Where Dreams Can Take Flight

8.2.13 (Jeremy Renda)

8.2.13 (Jeremy Renda)

Improvising with a liquid fluidity while crafting a totally unique setlist, Phish dropped a high-quality, first-set heavy performance at Bill Graham Civic Auditorium on Friday Night to kick off tour’s final four-night run. Two outstanding excursions in “Down With Disease” and “Seven Below” anchored the second set, though the first set possessed a more fluid contour and better start to finish consistency in song choice. The band has reached a level of playing where everything seems effortless, and their level of communication is at a level we’ve never seen before. Since the Gorge, their reaction time has been negligible whereas someone need only suggest an idea and the other three members are on it immediately—inhuman skills that only come after thirty years of jamming together. Whether amidst a 37 minute “Tweezer” or second-set “Farmhouse,” the band’s attention to detail and intent to bring new ideas to the table is undeniable, and the result is nothing but the best Phish we’ve ever heard.

BGCA (AJ Masthay)

BGCA (AJ Masthay)

Bursting out of the gates in their first San Francisco set, Phish stoked an early fire with a rare “Free” opener and then with “Meat,” they started rolling out the rarities—but unlike in the past few years, the guys really got into things in each and every piece. “Vultures” popped with energy and precise interplay; Trey evoked the spirit of Jerry Garcia, one day after his birthday, in a cerebral, standout “Roggae;” the first “Sand” since Holmdel got into a jazz-fusion groove; “Mike’s rarity “Babylon Baby” added spice to an already kicked up scene; and the band finally slayed “Halfway the Moon” with improvisational beef. Basically, any guitar solo Trey takes these days—in any song—seems to have a thoughtful roadmap, adding infinite amounts of artistry to shows where wankery recently dominated.

The gem of the opening frame, however, was “Reba,” whose jam possessed a driving tempo, kicked up a notch by Jon Fishman. In this era, “Reba” jams have been lackluster, while generally characterizable as noodly, mellow and uninspired, but throw any jam into 2013 and things get serious! It felt like heaven to dance to a fast, purposeful “Reba” jam last night. This version sounds like a throwback to an earlier year but with a modern smoothness. If you’re reading this in the morning, start your Saturday with this “Reba”—you’ll be glad you did.

8.2.13 (Jeremy Renda)

8.2.13 (Jeremy Renda)

The centerpieces of the second set—“Disease and Seven Below”—possessed vastly different jamscapes, but each popped original ideas and liquid fluidity. “Disease’s” jam contained thematic fallout from the Tahoe “Tweezer,” especially from Page who suggested a main piano melody from the epic piece. The band’s jamming was just as wide open and smooth as well, illustrating a comfort and confidence that could only come with three decades of playing. The level the band has reached at this point—in my opinion—is untouchable. They are simply better than ever. One may prefer a different style or era, but the band is peaking. Not for 3.0—for their career.

In fact, Phish is playing so well that they can control the entire room with “Prince Caspian” and “Farmhouse” in the two and thee slots of the second set. Though less than 1% of fans would have written this setlist, 99% of the audience was focused and engaged throughout the mellow, entrancing segment. Both versions stood out immediately, as Trey held a near minute-long note in tour’s first “Caspian,” while the entire band gave “Farmhouse” the patient, royal treatment.

The second main dish of the set—and the jam of the show—came unexpectedly in “Seven Below.” Migrating from the song’s thematic jam into a robotic, quasi-plinko realm, Phish then swam into segment of percussion-laced improv that carried over the deliberate breaks of Tahoe’s “Tweezer, ”though this time, the crowd’s “Woos”—a forced recurrence throughout the night—felt a bit contrived. When the guys dove back into the fray, however, the music took on a heavy, groovier feel, remaining that way for the duration. Another standout in a mind-bending list of Summer ’13 jams.

8.2.13 (Brian Thomas)

8.2.13 (Brian Thomas)

The show kind of took a setlist nosedive from here. An inspired “Harry Hood” weighted the final quarter of the show, but despite a loose, jammy version of “Stealing Time,” the set undeniably fizzled. The unique setlist construction of last night’s show, however, continued through the “Walls of a Cave” encore, and for the second consecutive version, the jam showed hints of being cut loose.

I’d imagine that we’ll look back at Friday’s show as the “weakest” of the Bill Graham run, and it was by no means a weak show. On the contrary, it was quite good. But due the second set’s choppiness and lack of flow, the evening didn’t truly elevate in full. It felt like we were primed for a scorching second set after a ballistic first, but the band choose the mellow route while still kicking down plenty of Grade-A improvisational meat. What a joy to be indoors for three of Summer’s final four nights, and this run is just heating up.

I: Free, Meat, The Oh Kee Pa Ceremony > AC/DC Bag, Vultures, Roggae, Sand, When the Circus Comes, Babylon Baby, Reba, Halfway to the Moon, Golgi Apparatus

II: Punch You In the Eye > Down with Disease > Prince Caspian, Farmhouse, Seven Below, Theme From the Bottom, Harry Hood > Stealing Time From the Faulty Plan, The Squirming Coil

E: Walls of the Cave

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565 Responses to “Where Dreams Can Take Flight”

  1. jdub Says:

    Saturday night to the core baby. Oh well.

    G’night campers.

  2. jdub Says:

    Suzy with a waste in it. A wasted Suzy?

  3. DaNcInG fOoL Says:

    anyone who gets mad at the fans for wooing is nuts. it’s all the band.

  4. Selector J Says:

    Way to go, phanners. We’ve created a monster!

    (just kidding. Everyone knows I’m a well documented antics custy.)

  5. Selector J Says:

    woo!

  6. Stoney Case Says:

    MichelleMyBell came up right before set 2 and gave me a paper with some info on her connection to ‘Steam’.

    #CantMakeThisShitUp

    Seemed like a nice lady.

  7. Selector J Says:

    It’s always feels so incredibly quiet when the stream cuts off.

  8. RoosterPizza Says:

    Woo cares?

  9. sumodie Says:

    Hope all in attendance got their groove on!

  10. RoosterPizza Says:

    Stoney

    Did you get her autograph?

  11. Selector J Says:

    @stoney – you have 48 hours to scan and upload that paper. This whole Steam/Trampled By Turtles thing has been keeping me up all night for weeks.

  12. sumodie Says:

    Stoney, you serious? Lolwow

  13. MrCompletely Says:

    word @DF. the band is super eggin’ em

    wasn’t an esther kind of night for sure. but then it usually isn’t. as long as they don’t play it tomorrow

  14. SillyWilly Says:

    I saw the email. stoney’s got Michellemybelle’s autograph.

  15. sumodie Says:

    Too quiet? Then fire up the official Toronto DWD video

    http://phishcoventry.blogspot.com/2013/07/phish-toronto-videos-dwd-72213.html

    (Yes, it really is the official vid)

  16. Selector J Says:

    Way too quiet. And phish’d out. Need some more of that ‘God Made Me Funky’ set break business.

  17. RoosterPizza Says:

    I don’t like Punch Woo In the Eye opening set II. 0-2 on Summer Wour.

  18. Selector J Says:

    there we go.

    http://youtu.be/m1gqhU1Mmqs

  19. DaNcInG fOoL Says:

    can one jam make an entire tour?

  20. Stupendous Says:

    Fresh rotation makes things interesting and has anyone noticed how upbeat and sharp that slave was?
    I thought the same about last nights coil…
    They are on fire for sure!
    Happy to hear new stuff in STFTFP
    Long sets tonight
    Tomorro we will über space!
    Nite y’all

  21. RoosterPizza Says:

    Consistent jamming (SPAC, JB, PNC, MPP, Gorge) and one monster like Tahoe Tweezer can. I would like to quote Sammy Hagar, who eloquently said, “Time can only tell if summer ter 2013 will stand the test of time.”

  22. sumodie Says:

    Driving into Hartford for the 2010 shows I saw Cirque du Soleil’s tent set up not far from the venue. Esther was an obvious call (band played Circus that night too)

    Cirque du Soleil won’t perform in SF till later this fall ;(

  23. RoosterPizza Says:

    You doing Denver sumodie?

  24. sumodie Says:

    RnRoll longer than I thought (16+ min)

    http://www.livephish.com/live-music/0,767,199/Phish-mp3-flac-download-8-3-2013-Bill-Graham-Civic-Auditorium-San-Francisco-CA.html

  25. voopa Says:

    Woo!

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