Through the Hourglass

9.2.2012 – Commerce City, CO (Michael Stein)

When Trey stepped to the mic to thank the crowd for a wonderful three nights in Colorado and a “joyous” summer, one could hear the emotion and gratitude seep through his voice. But, in reality, we should be thanking him and the band for a second leg of summer tour that grew to places unimaginable, and the unbelievably inspirational music within. Punctuating the season with a seamless set of music that was centered on a mammoth sequence of “Sand -> Ghost -> Piper,” the band left no doubt about the state of affairs in the world of Phish—better than ever.

Official Print – Purple (Stout)

After two historic nights of music to start their stay at Dick’s, the guys needed a first set of songs to exhale and set their bearings after surfing the astral plane for so long. Once the lights dropped for the main event, however, Phish ramped things right back up with a “Sand” that exited stage left into a monumental excursion. “Sand” has been a villain of groove all summer long, birthing sweltering dance sessions since Worcester’s all-star rendition. But if Worcester’s “Sand” makes the all-star team, last night’s is a first-ballot Hall of Famer. All things seemed par for the course as the guys bathed in a scorching groove, but midway through the normal jam, they found a wormhole through which they squeezed, completely switching musical feels. But once they reached the other side, the music moved into space.

Fish dropped his beat and band built an eerie soundscape through which Mike and Fish initiated a triumphant, mid-tempo groove. Instanstaneously, the piece elevated into blissful open pastures, and when Trey rejoined the mix over his own loop, the jam transformed into heaven. Once peaking this euphoric segment, Trey threw down some hard rhythm chops, and the band immediately entered another section of jamming. All weekend long, where Trey would typically pull back, the pushed forth, and as expected, his mates were more than happy to oblige. Building this final part into a soaring rock groove, Trey took the jam to the top, sounding like it was “46 Days.” A seething solo over a full band peak capped this all-time great, or so we thought.

9.2.2012 (Graham Lucas)

At this juncture, and at the end of “Ghost,” the band took their time to pass between songs, intentionally extending jams into the musical setting of the forthcoming piece. This patience helped craft, perhaps, the tightest set of tour. Thus, when Trey turned back to the theme of “Sand” and proceeded to lead a jam out if it, the move just about knocked the socks off everyone in the stadium! With care the band worked the jam into a slower groove, laced with effects, and they morphed into the second “Ghost” of Leg Two. Where Long Beach’s version moved into uplifting sonic reverie, this rendition gravitated towards the dark, though didn’t reach the levels of its tour-opening counterpart. Leading the first part of the jam with an uncompressed, Hendrix-like scream, and stepping back for the second sequence of percussive grooves, Trey hit on multiple styles in this three-part “Ghost.” Finalizing the piece was another “segue jam,” an ambient crawl into “Piper.”

9.2.2012 (M.Stein)

Though not as developed as many of the jams we heard this tour, “Piper,” nonetheless, reached completely original ground. An uptempo staccato carnival, in which Trey locked into some stellar melodies, dazzled the crowd, while Page comped Red with quality piano stylings. The quartet was immersed in some of the more engaging music of the night, but as they had improvising non-stop for nearly 50 minutes straight—and for the first time all weekend—the band pulled up on a jam that still had plenty of life. Artistically twisting into the first appearance of “Twenty Years Later,” Phish completed a colossal chunk of improv, and audience roared in approval.

As the band paired “Twenty Years Later”—a retrospective song about time gone by and life experiences—and their earliest-era, Gamhendge classic,”Lizards,” a certain poignancy emerged. Here the band stood onstage in 2012, nearly 30 years removed from its genesis, and playing the best music of their lives. It felt like the guys realized this as well, using these two songs as a juxtaposition of times in their lives and a celebration of all that has happened in between. And there is no other way to end a musical celebration than with “Harry Hood.” A song that has been played with passion all year long took one more run around the block last night with glorious results. Ending the summer with a cathartic exclamation point, Trey wove a dreamlike solo before stepping up and sharing his thoughts with the audience.

9.2.2012 (Eric Battuello)

If 2009 initiated the Golden Age of Phish, 2012 brought us into a modern renaissance, where the band is no longer limited to jam “portions,” but now feel comfortable to extend their ideas over long periods of time, crafting thematic journeys rather than mere glimpses of the infinite. This summer, starting in Worcester and progressing through Denver, Phish hit a stride like never before this era, and Leg Two has been their crowning achievement. Strewn with all-time jams, Dick’s three-night run was the culmination of this magical year, and the feeling as we break until New Year’s couldn’t be more jubilant. As they started to sing in ’09, Phish wants us to be happy. Well, mission accomplished.

I: Cars Trucks Buses, AC/DC Bag, Down with Disease, Bathtub Gin, Nellie Kane, Sample in a Jar, Back on the Train, Rift, Free, Ride Captain Ride, Maze, Halley’s Comet > 46 Days, Possum

II: Sand -> Ghost -> Piper > Twenty Years Later, The Lizards, Harry Hood

E: Character Zero

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2,780 Responses to “Through the Hourglass”

  1. jdub Says:

    All you Caspian haters been missing out. Tune has been delivering some sweet jams for the last couple of years. Trey likes IT.

  2. joemeg Says:

    Ha. I’ve never been a Caspain hater. My mom read me the Narnia books when I was little, so I always liked it. Meg on the other hand…

  3. joemeg Says:

    I remember this light being not too shabby either

  4. Phishm0610 Says:

    I’m with you Kaya. I listened to that on hoodstream waiting for night 3 to begin. Best Caspian ever for sure. Deep. Goes dark and then Rey brings the light if I’m not mistaken.

  5. kayatosh Says:

    9 mins. into the Light now. mind odyssey

  6. jdub Says:

    Jealous of you guys into set two so I fast forwarded to GA. Getting juicy, man their jams from Dick’s are no joke. Every one.

  7. kayatosh Says:

    jdub: we all hone in on the caspian and Light, but the GA is special as well. However, Light is the pinnacle of the triumvirate. miner says it has a place among the top 10 phish jams of all time. tough to argue w/ that.

  8. Phishm0610 Says:

    just pressed play on GA. about 4 minutes in. Now we’re all allowed to breath.

  9. Phishm0610 Says:

    or breathe. spelling

  10. joemeg Says:

    Yeah this light is amazing. I think all I could post that night during it was “wow”

  11. Phishm0610 Says:

    I’m fairly certain I posted a lot of wows on this night. Just wow and a bunch of words to put an ! on the wow.

  12. kayatosh Says:

    The Light has so many distinct movements/sections, all seamlessly intertwined. wow.

  13. Phishm0610 Says:

    is it me. or is Page raging a 2001 type jam while everyone else is just intertwining music?

  14. Phishm0610 Says:

    to be less vague, in the GA that is.

  15. jdub Says:

    You know, the depth of these shows is going to take a while to set in. I mean, this GA would’ve been the shining light of any 3.0 show. Here it sits as a lead off hitter for music that goes higher and higher.

  16. jdub Says:

    Getting a little Rooster’d over here. A few 60 min IPA and herbs before GA are starting to twist me.

  17. Phishm0610 Says:

    and we all have that sand>ghost to look forward to from the next night. Can’t wait to get to that one. and the hood. OMG.

  18. Phishm0610 Says:

    OK. jdub. Just go with it. Mind you Rey takes you out of it at the end of light from what I remember. It’s just a roller coaster ride of the mind.

  19. kayatosh Says:

    jdub: the quality and frequency of jams at dick’s is staggering. Agreed that it will take some time for the magnitude of these shows to fully sink in.

    They could have put their instruments down after Light and no one would have blinked. Everything that follows in that set is simply a celebration of their set opening masterpiece suite.

  20. jdub Says:

    I kind of enjoy how Light has such an abrupt intro. The band can never sneak this one in…. No melty segues. But you know you are about to get slammed. Modern day Tweezer folks.

  21. Phishm0610 Says:

    if light is the modern day tweezer then how do you explain some of the tweezers we’ve been getting. They almost sound like light nowadays. Nowhere to go but positive in their music.

    And yes, confirmed. best Caspian ever.

  22. Phishm0610 Says:

    OK. this music just puts a spin on things. I don’t even understand what I just wrote. Just going to soak this in. Peace all.

  23. joemeg Says:

    Finished light and again all I can say is wow. Not going to make it through the rest of the show tonight. I guess I’ll just have to replay the second set for Meg tomorrow.

    Goodnight all.

  24. jdub Says:

    So Light has become Tweezer and Tweezer has become Light?

    Definitely Rooster’d.

    Goodnight @joemeg, sweet dreams.

  25. jdub Says:

    Listening to this Light peak and I can’t help but think of this, from darkness comes Light. Never thought I would see Phish again.

    Sunday, 08/15/2004
    Newport State Airport, Coventry, VT

    Set 1: Mike’s Song > I Am Hydrogen > Weekapaug Groove, Anything But Me, Reba, Carini > Chalk Dust Torture -> Possum > Wolfman’s Brother[1] > Taste

    Set 2: Down with Disease[2] > Wading in the Velvet Sea[3], Glide, Split Open and Melt -> Ghost

    Set 3: Fast Enough for You, Seven Below[4] -> Simple -> Piper -> Cool Jerk[5] -> Dickie Scotland[6], Wilson > Slave to the Traffic Light

    Encore: The Curtain With[7]

    [1] Explanation from Trey as to the history of the song; also features Trey’s mom, Mike’s mom and John Paluska on “sexy bump”.
    [2] Unfinished.
    [3] Page and Trey break down.
    [4] “Seven Below” shouted by all band members sporadically during the jam.
    [5] Phish debut; lyrics changed to honor Mark “Bruno” Bradley.
    [6] Debut; lyrics referenced Hadden Hipsley and Dickie Scotland
    [7] Jam segment stopped and restarted in correct key.

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