Gauging the Garden

12.28.12, MSG (Graham Lucas)

Boasting incredible highs amidst a lot of well-played music, MSG’s 2012 installment was certainly a good time. Phish bounced back from a poor showing last year at the Garden, and considering the four months off between performances, they sounded practiced and polished. The band was sharp as they closed out a year widely considered to be their strongest since their return, however, their daring side only came out in spots. The risk taking that prevailed over the past two years was curbed significantly, amounting to less than one serious jam per set and leaving the run feeling fairly clean. When Phish did jump into the unknown they met with incredible success, begging the question of why they didn’t make the leap more often. Phish played most songs with strength and precision, though setlists were, generally, composed of standard rotation songs with very few surprises. And while the band fed off the big city energy—a hallmark of MSG shows—when looked at in the context of 2012, the holiday shows didn’t necessarily hold up to the year’s best offerings. To highlight the run, the band dropped three jams—“Tweezer,” “Down With Disease” and “Carini”—that belong on the top shelf of this era, but when it came to putting together whole shows, the guys fell a bit short.

12.28.12 (G.Lucas)

It’s not surprising that this era’s most musically complete holiday runs—2009 and 2010—followed fall tours. Without being in the groove, or at least in close proximity to a run of shows, it’s tough for Phish to step on stage for four days and crush. It’s also not surprising that the band played less-than-spectacular run in The Garden, a once-legendary venue that has hosted mostly middle-of the road shows throughout this era featuring stellar moments here and there. Over these four nights, the highs were, undoubtedly, quite high, but the band played a lot of filler throughout the run where it felt like they were on cruise control. Included in these parts were four first sets that didn’t bring much to the table aside from “Stash” and “Wolfman’s” on night one, and a solid, though far from amazing, “Bathtub Gin” on night two. With a week of space separating us from the year-end run, let’s look back at the four-night flow.

The band came out of the gates with a bang on the 28th, setting hopes and improvisational expectations fairly high for the next three nights. A very solid opening show featured a six song second set, a gorgeous 20-minute “Tweezer” that immediately jumped out as the strongest of the year, the most creative take on “Wolfman’s Brother” in quite some time, and a strong supporting cast of “Stash,” “Maze” and “David Bowie.” A “Little Drummer Boy” theme ran throughout the show illustrating the band’s playful side and giving the show a dose of holiday cheer. After the dust settled on the four night run, an argument could be made for the 28th being the most balanced and complete shown of the run.

12.29 (Shelly Siegel)

The second night at The Garden fell incredibly flat on these ears, effectively crushing any momentum built on the 28th. With nary an attempt at any true improv, each song translated as a painfully standard rendition. “Golden Age,” although jammed a bit, didn’t hold up to the many standout versions of the year, and when Trey bailed out of a potential “Waves” jam in the second slot of the second set for “Prince Caspian,” one got the feeling that it would be one of those uninspired, song-based shows. And that is precisely what transpired. The 29th holds virtually zero replay value, and even the highest point of the night—“Bathtub Gin”—relied on linear, guitar-led shredding. While this type of show may work for some, in my opinion, it translated as one of the band’s least impressive efforts of the year. The clunker on the 29th left the fate of the Holiday Run hinging on the 30th. And Phish came through in droves.

12.31 (S. Siegel)

The second set of the 30th was —easily—the set of this Holiday Run, featuring 40 minutes of sinful improvisation balanced by stellar versions of “Slave” and “Harry Hood” to cap things off. The meat of the set—“Disease > 20 Years Later > Carini”—was the one time in New York that the band constructed a phenomenal run of jamming. Over the course of 2012, multi-song sequences like this one comprised many of the year’s overwhelming highlights, and this chunk of dark music echoed the times when the band really built a passage that amounted to more than the sum of its parts. Both “Disease” and “Carini” hold up as their respective versions of the year, while “Carini’s” ominous psych-rock textures—about as rare in recent Phish as a great “YEM”—could be championed as a jam of the era. Most of the creative improv of 2012 has focused on uplifting themes, thus this segment of the 30th stood out that much more. Although Trey made one of the most head scratching, vibe crushing and out of place calls of all time with “Number Line” out of this mind-bending story, one couldn’t really complain after such extensive theatrics. And to resolve the supernatural meat of the set, the band served up glorious versions of “Slave” and “Hood,” both of which featured incredibly dynamic work by Trey and hold up as blue-chip versions of the era. When all was said and done, the band had dropped one of the top sets of the year that didn’t take place in Colorado.

12.31 (S.Siegel)

Throughout history, New Year’s shows have often been musical afterthoughts of their respective runs, and since the return, only 2010 showcased a New Year’s show that was the best of its run. This year, after the 30th, one hardly expected the band to match or top their masterful performance—and lo and behold, they didn’t. The first and third sets of the 31st were both well played and incredibly straightforward, highlighted by high-energy rock and roll. Though par for the course, those sets are usually sandwiched around some substantial music in the second set, but this year’s main event featured only one memorable song pairing in “Ghost > Piper.” The fourth consecutive New Year’s Eve “Ghost” reached sublime planes of harmonic interplay and “Piper” contained torrid, full-band jamming at a break-neck pace, but for three sets of music, a twenty-minute takeaway is fairly slim pickings. This show was very fun, no doubt, and had the run included a bit more meat, it would have fit congruently. New Year’s Eve was very fun experience and certainly didn’t fall flat like the 29th, but as the memories fade, it will hold little replay value.

Aside from the few centerpiece jams of MSG—which were undeniably awesome— 2012’s Holiday Run was relatively tame. The highs were quite high, but when considered as full two-setters and a complete run, the shows fell short of 2012’s best offerings. If one gets off on tight, high energy Phish, there was plenty of that to go around, but if one is questing for adventurous jamming, the run had just enough to make it palatable. For whatever reason, there seemed to be a prevailing sentiment in the community before these shows that the band was going to host a blowout in the Big Apple, returning MSG to its legendary status in the pantheon of Phish venues. And while the run certainly didn’t disappoint anyone and contained enough timeless moments to be considered a success, it won’t go down in history as eternally memorable.

12.28.12 (Graham Lucas)

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725 Responses to “Gauging the Garden”

  1. sumodie Says:

    Interesting that at shuggie’s website, he says he no longer allows his work to be sampled, so dont even bother asking him

  2. joe Says:

    tt anyone? I need an hour and 15 minutes to kill here

  3. joe Says:

    sesh on

  4. alf Says:

    nice it up

  5. lumpyhead Says:

    I don’t know shit, but I like MMJ. Only seen em once but it was a good show.

  6. roberto luongo Says:

    this may work.

  7. roberto luongo Says:

    nice it up

    TT stylee

  8. BingosBrother Says:

    I’m w/ that Antelope too d. Very nice.

  9. sumodie Says:

    Fuckwinbutler FTW!

    RL scores at last, thnx

    Royaltrux worked earlier

    Gotta wonder if mediafire is scanning the file against registered sound clips. Cant believe theyd flag sth based on title alone

  10. bob dyan Says:

    title seems the only feasible way. they arent gonna open peoples zipped files to test audio. i wouldnt think…

    they care more about ad money than that. they just need to show enough effort so record companies dont come down on em.

    im guessing RL’s upload was the same file as before just diff title.

  11. sumodie Says:

    Maybe if troy’s hardbody is pimping on broadway by april i could make time for Shuggie too

  12. roberto luongo Says:

    no I put it in as fuckwinbutler and they new instantly

    flagged immediately. it’s just funny cuz I have tons of shit in there and only a couple were flagged.

    but they new instantly it was that shuggie file. and like I said it’s a vinyl pull with no meta data on it. weird.

    feds up their asses.

  13. roberto luongo Says:

    it’s a vinyl pull. that’s what’s so weird.

  14. roberto luongo Says:

    Ghost – hypnotic underworld

  15. roberto luongo Says:

    Pretty Things – SF Sorrow

    Pretty Things – Parachute

  16. roberto luongo Says:

    Charlie Chaplin – Free Africa

  17. roberto luongo Says:

    Charlie Chaplin – Roots and Culture

  18. jdub Says:

    Nice RL. Stick it to mediafire by sharing more. Thanks for introducing me to so much great music over the years.

    I’m into woodworking like most of you guys are into music.

  19. Mr. Palmer Says:

    Ghost and Royal Trux are great. Feel dirty after spinning Royal Trux.

    Spun that Let It Loose fro Uic’11 earlier. Great version. Get that puppy into rotation, or semi-rotation.

    Tahoe Light now.

  20. jdub Says:

    So do Bonds or Clemens ever get into the HOF? Going to be interesting to see how this pans out over the next few years. I say fuck em. If Pete can’t get in they sure as hell (or any other known cheater) don’t belong.

  21. SillyWilly Says:


    thanks a lot for all the treats

    they’ll keep me busy for a couple weeks.

  22. joe Says:

    took my own advise and listened to shoreline 09 Disease. I’m not a ranker or a rater but definitely held up on relisten.

  23. sumodie Says:

    CC – free africa & pretty things -sf sorrow dont work

    The others, yes

    (No need to fix, just fyi)

  24. vegas wolfmans Says:

    I like the Jacket. Particularly It Still Moves and Z. Those two albums are fantastic. I can take it or leave it live- seen them a couple of times. Good show and I’ll check it when they’re in my neck of the woods, but probably won’t quit my job to go on Jacket tour anytime soon. Give It Still Moves a front to back before deciding. Has a timeless, but unique feel to it that borrows from 70’s arena rock, but there’s much more going on. Hard to explain, but it definitely works for me. Is Jim James a douche? Certainly. Is Trey a douche? Absolutely- he just happens to play pretty well. Front man’s “coolness” does not affect my enjoyment. Sum of the parts and all that…Except Win Butler. That dude is unforgivable.

    I also really dig that Ghost Hypnotic Underworld album AW has pimped. Good shit. Spiritualized playing Seattle in April? Fuck yes. Psych rock renaissance. Have you guys heard that Goat record? Probably. Hidden Track was pimping it and I took a listen today. Crazy.

  25. sumodie Says:

    Pretty Things, one of those 60s british bands that have always eluded me. Psyched to check Parachute out, thanx RL

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