Vintage Phish

7.3.13 (Parker Harrington)

7.3.13 (Parker Harrington via LiveMusicBlog)

A night after piecing together a patchwork setlist, Phish rebounded in every facet of their game on Sunday night at SPAC, scripting the most complete overall show of the tour thus far with a second set filled with adventurous improv. By scripting a second seamless main event in three nights with no filler whatsoever, the band has proven an intent to answer all modern fan base gripes while fully returning to form on their 30th Anniversary summer tour. Playing a show that invoked the spirit and contour of so many classics of lore, Phish penned a signature performance to cap an outstanding three nights in Saratoga Springs.

7/7 Official (Millward)

7/7 Official (Millward)

One of the things I have missed most in the modern era of Phish has been their hallowed set-crafting ability. In their glory days, the band sculpted sets with defined contours that took the listener on a flowing aural journey from beginning to end. Most often this era, the highlights of shows have come in jams or sequences, but seldom—if ever—has the band put together the type of musical narrative that has a distinct beginning, middle and an end with everything perfectly in place. Well last night, they did exactly that, weaving a stunning tapestry of music that cut to the core of the band’s artistry. Over their tour-opening run at SPAC, Phish (read: Trey) has rediscovered the lost art of set-crafting in one of the most welcome shifts in the Phish universe since the band started jamming again. Like MJ honed his fadeaway and LeBron polished his jumper, Phish, like in a wily veteran, has transformed their glaring weakness into one of their strengths. With this final step, the crafty quartet from Vermont has fully recaptured their magic of old while carving new sonic pathways at every turn.

The improvisational meat of the second set came in the inseparable sequence of “Disease > Ghost > Piper.” Beyond weaving these songs together with impeccable flow, Phish unified the three jams in musical concept, each picking up exactly where the last left off, while forming one, continuous musical whole. The set kicked off with the summer’s first “Down With Disease,” a jam that began in a mellow, melodic milieu before migrating into eerie groove with Trey playing seductive rhythm licks over a darkening soundscape. Before the band progressed beyond this section of sound, however, they transitioned into “Ghost.” Now here is where things get really cool. As the band launched into the “Ghost” jam, they picked it up in the same improvisational space that they had just left “Disease.” Re-launching into a sultry groove, the guys sounded like they could have still been in the same jam of which they had just segued out. The third stage of jamming in the three-song sequence came as the Page hopped to his clav and the band transformed the amphitheatre into a digital-plinko wonderland. Embarking on an intricate rhythmic exchange, the band flexed their creative muscle while progressing the overall narrative into another musical feel.

7.3.13 (P. Harrington)

7.3.13 (P. Harrington)

Phish fluidly transformed “Ghost’s” innovative conversation into a beautiful, melody anchored section that flowed perfectly into “Piper.” The third song of the set provided the fourth and final stage to this improvisational tale—the triumphant arrival. The band had passed us through darkness during the first 36 minutes of the set, and would now deliver us into the light via a stunning “Piper.” Spouting heart-tugging, joyous lead melodies, Trey brought the audience to a state of exultation in a conjoined celebration of the spirit of Phish. Passion leaped from all four band members in a staggering, near ten-minute peak to one of the more cohesive treks Phish has guided us on in quite some time.

The band even took the time to craft an emotional comedown out of the “Piper’s” jam that moved into “Velvet Sea” without missing a beat. Placed flawlessly, the ballad felt right at home in it’s late-set slot, bringing us into the end-of-set-classic-song-pairing part of the show. “Velvet Sea” has traditionally precluded “Antelope” in setlists, while “Meatstick” has also been paired with “Antelope throughout the band’s career. Substituting the word “Meatstick” for “Antelope” in the song’s final chorus, Trey added a touch of Phishy humor to this signature night while simultaneously revealing the next song. Additionally, “Meatstick” has often been placed right before a set-closing “You Enjoy Myself,” an occurrence that any fan could see coming a mile away. And there is no better way to close a massive Phish set—or a weekend stand—than with “You Enjoy Myself.”

7.3.13 (P.Harrington)

7.3.13 (P.Harrington via LiveMusicBlog)

Usually, this is where I’d write a conclusion and note the few songs in the first set that stood out. But the reason that last night’s performance was so damn special in this day and age was that the band’s contained, or type I, jamming was absolutely off the charts. Firing as one and never getting complacent for a moment, the guys were laser focused and hooked up from note one and it made all the difference. Just listen to the incredibly active takes on “Back on the Train,” “Maze,” and “Limb By Limb” in the first set and the absolute scorcher of an “Antelope” in the second. One version after opening up their classic set closer, the band absolutely destroyed a contained “Antelope” jam and it felt like a revelation. Restoring meaning to the song its second, consecutive superb version, Phish kept the action coursing. Following “Meatstick,” the band closed with an spunky “YEM” that saw Trey play high-pitched, staccato leads throughout the jam, a welcome diversion from his cliché guitar solo and providing the jam with a fresh sound of its own.

When on a roll and at their best, Phish seems to one up themselves one show after another, and thus far on this tour, but for a slight misstep, that is exactly what is happening. Building upon each previous night, the band has reached a level of proficiency in their live show that we haven’t seen in this era. First, they tore off a airtight second set on Friday, now they have notched a complete, quintessential two-setter. What’s next? Come to Toronto and find out.

I: AC/DC Bag, Back on the Train, Divided Sky, Free, It’s Ice, Mound, Maze, Limb By Limb, Walls of the Cave

II: Down with Disease > Ghost > Piper > Wading in the Velvet Sea > Run Like an Antelope, Meatstick, You Enjoy Myself

E: Loving Cup

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1,578 Responses to “Vintage Phish”

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  1. jerseyjim Says:

    nice write-up. thx.

  2. SuperREVERB Says:

    Holy cow… What a great show from start to finish.Phish is back- and they mean business.

  3. punkmug Says:

    Nice review. Thanks!

  4. kenny powers Says:

    Wow, 4.6 aggregate so far on They rewarded the hardcores that stuck around for Sunday night!

  5. btb Says:


  6. The Flesh Says:


  7. Stoney Case Says:

    Survey sez:

    SPAC done proper for 2013

  8. Dorn76 Says:

    SPAC is back.

    Anyone who dumped lawns night reconsider next time. It is possible to find good sight lines up there, and in the proper headspace the view from back is stunning. Big orbs on lamp posts, huge pines framing the sky and the thousands of heads bobbing in that classic shed.

  9. Dorn76 Says:

    If I didn’t have a balcony seat, I might not have come either. Shame on me too.

    Miner is back too, great review.

  10. Angryjoggerz Says:

    It’s Ice also worth a mention, nailed it. Great run in the couch, prefect ending to days this fourth weekend, grateful. Back to real life now, cannot wait until the circus arrives in Chicago!

  11. Darth Plinko Says:

    Digital Plinko!

  12. btb Says:

    Just spun the SPAC Light…very nice.

  13. Stoney Case Says:

    Concur with @Dorn. If you’re holding SPAC lawns, just stay near the top. They have screens and speakers aiming right at you. Plus you’re near the WW booth.

    Anyone want to vol in Toronto?

  14. [Not Tom] Says:

    Thoroughly enjoyed last night’s show from my couch. I think Miner’s review is spot on. At one point during the Ghost jam I forgot what song it was, thought for a moment – wait, this can’t still be DWD can it (revealing the similarity in jamming themes of the two that he discusses).

    On the flip side, I wish the transition from Ghost to Piper could have been a little smoother (e.g. Longer). Also, the count off in Ghost remains elusive, even when it’s not done silently – last night they actually played through the countoff and Troy still missed it – maybe they are doing it intentionally now as a joke?

    These minor points aside, It was a brilliant display of musical greatness.

  15. [Not Tom] Says:

    Also, where 2012 felt much like a continuation of 2011, this tour, with its new stage setup, the vastly different lighting rig, and the improved set-crafting, has me looking very forward to having a new and fresh experience seeing Phish in Alpharetta this summer.

  16. [Not Tom] Says:

    Side note – how funny was it if you were following twitter last night to read to read bizarchive and phish forum live tweeting almost identically and simultaneously – seriously, their tweets followed one another in my feed all night long), knowing they were standing next to each other (which one of them admitted at some point), and to then read their laughing at someone blowing up balloons the whole set.

    Is live tweeting the whole show any different than blowing up balloons? Probably not by far, lol.

  17. Kaveh Says:

    Morning BBers…hope everyone had a great holiday weekend; couch tour last night…absolute smoking show.

  18. jtran Says:

    great run. Really enjoyed most of all 3 nights. Last night picked up with It’s Ice and didn’t let go for me until Meatstick. Skippped out on YEM vocal jam and Loving Cup to make it home at 2AM on the nose. Wake up 6 hours later, and now at work.

    Will post more thoughts on run from airport back to SD tomorrow, battery permitting.

  19. plord Says:

    En route home from the Custy crib. Monstrous show last night, super heady crowd, the balcony was rocking all night.

    Great to hang with with the usual suspects preshow. BB does it up right again. Bummed that I missed Leo’s wings tho!

  20. plord Says:

    That 2nd frame sequence just kept peaking over and over and bigger and bigger. It was ridiculous.

  21. Stoney Case Says:

    Not Tom! Lmao. Agree blowing balloons = tweeting during show. I’ve been razzin those cats on twitter.

  22. neemor Says:

    The Year of the Antelope.

    Looks like I may not get that PNC ‘lope.
    As a result, making plans to hit Jones Beach.

    Whale tone thoughts?

  23. plord Says:

    Neems, less whale last night. I was watching Trey’s feet at times, some of that was purpose-chosen dissonant bends, blues style. And any questions about finger mobility were answered by some blistering runs.

  24. neemor Says:

    Also a very throwback feeling show aside from the Walls.
    Interesting how you can feel that vibe as the setlist unfolds.
    Time warp.

  25. Stoney Case Says:


    No comment on the slide whistle.


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