A Mountain Groove

7.26.13 (Eric Batuello)

7.26.13 (Eric Batuello)

Damn, that was fun! On an idyllic afternoon in Lake Tahoe, Phish greeted their California-based crowd to a dance throwdown unlike any other on tour. From the opening couplet of “Wolfman’s Brother,” “Gotta Jibboo” through the encore of “Weekapaug,” “Character Zero,” every note seemed scripted to the dancer in all of us, as one groove after another emanated from Harvey’s stage. On a tour filled with inclement weather, a sun-drenched California dance party on a flat asphalt parking lot really hit the spot. Rarely does Phish play a show that carries a single vibe all the way through, but Tuesday in Tahoe, that’s exactly what happened, and it was grand.

7/30 Official (J.Soto)

7/30 Official (J.Soto)

Both “Wolfman’s,” and the first “Jibboo” of tour extended into standout versions, an early sign that this was gonna’ be a groove-laced afternoon. A cleverly placed “Cavern” and a ripping “Birds” both provided first set surprises that kept the energy high. “Cities,” though not leaving its form, burst with a fresh feel courtesy of Jon Fishman. His rhythm brought an urgency and a snap to this version that made it standout immediately.

The highlight of a non-stop opening set, however, came in “Bathtub Gin.” Phish has infused “Gin” with a newfound energy this summer, and this version grew in a unique direction as the band totally deconstructed the jam before building it back into a glorious peak. Shying from a groove until the jam’s arrival, this “Gin” stylistically diverged from other versions of tour and absolutely shone. Phish took all of this energy and channeled it into the final pairing of the set—“Tube” and “Walk Away.” The band had not closed a set with “Walk Away” since 1991, so it certainly felt a bit odd as they took their bows following the James Gang cover. The first set had smoked from start to finish while channeling an infectious vibe—a vibe that would be picked up upon with the first notes of set two.

7.27.13 (E.Batuello)

7.27.13 (E.Batuello)

Without having respun the show, my narrative process is somewhat compromised, but my overall memory of that second set is an absolute fucking explosion. Every single piece of the set popped with extra zest, forming an incredible whole—another monstrous frame of music from our beloved Vermont quartet. “Golden Age”—likely the jam of the show—opened the main event with a smorgasbord of grooves and then promptly transcended them in a sublime segment free form music. The guys brought this one deep, finally attaining the caliber of jam we all knew could stem from this new era cover. It’s taken them a few years to really get comfortable with “Golden Age’s” jam, as they had seldom moved beyond a standard groove, but Tahoe’s version provided the type of soul-quenching journey for which I’d been waiting.

When the band blended into “46 Days,” a song that can get real generic real quick, I thought we were in for a rocking interlude. I was wrong. Going absolutely buck wild on an additional jam segment, Mike Gordon led a disgustingly crunchy funk session that brought the house to its knees. This was real-deal molasses thickness, the music that envelops you from every side as your superhuman self spins through eternity. Jiving completely with the contour of the night, the opening sequence of Golden Age > 46 Days” blossomed into an instant classic. And that was only the beginning.

7.26.13 (E.Batuello)

7.26.13 (Eric Batuello)

They say all good things come in threes, and—honestly—the trifecta of “Ghost > Carini > Piper” was nothing short of exhilarating. Forming a dynamic contour over three jams, each also popped with a creativity all their own. Though the band connected pieces with less than precise transitions throughout the set, that’s about the only persnickety gripe one can poke at an inspiring night of music. Laying into a groove-based “Ghost” jam like they haven’t this tour, the band let things hang out on their elusive vehicle in version that I can’t wait to hear again. If you haven’t gotten the picture yet, this set possessed a torrid flow and an energy that gripped the audience and simply never let go. So naturally, the next song was “Carini.” Blowing out the jam into an uplifting triumph, the band gave their sinister anthem the treatment—like just about every piece they touched last night.

7.20.13 (WCProductions)

7.20.13 (WCProductions)

The hits just kept coming as the band capped their three-jam sequence with a full-throttle, melody-driven “Piper” that brought things to a rolling boil. This set really, truly had it all.  “Ghost > Carini > Piper” provided a magnificent centerpiece to the main event, especially considering the caliber of jamming we had already heard in “Golden > 46.” I can only imagine the replay value of this entire set, let alone the show as there never was a single lull.

Exhaling, momentarily, with “Wading in a Velvet Sea”—again placed impeccably—the band played the only slow song of the night before igniting once more in an awesome closing couplet of “Mike’s Song” and “Slave.” I couldn’t put my finger on what song would close things out last night, and “Mike’s” provided a welcome surprise, not to mention the out of nowhere move into “Slave” when it felt like a “Hydrogen > Weekapaug” was already in the books. Dramatically closing the set with “Slave,” a move we hadn’t seen since Chicago, the band added a final curveball to the night as they left “Weekapaug” hanging for the first time in ages. But not for long.

A fantastic night of Phish concluded with a swift run through “Weekapaug” and—of course—with “Character Zero,” Trey’s Summer 2013 nod to a smoking night of music. Being in the mountains of California for Phish is glorious on its own merit, but when the band is crushing like they are currently, everything gets turned up a notch—or ten. The difference between where the band was the last time we stood in Harvey’s parking lot and where they are now is astounding, and every part of Lake Tahoe looks a bit more beautiful given the current circumstances. Nature, Phish and friends…what could be better?

Nothing in the universe.

I: Wolfman’s Brother, Gotta Jibboo, Cavern, Birds of a Feather, Funky Bitch, Cities, Rift, Bathtub Gin, Tube, Walk Away

II: Golden Age > 46 Days > Boogie On Reggae Woman > Ghost > Carini > Piper > Wading in the Velvet Sea, Mike’s Song > Slave to the Traffic Light

E: Weekapaug Groove, Character Zero

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771 Responses to “A Mountain Groove”

  1. Foul_Domain Says:

    For me, Undermind>Crosseyed

    But I love ’em both!

  2. Cal Says:

    I dig that alien transmission ambient ending of Undermind for sure, but overall not as much going on in that jam. I like my shit all over the place. But come to think of it, I’d say it’s still a top-tenner of the tour. After BGCA, hopefully not any more.

  3. BrandonKayda Says:

    You guys with iPhones really need to check out the Phish on Demand app. It has nearly every single Phish show from 1983 to now. Tahoe will probably be up today/tomorrow. The best part is it’s 100% free and you can stream entire shows whenever you want.

  4. Spasm Waiter Says:

    Loving this Gin halfway through. Points for originality.

  5. Spasm Waiter Says:

    BK- all auds right?

  6. b-rock Says:

    Tahoe Carini really nice.. Page’s comping on the grand gives it a great feel. Perfect summer music.

  7. BrandonKayda Says:

    @spasm

    Yep.

  8. Cal Says:

    Prediction: by the end of tour, Trey will start singing Piper before he even starts strumming it.

  9. verno329 Says:

    Thanks for the headsup BK! I drop off the net for a few days and look what I miss.

  10. BrandonKayda Says:

    But some are higher quality than others, and it says so on the individual shows. Overall though, the quality is consistently good.

  11. dorn76 Says:

    And not an argument, but I prefer Dos Equis, and the PNC X-eyed to the Gorge Version.

    Despite the tight rotation, these heavy hitter songs have diverged greatly from night to night, IMO (DwD, Xeyed, even GA, Carini). Tons of new sounds coming out the fellas. No storage locker, but there’s elements seeping in.

    Prediction: Phans will criticize everything and anything, even after a rager of a show.

  12. gavinsdad Says:

    BK – you know that’s the phishtracks developer too right? pulling show content from the spreadsheet etc. i do like that he identifies remasters and sbds too. A+ developments this year on the ease of listening/streaming front.

  13. dorn76 Says:

    Do think they’ve left some of the urge to do a Gorge RnR, or DTE Disease behind though. For whatever reason seems like more urgency to cram lots of ideas in shorter time frame.

  14. punkmug Says:

    BK Thanks for the heads up on the POD app. I will check that out. Not sure how I missed knowing it was even available.

    Installing now…

  15. poop goblin Says:

    spinning Pete Rock & CL Smooth – All SOuled Out

    just nutty the amount of samples on every track.damn hip-hop was sick when no one cared if you used their tracks.

  16. punkmug Says:

    ..already trying it out all Lowell Reba stylee. Sounding good!

  17. Berkeley Head Says:

    Spot on Miner! Walking out of there I was thinking I hadn’t seen such funky dance sets since the 90’s… Which is why I was completely caught off guard hearing some here (that clearly weren’t there) long for the 90’s while the show was still going? maybe they’re just bummed they weren’t there? I totally get that. Or were these same guys longing for the future in the 90’s the same way they’re gripping on to the past now. Malcontents maybe?

    I understand falling out of love; I swore myself up and down I’d never see anther Phish show after 1.0; I didn’t listen to a single fucking note of 2.0. I was completely over it. Then tour friends convinced me to get to Coventry and after that I wanted to kill somebody. It was nearing hate. 2009 was sentimentally stimulating but in some ways even more depressing.

    They have come so bloody fucking far since 2009, it all just needs to be celebrated. If you can’t find ways to celebrate this band right now, then start your own fucking band.

  18. Stoney Case Says:

    Could not get it to rain last night. Weather too perfect. Non stop dance session. Reminded me of 12-29-98 people were just talking about. A 3.0 version. Jiboo, Birds excellent.

    Great review miner! You live for one more day.

  19. Berkeley Head Says:

    Or maybe it wasn’t the music at all that I loved so much last night but rather the flocks of insanely gorgeous women everywhere. I mean seriously….

  20. poop goblin Says:

    nice Stoney

    was wondering if you were gonna bring the Sharknado’s or some shit to Tahoe

    glad you got 2 sets!!! baby steps. looks like a fun one. now tonight for the 30 minute RnR!

    I need some tix codes to ruin my no spoilers.

  21. snow Says:

    If stoney really did catch a hot show then I am going to start building an ark tonight. The architect won’t let that happen again!

  22. poop goblin Says:

    plus you just don’t get the Tony Danza in Who’s the Boss references in the new hip-hop like you do on the old school stuff.

  23. KimchiMcGee Says:

    The smoke visible from the gorge amphitheater this past weekend was from a huge fire near Goldendale, Washington that burned 27 square miles and closed highway 97 all weekend. Those of us coming from Portland had a 60 mile detour through Pasco. The fire is still burning.

    It sounds like the band is still on fire as well.

  24. Foul_Domain Says:

    Sick rap battle, anyone?

    http://www.youtube.com/watch?v=tKKxPtP6XjQ

  25. phoammhead Says:

    glad to hear your take, berkeleyhead . . . very nice indeed!

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