Gauging the Garden

12.28.12, MSG (Graham Lucas)

Boasting incredible highs amidst a lot of well-played music, MSG’s 2012 installment was certainly a good time. Phish bounced back from a poor showing last year at the Garden, and considering the four months off between performances, they sounded practiced and polished. The band was sharp as they closed out a year widely considered to be their strongest since their return, however, their daring side only came out in spots. The risk taking that prevailed over the past two years was curbed significantly, amounting to less than one serious jam per set and leaving the run feeling fairly clean. When Phish did jump into the unknown they met with incredible success, begging the question of why they didn’t make the leap more often. Phish played most songs with strength and precision, though setlists were, generally, composed of standard rotation songs with very few surprises. And while the band fed off the big city energy—a hallmark of MSG shows—when looked at in the context of 2012, the holiday shows didn’t necessarily hold up to the year’s best offerings. To highlight the run, the band dropped three jams—“Tweezer,” “Down With Disease” and “Carini”—that belong on the top shelf of this era, but when it came to putting together whole shows, the guys fell a bit short.

12.28.12 (G.Lucas)

It’s not surprising that this era’s most musically complete holiday runs—2009 and 2010—followed fall tours. Without being in the groove, or at least in close proximity to a run of shows, it’s tough for Phish to step on stage for four days and crush. It’s also not surprising that the band played less-than-spectacular run in The Garden, a once-legendary venue that has hosted mostly middle-of the road shows throughout this era featuring stellar moments here and there. Over these four nights, the highs were, undoubtedly, quite high, but the band played a lot of filler throughout the run where it felt like they were on cruise control. Included in these parts were four first sets that didn’t bring much to the table aside from “Stash” and “Wolfman’s” on night one, and a solid, though far from amazing, “Bathtub Gin” on night two. With a week of space separating us from the year-end run, let’s look back at the four-night flow.

The band came out of the gates with a bang on the 28th, setting hopes and improvisational expectations fairly high for the next three nights. A very solid opening show featured a six song second set, a gorgeous 20-minute “Tweezer” that immediately jumped out as the strongest of the year, the most creative take on “Wolfman’s Brother” in quite some time, and a strong supporting cast of “Stash,” “Maze” and “David Bowie.” A “Little Drummer Boy” theme ran throughout the show illustrating the band’s playful side and giving the show a dose of holiday cheer. After the dust settled on the four night run, an argument could be made for the 28th being the most balanced and complete shown of the run.

12.29 (Shelly Siegel)

The second night at The Garden fell incredibly flat on these ears, effectively crushing any momentum built on the 28th. With nary an attempt at any true improv, each song translated as a painfully standard rendition. “Golden Age,” although jammed a bit, didn’t hold up to the many standout versions of the year, and when Trey bailed out of a potential “Waves” jam in the second slot of the second set for “Prince Caspian,” one got the feeling that it would be one of those uninspired, song-based shows. And that is precisely what transpired. The 29th holds virtually zero replay value, and even the highest point of the night—“Bathtub Gin”—relied on linear, guitar-led shredding. While this type of show may work for some, in my opinion, it translated as one of the band’s least impressive efforts of the year. The clunker on the 29th left the fate of the Holiday Run hinging on the 30th. And Phish came through in droves.

12.31 (S. Siegel)

The second set of the 30th was —easily—the set of this Holiday Run, featuring 40 minutes of sinful improvisation balanced by stellar versions of “Slave” and “Harry Hood” to cap things off. The meat of the set—“Disease > 20 Years Later > Carini”—was the one time in New York that the band constructed a phenomenal run of jamming. Over the course of 2012, multi-song sequences like this one comprised many of the year’s overwhelming highlights, and this chunk of dark music echoed the times when the band really built a passage that amounted to more than the sum of its parts. Both “Disease” and “Carini” hold up as their respective versions of the year, while “Carini’s” ominous psych-rock textures—about as rare in recent Phish as a great “YEM”—could be championed as a jam of the era. Most of the creative improv of 2012 has focused on uplifting themes, thus this segment of the 30th stood out that much more. Although Trey made one of the most head scratching, vibe crushing and out of place calls of all time with “Number Line” out of this mind-bending story, one couldn’t really complain after such extensive theatrics. And to resolve the supernatural meat of the set, the band served up glorious versions of “Slave” and “Hood,” both of which featured incredibly dynamic work by Trey and hold up as blue-chip versions of the era. When all was said and done, the band had dropped one of the top sets of the year that didn’t take place in Colorado.

12.31 (S.Siegel)

Throughout history, New Year’s shows have often been musical afterthoughts of their respective runs, and since the return, only 2010 showcased a New Year’s show that was the best of its run. This year, after the 30th, one hardly expected the band to match or top their masterful performance—and lo and behold, they didn’t. The first and third sets of the 31st were both well played and incredibly straightforward, highlighted by high-energy rock and roll. Though par for the course, those sets are usually sandwiched around some substantial music in the second set, but this year’s main event featured only one memorable song pairing in “Ghost > Piper.” The fourth consecutive New Year’s Eve “Ghost” reached sublime planes of harmonic interplay and “Piper” contained torrid, full-band jamming at a break-neck pace, but for three sets of music, a twenty-minute takeaway is fairly slim pickings. This show was very fun, no doubt, and had the run included a bit more meat, it would have fit congruently. New Year’s Eve was very fun experience and certainly didn’t fall flat like the 29th, but as the memories fade, it will hold little replay value.

Aside from the few centerpiece jams of MSG—which were undeniably awesome— 2012’s Holiday Run was relatively tame. The highs were quite high, but when considered as full two-setters and a complete run, the shows fell short of 2012’s best offerings. If one gets off on tight, high energy Phish, there was plenty of that to go around, but if one is questing for adventurous jamming, the run had just enough to make it palatable. For whatever reason, there seemed to be a prevailing sentiment in the community before these shows that the band was going to host a blowout in the Big Apple, returning MSG to its legendary status in the pantheon of Phish venues. And while the run certainly didn’t disappoint anyone and contained enough timeless moments to be considered a success, it won’t go down in history as eternally memorable.

12.28.12 (Graham Lucas)

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725 Responses to “Gauging the Garden”

  1. marcoesq Says:

    I saw MMJ and Band of Horses this summer at Merriweather. They were okay for a friday night, nothing else to do kinda deal. Left about halfway through set to beat traffic. Could take it or leave it

  2. MiA Says:

    Gophers play Illinois tonight (12), Indiana (5), then Michigan (2) for their next three games.

    Big 10 Hoops is looking really strong this year.

  3. marcoesq Says:

    Spinning 12.29.97 II right now. To me, no Bowie these days even comes close to something of that era or before.

    But the Disease from 12/30/12 is definitely preferable to this ’97 one

  4. Sumodie Says:

    Too many musicians to catch if I had a time machine

    Just not a ravenous hood fan like some

    Loved the woosta’10 version of course

    So Shuggie isn’t a modern hip hop artist after all, rather an old schooler from the 60s/70s. Now I’m interested! May have to check out that 2cd re-release of his come April 13. Of course Shuggie is bypassing New England…

    Latest Tame Impala on deck! Tix to their Boston show in the mail

  5. MiA Says:

    Hm. Disease, Bowie, Possum, Tube, YEM, GTBT. Good idea.

    Gonna do the CTB -> Antelope from Set I first though.

  6. roberto luongo Says:

    BOwie peaked in 95. 92-95 really the BOwie years.

    Trey started getting less aggressive a player towards 97 and seemed to not fit the BOwie vibe

    Bowie > CIties > Bowie from Ventura being a massive exception but not a typical bowie obviously. straight type II space funk.

  7. Mr. Palmer Says:

    Too many people whose opinions on music I respect, rave about MMJ. Their live performances in particular. Giving them a fair shake.

    I knew what Luongo’s opinion would be already.

    So far i find them to be pretty original sounding ( live) and they do jam a little bit. Worth some more listening for sure.

    I’d put them in the same tier as Wilco for me. Not saying they sound like Wilco, but I’d put them on equal ranking so far.

  8. Sumodie Says:

    Grooved hard to that 12.30.97 DWD yesterday at the gym. I’ll take both that one & the 12.30.12 version

    Always ravenous for that tune

  9. butter Says:

    holy shit just starting this video of whole MMJ show from 7.16.12

    fucker does wear a cape

  10. marcoesq Says:

    My biggest problem with MMJ was the showmanship and bullshit outshining the music. They’d probably sound better on tape when you’re not all distracted with single cans shining on the caped man and all. We scored 10th row tix on lot but that was actually more of a curse than blessing, I probably would’ve preferred to be on the lawn and focus on the music.

  11. marcoesq Says:

    I don’t mess around with that shit, Butter

  12. tela's_muff Says:

    MSG Bowie is generally paired with MMJ.

    @aj – I’m taking you fly fishing next you make it out. Pax and flys followed by Pliny.

  13. roberto luongo Says:

    ya that front man is a non starter for me

    if I cant dig zep cuz of plant no way I can dig MMJ with that fat fool

  14. Mr. Palmer Says:

    In case anyone forgot, Jon Fishman wears a dress and Mike, well, just look at him… 😉

  15. marcoesq Says:

    Not saying that ’97 was peak Bowie years, just saying I’d take almost any Bowie from that year over one these days. Even though he’s playing pretty relaxed in this one, they find a nice groove around the 14min mark and carry that through the end

  16. butter Says:

    trying to see what the fuss is about (mmj)

    are they the ween of this 5 years?

  17. ren Says:


    There’s a DarkJamz Mix????

  18. marcoesq Says:

    Yeah but MMJ dude is wearing a full on heavy poncho-like cape in the middle of July! I was sweating balls in shorts and T while dude is running around in the spotlight, full beard, pants and all…crazy

  19. butter Says:

    LOL RL

  20. butter Says:

    on the second song, and i’m saying this is a molls band

  21. marcoesq Says:

    Yea Ren, you can probably find it on the main page. Pretty good. Sound quality lacks on some tunes but what are you gonna do

  22. roberto luongo Says:

    doesn’t he rock big furry boots also?

    killer look. plus I think they are from Kentucky. I don’t trust anything from that fucked up state.

  23. marcoesq Says:

    1997: When I’ll still listen to the Possum

  24. marcoesq Says:

    Yes and yes, RL

  25. BingosBrother Says:

    RL seems to know a lot about Jim James fashion.

    97 Bowies are the shit.

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