A Garden Party

MSG 2012 (Graham Lucas)

Since New Year’s Eve, many people in the online Phish community have been making meaning of the band covering Ricky Nelson’s “Garden Party” to open the final show of the year. Though investigating the origin of the song, one can find potential significance in this seemingly out-of-the-blue selection.

Ricky Nelson became a childhood star on the 1950s television show The Adventures of Ozzie and Harriet. The show was set in 1950s suburbia and conveyed an idyllic image of American family life. Nelson started his music career by playing songs on the popular show, and in the late ‘50s he branched off from his family’s sitcom and formed an early era rock band. Nelson became one of rock and roll’s first teen idols and became known for his excessively clean cut image. Between 1957 and 1962 Nelson charted 30 Top 40 hits, more than any other artist besides Elvis Presley and Pat Boone.

Garden Party (1972)

Though Nelson continued to record albums, his success was stymied by the British Invasion of the 1960s. Consequently, he gravitated towards country music, becoming a pioneer of the country rock genre. After his change of tune, however, Nelson reached the Top 40 only two more times in his career—once in 1970 when he recorded Bob Dylan’s “She Belongs to Me” and for the final time in 1972 with “Garden Party,” a song written in reaction to the following incident. Nelson performed as part of a “Rock and Roll Revival” concert at Madison Square Garden on October 15, 1971, sharing the bill with other early rock legends, Chuck Berry, Bo Diddley and Bobby Rydell, among others. Nelson emerged on stage looking different than his fans remembered him, sporting the ’70s fashion of  bell bottoms, a purple velvet shirt and shoulder-length hair. Though he began with his older classics, Nelson soon played his new country-rock material and was subsequently greeted with boos from an audience who didn’t approve of his stylistic shift. He left the stage mid-set and didn’t return for the show’s group finale. Nelson wrote “Garden Party” in disgust, documenting this experience. Confident in his new musical direction, the lyrics of “Garden Party”—“You can’t please everyone, so you gotta please yourself”—became his personal creed.

12.28.12 (G.Lucas)

Fast forward to December 31, 2012. Phish decided to debut Ricky Nelson’s song in Madison Square Garden 26 years to the day of the plane crash that took Nelson and his band from the world. While the move was a clear nod to the American legend, Nelson’s “Garden Party” clearly held parallels to Phish’s experience in the modern era. Phish has always endured a hypercritical fan base, something that Trey, himself, noted in 1997’s documentary, Bittersweet Motel. The level of public critique has only increased in 3.0 due to the onset of Phish blogs, podcasts and the always-expanding use of Internet discussion forums. As a burgeoning population of seasoned fans all have particular ideas on the way Phish shows should be played, band analysis and criticism has reached a high point in this era. Whether it’s more bust-outs, not enough funk, a lack of a second jam in “Mike’s Song,” the need to shelve “Time Turns Elastic” or playing less songs per 90-minute set, everyone has an opinion on the band’s performances and isn’t shy about sharing it. The fact that Phish fans care so much about what form the band takes is a testament to their undying passion, though I’m sure if the band members ever tuned into the omnipresent online discussions, they’d be quite amused by the copious demands. Sometimes, a sentiment in the fan community is so widespread and intense that it’d be nearly impossible for it not to get back to them. Some modern examples of this are the ardent endorsement of 2011’s Super Ball festival and the overall disappointment after the lackluster Holiday Run of the same year.

12.31.12 (J.Herzog)

Perhaps Phish’s inclusion of “Garden Party” was their own coy response to their rabid fan base, embracing Nelson’s motto of being true to themselves in the face of any and all critique. By following up “Garden Party” with “Possum,” a song that is universally considered to be overplayed in this era, and “Roses Are Free,” a song from which everybody and their mothers have called for more jams, it’s hard to ignore this probability. While “Garden Party” may have been a playful musical retort, it’s quite dubious that the maneuver represented anything more than that towards their fan base—a loyal cadre they have consistently gushed over for the duration of their careers. Phish has enjoyed one of the famous love affairs in music history with a fan base that would travel to the end of the earth to see them perform. More likely than a jab at their loyalists, “Garden Party” was positive affirmation of their own place in time. The message didn’t feel like a defensive “Hey, quit your bitching!” but rather a mature statement saying, “Everyone is welcome to have opinions, but we are here to please ourselves. Take it or leave it.” Understood in this regard, such a statement simultaneously frees their fan base to be critical and allows the band not to worry about it at all.

In all likelihood, the cover of “Garden Party” had a bit to do with several aspects of the night—the fact that Phish had, literally, created a garden out of the Garden for New Year’s Eve, the 26 year anniversary of Ricky Nelson’s passing and a tongue-in-cheek comment to their feverish fan base that Phish will be Phish. And in the end, though fans will be fans, I don’t think there is anyone who really wants them to change. If they are happy, we are happy and if we are happy, they are happy. This has worked for 30 years, and if it ain’t broke, don’t fix it.

12.31.12 (Richard Lawless)

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1,320 Responses to “A Garden Party”

  1. Luther T. Justice Says:

    I wasn’t a Carini fan until 3.0. It has def been reborn in this era.

  2. Guyute711 Says:

    “People might want to try to give Brave New World and Children of the Future a listen but for some reason I think the people who are putting down Steve Miller don’t know these albums exist.”

    Thank Jeebus

    Bless you Miles Davis

  3. Mr. Palmer Says:

    I agree LTJ. Hard to believe no Tweezer has really approached the 20 minute mark in the 4 years of 3.0.

    Tela’s – Dicks ’11 is definitely in the 2 spot for me. I’m surely picking favorites though because I was at MSG and not Dick’s. Miami’09 and Red Rocks ’09 are in discussion also, but below the other 2 for sure.

    What about Wolfman’s? I think the MSG version is up there in a best of 3.0. I thought the Little Drummer Boy jam was great. A nod to the holidays and everything. Didn’t think it was cheezy at all.

  4. tela'smuff Says:

    that’s a good point about the MSG Tweezer as far as the ending jam. but the middle doesn’t get to the same good places the KC or CLT Tweezers get to. i don’t know, i’ll have to do a Tweezer session.

    what i won’t do is listen to any Steve Miller album, ever. next thing ya know somebody is gonna start defending the Eagles.

  5. Luther T. Justice Says:

    Leg 1 Tweezers were def below the bar.

  6. Guyute711 Says:

    I still love the SBIX Tweezer. Just a different animal.

  7. Guyute711 Says:

    Ha ha , I was going to mention the Eagles. We are on the same page today.

  8. stapes Says:

    I’ve had a rough night and I hate the fucking Eagles, man.

  9. tela'smuff Says:

    I did like that MSG Wolfman’s, thought it worked with the LDB jam, and liked the way they closed the jam out. i still would go with that UIC Wolfmans though.

  10. vegas wolfmans Says:

    Phlorida- See Paradiso 2/17/97 & MSG 12/28/98 for stunners.

    I dig the Carini->Shafty from Bonarroo and Dick’s last summer were both tasty, but not on the same level as 12/30.

  11. Mr. Palmer Says:

    Bowie, Slave, and Hood were no slouches either. Fantastic run.

    I need to listen to the Sand and Piper still from 12.31.

    I loved the CLT Tweezer, but feel MSG was just a different level.

  12. sumodie Says:

    I thought Tweezer finally got its due in 2012, love the big four from last summer. Sure, a few 2009-11 Tweezers were excellent but not consistently so

    Havent respun the 12/28 Tweezer, thought it was great live but we were not in the best sound spot that night

    And i’ve always despised the Eagles. Phish has played Walk Away enough so i can now forget it’s a Joe Walsh tune ::shudder::

  13. Luther T. Justice Says:

    It’s amazing that the Miami Tweezer is still holding its own in 3.0. Not too many 09 versions of anything else still at the top.

  14. stapes Says:

    Had a moment with the MSg Slave and precious while walking the dog last night

  15. vegas wolfmans Says:

    FTR- I’ve got nothing against Steve Miller, but do love that Miles quote.

  16. stapes Says:

    I forget about RR09 Tweezer. Blew my mind that night.

  17. roberto luongo Says:

    I haven’t respun but the middle of tweez seemed to be a slightly less thematic and locked up Dicks LIght jam

    all for more of that sound. can’t really describe it but do a bit of comparisons similar tones and full band rolling melodic psychedelia style.

    I LOve miami 09 tweezer. will always love that bitch.

    Dicks 2011 is just a beast. every night seems composed in that sucker. just a perfect gradual build and peak. seemed more focused.

    but that tweezer from MSG was a beast for some reason just didnt sting as much as missin the Carini from the couch. I was still pretty fuckin salty night 1 about missin the run. could have played into it.

    FUCK STEVE MILLER. not even funny as a joke. like Chumbawamba or Collective Soul. or Trey covering Jane’s Addiction. just bad. at least Janes were good themselves I guess

    anyway. have fun kids

    watch that Dick’s Light vid. fuck that’s a locked up jam.

  18. Guyute711 Says:

    Not a fan of Walk Away either. It’s my new Frankenstein or maybe that’s Mighty Quinn. I guess I’ll just always have at least one song I don’t want to hear but will. Thems the breaks.

  19. PigSong Says:

    Poignant write-up Mr M. Enjoyed thoroughly.

    Have a good one Folks

  20. tela'smuff Says:

    yeah, again, i loved that MSG Bowie. great Slave as well. 12/28 and 12/30 both great shows.

    @Luther – i still say that they ’09 Cincy Melt is the best of 3.0.

  21. voopa Says:

    Maurice in Austin?


  22. roberto luongo Says:

    Miami tweez still could be my fav. shit sounds so crunchy and funky.

    I’m kinda over the light melodic tweezers

    I want em darker or crunchier. hah. back to bitching about what Phish plays.

  23. roberto luongo Says:

    damn I Hate Slave. I think Trey wrote it in 5th grade or something. not even joking.

    more positive behavior from EZ Luongo

    those rumors for next year look epic. bring it on Tory!!

  24. vegas wolfmans Says:

    Dick’s 2011 wolfmans was real good too.

  25. stapes Says:

    The ending of MSG Tweezer reminded me slightly of the end of Dicks Light. Different, but similar rock endings. Also found in such places as 11/18/96 Simple and Utah 03 Mr C.

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