What’s Old is Gone

Boardwalk Hall (Andrea Nusinov)

Boardwalk Hall (Andrea Nusinov)

There was no greater risk that Phish could have taken on Halloween that to buck tradition and deliver a full set of new original songs. Many Phish fans have a notorious reputation for hating on new music as Trey explained in this striking anecdote from Wingsuit’s Phishbill: “Every time we’ve put out a new Phish album —literally every time—a certain contingent of fans has felt that the band they know and love is coming to an end. It’s never true.” He then went to recall how he was heckled in 1990 after debuting “Reba,” one of his fans’ longtime, most coveted compositions. Needless to say, Phish didn’t expect their audience to lap up their newest offerings in Atlantic City, but they put their wingsuits on and did it anyway. And in doing so, they shocked a fan base that thought it had virtually seen it all. Though I never saw this, I heard that many fans were disappointed with the band’s decision. But why? Their reaction made no sense to me. Phish has always used their Halloween sets to guide their playing—a sort of litmus test for where they have been and where they are going. And if the songs of Wingsuit are any indication, we are headed for another intensely creative era of Phish music. Isn’t that we are all looking for?

10.31.13 (A.Nusinov)

10.31.13 (A.Nusinov)

One of the most notable aspects of the songs tentatively comprising Wingsuit is their diversity. This will not be a simplistic Phish album. Most of the selections were scribed in four-minded collaboration and reflect a thoughtful and intricate songwriting approach. Strewn with lyrical themes of self-loyalty, making peace with the past, and soaring anew, the title track “Wingsuit” provided the perfect introduction to Phish’s future album, as it opened set two. And from there, the band simply went for it, for there was “nothing to lose.”

Phish didn’t have to take such an audacious risk. They didn’t have to play Wingsuit. The guys could have easily memorized another album from the past and crushed it. It probably would have been easier for them, and far more stress-free. But by choosing the path of least resistance, they would cease to be Phish. Secondly, I bet we wouldn’t all have been listening to Eat a Peach on repeat for a week straight, while allowing the tapes of the most glorious tour in the modern era to lay in waiting. But that is exactly what so many fans have been doing with Wingsuit! And there is no end in sight.

There is nothing quite like new Phish music, and being introduced to Wingsuit on Halloween transformed us into innocent, childlike fans; expectations were an impossibility. This element was one of the coolest part of the Halloween set—collective discovery with zero reference points whatsoever. We—the audience—were discovering the power of these new songs with the band. This was a collaborative exercise; an unprecedented gesture in live music in which—most often—fans come to hear the familiar. How many other bands could step on stage and please their audience with 90 minutes of brand new music? Maybe…zero?

10.31.13 (A.Nusinov)

10.31.13 (A.Nusinov)

The Wingsuit set was Phish—dramatically—opening the studio doors to their adoring fans, allowing us to actually be a part of the creative process. This was a dream come true! Out of all the crazy things we had seen this band do over the past 30 years, they had never before played an entire set of new songs. Never. And these songs were written for keeps; a powerful infusion of high-quality music into Phish’s mix in this, their 30th year. Pieces like “Fuego,” “The Line,” “Waiting all Night,” “Wombat” and “Devotion to a Dream” reflect stylistic tangents for the guys, taking them in different sonic directions. Phish didn’t only preview their future album on Halloween, they paved the way for the next prolific era their career.

And now we wait. Not only for MSG’s Holiday Run (which will, likely, include several Wingsuit songs), but for the album, itself, to see which will selections make the cut and in what form. Beyond these upcoming events, however, we wait for the Phish’s next full-fledged tour—seemingly Summer 2014—in which the songs of Wingsuit will come into their own, carry improvisational significance, and begin to find their niche in the annals of Phish history.

10.31.13 (A.Nusinov)

“Wombat” w/ Abe Vigoda, 10.31.13 (A.Nusinov)


More Thoughts on Wingsuit:

My friends over at PleaseMeHaveNoRegrets.com have written a beautiful, long-form essay on Wingsuit. It resonated with me immediately, and I agree with its content in full. I’ve excerpted the beginning of the piece below and provided a link so you can read it in its entirety:

I. Phish headed into Atlantic City’s Boardwalk Hall for their three-night, Fall tour ending run with enough momentum from a banner year on the road, and enough confidence in the current state of their now 30-year old artistic enterprise, to step to the line and take a giant leap of faith into the unknown.

And so on an unseasonably warm All Hallow’s Eve on the Jersey Shore, Phish spread out a page of their carefully coiled papyrus, dutifully replaced their quills, dipped them deep into the ink of their creative wellspring and penned an entirely fresh chapter in the epic poem of their career. 

As a band known for keeping their audiences on the edge of their seats, Phish once again zigged where so many expected them to zag. Eschewing their 20-year old Halloween tradition of covering an album by a musical forebear, they instead used the Wagnerian backdrop of Boardwalk Hall to preview their future. In place of covering an album by Led Zeppelin, Elton John, The Band or even contemporary’s like Radiohead or TV on the Radio, Phish played through their own unreleased, in-progress album entitled “Wingsuit.”

Read the rest here!



Jam of the Day:

Wingsuit > Fuego” 10.31.13 II

The future of Phish. I mean…

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1,018 Responses to “What’s Old is Gone”

  1. jdub Says:

    I kid C. Besides, we go see a band led by a dude that cums in our ears with his guitar. At least that’s how he describes it.

  2. Jerome Garcia Says:

    Woosta 2 set II doesn’t really have a lull…or does it? Mikes > NQ > Paug section to close it out before heading home. Approx 24 min before I can bounce.

  3. phoammhead Says:

    i remember i liked 555, too . . . mike say something sound alike? reminded me of say something . . . hopefully no snow and say something in its place.

  4. Jerome Garcia Says:

    Might not want to call your buddy to pull you out of the muck & mire just yet jtran…

  5. DaNcInG fOoL Says:

    Jtran send FLACs

  6. phoammhead Says:

    555->carini . . . mark it

  7. Gavinsdad Says:

    C – u have GA related electrons

  8. butter Says:




    Cuz it feels good

  9. phoammhead Says:

    . . . or ->wedge

  10. Jerome Garcia Says:

    Butter just scored a real life lol. Well dome sir.

  11. jdub Says:

    Wingsuit is the new cum down song.

  12. jtran Says:

    df, I think C posted them like 1-2 pages ago bro……………

  13. buddysmyles Says:

    Went to Providence on saturday after Fri in Worcester to visit my friends new restuarant & to do some record shopping, scored a London Howlin’ Wolf Session album W/Clapton, Winwood, Wyman & Watts (album is sick) & scored Merl Saunders album Fire up(also sick).. Reminds me of the Muppets Elec Mayhem! Great version of After midnight on there Taboot Taboot!

  14. jdub Says:

    Serious question for you guitar geeks. What is Trey doing to get that liquid tone prevelant throughout the Wingsuit set? Is it the same thing used in No Quarter?

  15. phoammhead Says:

    don’t you wish that trey would act more like a i don’t give a shit rock star sometimes

  16. Ulysses S. Wingsuit Says:


  17. BingosBrother Says:

    Fleshlights are tight.

  18. MrCompletely Says:

    Fire Up is a key underrated Garcia studio project, if you want to look at it that way, especially the Plus version

    save mother earth, imagine jam, after midnight etc…

    the album Keepers is worth finding too. Mystery Train, That’s All Right, I Was Made To Love Her, (Finders) Keepers, plus some of that jazz and boogaloo stuff

  19. Ulysses S. Wingsuit Says:

    Big yes to Keepers and Fire up (+)

  20. jdub Says:

    thanks Voopa.

  21. Mr. Palmer Says:

    Thanks for the GD and JGB, Mr. C. I definitely have the Jerry DvD somewhere around here.. That was a ‘ go to” for a long time..

    Tjis ’69 is new to me, so that is nice.

  22. Ulysses S. Wingsuit Says:

    Tremelo used to be achieved with a Leslie speaker, which has rotating horns. This dissipates the sound and makes the volume rise and fall at a speed determined by the player. Trey had Leslie speakers on stage in the late ’90’s to get this effect, you can see a cabinet on the left side of this photo.

    Now I assume he gets it from the DigiTech.

  23. jdub Says:

    sounds different than what I (and I think most) consider Trey’s whale playing. Same peddle, different results? I love it whatever it is.

  24. BingosBrother Says:

    I wish he still had the Tremelo. His ability to use that sound to perfection was one of my favorite aspects of his playing.

  25. joe Says:

    He still has it, I think. check out the trey rig gear video

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