Where Dreams Can Take Flight

8.2.13 (Jeremy Renda)

8.2.13 (Jeremy Renda)

Improvising with a liquid fluidity while crafting a totally unique setlist, Phish dropped a high-quality, first-set heavy performance at Bill Graham Civic Auditorium on Friday Night to kick off tour’s final four-night run. Two outstanding excursions in “Down With Disease” and “Seven Below” anchored the second set, though the first set possessed a more fluid contour and better start to finish consistency in song choice. The band has reached a level of playing where everything seems effortless, and their level of communication is at a level we’ve never seen before. Since the Gorge, their reaction time has been negligible whereas someone need only suggest an idea and the other three members are on it immediately—inhuman skills that only come after thirty years of jamming together. Whether amidst a 37 minute “Tweezer” or second-set “Farmhouse,” the band’s attention to detail and intent to bring new ideas to the table is undeniable, and the result is nothing but the best Phish we’ve ever heard.

BGCA (AJ Masthay)

BGCA (AJ Masthay)

Bursting out of the gates in their first San Francisco set, Phish stoked an early fire with a rare “Free” opener and then with “Meat,” they started rolling out the rarities—but unlike in the past few years, the guys really got into things in each and every piece. “Vultures” popped with energy and precise interplay; Trey evoked the spirit of Jerry Garcia, one day after his birthday, in a cerebral, standout “Roggae;” the first “Sand” since Holmdel got into a jazz-fusion groove; “Mike’s rarity “Babylon Baby” added spice to an already kicked up scene; and the band finally slayed “Halfway the Moon” with improvisational beef. Basically, any guitar solo Trey takes these days—in any song—seems to have a thoughtful roadmap, adding infinite amounts of artistry to shows where wankery recently dominated.

The gem of the opening frame, however, was “Reba,” whose jam possessed a driving tempo, kicked up a notch by Jon Fishman. In this era, “Reba” jams have been lackluster, while generally characterizable as noodly, mellow and uninspired, but throw any jam into 2013 and things get serious! It felt like heaven to dance to a fast, purposeful “Reba” jam last night. This version sounds like a throwback to an earlier year but with a modern smoothness. If you’re reading this in the morning, start your Saturday with this “Reba”—you’ll be glad you did.

8.2.13 (Jeremy Renda)

8.2.13 (Jeremy Renda)

The centerpieces of the second set—“Disease and Seven Below”—possessed vastly different jamscapes, but each popped original ideas and liquid fluidity. “Disease’s” jam contained thematic fallout from the Tahoe “Tweezer,” especially from Page who suggested a main piano melody from the epic piece. The band’s jamming was just as wide open and smooth as well, illustrating a comfort and confidence that could only come with three decades of playing. The level the band has reached at this point—in my opinion—is untouchable. They are simply better than ever. One may prefer a different style or era, but the band is peaking. Not for 3.0—for their career.

In fact, Phish is playing so well that they can control the entire room with “Prince Caspian” and “Farmhouse” in the two and thee slots of the second set. Though less than 1% of fans would have written this setlist, 99% of the audience was focused and engaged throughout the mellow, entrancing segment. Both versions stood out immediately, as Trey held a near minute-long note in tour’s first “Caspian,” while the entire band gave “Farmhouse” the patient, royal treatment.

The second main dish of the set—and the jam of the show—came unexpectedly in “Seven Below.” Migrating from the song’s thematic jam into a robotic, quasi-plinko realm, Phish then swam into segment of percussion-laced improv that carried over the deliberate breaks of Tahoe’s “Tweezer, ”though this time, the crowd’s “Woos”—a forced recurrence throughout the night—felt a bit contrived. When the guys dove back into the fray, however, the music took on a heavy, groovier feel, remaining that way for the duration. Another standout in a mind-bending list of Summer ’13 jams.

8.2.13 (Brian Thomas)

8.2.13 (Brian Thomas)

The show kind of took a setlist nosedive from here. An inspired “Harry Hood” weighted the final quarter of the show, but despite a loose, jammy version of “Stealing Time,” the set undeniably fizzled. The unique setlist construction of last night’s show, however, continued through the “Walls of a Cave” encore, and for the second consecutive version, the jam showed hints of being cut loose.

I’d imagine that we’ll look back at Friday’s show as the “weakest” of the Bill Graham run, and it was by no means a weak show. On the contrary, it was quite good. But due the second set’s choppiness and lack of flow, the evening didn’t truly elevate in full. It felt like we were primed for a scorching second set after a ballistic first, but the band choose the mellow route while still kicking down plenty of Grade-A improvisational meat. What a joy to be indoors for three of Summer’s final four nights, and this run is just heating up.

I: Free, Meat, The Oh Kee Pa Ceremony > AC/DC Bag, Vultures, Roggae, Sand, When the Circus Comes, Babylon Baby, Reba, Halfway to the Moon, Golgi Apparatus

II: Punch You In the Eye > Down with Disease > Prince Caspian, Farmhouse, Seven Below, Theme From the Bottom, Harry Hood > Stealing Time From the Faulty Plan, The Squirming Coil

E: Walls of the Cave

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565 Responses to “Where Dreams Can Take Flight”

  1. avila Says:

    San Francisco

  2. chris Says:

    nobody here is dissapointed in the lack of jams? rock and roll was sick sick sick but i thought there could have been at least another jam thrown in there ..

  3. Nissl Says:

    Very good show overall I thought. Firey nearly front to back, with a lot of strong peaks. Band and crowd coming together much of the time. I suppose jam chasers might be a disappointed, but I wasn’t bothered in the slightest.

    Others have already said it, but the woo-ing is 100% band driven at this point. The crowd is willing to oblige, and it does really build up the energy effectively. I’m having decent fun with it but I hope it doesn’t become a regular thing once the tour moves on. Can’t imagine it would transition to larger venues anyway.

    The band seemed pretty blown away at the end of the show, as were many of us. Excited to see what tomorrow night holds.

  4. Stoney Case Says:

    Chris, somewhere, a boy and his sock, wanted a few more jams.

  5. avila Says:

    More jam? Sunday.

  6. sumodie Says:

    Chris, not saying I didn’t want more jam but the vibrant playing was more than enough for me to enjoy sofasurfin set2. Saturday shows generally get this kind of treatment. Won’t be wooing or poo-pooing this one. Obvsly hoping to see god in the light tonight

    Bug eyed and submitting PTBM request for entire fall tour. A first for me, tho not saying I’ll actually be able to hit every show. Perversely I’ll be psyched to get hit with that humongous fucking bill.

    And being able to submit multiple requests for one show (but not for more than 4 tix total) is both very cool and potentially expensive. Technically PTBM may not treat them as multiple requests but that’s what I’m telling myself in the hopes of increasing my odds.

  7. sumodie Says:

    Spinning this one at last (check my name). Perfect late night psych music:

    Amon Düül II: Tanz der Lemminge

  8. Nissl Says:

    Yeah it definitely had the Saturday night rock thing going. Not to mention that there were a few sections where it suffered just a bit due to a handful of drunk talkers. Hopefully we get an even more focused crowd on Sundays, although this was pretty darn good. Everyone surrender to the flow…

    Certainly as Saturday night rock shows go, this is the best I’ve seen or heard, at least in the latter day era.

  9. butter Says:

    Crosseyed energy light meatstick YEM #looming

  10. Dorn76 Says:

    Forget waiting for a new post, I’m going to checking in constantly to see if Stoney shares the Michelle MB Dispatches.

    My sock is dry haven’t heard a lick of either Bill Graham show. Catbox pristine though.

    Holding up an Estimated sign is funny. I’m sure the band would just laugh it off as a San Fran thing.

  11. joe Says:

    a little mehphishtopheles action to ease into the 12 hour workday. both nights up. lots of catching up to do for me.

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  13. kayatosh Says:

    Good time last night. That room is the best. Perfect size and shape for energy blastoff. Prefer night 1 to night 2 due to more rarities and more inspired improv. Last night featured more rock intensity and nothing grabbed my jock. Perhaps being more space caked night 1 helped. Go t into some champagne and beer yesterday and that never helps.

  14. Big Chuck Says:

    I just realized it was the 10th anniversary of the IT festival and the wonderful Ghost jam from 8/3. It’s one of the my favorite moments as a phan and gives me chills every time I listen to it.

    I don’t know if anybody else feels that Ghost is special, but I just wanted to mark the occasion…..even though I’m a day late. 🙂

  15. Dorn76 Says:

    Night 3. Should be a good one.

    Rocking JGB down the shore. Hard to even gather the facility to post.

    Cheers Jahbronies! Tonight is make or break time!

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