A Garden Party

MSG 2012 (Graham Lucas)

Since New Year’s Eve, many people in the online Phish community have been making meaning of the band covering Ricky Nelson’s “Garden Party” to open the final show of the year. Though investigating the origin of the song, one can find potential significance in this seemingly out-of-the-blue selection.

Ricky Nelson became a childhood star on the 1950s television show The Adventures of Ozzie and Harriet. The show was set in 1950s suburbia and conveyed an idyllic image of American family life. Nelson started his music career by playing songs on the popular show, and in the late ‘50s he branched off from his family’s sitcom and formed an early era rock band. Nelson became one of rock and roll’s first teen idols and became known for his excessively clean cut image. Between 1957 and 1962 Nelson charted 30 Top 40 hits, more than any other artist besides Elvis Presley and Pat Boone.

Garden Party (1972)

Though Nelson continued to record albums, his success was stymied by the British Invasion of the 1960s. Consequently, he gravitated towards country music, becoming a pioneer of the country rock genre. After his change of tune, however, Nelson reached the Top 40 only two more times in his career—once in 1970 when he recorded Bob Dylan’s “She Belongs to Me” and for the final time in 1972 with “Garden Party,” a song written in reaction to the following incident. Nelson performed as part of a “Rock and Roll Revival” concert at Madison Square Garden on October 15, 1971, sharing the bill with other early rock legends, Chuck Berry, Bo Diddley and Bobby Rydell, among others. Nelson emerged on stage looking different than his fans remembered him, sporting the ’70s fashion of  bell bottoms, a purple velvet shirt and shoulder-length hair. Though he began with his older classics, Nelson soon played his new country-rock material and was subsequently greeted with boos from an audience who didn’t approve of his stylistic shift. He left the stage mid-set and didn’t return for the show’s group finale. Nelson wrote “Garden Party” in disgust, documenting this experience. Confident in his new musical direction, the lyrics of “Garden Party”—“You can’t please everyone, so you gotta please yourself”—became his personal creed.

12.28.12 (G.Lucas)

Fast forward to December 31, 2012. Phish decided to debut Ricky Nelson’s song in Madison Square Garden 26 years to the day of the plane crash that took Nelson and his band from the world. While the move was a clear nod to the American legend, Nelson’s “Garden Party” clearly held parallels to Phish’s experience in the modern era. Phish has always endured a hypercritical fan base, something that Trey, himself, noted in 1997’s documentary, Bittersweet Motel. The level of public critique has only increased in 3.0 due to the onset of Phish blogs, podcasts and the always-expanding use of Internet discussion forums. As a burgeoning population of seasoned fans all have particular ideas on the way Phish shows should be played, band analysis and criticism has reached a high point in this era. Whether it’s more bust-outs, not enough funk, a lack of a second jam in “Mike’s Song,” the need to shelve “Time Turns Elastic” or playing less songs per 90-minute set, everyone has an opinion on the band’s performances and isn’t shy about sharing it. The fact that Phish fans care so much about what form the band takes is a testament to their undying passion, though I’m sure if the band members ever tuned into the omnipresent online discussions, they’d be quite amused by the copious demands. Sometimes, a sentiment in the fan community is so widespread and intense that it’d be nearly impossible for it not to get back to them. Some modern examples of this are the ardent endorsement of 2011’s Super Ball festival and the overall disappointment after the lackluster Holiday Run of the same year.

12.31.12 (J.Herzog)

Perhaps Phish’s inclusion of “Garden Party” was their own coy response to their rabid fan base, embracing Nelson’s motto of being true to themselves in the face of any and all critique. By following up “Garden Party” with “Possum,” a song that is universally considered to be overplayed in this era, and “Roses Are Free,” a song from which everybody and their mothers have called for more jams, it’s hard to ignore this probability. While “Garden Party” may have been a playful musical retort, it’s quite dubious that the maneuver represented anything more than that towards their fan base—a loyal cadre they have consistently gushed over for the duration of their careers. Phish has enjoyed one of the famous love affairs in music history with a fan base that would travel to the end of the earth to see them perform. More likely than a jab at their loyalists, “Garden Party” was positive affirmation of their own place in time. The message didn’t feel like a defensive “Hey, quit your bitching!” but rather a mature statement saying, “Everyone is welcome to have opinions, but we are here to please ourselves. Take it or leave it.” Understood in this regard, such a statement simultaneously frees their fan base to be critical and allows the band not to worry about it at all.

In all likelihood, the cover of “Garden Party” had a bit to do with several aspects of the night—the fact that Phish had, literally, created a garden out of the Garden for New Year’s Eve, the 26 year anniversary of Ricky Nelson’s passing and a tongue-in-cheek comment to their feverish fan base that Phish will be Phish. And in the end, though fans will be fans, I don’t think there is anyone who really wants them to change. If they are happy, we are happy and if we are happy, they are happy. This has worked for 30 years, and if it ain’t broke, don’t fix it.

12.31.12 (Richard Lawless)

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1,320 Responses to “A Garden Party”

  1. RoosterPizza Says:

    All about temp with brews. Not necessarily a cask fan, but I cringe when served an ipa in a frosted mug.

  2. MiA Says:

    “Rule #1 at PH shows for me…make best friends w/ absolutely everybody especially your neighbors.”

    Absolutely absolutely true. So much more respectful then.

  3. kayatosh Says:

    they call me the sloth!

    perhaps, one of the best opening lines ever. killer version on 8.28.12. classic phish song.

  4. kayatosh Says:

    “Great seeing a show with bud”

    ^^^ no doubt

  5. roberto luongo Says:

    Miami 09 is some of the dirtiest groove since the return with that sick melodic ambient ending. shiiiit. if that aint tweezer I don’t know what is.

    I just need a bit of funk or grit somewhere in my tweezer. why I’m still a huge fan of cinci 2011. that shit funked hard.

    my #1 rule is to spread the vibe we are hear to not talk to any of you. please don’t bother us and we will be golden. I promise we will never notice you are there either.

    I’m so friendly.

  6. kayatosh Says:

    “All about temp with brews.”

    had no idea temp. could make that much of a difference in taste. stumbled upon it today.

  7. roberto luongo Says:

    I will def take shit for and at the time on a huge ass had I did give the nod to Dick’s.

    after having some time flow through. back on my Miami 09 best tweezer kick.

    it’s just more old school phish than 3.0 sounding to me. the happy, happy joy joy melodic tweezers are all right but getting scale

    back to funk or exploration IMO

  8. kayatosh Says:

    gonna see if i can dig out that miami twweeezz

  9. btb Says:

    Everybody went through the frosted mug phase….I used to where Velcro shoes too.

    Nothing like a freezing cold stout 😉

  10. roberto luongo Says:

    gettin stale not scale.

  11. Spasm Waiter Says:

    @B2B- Ting to that man. We will do it again.

  12. roberto luongo Says:

    huge ass. not sure why I typed that. weird autocorrect.

    meant full ass head.

  13. Guyute711 Says:

    “To me, Steve Miller Band and Traffic are the same band.”

    You must be out yo damn mind.

  14. tela'smuff Says:

    i do like frosted pint glasses. condensation that occurs once beer hits the glass can lessen the flavor though.

  15. kayatosh Says:

    found it. up next after a loose 7.17.99 roggae.

    what a band!

  16. Spasm Waiter Says:

    I like beer very much…

  17. PigSong Says:

    http://www.youtube.com/watch?v=LHybpZ_Psuo

    mkdevo provides an unreal service to this community.

  18. marcoesq Says:

    Traffic is amazing.

    Not as huge on Steve Miller Band

    Was living in Northern NM back in ’00 and we took a road trip to ABQ to see what I thought was Steve Miller Band. Ended up being the wrong night and got treated to Phil, Dylan and friends instead! That was a great mistake.

  19. RoosterPizza Says:

    Frosted mugs have their place, just not with an ipa. For me, pilsners and reds are money out of a frosted mug.

  20. tela'smuff Says:

    http://beeradvocate.com/beer/101/glassware

    G$ – i was thinking the same. Traffic was a pretty cool band, not sure where the cheese of Steve Miller and the Eagles equates.

  21. roberto luongo Says:

    the > and the Carini must be taken in together

    Tory uses the Carini for his lack of tweezer wanking and just crushes that Carini solo

    miner was one of the first to notice the importance of the total pairing and still stands up as brilliant IMO.

  22. PigSong Says:

    Centennial IPA from Founders

    $$$

  23. roberto luongo Says:

    > caspian not carini

    this sober 2013 thing isn’t workin. my brain doesn’t work without chemicals.

  24. kayatosh Says:

    yes, enjoying this ipa more at a less than arctic temp. smoother.

  25. kayatosh Says:

    trey is a genius

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