and Roll > Tweezer > Free, Guyute, Birds, Hood -> What’s the Use? > Velvet Sea, Possum

Though compared to Portsmouth’s first show, this felt like a colossal triumph, on listen back, I feel this is a very solid tier three show. A quality—though unspectacular— opening combo of “Rock and Roll -> Tweezer > Free” set the table for a huge set, but the band hit some momentum issues with “Guyute” and a standard “Birds.”Hood -> What’s the Use?” is the highlight of the set, even though it’s a sin that the band didn’t follow Fishman back into “Hood.” A “Velvet,” “Possum” pairing closed this night with a whisper.

6/24, Blossom:

Golden Age > Ghost > Sweet Virginia, Rift, Tweezer -> Walk Away > Horse > Silent > Piper > Waste, Antelope

A fun-filled and powerfully-played set peaked with the opening pairing of “Golden Age > Ghost.” Though this sequence was great, albeit chopped a bit too soon, there was little other true meat to the set. The “Tweezer” was pure fire until antics ensued and “Piper,” though short, was notable. A hell of a lot of fun to be at, this isn’t a set with timeless playback quality from top to bottom.

7/4, Jones Beach:

Boogie On, Tweezer > Twist > Taste, Quinn, Julius, Rock and Roll > Horse > Silent, Hood, Shine a Light, Show of Life, Slave

Another front loaded set, Phish’s July 4th edition was centered on a blissful “Twist” and a gorgeously divergent “Harry Hood.” “Tweezer” seemed destined for the stars before the band slipped into “Twist,” and after “Taste,” the guys played an hour of completely standard music, less “Harry Hood.” And when the band followed “Hood,” with similarly mellow song selections of “Shine a Light,” “Show of Life,” and “Slave,” it made me wonder why they no longer use setlists.

*****

TIER FOUR

 6/17 Atlantic City:

Drowned > 2001 > Reba, Roses > Chalk Dust > Caspian -> Silent, Bug > A Day in the Life > Disease

Bursting out of the gates with “Drowned > 2001 > Reba,” this set caught the first train to Fizzletown as soon as that sequence was over. Fine versions of mellow songs provide a nice soundtrack to a Sunday night while doing something else, but that’s not what we’re looking for here.

6/19 Portsmouth:

Back on the Train, Rift, Split, Mango, Number Line, Limb, Shine a Light, Lengthwise -> Maze, Cavern, Fire

Portsmouth’s second set amounted to a ninety-minute extension of its first, and were it not for Trey’s entertaining light saber antics, this set would have fallen fairly flat. The show that birthed “tucking” was focused far more on fun and songs than any sort of cohesive jamming. “Split Open” stood out, but that’s about it.

6/29 Deer Creek:

Disease > Sand -> Twist -> Rift, Bathtub Gin > Fluffhead, Ride Captain Ride, Antelope

Though the front of this set is front-loaded with a one-two punch of “Disease” and “Sand,” I haven’t found myself revisiting either version very much in favor of others. “Disease” is jammed to completion without ever getting anywhere super-engaging, and after “Sand,” the set kind of fell apart. Trey was certainly having a blast, but when he aborted “Twist” for “Rift,” and the band cut an intriguing “Gin” far shorter than first set versions for a midset “Fluffhead,” serious music didn’t seem to be their concern on this night. A fun Phish set—kind of—I haven’t found much playback value in this one.

7/7 SPAC:

Disease -> Blister in the Sun > Disease > Boogie On, Golden Age -> 2001 > Number Line, Caspian -> Scent of a Mule -> Blister in the Sun -> Scent, Mike’s > Contact > Weekapaug

This is one of those gimmicky sets—like the Moby Dick escapade of 2000—that some fans will treasure and some will yawn at. After a very significant “Disease” stopped off in “Blister in the Sun,” the rest of the set amounted to a standard performance with countless “Blister” teases. Showcasing the playful side of Phish in between two more musically-focused second sets, this one fit fine in SPAC’s three pack, but doesn’t stand very well on its own.

=====

TAKEAWAYS:

It’s pretty clear that the first night of any given stand exploded, and the following shows were composed of its fallout. There were no occasions over the summer where subsequent nights of any given stand clearly outshone the first, less Portsmouth. What’s the reason for this? Who knows. But don’t miss those first shows! It was also pretty crazy to me to have a high-quality set like Blossom’s in the third tier of tour, but that speaks to the consistent greatness of Phish these days. I would genuinely say that there were no bad shows this tour, just varying qualities of good, and that is exactly where we want to be. Phish 2012—it’s been a long ride, but it’s great to be here!

=====

Jam of the Day:

Waves > Bug” 6.28 II, Noblesville, IN

Phish.Bliss.2012.

[audio:http://phishthoughts.com/wp-content/uploads/2012/07/2.10-Waves.mp3,http://phishthoughts.com/wp-content/uploads/2012/07/2.11-Bug.mp3]

=====

6.19.2012 (Michael Stein)

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232 Responses to “The Second Sets of Summer”

  1. poop goblin Says:

    there are tons of rumors Sumo that all the golden era more country stuff including songs like Wild Horses were written by Parsons and just kicked down to Keef.

    supposedly he was very key in developing some of the stones more country elements during that era.

    no one will ever know how much he did contribute to those songs.

  2. Mr.Miner Says:

    I wouldn’t put it ahead of 2/28/03, but it is right up there.

    ^@Palmer…i missed 2/28/03…*goes and hides in same*

    as if grad school mattered….

  3. poop goblin Says:

    anyone that hits Alive One in Chicago for that listening party stop by for a puff.

    I literally live right behind that joint.

  4. viola Says:

    ::raises glass for Gram P:::

    streets of baltimore is one of my all time favorite songs

  5. poop goblin Says:

    I have both Parsons solo albums on vinyl Sumo

    they are very collectible. they’re on reprise and I would have thought pressed in larger numbers but it seems he was a cat that influenced a whole movement of rock guys doing country and became hugely popular after his death but at the time those albums didn’t sell very well it seems.

    I’ve been collecting records a long time and have only seen a handful of copies of these in my life.

  6. GhostPhunk Says:

    2.28.03 … the only show Alf was ever shut out at. What a kick in the nads.

  7. BingosBrother Says:

    Speaking of The Byrds, started reading this crazy ass article last night about Laurel Canyon. I don’t know about this world man. Was led there after trying to dig deeper into this CO shooting, which also seems to have many layers underneath. One thing I do know, I love this 7/23/97 YEM. What a fuckin show man.

    http://www.davesweb.cnchost.com/nwsltr93.html

  8. Mr. Palmer Says:

    “^@Palmer…i missed 2/28/03…*goes and hides in same*”

    wow..never knew that. At least the didn’t drop a Tweezer..oh, wait…;)

  9. GhostPhunk Says:

    was a great time for Gins man, wowza.

  10. BingosBrother Says:

    From Part 2 of Inside The LC: The Strange but Mostly True Story of Laurel Canyon and the Birth of the Hippie Generation

    “He was great, he was unreal – really, really good.”

    “He had this kind of music that nobody else was doing. I thought he really had something crazy, something great. He was like a living poet.”

    Neil Young talking about Charlie Manson

  11. BingosBrother Says:

    Wow, this Mickey Hart Band sounds way fresher than the Furthur I’ve heard. At least as far as this franklins Tower w/ Mike is concerned. Mickey is stil a ridiculous drummer. Wish I had caught that band him and Mike were in at the time. Bet that was fun.

  12. thedayman Says:

    bwana, just checked out that band you posted. really digging it, thanks man.

  13. Bwana Says:

    Cool Dayman… Yeah, I’m still giving em a spin now!

    Electric Taco Stand is their funk-off version of Phish’s Tube. Borrowed quite a bit from Tube actually, holy Dayton flashback… From 2:30 mark on… Sick!

    http://archive.org/details/Spf2012-06-30.Flagbrew_PatioParty

  14. Type III Jamming Personality Disorder Says:

    @g711
    holy crap. why don’t I remember that helter skelter being so horribly bad? 😯

  15. snow Says:

    I watched this movie over the weekend:
    http://worldpeacegame.org/the-film/trailer

    I really enjoyed it. You might too.

  16. GhostPhunk Says:

    interesting @snow.

  17. Kaveh Says:

    You guys need to be tuned into this:

    http://www.facebook.com/events/396658207058616/

    Gordon will be there. And Lukas Nelson (whom I’ve become a fan of over the last couple of weeks.) And many others.

  18. Leo Weaver Says:

    15th Anniversary of the ’97 Lakewood Ghost…y’all do yourselves a nice and spin that monster. And don’t miss the crazily-ended YEM (->Rocky Mtn. Way).

    Y’all be good now, ya hear!?!

  19. Leo Weaver Says:

    Ha. Looks like BingosBro was pimping it a page back. Day late, hopefully not a dollar short with the way I’ve been busting my ass at the office.

  20. sumodie Says:

    pooG, yeah seemed like Parsons didn’t sell a lot of records in his lifetime

    and he sure as hell influenced the Stones. Keef would often stay up for days on end playing with friends and/or working in the studio (his record is 9 days without sleep). He and Gram played a lot of country music together, apparently they bonded like brothers from the very start

    But surprisingly Keef also hooked up with a lot of country music artists over the years. A real music sponge, that dude

  21. garretc Says:

    Jeepers, Bingos, that Laurel Canyon reading is pretty out there…

    Probably shouldn’t have started reading right after sitting down to work, as the actual “work” part of that may or may not get done now

  22. snow Says:

    I want John Hunter (from the world peace game) to follow me around and just help me think about things. He is so calming and brilliant. His voice like audio valium.

  23. Dr Pronoia Says:

    Hmmmm, gotta thank trustafarians and the rebellion of army brats for lots of the hippie ethos huh? and on through the generations

    I love the ominous undertone suggesting that the scene in Laurel Canyon was a CIA operation of some kind…

    Which I guess wouldn’t be all that bizarre

  24. Chonz Says:

    Snoop Dog getting even more irie and releasing a reggae album as Snoop Lion:

    http://www.rollingstone.com/music/news/snoop-dogg-to-release-reggae-album-as-snoop-lion-20120723

  25. [Not Tom] Says:

    Drive by … looking for a download code for Cincinnati – want this show in ALAC format but would be nice to just pay the $5 upcharge instead of the full price.

    Anyone got an extra code from that show?

    if so, i’d be grateful – m a r s h a l l c r u t c h e r at the gee mail address

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