TTFF: The Upper Echelon

7.4.2012 (Graham Lucas via webcast)

Ok. I sat at my computer copying and pasting paragraphs for about half an hour, trying—somehow—to come up with a definitive list of my favorite ten jams of tour, and trying to rank from 10 to 1. It was damn near impossible on both accounts. There were so many phenomenal jams over Leg One that any “Top Ten” or “Number One” comes down to what mood I’m in at the moment. Instead of ranking the jams, I’ve left them in a general order that reflects my inner-negotiations. It’s impossible for me to say that any of these  top jams are “better” than one another. We’ll just say that—as a group—these were my favorite ten jams of tour (though the next ten—to be unveiled next Friday—are insane as well!) As I said in the beginning of summer tour, 2012 is great time to be a Phish fan!


Piper” 7.8 II, SPAC

In this locked and loaded final voyage of summer, Phish navigated a series of different feels in a multi-part centerpiece. The band engaged in an exploratory odyessey with a rocket strapped to their back, communicating with ease at a break neck pace before shifting into divergent feels. Amidst a more potent rhytmic context, the band concluded by reprising the chord progression from the end of “Light’s” jam earlier in the set.



Fee” 7.1 I, Alpine Valley

Blissfully converging in a delicate, plinko-laced groove, Phish wove melodic magic out of the evening air at Alpine Valley. Passing through a beatless bridge, the guys came up with a second captivating soundscape that, in previous years—or even on a different night—Trey would have bailed out of three different times. His patience paid off, however, as the band sculpted one of the most majestic tales of summer while the sun was still shining.



Light > Weekapaug” 6.23 II, Star Lake

Rightfully, this song pairing shouldn’t be plucked from its surrounding setlist-mates “Simple” and “Seven Below,” but at that point the suite is almost an hour. Deep into “Light,” the band splashed into a plinko paradise, merging the staccato style with a calypso chord progression that resulted in some of the most innovative music of tour. This section led into, and was referenced in, the most dynamic “Weekapaug” jam we’ve heard in this era and beyond.



Sally -> Ghost” 7.6.12, SPAC

As “Sally” began to get gnarly, Trey took a step away from the jam and dove into a high-octane, alternate universe. The band followed right along, diving headfirst into this hellbent tangent. Live without a net, the band set their improvisational motors to eleven and let it rip. Emerging far later in an ambient passage that morphed into “Ghost,” the pavilion exploded with the transition. A collaboration in rhythm and melody, this jam found a medium tempo and turned into a climbing, cathartic tale.



Sand -> Golden Age” 7.3 II, Jones Beach

This paring of two of summer’s brightest stars featured the greatest “Golden Age” to date—a jammed-to-completion excursion that moved from rhythmic acrobatics into the type of downtempo psych-rock of which I dream. Throw in one of the most impressive “Sands” of summer to the sequence, and you’ve got quite the tour highlight.



Carini” 6.7 II, Worcetser

This mind-bending jam that moved from seething musical dungeons into stunning ambient pastures, set the standard for improvisational density and fluidity on the first night of tour. The band morphed into an abstract sound sculpture that strongly suggested “My Left Toe,” plunging the depths with a soul-tugging, Siket-laced exchange. When this jam ended, I knew it was going to be a special summer.



 Waves” 6.28 II, Deer Creek

It feels redundant to continue typing how fluidly jams of 2012 covered a spectrum of musical feels, but Deer Creek’s “Waves” is but another example. A jam that immediately vaulted itself into the conversation of all-time versions, this late second set gem moves through groove, bliss, and into a trance-inducing spacescape that eventually bleeds into “Bug.” A jam in which Phish is fully locked, this one is musical gold.



Birds of a Feather” 6.15 II, AC

This profound, multi-tiered journey covers astounding amount of ground while never once losing cohesion. Merging aggressive textures with segments of groove, and landing in an extended pool of transcendence, this “Birds” wraps up everything I love about Phish in a single jam. Moving into the abstract and back again, Phish concluded this monster with a seamless segue into “Back on the Train.



 Twist” 6.22 II, Riverbend

When Phish stepped into “Twist”—a song that hadn’t moved outside the box in memory—in the middle of Cincy’s second set in, few could have imagined what was about to transpire. Exiting song structure as a unit, the band reached deep into their satchel of dark magic and cast a musical spell that would hypnotize the entire audience. Playing with ultimate cohesion, it felt as though we had been transported into a different dimension. Realizing so much of their abstract experimentation within this jam, the guys prowled like a menacing assassin through this music; missing a beat or a note wasn’t a possibility. Emerging from the depths with a ferocious theme from “Jesus Christ Superstar,” the band passed through this quote and seamlessly continued the jam as if commanding a ship through outer space. Gradually jamming back towards the song, the guys—instead—continued the piece into silence before dropping into “Halley’s.”



Light > Ghost” 7.1 II, Alpine Valley

If Phish wove a tighter jam with more virtuoso communication over Leg One, I have yet to hear it. I’m a sucker for when the band hits egoless planes of improvisation where they share leadership of the music, playing off of, and developing, each others’ ideas as if controlled by a single mind. And that is exactly what Alpine’s “Light” represents. As Trey neared the end of his guitar solo, Mike picked up on his notes and began to echo them on bass. From this point on, the band entered the most equitable conversation of tour, passing the lead between Trey, Mike, and Page with incredible fluidity. One member would finish and continue the ideas of another in a jam that really stands out as prime example of collaborative improv, and one that furthered the ethereal ideas planted in the first set’s “Fee.” As the band wound down the piece with a new-age, synth-led section, “Ghost” emerged in seamless fashion, combining Leg One’s two heaviest hitters. Taking “Ghost” on, arguably, the most unique ride of summer, the band’s airtight interplay continued as they dropped into a “jamtronica” build and slithered into a slow, menacing groove. Moving without hesitation, within measures, into “Back on the Train,” Phish was absolutely on fire throughout this entire three song sequence.



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639 Responses to “TTFF: The Upper Echelon”

  1. MiA Says:

    Just mowed my yard. Olafactory hues.

    Listened to Cincy Set I.

    Really love that set after you surgically remove the Alaska.

    Oh. Yeah. And this disease too…

  2. MiA Says:

    The bolt that holds up my lawn mower arms stripped. And I’ve needed to get a tap kit to enlarge it from 5/16th to 3/8ths.

    Finally just “did it” and went to local HW store and bought the tap set.

    Took about 30 mins. But not that tough.

    I love/hate it when I get something completed but had totally procrastinated doing it for some stupid reason.

  3. MiA Says:

    Oh and breaking 50 for 9 is very respectable. Lots of these Texas courses are relatively wide. So mis-hits aren’t as penalizing.

    The rough is really deep though and terrible tough to get out of.

    Missing a fairway now is like a 1 stroke penalty.

  4. dognamedwilson Says:

    ThePigSong Says:
    July 29th, 2012 at 9:00 am
    How’s your dog, dog

    ^i think we’ve proved that herbs will not kill this dog. An overdose causes timid apprehension(cowering at nothing)>unreasoned fear (growling at ghosts)>loss of motor skills (stumbling around like a mad cow patient), and bedwetting.

    Mr Pee Pants passed out on the floor and did it again.


    Needed to mow the lawn today. Instead, bought a new lawn mower and called it a day. Didn’t even unbox it.


  5. Xpun Says:

    I laughed at the dig story. Glad he’s okay. I actually was laughing last night but realized wasn’t sure he was going to make it out okay.

    Did the exact same thing. Bought a new mower figured that was step one. Saving step two for another day

  6. MiA Says:

    Hadn’t started the mower in a year. Started up after 4 pulls. Way to go Honda! Same with Stihl weed whipper.

    Need a leaf blower now.

    Hate lawn work but love the toys.

  7. MiA Says:

    Glad the dig was ok too.

    Dogs steal things. Esp. Wilson.

  8. IrieWalton Says:

    Just got back from a weekend in mt. rainer national park. Absolutely incredible. Been fortunate to have been in lots of spots across this country and this park definitely ranks up there in my top three. Glaciated peaks, backcountry lakes and miles upon miles of conifers. Definitely put it on your list.

  9. plord Says:

    People. I just. I cannot parse this.

    Sherman Hemsley was a psychonauts with a basement LSD lab? Who listened to Gong?

    That is some movin’ on up I can get down with.

  10. RoosterPizza Says:

    Good laugh on my summer recap. Too bad bad the wedding wasn’t fun. It was going well until the reception where, apparently, blowing cigarette smoke in a two month old’s face is perfectly acceptable. I spent the last three hours in the lobby with my daughter.

    The after party at home is about to go down, so maybe things will shape up.

  11. RoosterPizza Says:

    What a band name…brothel gangster

  12. RoosterPizza Says:


    The course I play at in Japan is a jack Nicklaus designed course on a mountain. Narrow, lots of sand, ponds, and two really hard elevated par threes with ponds on front. They are real peckers itch the pin placements too. I have played five times with my best score being n 87 and my worst being a 98.

  13. MiA Says:

    Sounds awesome Rooster.

  14. Mr.Miner Says:

    @MiA jitterbug is the greatest.

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