…And That’s a Wrap

11.2.13 (Jake Silco)

11.2.13 (Jake Silco)

Phish punctuated their best tour of the modern era on Saturday, playing a hot show in Atlantic City’s Boardwalk Hall—a room that gained a ton of all-time stature in band history this past weekend. Though Saturday’ night’s jams didn’t quite elevate to the levels we saw in AC’s first two shows, the guys still put on an incredibly fun and entertaining performance that had significant highlights in both sets. To cap a historic weekend, the guys threw an end-of-tour party that served as a celebration of all that has transpired over the past, magical fortnight.

11/2 Official (D.Mumford)

11/2 Official (D.Mumford)

After two balls-out performances, Phish opened up Saturday’s show with a conventional run of songs, beginning with a “Wilson” opener and carrying through a sixth-song “Funky Bitch.” But when the band started up “46 Days,” the vibe of the show turned on a dime. Playing a heat-seeking version of the blues-rocker, Phish injected all sorts of energy into their audience while elevating the musicality of the show in an instant. What happened next, however—in the middle of the first set—was my highlight of the entire show.

Just as the band was wrapping up “Theme From the Bottom,” Page began hitting a rhythm on his clav, and his bandmates caught on in an instant. Trey assumed his role of groove conductor on rhythm guitar, while Fish and Mike formed an instant pocket, transforming the concert into Dance Party USA. We all hopped in the DeLorean and set the date to 1998, and when we arrived at our destination, the band threw down a quintessential late-90’s funk jam that was laced with humor, taboot. Spinning the room like a gyroscope, the band locked into a groove and immediately set the show afire. This jam would be the most hooked up the band was all night, as the funk was deep as all get out. Over this crack groove, Trey began a stand-up comedy routine, asking Fish who his least favorite president and second least favorite president were, and what his favorite beer was, to all three of which  Fish answered “Bush.” Reprising the antics from Friday’s “kush under my bush” version of “Makisupa,” the guys engaged in a classicly Phishy maneuver as they blew our minds and busted our guts simultaneously.

11.2.13 (A.Nusinov)

11.2.13 (A.Nusinov)

The first set had caught fire at it’s halfway point, and the band’s momentum carried right through the end of the frame. Gordon’s “Yarmouth Road” and a tight “Limb by Limb” set the table for a ferocious set-closing “Mike’s Groove” that popped on both sides of a “Hydrogen” connector. With one set left to go in tour, things seemed lined up for another huge frame of Phish.

When the dust settled on the main event, however, the band had clearly given it their all, but their jams didn’t quite get “there” throughout the second set—a solid frame of B+ Phish. This is not to knock what happened, as the Saturday’s set was very enjoyable, but, rather to differentiate Sunday’s second set from the monumental improvisation to which we have bore witness this tour. The band was not sloppy at all, they just weren’t as cosmically hooked up as they have been since Glens Falls. Let’s check out what happened.

The band selected “Down With Disease” to open the second set for the second time in four shows, using their anthem as a way to bid adieu to the road for the time being. Fishman maintained a driving rhythm throughout most of this set-opening jam, lending a upbeat vibe to the entire piece. The guys found their way into a couple interesting places, but, as previously mentioned, when this “Disease” ended, it never had reached the sacred ground we have been experiencing on a nightly basis this fall. Instead, the jam plateaued at a certain, melody-anchored, point, and when Trey felt like it was time, the band dissolved into “Piper.”

11.2.13 (George Estreich)

11.2.13 (George Estreich)

Something happened during “Piper” that proves—beyond all else—that Trey is the true motivating factor behind the “Woo!” As the band hit a break in a full-steam version, part of the audience let out a meager “Woo!” Before anyone knew it, Trey took the cue from his congregation and formed a stop/start jam to facilitate crowd participation. But if this musical gesture wasn’t enough to prove his love for the “Woo,” at one of these breaks, Trey enthusiastically instructed the audience to “Take off your patches!” This was in reference to a comical ad in Halloween’s Phishbill for “Woo-x,” patches to help fans curb their addiction to and urge to “Woo!” Thus Trey’s move came as pure comedy—kind of. When this short but fiery “Piper” jam came to a close, the band exhaled via “Roggae.”

10.31.13 (J.Silco)

10.31.13 (J.Silco)

One could feel the oncoming “Tweezer,” as the band didn’t have many central jam vehicles left to play. Instead of dropping right into their gooey launchpad, however, Trey elected to set the table with a gorgeous mid-set “Waves.” Though the guys would leave their jamming for “Tweezer,” Trey unleashed a poignant guitar solo in the post-hiatus piece that whispered to our souls. As the band hit the “On the wind and under water” refrain, Trey dripped in the opening lick to “Tweezer,” a move that brought a roar from the crowd and ushered in the last jam of Fall 2013.

Dialing in their efforts, Phish engaged in a proficient groove outing that provided us a final opportunity to let loose on the dance floor. Though this version wouldn’t morph into transcendence like Tahoe’s, Hampton’s or Hartford’s, it certainly served its purpose as the dance centerpiece of the second set and whipped the audience into a liquid frenzy. After the jam’s initial groove segment, it meandered for a few, before the guys locked into a latter segment of more eclectic—though still rhythmically focused—interplay. When the band settled, seemingly having expressed the totality of their ideas, Trey made the move for “Julius.”

10.31.13 (J.Silco)

10.31.13 (J.Silco)

Rocking renditions of “Julius” and “Number Line” brought the set to its set closing slot, and if I were a betting man, I’d have wagered a fair chunk of change on a tour-ending “You Enjoy Myself.” But instead, Trey made a left turn for “Character Zero,” a move that he made summer to punctuate huge musical events. And Atlantic City’s three-night run was most certainly a gargantuan musical event in the Phish universe.

Over this fall tour, Phish has hooked up in a way we haven’t seen in over a decade, and the musical results have been nothing short of staggering. Bringing the goods on a nightly basis, Phish tour has developed a buzz that it hasn’t had since the late-90’s. Everyone—the band members and audience, alike—have been living the dream the way it’s supposed to go. At this point, the story of our Vermont super-heroes has totally course-corrected in a way few ever thought possible. Not only has Phish been jamming like at no point in this era, but they hit the “Reset” button in a huge way over the weekend with a slate of new songs that will pave the way for the years to come. As the band steps into the studio this week with the momentum and magic from an unforgettable tour in tow, I think we are bound to see one of the greatest—if not the best—studio efforts of their career. And when they emerge in a couple of months at Madison Square Garden, I suspect we will experience a full-annihilation Holiday Run like none in the modern era. Though the past five years since 2009 have been an incredible journey, the payoff for our work and dedication has finally arrived. Fall 2013 will go down in history as one of the most prolific tours in the band’s career, with its duration being its only limiting factor. The music is better than ever and light is still growing ever brighter now. It’s a good time to be a Phish fan.

I: Wilson, Rift, Ocelot, Water in the Sky, Sample in a Jar, Funky Bitch, 46 Days, Theme From the Bottom*, Yarmouth Road, Limb By Limb, Mike’s Song > I Am Hydrogen > Weekapaug Groove

II: Down with Disease > Piper > Roggae, Waves > Tweezer > Julius, Backwards Down the Number Line, Character Zero

E: Sleeping Monkey > Tweezer Reprise

* “Shaft” jam

Atlantic City (Jake Silco)

Atlantic City (Jake Silco)

2,223 Responses to “…And That’s a Wrap”

  1. little umbrellas Says:

    wrap it up. I’ll take it!

  2. little umbrellas Says:

    SAM & DAVE-wrap it up

  3. little umbrellas Says:

    @Mr Miner. thanks man! been a joy to read each of your reviews. appreciation sent your way.

  4. phishm Says:

    Drinking this beer called American Beauty made by Dogfish. Shit is so good. Never heard of it before, but had to buy it seeing the dancing bear on the label. Glad I did. Thanks Quigley and VTBowie89. Good stuff. Oswego Jim getting crazy. Just can’t listen to that which was recently made. Not sure why.

  5. phishm Says:

    It’s funny, but I have soft spots for jams that I wasn’t at. I remember one night, making a fire in the backyard with the kids, blasting Phish, all of sudden we all start dancing like crazy at the 12:00 minute mark of this Jim. Great experience. Sorry bb for the real life drama. Back to Phish.

  6. aj Says:

    just saw MBV, fucking awesome. Do not miss them. I wish I was not going abroad tomorrow, I would see them again if possible.

  7. chris Says:

    I love the oswego jim… so good. I think mr miners wrap up of last night is right on point

  8. chris Says:

    I hope summer tour doesn’t get forgotten about amidst the hype surrounding fall tour. ..

    Just saying I thought summer was great

  9. little umbrellas Says:

    gonna spin this Jibboo. didn’t get to the Oswego Jim yet.

  10. phishm Says:

    The cool thing is that someone has to clarify just how good Summer tour was. This band has been absolutely on fire all year.

  11. guy forget Says:

    Phoam, BEK, ren, I’m glad that lumpy introduced us. I had a great time getting down with you all.

  12. phishm Says:

    Great set of music if you happen to be bored and don’t feel like listening to the new stuff.


  13. theothr1 Says:

    re: the upcoming studio album; I have devised a complicated formula to figure out the as-yet unrelased album’s potential: Bob+Fuckinh+Ezrin= Best. Phish.Album. Ever

  14. theothr1 Says:

    **Fuckin’** >>> no ‘h’

  15. phishm Says:

    Floyd’ ish album you say? Theme to it maybe? Sounds interesting. Can’t wait to hear the finished product.

  16. Guy forget Says:

    Ren, Phoam, BEK it was great getting down with you all. Very glad that lumpy put you in my path.

  17. lumpyhead Says:

    back in los angeles.
    I would give anything to go beck and do it again.

    what a run.

  18. phishm Says:


    One of the better one’s I’ve heard. Gin to follow is a mind bender. Love a good Cincy show. They seem to do well here. Absolutely can’t wait to see my next show. It will be fun. So glad to see that they are in it for the long run. So many emotions can be exhaled at a show. I miss doing that. Should be fun when it happens again. Like I said. I can’t wait. Night all.

  19. phishm Says:

    Something that bugs me. I sit on conference calls a lot. I’m always on mute unless I’m speaking. Anyway, some folks don’t ever seem to be on mute and just type away and I have to listen to it. Do you think they are doing it on purpose? Things that keep me up at night. Stupid job and all. Sometimes the craziest things are the things we do because we have to. Sucks.

  20. voopa Says:

    “56 days until yemsg. band on fire.”

    Well put.

  21. MrCompletely Says:

    “Stoney, in the Twist my favorite part is after Under Pressure and before Jiboo. Really sick psychedilc jam”

    yessssssssss my favorite few minutes of tour I think

    so sick. inside out & sideways guitar. like some Marc Ribot shit. really good

    @stoney yeah I thought that Light got pretty far out. Quick multiphase jam that gets pretty good esp. for a kickdown jam with Twist already in the books. Interesting that the Woosta Light is also a cleanup jam after a big multi angle strafing run.

    I dug last night’s Tweezer, lots of fun. It was definitely just 1 idea but it flowed naturally and was really locked in. The weird ending is all about trying to pivot into a second idea that wasn’t there. Great intent all through the first 2/3rds of last night, I thought they were working hard in DWD and Piper without real coherent results but came through mid set. Loved the cleanly shredded Waves solo, he pushed it, and a candygram Tweezer instead of an outro jam works.

  22. MrCompletely Says:

    56 days just long enough for them to get a little rusty, fortunately it only takes them 3 or 4 shows to warm up

  23. Cable Hogue Says:

    Working in the studio should help rust prevention, no?

    Incredible run of shows. Boardwalk Hall is a rock and roll cathedral. Favorite venue ever by some margin. IMO acoustics were off the charts good everywhere I went. Buildings like that are not built anymore, period. Developing a crush on Gerry Brown too.

    Couldn’t be happier with the state of Phish. Shows strewn with outrageous highlights.

    Barney Miller theme was played somewhere in there. Maybe DWD.

  24. Dorn76 Says:

    Work? We don’t need no stinking work!

  25. jdub Says:

    Odd Couple Theme in the Tweezer.

    You’d think they would get rusty with so much time off but then you remember DCU ’12 and Bethel ’11 and realize with a little practice MehSG could blow up this year.

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