A Garden Party

MSG 2012 (Graham Lucas)

Since New Year’s Eve, many people in the online Phish community have been making meaning of the band covering Ricky Nelson’s “Garden Party” to open the final show of the year. Though investigating the origin of the song, one can find potential significance in this seemingly out-of-the-blue selection.

Ricky Nelson became a childhood star on the 1950s television show The Adventures of Ozzie and Harriet. The show was set in 1950s suburbia and conveyed an idyllic image of American family life. Nelson started his music career by playing songs on the popular show, and in the late ‘50s he branched off from his family’s sitcom and formed an early era rock band. Nelson became one of rock and roll’s first teen idols and became known for his excessively clean cut image. Between 1957 and 1962 Nelson charted 30 Top 40 hits, more than any other artist besides Elvis Presley and Pat Boone.

Garden Party (1972)

Though Nelson continued to record albums, his success was stymied by the British Invasion of the 1960s. Consequently, he gravitated towards country music, becoming a pioneer of the country rock genre. After his change of tune, however, Nelson reached the Top 40 only two more times in his career—once in 1970 when he recorded Bob Dylan’s “She Belongs to Me” and for the final time in 1972 with “Garden Party,” a song written in reaction to the following incident. Nelson performed as part of a “Rock and Roll Revival” concert at Madison Square Garden on October 15, 1971, sharing the bill with other early rock legends, Chuck Berry, Bo Diddley and Bobby Rydell, among others. Nelson emerged on stage looking different than his fans remembered him, sporting the ’70s fashion of  bell bottoms, a purple velvet shirt and shoulder-length hair. Though he began with his older classics, Nelson soon played his new country-rock material and was subsequently greeted with boos from an audience who didn’t approve of his stylistic shift. He left the stage mid-set and didn’t return for the show’s group finale. Nelson wrote “Garden Party” in disgust, documenting this experience. Confident in his new musical direction, the lyrics of “Garden Party”—“You can’t please everyone, so you gotta please yourself”—became his personal creed.

12.28.12 (G.Lucas)

Fast forward to December 31, 2012. Phish decided to debut Ricky Nelson’s song in Madison Square Garden 26 years to the day of the plane crash that took Nelson and his band from the world. While the move was a clear nod to the American legend, Nelson’s “Garden Party” clearly held parallels to Phish’s experience in the modern era. Phish has always endured a hypercritical fan base, something that Trey, himself, noted in 1997’s documentary, Bittersweet Motel. The level of public critique has only increased in 3.0 due to the onset of Phish blogs, podcasts and the always-expanding use of Internet discussion forums. As a burgeoning population of seasoned fans all have particular ideas on the way Phish shows should be played, band analysis and criticism has reached a high point in this era. Whether it’s more bust-outs, not enough funk, a lack of a second jam in “Mike’s Song,” the need to shelve “Time Turns Elastic” or playing less songs per 90-minute set, everyone has an opinion on the band’s performances and isn’t shy about sharing it. The fact that Phish fans care so much about what form the band takes is a testament to their undying passion, though I’m sure if the band members ever tuned into the omnipresent online discussions, they’d be quite amused by the copious demands. Sometimes, a sentiment in the fan community is so widespread and intense that it’d be nearly impossible for it not to get back to them. Some modern examples of this are the ardent endorsement of 2011’s Super Ball festival and the overall disappointment after the lackluster Holiday Run of the same year.

12.31.12 (J.Herzog)

Perhaps Phish’s inclusion of “Garden Party” was their own coy response to their rabid fan base, embracing Nelson’s motto of being true to themselves in the face of any and all critique. By following up “Garden Party” with “Possum,” a song that is universally considered to be overplayed in this era, and “Roses Are Free,” a song from which everybody and their mothers have called for more jams, it’s hard to ignore this probability. While “Garden Party” may have been a playful musical retort, it’s quite dubious that the maneuver represented anything more than that towards their fan base—a loyal cadre they have consistently gushed over for the duration of their careers. Phish has enjoyed one of the famous love affairs in music history with a fan base that would travel to the end of the earth to see them perform. More likely than a jab at their loyalists, “Garden Party” was positive affirmation of their own place in time. The message didn’t feel like a defensive “Hey, quit your bitching!” but rather a mature statement saying, “Everyone is welcome to have opinions, but we are here to please ourselves. Take it or leave it.” Understood in this regard, such a statement simultaneously frees their fan base to be critical and allows the band not to worry about it at all.

In all likelihood, the cover of “Garden Party” had a bit to do with several aspects of the night—the fact that Phish had, literally, created a garden out of the Garden for New Year’s Eve, the 26 year anniversary of Ricky Nelson’s passing and a tongue-in-cheek comment to their feverish fan base that Phish will be Phish. And in the end, though fans will be fans, I don’t think there is anyone who really wants them to change. If they are happy, we are happy and if we are happy, they are happy. This has worked for 30 years, and if it ain’t broke, don’t fix it.

12.31.12 (Richard Lawless)

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1,320 Responses to “A Garden Party”

  1. tela'smuff Says:

    @Luther – my thoughts exactly in regards to Cee-Lo. hopefully they drop the same rust belt tour this summer so we can crank out another Howard TV session.

  2. MiA Says:

    My Dad was a non-puffin wanna-be stoner fuck/pink floyd/loggins messina/ steve miller band/beatles/miles/jimmy buffet/Allman Brothers/supercomputer dude (who now looks remarkably like Santa) who built his own amplifiers, crossovers and subwoofers back in the day.

    Influenced me incredibly.

    He loved a well recorded/mixed album that was for stereophiles. Esp. the quadraphonic stuff.

    Listened to tons of radio from 1973 to 1976 as a kid. It’s part of my DNA (and age). Still love those tracks to this day. I was a 9 years old boppin to the radio. What’s not to love about all that Elton John and all those one hit wonders? Billy Don’t Be a Hero. Awesome.

    The Live Loggins and Messina “Vahevala” is not to be missed.

    It’s like hearing “She’s Gone” on a great stereo. Wow. Vape’d and it’s phenomenal.

  3. LutherTJustice Says:

    That would be sweet @telas. Like RL said, the Rustbelt Run is stimulus for the Midwest.

  4. LutherTJustice Says:

    That would be sweet @telas. Like RL said, the Rustbelt Run is stimulus for the Midwest.

  5. RoosterPizza Says:

    That’s a stabbing!

  6. LutherTJustice Says:

    My first paddlin.

  7. MiA Says:

    http://www.youtube.com/watch?v=GoXxdObGKuI

    Yep. Good stuff Luther.

  8. kayatosh Says:

    “non-puffin wanna-be stoner” — classic.

    I wanna be a stoner so bad, but i just can’t figure it out.

  9. MiA Says:

    At 1:41 in the video, there is a shot of a guy on his knees filming. At first I thought it was a midget. I then quickly thought “That is such a great idea … employing midgets to hold cameras down low. They’re already there.”

    I feel really bad now.

  10. kayatosh Says:

    little people, maurice. not midgets.

  11. MiA Says:

    My Dad came home with “Lynyrd Skynyrd’s Greatest Hits” as a kid. Blasted it loud enough my mom came in from the garden to say “What the hell?!” Remember thinking “Wow, this is great stuff.”

    Everytime I play Phish in front of him, I say “I really blame you for this…”

  12. voopa Says:

    Saw Toots on Daryl’s House last week…pretty cool, save for You Make-a My Dreams Come True.

  13. MiA Says:

    http://www.youtube.com/watch?v=WOE1-2Fza5Q

    I get sucked into’s Daryl’s House and it’s tough to escape.

  14. LutherTJustice Says:

    Better to be sucked into Daryl’s House than Oates’ house.

  15. kayatosh Says:

    how to be a stoner: rip some vapes, crack some brews, before 1 Pm preferably.

  16. tela'smuff Says:

    ha!! for real LT. although i guess i would have never though Daryl Hall could be cool, i really have no ideas on Oates other than his mustache. does his mustache have a house?

  17. LutherTJustice Says:

    Oates lives in an efficiency studio apartment.

  18. kayatosh Says:

    Luther T: you got me again. lol. thanks for the laugh.

  19. LutherTJustice Says:

    It’s like Samson. When he shaved his mustache, he lost his powers.

  20. LutherTJustice Says:

    No problem kaya. I’m here all day.

  21. tela'smuff Says:

    hilarious!!

    that Chromeo jam is top notch. that band is tight.

  22. MiA Says:

    Hahahaha.

    Good stuff.

  23. RoosterPizza Says:

    Chromeo remixes are all really good too.

  24. kayatosh Says:

    maurice: i can go for that new avatar. hilarious

  25. Spasm Waiter Says:

    Miner- Really great write-up man. I have been thinking a lot about it since the runs opener in Crowd Control. I did not realize the significance of the date for GParty. Crazy and cool! Robear said it the other day, Treys a fucking genius and always a step ahead of us.

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