What’s Old is Gone

Boardwalk Hall (Andrea Nusinov)

Boardwalk Hall (Andrea Nusinov)

There was no greater risk that Phish could have taken on Halloween that to buck tradition and deliver a full set of new original songs. Many Phish fans have a notorious reputation for hating on new music as Trey explained in this striking anecdote from Wingsuit’s Phishbill: “Every time we’ve put out a new Phish album —literally every time—a certain contingent of fans has felt that the band they know and love is coming to an end. It’s never true.” He then went to recall how he was heckled in 1990 after debuting “Reba,” one of his fans’ longtime, most coveted compositions. Needless to say, Phish didn’t expect their audience to lap up their newest offerings in Atlantic City, but they put their wingsuits on and did it anyway. And in doing so, they shocked a fan base that thought it had virtually seen it all. Though I never saw this, I heard that many fans were disappointed with the band’s decision. But why? Their reaction made no sense to me. Phish has always used their Halloween sets to guide their playing—a sort of litmus test for where they have been and where they are going. And if the songs of Wingsuit are any indication, we are headed for another intensely creative era of Phish music. Isn’t that we are all looking for?

10.31.13 (A.Nusinov)

10.31.13 (A.Nusinov)

One of the most notable aspects of the songs tentatively comprising Wingsuit is their diversity. This will not be a simplistic Phish album. Most of the selections were scribed in four-minded collaboration and reflect a thoughtful and intricate songwriting approach. Strewn with lyrical themes of self-loyalty, making peace with the past, and soaring anew, the title track “Wingsuit” provided the perfect introduction to Phish’s future album, as it opened set two. And from there, the band simply went for it, for there was “nothing to lose.”

Phish didn’t have to take such an audacious risk. They didn’t have to play Wingsuit. The guys could have easily memorized another album from the past and crushed it. It probably would have been easier for them, and far more stress-free. But by choosing the path of least resistance, they would cease to be Phish. Secondly, I bet we wouldn’t all have been listening to Eat a Peach on repeat for a week straight, while allowing the tapes of the most glorious tour in the modern era to lay in waiting. But that is exactly what so many fans have been doing with Wingsuit! And there is no end in sight.

There is nothing quite like new Phish music, and being introduced to Wingsuit on Halloween transformed us into innocent, childlike fans; expectations were an impossibility. This element was one of the coolest part of the Halloween set—collective discovery with zero reference points whatsoever. We—the audience—were discovering the power of these new songs with the band. This was a collaborative exercise; an unprecedented gesture in live music in which—most often—fans come to hear the familiar. How many other bands could step on stage and please their audience with 90 minutes of brand new music? Maybe…zero?

10.31.13 (A.Nusinov)

10.31.13 (A.Nusinov)

The Wingsuit set was Phish—dramatically—opening the studio doors to their adoring fans, allowing us to actually be a part of the creative process. This was a dream come true! Out of all the crazy things we had seen this band do over the past 30 years, they had never before played an entire set of new songs. Never. And these songs were written for keeps; a powerful infusion of high-quality music into Phish’s mix in this, their 30th year. Pieces like “Fuego,” “The Line,” “Waiting all Night,” “Wombat” and “Devotion to a Dream” reflect stylistic tangents for the guys, taking them in different sonic directions. Phish didn’t only preview their future album on Halloween, they paved the way for the next prolific era their career.

And now we wait. Not only for MSG’s Holiday Run (which will, likely, include several Wingsuit songs), but for the album, itself, to see which will selections make the cut and in what form. Beyond these upcoming events, however, we wait for the Phish’s next full-fledged tour—seemingly Summer 2014—in which the songs of Wingsuit will come into their own, carry improvisational significance, and begin to find their niche in the annals of Phish history.

10.31.13 (A.Nusinov)

“Wombat” w/ Abe Vigoda, 10.31.13 (A.Nusinov)


More Thoughts on Wingsuit:

My friends over at PleaseMeHaveNoRegrets.com have written a beautiful, long-form essay on Wingsuit. It resonated with me immediately, and I agree with its content in full. I’ve excerpted the beginning of the piece below and provided a link so you can read it in its entirety:

I. Phish headed into Atlantic City’s Boardwalk Hall for their three-night, Fall tour ending run with enough momentum from a banner year on the road, and enough confidence in the current state of their now 30-year old artistic enterprise, to step to the line and take a giant leap of faith into the unknown.

And so on an unseasonably warm All Hallow’s Eve on the Jersey Shore, Phish spread out a page of their carefully coiled papyrus, dutifully replaced their quills, dipped them deep into the ink of their creative wellspring and penned an entirely fresh chapter in the epic poem of their career. 

As a band known for keeping their audiences on the edge of their seats, Phish once again zigged where so many expected them to zag. Eschewing their 20-year old Halloween tradition of covering an album by a musical forebear, they instead used the Wagnerian backdrop of Boardwalk Hall to preview their future. In place of covering an album by Led Zeppelin, Elton John, The Band or even contemporary’s like Radiohead or TV on the Radio, Phish played through their own unreleased, in-progress album entitled “Wingsuit.”

Read the rest here!



Jam of the Day:

Wingsuit > Fuego” 10.31.13 II

The future of Phish. I mean…

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1,018 Responses to “What’s Old is Gone”

  1. joe Says:


  2. joe Says:

    5:20 for Leslie explanation

  3. little umbrellas Says:

    he still has that shit. jus choosey. he still got the Leslie back there to. the candles sit on it.

  4. jdub Says:

    so the big question is, did the leslie get put into use during the wingsuit set?

  5. little umbrellas Says:

    working on getting that AC Carini and 555 tone down. got a digitech whammy pedal here and a wah set up with a hollow body and a fender delux reverb. sounds pretty on….. need to get a Leslie….
    octave drop on guitar is pretty nice. one day i’ll buy a Mutron octave divider…

  6. MrCompletely Says:

    I figured I’d rip that JGB DVD because most of us never really put in DVDs anymore but the show is a very good one, I wanted to listen to it after checking out the recent official release from that era

    the Fillmore ’69 show is very good and quite slept on

  7. jdub Says:

    i love it when lu or plord drops guitar geekery. makes this place feel less like a locker room and more like the playing field. granted I’m all locker room yo

  8. joe Says:

    5:25 of part 2 for whammy talk


  9. Gavinsdad Says:

    Never watched a rig video

    I did, however, insert a DVD last week (talking heads chronology)

  10. Mr. Palmer Says:

    Any JGB with a deep Don’t Let Go is good by me.. Takes me back to freshman year of college in early 90s…

  11. jdub Says:

    hartford Golden Age on right now, just past the 6 minute mark. Go Fish.

  12. joe Says:

    I love those videos. Trey in his element

  13. Mr. Palmer Says:

    Went back and spun the Dick’s Chalkdust.. talk about a clinic by Fishman, woah. He just murders that kit..

  14. little umbrellas Says:

    Yeah Gdad. so good right?

  15. jdub Says:

    Yeah he does Palmer, not quite as dominant in this Golden Age but just as crisp.

  16. Mr. Palmer Says:

    I know it’s all a personal preference thing, bit for my $$, that Dick’s Dust is the jam of 3.0 so far. Like it more than the Tahoe Tweezer.

  17. bob dylan Says:

    Update to the floor shenanigans. Company kept saying it wasn’t their fault and their driver insists that the furniture didn’t sit on the ground. It went directly from the truck to the house.

    So I emailed her a photo I took on the moving day with about 20 boxes sitting outside. I never said anyone was lying but did say I think the photo proves you’re being given misinformation leaving me to fend for myself. We’ll see how they wanna play now. I wish I could be there when she opens the email.

  18. jdub Says:

    I interviewed a kid for a job this week. He is a drummer who is way into speed metal, all kick ass drumming. So he tells me his good friend since he was a kid is cousins with Trey. And we get chatting, he could give two shits about Phish but has mad respect for Fishman. Go figure.

  19. little umbrellas Says:


  20. jdub Says:

    Bob, unfortunately the folks I’ve talked to have nothing but bad news. Not much you can do about that except go after the moving company.

  21. ren Says:

    DicksDust may be my fave of 3.0 as well…but I think
    I need a bit more time and I feel by then it may be a moot point anyway 😉

  22. bob dylan Says:

    i already told my landlord about it and he thinks it can be fixed cheaper. said he puts that in the lease to scare people. i just want this moving company to fess up. which i think now with my photo negating their whole defense, i think they will have to.

  23. jdub Says:

    honesty always wins.

  24. Cable Hogue Says:

    I watched the Dick’s webcast with the big Chalkdust with my good buddy who is a drumming non-phan and he was blown away by Fishman.

    His main comment was “His kit never moves an inch. The man with the steady kit” I had never noticed that before but now I do…no matter how crazy Fish is going, his kit remains motionless.”

  25. jdub Says:

    He makes it look so easy and effortless. The mark of an accomplished craftsman. I am honored to have Jon Fishman as my go to drummer.

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