Gauging the Garden

12.28.12, MSG (Graham Lucas)

Boasting incredible highs amidst a lot of well-played music, MSG’s 2012 installment was certainly a good time. Phish bounced back from a poor showing last year at the Garden, and considering the four months off between performances, they sounded practiced and polished. The band was sharp as they closed out a year widely considered to be their strongest since their return, however, their daring side only came out in spots. The risk taking that prevailed over the past two years was curbed significantly, amounting to less than one serious jam per set and leaving the run feeling fairly clean. When Phish did jump into the unknown they met with incredible success, begging the question of why they didn’t make the leap more often. Phish played most songs with strength and precision, though setlists were, generally, composed of standard rotation songs with very few surprises. And while the band fed off the big city energy—a hallmark of MSG shows—when looked at in the context of 2012, the holiday shows didn’t necessarily hold up to the year’s best offerings. To highlight the run, the band dropped three jams—“Tweezer,” “Down With Disease” and “Carini”—that belong on the top shelf of this era, but when it came to putting together whole shows, the guys fell a bit short.

12.28.12 (G.Lucas)

It’s not surprising that this era’s most musically complete holiday runs—2009 and 2010—followed fall tours. Without being in the groove, or at least in close proximity to a run of shows, it’s tough for Phish to step on stage for four days and crush. It’s also not surprising that the band played less-than-spectacular run in The Garden, a once-legendary venue that has hosted mostly middle-of the road shows throughout this era featuring stellar moments here and there. Over these four nights, the highs were, undoubtedly, quite high, but the band played a lot of filler throughout the run where it felt like they were on cruise control. Included in these parts were four first sets that didn’t bring much to the table aside from “Stash” and “Wolfman’s” on night one, and a solid, though far from amazing, “Bathtub Gin” on night two. With a week of space separating us from the year-end run, let’s look back at the four-night flow.

The band came out of the gates with a bang on the 28th, setting hopes and improvisational expectations fairly high for the next three nights. A very solid opening show featured a six song second set, a gorgeous 20-minute “Tweezer” that immediately jumped out as the strongest of the year, the most creative take on “Wolfman’s Brother” in quite some time, and a strong supporting cast of “Stash,” “Maze” and “David Bowie.” A “Little Drummer Boy” theme ran throughout the show illustrating the band’s playful side and giving the show a dose of holiday cheer. After the dust settled on the four night run, an argument could be made for the 28th being the most balanced and complete shown of the run.

12.29 (Shelly Siegel)

The second night at The Garden fell incredibly flat on these ears, effectively crushing any momentum built on the 28th. With nary an attempt at any true improv, each song translated as a painfully standard rendition. “Golden Age,” although jammed a bit, didn’t hold up to the many standout versions of the year, and when Trey bailed out of a potential “Waves” jam in the second slot of the second set for “Prince Caspian,” one got the feeling that it would be one of those uninspired, song-based shows. And that is precisely what transpired. The 29th holds virtually zero replay value, and even the highest point of the night—“Bathtub Gin”—relied on linear, guitar-led shredding. While this type of show may work for some, in my opinion, it translated as one of the band’s least impressive efforts of the year. The clunker on the 29th left the fate of the Holiday Run hinging on the 30th. And Phish came through in droves.

12.31 (S. Siegel)

The second set of the 30th was —easily—the set of this Holiday Run, featuring 40 minutes of sinful improvisation balanced by stellar versions of “Slave” and “Harry Hood” to cap things off. The meat of the set—“Disease > 20 Years Later > Carini”—was the one time in New York that the band constructed a phenomenal run of jamming. Over the course of 2012, multi-song sequences like this one comprised many of the year’s overwhelming highlights, and this chunk of dark music echoed the times when the band really built a passage that amounted to more than the sum of its parts. Both “Disease” and “Carini” hold up as their respective versions of the year, while “Carini’s” ominous psych-rock textures—about as rare in recent Phish as a great “YEM”—could be championed as a jam of the era. Most of the creative improv of 2012 has focused on uplifting themes, thus this segment of the 30th stood out that much more. Although Trey made one of the most head scratching, vibe crushing and out of place calls of all time with “Number Line” out of this mind-bending story, one couldn’t really complain after such extensive theatrics. And to resolve the supernatural meat of the set, the band served up glorious versions of “Slave” and “Hood,” both of which featured incredibly dynamic work by Trey and hold up as blue-chip versions of the era. When all was said and done, the band had dropped one of the top sets of the year that didn’t take place in Colorado.

12.31 (S.Siegel)

Throughout history, New Year’s shows have often been musical afterthoughts of their respective runs, and since the return, only 2010 showcased a New Year’s show that was the best of its run. This year, after the 30th, one hardly expected the band to match or top their masterful performance—and lo and behold, they didn’t. The first and third sets of the 31st were both well played and incredibly straightforward, highlighted by high-energy rock and roll. Though par for the course, those sets are usually sandwiched around some substantial music in the second set, but this year’s main event featured only one memorable song pairing in “Ghost > Piper.” The fourth consecutive New Year’s Eve “Ghost” reached sublime planes of harmonic interplay and “Piper” contained torrid, full-band jamming at a break-neck pace, but for three sets of music, a twenty-minute takeaway is fairly slim pickings. This show was very fun, no doubt, and had the run included a bit more meat, it would have fit congruently. New Year’s Eve was very fun experience and certainly didn’t fall flat like the 29th, but as the memories fade, it will hold little replay value.

Aside from the few centerpiece jams of MSG—which were undeniably awesome— 2012’s Holiday Run was relatively tame. The highs were quite high, but when considered as full two-setters and a complete run, the shows fell short of 2012’s best offerings. If one gets off on tight, high energy Phish, there was plenty of that to go around, but if one is questing for adventurous jamming, the run had just enough to make it palatable. For whatever reason, there seemed to be a prevailing sentiment in the community before these shows that the band was going to host a blowout in the Big Apple, returning MSG to its legendary status in the pantheon of Phish venues. And while the run certainly didn’t disappoint anyone and contained enough timeless moments to be considered a success, it won’t go down in history as eternally memorable.

12.28.12 (Graham Lucas)

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725 Responses to “Gauging the Garden”

  1. Mr.Miner Says:

    i engaged in some twitter and FB Phish conversations today…wow…not fun. I really like this place a lot more. Y’all are awesome. #BBforlyfe

  2. marcoesq Says:

    Yeah I saw you on the Twitter there, looked awful

  3. marcoesq Says:

    9.22.99 Gin…so tasty. Dark, dark

  4. Sumodie Says:

    RL, thanx!

  5. Phlorida Phan Says:

    Funny prank vid, SFW is guess.

  6. poop goblin Says:

    laterz kids. work done.

    gonna grab some of those 97 bowie’s off my custy drive for the dog walk and PAX’in

    have fun comrades.

  7. HeadyBrosevelt Says:

    i think my morning jacket is alright. i am not a huge fan, but i do like some of their music. jim james from my morning jacket singing “going to acapulco” from the movie i’m not there is fucking phenomenal.

  8. HeadyBrosevelt Says:

    i think my morning jacket is alright. i am not a huge fan, but i do like some of their music. jim james from my morning jacket singing “going to acapulco” from the movie i’m not there is fucking phenomenal.

  9. bob dylan Says:

    Willowed. Damn you linking to YouTube for the more you know.

  10. Jtran Says:


  11. Guyute711 Says:

    I wish i would have hit jah herb before coming to get a haircut. The hairdresser music and conversations are driving me nuts.

  12. BingosBrother Says:

    It Still Moves is a great midwest driving record.

  13. HeadyBrosevelt Says:

    it still moves is a good album. mmj is a solid rock and roll band. not the best i have heard, but certainly not the worst. i spin them here and there. if you like mmj and your a dylan fan then you should really listen to that “going to acapulco”, it is beautiful- in my opinion.

  14. BingosBrother Says:

    Never forget driving home from the state wrestling tournament on a snowy winter day in early february. Driving past the Urbana grain silos, hungover and baked, reflecting on another fantasy wrestling league year gone by, while It Still Moves played on the stereo.

  15. bob dyan Says:

    dang. reading that chief keef article. dont let nanny bloomberg read about chi-towns homicide rate. over 500 last year. nyc had 414, the lowest since keeping records started.

    he might think stop and frisk works if that number gets back.

  16. alf Says:

    @sumo, can’t believe you don’t know shuggie after all these years on the BB. seriously – don’t wait to spin that

    EZ luongo will tell you otherwise but shuggie’s first 2 albums are also essential, both more rooted in the blues than inspiration information

    no question inspiration information is the absolute masterpiece though. seriously, spin that shit!

  17. ElJefe Says:

    Mmj- Great live band! 3hr plus sets every night. Done some cool stuff W/ preservation jazz hall band.

  18. alf Says:

    also check this cover by sharon jones

  19. HeadyBrosevelt Says:

    don’t sleep on shuggie. dude played with zappa.

  20. sumodie Says:

    ::hangs head in shame::

  21. Jtran Says:

    anyone have inspiration information in their orange? AWs link not working

  22. Albert walker Says:

    I can reload it Jtran. Mine is a vinyl pull though.

  23. Jtran Says:

    that’d be great- it’s not on spotify

  24. roberto luongo Says:

    here ya go man. just uploaded and played the files first so should be fine.

  25. roberto luongo Says:

    you know me Alf. I tend to be a bit black and white.

    def worth spinnin his earlier work but I really feel this one is up there with Curtis and Marvins finest works.

    plus I believe it’s the only one he plays all the instruments on which is also a thing I geek out on.

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