Summer’s Swan Song

8.30.13 (Graham Lucas)

8.30.13 (Graham Lucas)

Phish finalized their summer season on Sunday night in the Rockies with a well-played show, though the second set lacked coherency and flow. The highs of “Carini” and “Prince Caspian > Piper” were quite high, but the main event didn’t fully elevate as a whole. Although the band was on top of their game musically, the weekend’s final set didn’t have the punch we’ve come to expect from performances at Dick’s Sporting Goods pavilion. With some out of place singles breaking up the fluidity, the second set had a patchwork makeup. But coming at the end of a revolutionary summer tour, this show felt just fine.

9/1 Official (K.Taylor)

9/1 Official (K.Taylor)

The first set translated quite well as the band showcased their on point musicianship by tackling several of their most technical songs. Tearing through “Rift,” and then “It’s Ice,” “Guelah Papyrus” and a smoking “Divided Sky” in succession, the band was challenging itself and they passing with flying colors. Closing the first half with a classicly-shaped “David Bowie,” the band finalized their virtuoso display. The rarities, “A Song I Heard the Ocean Sing” and “Meat,” the former of which opened the show for the first time since it’s Brooklyn debut in 2004, rounded out a solid opening frame, and when setbreak came, Phish seemed primed to tear apart their final set at Dick’s. But when the dust settled, the second set contained more of an up and down flow than we are used to in the Rockies of Colorado.

Most everyone I spoke to expected the band to open their final set with “Down with Disease” or “Energy,” but they threw a curveball in the form of “Carini.” And as soon as it started, everyone knew “Carini” was going huge. Spending only a brief time in darkness, the band moved into an uplifting, atmospheric jam that shied from an outright groove for quite some time. The jam carried a feeling of ascension—a communal floating into the heavens above after a summer tour that far surpassed everyone’s expectations. Trey tickled spiritual melodies and Fish backed the piece with delicate, complex rhythms as the cerebral music enveloped the audience. The band reached a cathartic plateau and remained their for a while, allowing their fans to revel in the blissed out music. Then—finally—deep into the excursion, the guys hit a change and Fish moved into a mid-tempo groove that spoke to the soul. This was one of those moments that resonated through your entire being—an arrival of the collective consciousness. The energies of the band and audience united in truly spiritual event, leaving souls purged and jaws on the floor. The coolest part of “Carini”—the outright highlight of Sunday night—was how different it was from Saturday’s “Chalk Dust” and Friday’s “Sand.” Show me another band on earth that can play three such diverse pieces of virtuoso improvisation and I’ll show you a liar.

8.30.13 (G.Lucas)

8.30.13 (G.Lucas)

As “Carini” floated in the stratosphere, steeped in reverie, Trey decided it was time for “Birds of a Feather.” Ouch. And there happened the first strike against the flow of this set. Trey seemed to be only stopping off in a rocking interlude when he started up “Golden Age,” one of this summer’s signature jams. But this time, the band decided not to jam it at all, carrying out the composed vibe of the song before dissolving into “Prince Caspian”—another bumpy migration. But the band absolutely slayed “Caspian” as Trey developed a three-chord theme that transformed into the focus of the whole-group improv. A tasteful exploration of the song evoked memories of 2012’s Denver “Caspian” before the band segued nicely into “Piper.”

The combination of “Caspian” and “Piper” became the second highlight of the show, as the band constructed an uptemo canvas that Fishman painted with lightening-quick breakbeats. This full-throttle version hinted, momentarily, at “Guy Forget” as the band sprinted towards the finish line of their last open jam of the summer. And as Trey would have it, this “Piper” wouldn’t be complete without a final set of “Woos.” As the audience responded to his stops and starts, he seemed quite happy with the late summer development, but will he bring the “Woos” to fall? We shall see.

8.30 (G.Lucas)

8.30 (G.Lucas)

An awkward combination of “Boogie On” and” Saw It Again” preceded a quick run through a “Mike’s Groove,” that filled the closing spot of the set—a five-song sequence that flowed like a pile of bricks. Summer’s closing “Groove” did, however, feature a comical nod to Colorado’s recent marijuana tolerance with the debut of Peter Tosh’s “Legalize It.” After a stadium-wide smoke session, Trey dropped a final version of “Character Zero” and the summer came to a close. This year, however, the feeling wasn’t so bittersweet with fall tour sitting but six weeks away! For the first time, Dick’s will not be the last we see of Phish until the holidays at MSG. Nope, this year we’re on the road again.

I: A Song I Heard the Ocean Sing, Kill Devil Falls, Back on the Train, Rift, Meat, It’s Ice, Guelah Papyrus, Divided Sky, Funky Bitch, Cavern, Stealing Time From the Faulty Plan, David Bowie

II: Carini > Birds of a Feather, Golden Age > Prince Caspian > Piper, Boogie On Reggae Woman > Saw It Again, Mike’s Song > Legalize It* > Weekapaug Groove, Show of Life, Suzy Greenberg

E: Character Zero


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371 Responses to “Summer’s Swan Song”

  1. MrCompletely Says:

    Fantastic tweezer I thought. Love the observations someone made that by dropping it after the Dust it makes it harder to complain about it not being 36 minutes

  2. MiA Says:

    I should have refreshed!

  3. BingosBrother Says:

    CDT + Tweezer = 36 minutes

  4. ren Says:

    That’s cause I made it there this year Stoney! What’s your next show? I’m hittin DCU and AC

  5. MiA Says:

    Flacco did well at the end of the season, where he had like 11 TD’s with 0 INTs. But a Ray Lewisless team seems like it might be ripe for Peyton. The line has moved from -9 to -7.5 So money is going back to the Ravens right now.

    I’m thinking the under is good here. But then you gotta sweat it out until the end of the game.

  6. dorn76 Says:

    Different team from the Super Bowl with 8-10 new starters, opening night on the road. 7.5 still a close game, esp with high scoring offenses…

  7. punkmug Says:

    I thought the 2001>Tweezer was better then just Tweezer. Love that old school combo.

  8. dorn76 Says:

    Caveat being I know little of the NFL these days. Old habits die hard though.

    What’s really close to this crotchety yanks heart is baseball…..Surging Yankees….Never have two more dreaded words been spoken.

    Looking forward to some big games with these doped up sluggers from Yawkey Way. May just bash us right out of contention. May not.

  9. Joe Says:

    Going to pitch you out of contention

  10. MrCompletely Says:

    My instinct is just to take the Broncos and leave the OU but I still look at 7.5 against a SB champ regardless of new lineup

    relevant to both the game line and the OU is the fact that Von Miller is out & the DEN defense is down a few important players

  11. lumpyhead Says:

    great video of the jones beach set 2, if you’re into that kinda thing.

  12. little umbrellas Says:

    having mind babies reading Light.

  13. MrCompletely Says:

    7.5 is a high line against any good team. basically you’re betting that the Ravens are not good anymore.

  14. MrCompletely Says:

    Nice Bombino vid

  15. snow Says:

    ravens for sure.
    manning will throw a few interceptions early to make things interesting and then fight back to barely win.

  16. ren Says:

    When hearing Slave now I sing “srrrrrrraveeeee”….thank you Japanese Glory Hole! Yet another awesome, quirky memory stored in the banks

  17. Jtran Says:

    tahoe tweezer – 27:58 – welcome to heaven

  18. MiA Says:

    Wanna bet on Manning interceptions Snow? You said a few, which is 3.

    Early = first quarter + 8 minutesz

    $10. Even money: how about it.

  19. Jtran Says:


    listening to tahoe woos vs. all other woos

    you can just hear so much more elation in the crowd, just pure joy. Everybody is so into it, hanging off every note. something was in the air that night.

  20. MiA Says:

    Agree Jtran. I think the 3-4 themes that came up before that, was like unlimited potential. And as the post Hendrixy style guitar lit the place up, I was over the top. Just ecstatic. Everyone was huge grins.

    Mike pounding on this fight bell was a big kicker too. No question the anthemness of that Tweezer came through at the end.

    It wasn’t so much “start and stop” that caused the woo, it was the kick assedness.

  21. ren Says:

    How often is the woo occurrence? First I remember was Bader last year….and yes, shit was spontaneous, crowd driven, exhilarating and unforgettable

  22. MiA Says:

    Note, I was wooing the fuck all through the jam. Anyone who has danced with me over the last 22 years know it. Just once Trey went nuts Hendrix ’97 Stylee I was all … “WOOOOOOOOOOOOOOOOOOOO WHERE DID MY MIND GO!”

    It just ended up coordinated at the end.

  23. dorn76 Says:

    I didn’t often bet the over/under, but in those years I did, it was online with my girlfriends cc’s, as I had maxed out mine.

  24. voopa Says:

    Go Peavey!

    One of my few shining stars this dismal fantasy season. He will pitch those Damn Yankees into the ground tonight.

  25. snow Says:

    I was thinking more like 2/3.
    I’ll take 2 ints in the first 23 minutes. $10 even money.

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