Gauging the Garden

12.28.12, MSG (Graham Lucas)

Boasting incredible highs amidst a lot of well-played music, MSG’s 2012 installment was certainly a good time. Phish bounced back from a poor showing last year at the Garden, and considering the four months off between performances, they sounded practiced and polished. The band was sharp as they closed out a year widely considered to be their strongest since their return, however, their daring side only came out in spots. The risk taking that prevailed over the past two years was curbed significantly, amounting to less than one serious jam per set and leaving the run feeling fairly clean. When Phish did jump into the unknown they met with incredible success, begging the question of why they didn’t make the leap more often. Phish played most songs with strength and precision, though setlists were, generally, composed of standard rotation songs with very few surprises. And while the band fed off the big city energy—a hallmark of MSG shows—when looked at in the context of 2012, the holiday shows didn’t necessarily hold up to the year’s best offerings. To highlight the run, the band dropped three jams—“Tweezer,” “Down With Disease” and “Carini”—that belong on the top shelf of this era, but when it came to putting together whole shows, the guys fell a bit short.

12.28.12 (G.Lucas)

It’s not surprising that this era’s most musically complete holiday runs—2009 and 2010—followed fall tours. Without being in the groove, or at least in close proximity to a run of shows, it’s tough for Phish to step on stage for four days and crush. It’s also not surprising that the band played less-than-spectacular run in The Garden, a once-legendary venue that has hosted mostly middle-of the road shows throughout this era featuring stellar moments here and there. Over these four nights, the highs were, undoubtedly, quite high, but the band played a lot of filler throughout the run where it felt like they were on cruise control. Included in these parts were four first sets that didn’t bring much to the table aside from “Stash” and “Wolfman’s” on night one, and a solid, though far from amazing, “Bathtub Gin” on night two. With a week of space separating us from the year-end run, let’s look back at the four-night flow.

The band came out of the gates with a bang on the 28th, setting hopes and improvisational expectations fairly high for the next three nights. A very solid opening show featured a six song second set, a gorgeous 20-minute “Tweezer” that immediately jumped out as the strongest of the year, the most creative take on “Wolfman’s Brother” in quite some time, and a strong supporting cast of “Stash,” “Maze” and “David Bowie.” A “Little Drummer Boy” theme ran throughout the show illustrating the band’s playful side and giving the show a dose of holiday cheer. After the dust settled on the four night run, an argument could be made for the 28th being the most balanced and complete shown of the run.

12.29 (Shelly Siegel)

The second night at The Garden fell incredibly flat on these ears, effectively crushing any momentum built on the 28th. With nary an attempt at any true improv, each song translated as a painfully standard rendition. “Golden Age,” although jammed a bit, didn’t hold up to the many standout versions of the year, and when Trey bailed out of a potential “Waves” jam in the second slot of the second set for “Prince Caspian,” one got the feeling that it would be one of those uninspired, song-based shows. And that is precisely what transpired. The 29th holds virtually zero replay value, and even the highest point of the night—“Bathtub Gin”—relied on linear, guitar-led shredding. While this type of show may work for some, in my opinion, it translated as one of the band’s least impressive efforts of the year. The clunker on the 29th left the fate of the Holiday Run hinging on the 30th. And Phish came through in droves.

12.31 (S. Siegel)

The second set of the 30th was —easily—the set of this Holiday Run, featuring 40 minutes of sinful improvisation balanced by stellar versions of “Slave” and “Harry Hood” to cap things off. The meat of the set—“Disease > 20 Years Later > Carini”—was the one time in New York that the band constructed a phenomenal run of jamming. Over the course of 2012, multi-song sequences like this one comprised many of the year’s overwhelming highlights, and this chunk of dark music echoed the times when the band really built a passage that amounted to more than the sum of its parts. Both “Disease” and “Carini” hold up as their respective versions of the year, while “Carini’s” ominous psych-rock textures—about as rare in recent Phish as a great “YEM”—could be championed as a jam of the era. Most of the creative improv of 2012 has focused on uplifting themes, thus this segment of the 30th stood out that much more. Although Trey made one of the most head scratching, vibe crushing and out of place calls of all time with “Number Line” out of this mind-bending story, one couldn’t really complain after such extensive theatrics. And to resolve the supernatural meat of the set, the band served up glorious versions of “Slave” and “Hood,” both of which featured incredibly dynamic work by Trey and hold up as blue-chip versions of the era. When all was said and done, the band had dropped one of the top sets of the year that didn’t take place in Colorado.

12.31 (S.Siegel)

Throughout history, New Year’s shows have often been musical afterthoughts of their respective runs, and since the return, only 2010 showcased a New Year’s show that was the best of its run. This year, after the 30th, one hardly expected the band to match or top their masterful performance—and lo and behold, they didn’t. The first and third sets of the 31st were both well played and incredibly straightforward, highlighted by high-energy rock and roll. Though par for the course, those sets are usually sandwiched around some substantial music in the second set, but this year’s main event featured only one memorable song pairing in “Ghost > Piper.” The fourth consecutive New Year’s Eve “Ghost” reached sublime planes of harmonic interplay and “Piper” contained torrid, full-band jamming at a break-neck pace, but for three sets of music, a twenty-minute takeaway is fairly slim pickings. This show was very fun, no doubt, and had the run included a bit more meat, it would have fit congruently. New Year’s Eve was very fun experience and certainly didn’t fall flat like the 29th, but as the memories fade, it will hold little replay value.

Aside from the few centerpiece jams of MSG—which were undeniably awesome— 2012’s Holiday Run was relatively tame. The highs were quite high, but when considered as full two-setters and a complete run, the shows fell short of 2012’s best offerings. If one gets off on tight, high energy Phish, there was plenty of that to go around, but if one is questing for adventurous jamming, the run had just enough to make it palatable. For whatever reason, there seemed to be a prevailing sentiment in the community before these shows that the band was going to host a blowout in the Big Apple, returning MSG to its legendary status in the pantheon of Phish venues. And while the run certainly didn’t disappoint anyone and contained enough timeless moments to be considered a success, it won’t go down in history as eternally memorable.

12.28.12 (Graham Lucas)

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725 Responses to “Gauging the Garden”

  1. BNCB Says:

    Musically I agree about the highlights.

    I disagree about the tight high energy playing aside from the jams. More like RL sez. I thought a bunch was sloppy and too much lead guitar shriek. Mike was pedaling his lights out to be heard. Which only added to the disjointed sound.

  2. bob dylan Says:

    8 doobies to the face
    Fuck that
    12 bottles in the case
    Nigga, fuck that
    2 pills and a half weight
    Nigga, fuck that

  3. roberto luongo Says:

    a fan base notorious back in the day for their understanding of the band, their catalog, and their jamming styles has been replaced by a bunch of kids screaming during silent sections of jams where back in the day you could hear a pin drop (see Reba and Waves).

    times they are a changing.

  4. MiA Says:

    It’s a wet rainy melancholy morning in Austin. Drizzly.

    Played the Hampton’s ’98 Simple on the drive in.

    That was so perfectly matched with the weather it was almost frightening.

  5. tzara's Says:

    Good mornin’, @MiA. That Simple is so gorgeous. One of the jams that got me really into the band. Wish someone had turned me on a little sooner.

  6. Mr. Palmer Says:

    report of a school shooting in Newtown , Ct..

  7. BNCB Says:

    And speaking of fun, the 29th in a private box with JerseyJim and Kaveh was one of the best nights ever at Phish. Made the jam free Waves palatable.

  8. MiA Says:

    RL, I felt that way exactly about the new kids coming onto the scene in ’94. They start playing acoustic and doing bluegrass accapella. Quiet Slaves included in your list too.

    What makes the ’93 Sacramento so glorious. Quiet, heavily tripping balls crowd.

  9. Kaveh Says:

    Morning BBers.

    @Miner: good write up; appreciate it.

  10. stapes Says:

    Love that Simple @ MiA. Send some moisture this way please.

  11. Kaveh Says:

    @Palmer: WHAT?!

  12. roberto luongo Says:

    damn you like it quiet MIA

    I did at least half of the 94 small theater tours and I thought the crowd was still very respectful. and like you said. controlling a crowd of spunions mid set II without mics is pretty difficult and they pulled it off nightly that tour.

    even 95 wasn’t too bad. seemed like summer 96 was when the phish is just a place to go to get high thing started. by summer 97 it was full on chaos.

  13. Mr. Palmer Says:

    Kaveh- I had some cbs news alert thing pop up on my phone with that exact title. Hope its a mistake. I don’t see anything anywhere else.

  14. MiA Says:

    I agree with ya. I almost gave up on the “scene” due to lack of respect. I’ve gotten over it.

    I listen to Led Zeppelin in Japan or Royal Albert Hall and everyone waits until the end of Dazed and Confused and Whole Lotta love to kindly clap.

  15. jdub Says:

    Or the Hendrix Band of Gypsies video I have. You could hear a pin drop throughout. And then a polite clap at the end of Machine Gun. People were more appreciative and respectful.

    My biggest pet peeve is yappers at a show. Molly is a powerful drug, mmkay. Another reason why L is better suited for Phish. Alcohol tends to get people yapping as well.

  16. jdub Says:

    I can’t find anything regarding that either @Palmer. Hopefully a mistake.

  17. ren Says:

    Some respect for music has been lost in this modern age….when any kid with a laptop and FB page can feign to be a producer or the next musical phenomenon. This, coupled with less than inspired more traditional genres has proven to be a dangerous cocktail.

    Don’t get me wrong…I love electro music, dj’s etc….but the awe and mystery surrounding an amazingly talented player of a traditional instrument (or 4 instruments collaborating) is just a completely different animal.

  18. bob dylan Says:

    Japan has amore respectful culture in general. We’ve got a.d.d. Kids with iPhones. Shit maybe I jinxed myself typing mutha fuckin waves at MSG.

    Thought it was awesome when Neil young made fun of the texting women in the front row. I wouldn’t dare take my phone out during a jam tho if I were up front. This band needs all the love they can get to know we want em to keep going.

  19. Mr. Palmer Says:

    Hopefully it’s a bug in the news app or something because i got another one. I won’t repeat what it said, but it wasn’t good.

  20. MiA Says:

    Brent “Creepin” Musberger

  21. Mr. Palmer Says:

    It is a bug. It’s regurgitating the old story in real time. Fucked up.

    2012 Phish recap continues with the KC and St. Louis shows.

  22. Sumodie Says:

    Nice commentary from new / infrequent posters

    Memories vs. replay value, what’s more important?

    I agree with Miner’s take on the run. Nonetheless I’ll treasure the NYE show the most as those are my favorite memories of the run. I’ll no doubt spin the Tweezer, Wolfman’s, DWD > 20YL > Carini segments the most, but sharing NYE with my partner was most magical. Loved the show flow, sheer energy, and manic spectacle thru and thru that evening.

    So much of what I love about phish isn’t found on replay, and thus I left the Garden & the City all aglow about the run & the promise of 2013PH

    Miner, thanks again for some thoughtful writing!

  23. Dorn76 Says:

    The talking drives me nuts. NUTS.

    Spill shit on me, bump into me, crowd my space, whatever. Just shut the fuck up and let me hear the band.

  24. Phamily Berzerker Says:

    Nice write-up, Señor Miner. I echo your sentiments and the perspective of A-Luongo-Trance-Goblin-Fan.

    That’s what make this so maddening, in a good way though.

    We want magic every night we go and four times as much on the days the end in the letter ‘y’.

    I will say that in the moment it is all great for me. Ex-post-facto maybe less great all-around.

    That’s OK.

    Hope your alert was wrong, Palmer!

  25. tela'smuff Says:

    this was the assessment i was thinking would have come post-New Years. very nice honest critique of the run @Miner. i agree completely from the couch.

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