…And That’s a Wrap

11.2.13 (Jake Silco)

11.2.13 (Jake Silco)

Phish punctuated their best tour of the modern era on Saturday, playing a hot show in Atlantic City’s Boardwalk Hall—a room that gained a ton of all-time stature in band history this past weekend. Though Saturday’ night’s jams didn’t quite elevate to the levels we saw in AC’s first two shows, the guys still put on an incredibly fun and entertaining performance that had significant highlights in both sets. To cap a historic weekend, the guys threw an end-of-tour party that served as a celebration of all that has transpired over the past, magical fortnight.

11/2 Official (D.Mumford)

11/2 Official (D.Mumford)

After two balls-out performances, Phish opened up Saturday’s show with a conventional run of songs, beginning with a “Wilson” opener and carrying through a sixth-song “Funky Bitch.” But when the band started up “46 Days,” the vibe of the show turned on a dime. Playing a heat-seeking version of the blues-rocker, Phish injected all sorts of energy into their audience while elevating the musicality of the show in an instant. What happened next, however—in the middle of the first set—was my highlight of the entire show.

Just as the band was wrapping up “Theme From the Bottom,” Page began hitting a rhythm on his clav, and his bandmates caught on in an instant. Trey assumed his role of groove conductor on rhythm guitar, while Fish and Mike formed an instant pocket, transforming the concert into Dance Party USA. We all hopped in the DeLorean and set the date to 1998, and when we arrived at our destination, the band threw down a quintessential late-90’s funk jam that was laced with humor, taboot. Spinning the room like a gyroscope, the band locked into a groove and immediately set the show afire. This jam would be the most hooked up the band was all night, as the funk was deep as all get out. Over this crack groove, Trey began a stand-up comedy routine, asking Fish who his least favorite president and second least favorite president were, and what his favorite beer was, to all three of which  Fish answered “Bush.” Reprising the antics from Friday’s “kush under my bush” version of “Makisupa,” the guys engaged in a classicly Phishy maneuver as they blew our minds and busted our guts simultaneously.

11.2.13 (A.Nusinov)

11.2.13 (A.Nusinov)

The first set had caught fire at it’s halfway point, and the band’s momentum carried right through the end of the frame. Gordon’s “Yarmouth Road” and a tight “Limb by Limb” set the table for a ferocious set-closing “Mike’s Groove” that popped on both sides of a “Hydrogen” connector. With one set left to go in tour, things seemed lined up for another huge frame of Phish.

When the dust settled on the main event, however, the band had clearly given it their all, but their jams didn’t quite get “there” throughout the second set—a solid frame of B+ Phish. This is not to knock what happened, as the Saturday’s set was very enjoyable, but, rather to differentiate Sunday’s second set from the monumental improvisation to which we have bore witness this tour. The band was not sloppy at all, they just weren’t as cosmically hooked up as they have been since Glens Falls. Let’s check out what happened.

The band selected “Down With Disease” to open the second set for the second time in four shows, using their anthem as a way to bid adieu to the road for the time being. Fishman maintained a driving rhythm throughout most of this set-opening jam, lending a upbeat vibe to the entire piece. The guys found their way into a couple interesting places, but, as previously mentioned, when this “Disease” ended, it never had reached the sacred ground we have been experiencing on a nightly basis this fall. Instead, the jam plateaued at a certain, melody-anchored, point, and when Trey felt like it was time, the band dissolved into “Piper.”

11.2.13 (George Estreich)

11.2.13 (George Estreich)

Something happened during “Piper” that proves—beyond all else—that Trey is the true motivating factor behind the “Woo!” As the band hit a break in a full-steam version, part of the audience let out a meager “Woo!” Before anyone knew it, Trey took the cue from his congregation and formed a stop/start jam to facilitate crowd participation. But if this musical gesture wasn’t enough to prove his love for the “Woo,” at one of these breaks, Trey enthusiastically instructed the audience to “Take off your patches!” This was in reference to a comical ad in Halloween’s Phishbill for “Woo-x,” patches to help fans curb their addiction to and urge to “Woo!” Thus Trey’s move came as pure comedy—kind of. When this short but fiery “Piper” jam came to a close, the band exhaled via “Roggae.”

10.31.13 (J.Silco)

10.31.13 (J.Silco)

One could feel the oncoming “Tweezer,” as the band didn’t have many central jam vehicles left to play. Instead of dropping right into their gooey launchpad, however, Trey elected to set the table with a gorgeous mid-set “Waves.” Though the guys would leave their jamming for “Tweezer,” Trey unleashed a poignant guitar solo in the post-hiatus piece that whispered to our souls. As the band hit the “On the wind and under water” refrain, Trey dripped in the opening lick to “Tweezer,” a move that brought a roar from the crowd and ushered in the last jam of Fall 2013.

Dialing in their efforts, Phish engaged in a proficient groove outing that provided us a final opportunity to let loose on the dance floor. Though this version wouldn’t morph into transcendence like Tahoe’s, Hampton’s or Hartford’s, it certainly served its purpose as the dance centerpiece of the second set and whipped the audience into a liquid frenzy. After the jam’s initial groove segment, it meandered for a few, before the guys locked into a latter segment of more eclectic—though still rhythmically focused—interplay. When the band settled, seemingly having expressed the totality of their ideas, Trey made the move for “Julius.”

10.31.13 (J.Silco)

10.31.13 (J.Silco)

Rocking renditions of “Julius” and “Number Line” brought the set to its set closing slot, and if I were a betting man, I’d have wagered a fair chunk of change on a tour-ending “You Enjoy Myself.” But instead, Trey made a left turn for “Character Zero,” a move that he made summer to punctuate huge musical events. And Atlantic City’s three-night run was most certainly a gargantuan musical event in the Phish universe.

Over this fall tour, Phish has hooked up in a way we haven’t seen in over a decade, and the musical results have been nothing short of staggering. Bringing the goods on a nightly basis, Phish tour has developed a buzz that it hasn’t had since the late-90’s. Everyone—the band members and audience, alike—have been living the dream the way it’s supposed to go. At this point, the story of our Vermont super-heroes has totally course-corrected in a way few ever thought possible. Not only has Phish been jamming like at no point in this era, but they hit the “Reset” button in a huge way over the weekend with a slate of new songs that will pave the way for the years to come. As the band steps into the studio this week with the momentum and magic from an unforgettable tour in tow, I think we are bound to see one of the greatest—if not the best—studio efforts of their career. And when they emerge in a couple of months at Madison Square Garden, I suspect we will experience a full-annihilation Holiday Run like none in the modern era. Though the past five years since 2009 have been an incredible journey, the payoff for our work and dedication has finally arrived. Fall 2013 will go down in history as one of the most prolific tours in the band’s career, with its duration being its only limiting factor. The music is better than ever and light is still growing ever brighter now. It’s a good time to be a Phish fan.

I: Wilson, Rift, Ocelot, Water in the Sky, Sample in a Jar, Funky Bitch, 46 Days, Theme From the Bottom*, Yarmouth Road, Limb By Limb, Mike’s Song > I Am Hydrogen > Weekapaug Groove

II: Down with Disease > Piper > Roggae, Waves > Tweezer > Julius, Backwards Down the Number Line, Character Zero

E: Sleeping Monkey > Tweezer Reprise

* “Shaft” jam

Atlantic City (Jake Silco)

Atlantic City (Jake Silco)

2,223 Responses to “…And That’s a Wrap”

  1. joe Says:

    Hey T3, thanks again for making that ticket switch on 11/1. That ended up being a perfect hookup for me. appreciate it so much. hope your buddy ended up enjoying the show too from the bit we shared at the trop.

  2. DaNcInG fOoL Says:

    how bout the wormtown shows for next official release?

  3. xpun Says:


  4. BingosBrother Says:

    Lincoln is perfect.
    12/30/97 may be better than 12/29.

    Recently, Chi 2 set 2 was perfect for me. I’m easy though.

    Gorge 2 set 2

  5. xpun Says:

    i also dig winterqueen

  6. Type III Jamming Personality Disorder Says:

    joe, absolutely. worked out great for everyone. my buddy had a wonderful night (though he would have preferred if I was in the seats with him first set rather than dancing on the floor… but that’s another story) so thanks for hooking him up with that.

    second set we went up and were in seats one section away from yours (I hopped up at your row if you recall), second row, so I know exactly what you got from those seats. fantastic spot and a place I would totally aim for again in that venue.

    glad to have helped you out there.

  7. Al Says:

    I’d love to have some of the support Sets for Santana in Europe 1996 released. My Hanover 96 Phish Set was magic.

    Realistically it could and should be Boise 09/14/99. Best ACDC BAG ever.

  8. Dorn76 Says:

    Give or take an hour and a half.

  9. joe Says:

    I wasn’t that far gone that I don’t remember that. just wanted to say thanks again. really aided in my enjoyment of the show.

  10. George W. Kush Says:

    Df the AUDs are so so good for those shows, no need for “official” release.

  11. George W. Kush Says:

    need more ’99 releases.

  12. Gavinsdad Says:

    Willowed – I’ve listened to wingnut exclusively on the last rewind.

  13. Type III Jamming Personality Disorder Says:

    oh, I know, joe. just making sure. there’s a lot from that night that I’m not sure if I remember or just made up 😯

    i also dig winterqueen

    I know I mentioned this to a few people pre 11/1 but I really feel like that song will be one of those tunes to fill the post-jam slot in the 2nd set ala Caspian, Wading, Roggae, etc. has that big, cathartic trey solo potential methinks

  14. xpun Says:

    12-30-97 has that phishy quality and humor with the harpua, and then trying to cram in an “encore” and then saying fuck it and throwing down one of the best encores EVER

    musically 29th probably takes it on playback, but that “in the moment, why i go to shows” quality def goes to 30th

  15. btb Says:

    Trey shouldn’t be allowed to use the word “sun” anymore. Pet peeve. Always with the Sun and the wind and up there and down below.

    What happened to Llamas and serpent deflectors?

  16. Dorn76 Says:

    Buncha Winter Queens around here.

  17. lumpyhead Says:

    good to meet ya this weekend joe

  18. Gavinsdad Says:

    We were loving the john and joe show. You 2 guys need to log a tour together.

  19. btb Says:


    more like it

  20. voopa Says:

    Winter Queens and Wingnuts.

  21. joe Says:

    criteria for perfect set is too hard. Mr. P has sent you all on a doomed mission. finally getting around to listening back to these fall shows. Definitely more of the funk, trey rhythm feel. Have spun wingsuit set a few times and it definitely gets better with more familiarity. Agree with the Waiting all Night love. that bassline is a nice change from the normal phish tune.

  22. Type III Jamming Personality Disorder Says:

    back off, dorn! imma straight up connecticut you

  23. BingosBrother Says:

    I got yer best Bag ever right herr.

    Is 12/30/97 with the huge lope(wombat)?

  24. btb Says:

    I was under the impression a Wombat was a like a big bat

    Apparently its a giant rat


  25. phlorida phan Says:

    ^A koala had sex with a rat!

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