Mr. Miner's Phish Thoughts

On a hotly anticipated night north of the border, Phish added a monumental piece to their Pantheon of Summer 2013 jams in Toronto’s “Down With Disease,” while supporting the centerpiece with a thrilling “David Bowie” and two fun and energetic sets of music. Finally playing a dry show in a truly summer environment, the band and crowd rejoiced amidst a cool Canadian evening at Molson Amphitheatre. With the band playing a rescheduled date from July 9’s postponement, even some of the most hardcore and familiar faces on tour were absent from the scene as Phish bombarded Toronto with their most complete show of the weekend.

The guys got right to business with a one-two punch of “Moma Dance” and “Chalk Dust,” reversing the usual order of the show opening couplet. Then out came “Undermind” for the first time since Dick’s. Though the band remained within the musical confines of the song, it sounded so damn good to hear one of the their countless amazing songs that have been left for dead this tour. Even in an out-of-the-way show in Toronto, the band stuck to their minuscule summer rotation that has quickly become a bit of a joke. But song choices aside, the energy exchanged between the band and their undersized audience was off the charts for the duration of both sets—and that a crucial aspect to an amazing night with Phish.

The highlight of the opening half came in a sunset rendition of “Stash.” Trey’s chops are so on point right now that every jam sounds interesting, whether contained or open. His uber-proficient chops graced so many ferocious “type I” jams over the rain-soaked Chicago weekend, and they took over this “Stash” as well. When Trey fires out creative melodies and licks, it raises the game of his bandmates as they must match their own creativity to jive with him—and vice versa. But never has this rang so true in the modern era as Summer 2013, where contained jams like “Stash” “Mike’s Song” “Bathtub Gin” and “David Bowie” pop with psychedelic contours. This is an element of the Phish of old that has rejuvenated considerably this tour.

But as fierce as the band’s structured jams are right now, when they let loose and unabashedly dive into the abyss this tour, they have created jams that stand up to anything in their career. Examples are SPAC’s “Light,” PNC’s “Crosseyed,” Jones Beach’s second set, and now Toronto’s “Down With Disease.” In this refined conversation of the most virtuosic degree, the band showcased why there is no possibility of comparing them to any act in the history of live music. No band manipulates music as if Play-Doh like Phish, and this set opening “Disease” is a case in point. Soaring into the most uplifting music of tour, the band reached a holy plane—and stayed there for what seemed like an eternity, spinning into a cyclone of bliss. This is the real deal, folks. This “Disease” reaches a place we dream of jam’s attaining, and the band didn’t rush out—in fact, quite the opposite. As if they had discovered a new planet, the guys extensively explored this sacred ground, one graceful note at a time, and the result was staggering.

When the band finally reached the end of this incredible peak, the crowd roared but the band kept chugging. Slipping out of this heavenly realm and into a filthy section of groove, the band completely switched gears on the fly, and this wasn’t just a casual denouement. Instead of ending the jam at their earliest natural chance, they took the piece smoothly into a darkening ambiance. Without jumping the gun, the band wove their set-opening masterpiece seamlessly into “2001.” Though this version remained succinct, it served as furious exclamation point to Phish’s newest adventure.

At this point, the second set—and show—seemed primed for all-time status, but then things got both songy and choppy. After a standard “Free,” the band tore into “Piper” with all sorts of urgency. Springing to improvisational action, the band locked into a jam that felt destined for greatness. The guys were very clearly keyed into each other’s ideas and were crushing it hand over fist when Trey jumped ship and started “Tweezer” with no warning whatsoever. Though as abrupt they come, who’s gonna argue a drop into a second set “Tweezer?” Not this guy. But the “Tweezer” that had been looming so large in the Midway over the weekend didn’t really elevate. Settling into a slow, quasi-routine “Tweezer” groove, the band played around the song’s theme for the duration of the jam, but this time the creativity wasn’t really there. Used as a song rather than a launchpad last night, the “Tweezer” that had Canadian fans buzzing in the lot before the show wound up being less than powerful.

Though the songs continued with “Silent In the Morning,” “Number Line,” and “Cavern”—three that have taken the beating of a red-headed stepchild this summer—there was still a closer left. As the band played “Cavern,” one might have anticipated the subsequent “David Bowie,” as the two songs often pair up to close sets. And this one straight exploded. Another jam that didn’t leave its road map but enthralled to the fullest, this “Bowie” featured a major key flip that anchored its direction while the band’s crazy chops took care of the rest. Toronto’s “Bowie” truly touched its set-closing essence with a fluid fifteen-minute exercise that rolled like a steam engine through the living room of your mind.

Treating their Canadian fans to a triple encore, Phish came back on stage with “Loving Cup,” the summer’s first “Squirming Coil” and a final good-bye in “Tweezer Reprise.” It’s safe to say that all who made it back to Molson Amphitheatre for the Phish show last night left home smiling, as the band dropped a real party show featuring a marquee setlist, a “lifer” in “Disease,” and plenty of supporting meat throughout. A northern fan base deprived of a home turf show since 2000 in the same shed, was kicked down a winner on Monday night, and I am blessed to have been there to share in the groove, eh?

I: The Moma Dance, Chalk Dust Torture, Undermind, Army of One, Halley’s Comet > Twist, Bouncing Around the Room, Stash, Yarmouth Road, Tube, Ocelot, Suzy Greenberg

II: Down with Disease > Also Sprach Zarathustra > Free > Piper > Tweezer > Silent in the Morning, Backwards Down the Number Line, Cavern > David Bowie

E: Loving Cup, The Squirming Coil, Tweezer Reprise

 

Tags: 2013, Summer '13, The Moment

This entry was posted on Tuesday, July 23rd, 2013 at 5:00 am and is filed under Uncategorized. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.