Three of a Different Kind

Atlantic City (Andrea Nusinov)

Atlantic City 2013 (Andrea Nusinov)

In a fall tour where so many facets of Phish’s game stood out, perhaps the most significant was their improvisational diversity. Phish is known for never playing the same show twice, and—more specifically—never playing a jam the same way twice. But on this tour they took this concept to a new level. Most often through history, Phish has focused—more or less—on one style of play at a time. Therefore, within a tour—say Fall ’97—most “Ghosts” will bare a sonic similarity, as the band was honing in on one sound, in this case, James Brown-esque groove. In the 3.0 era, however, focused pattern has not been their modus operandi. Instead of magnifying one style of jamming at a time, the modern era has been all about improvisational diversity, as Phish routinely and proficiently plucks jamming styles from the entirety of their 30 year history. Before coming back in 2009, the band had done all their pre-requisite course work: the fundamentals of the late ’80s, the intricate compositions of the early-’90s, the lightning quick “speed jazz” of ’93, the advent of free-form jamming in ’94, the psychedelic sorcery of ’95, the groove reinvention in late ’96, multiple stages of funk in ’97, the advent of ambient jamming in ’98, the ambient-layered sound sculpting of ’99-’00; the grungy, dissonant exploration of post-hiatus. Phish had learned it all. In this era, however, they have access to all of these learned styles and more as they their jams no longer liken case-studies, but referenced, master works. And on fall tour, this methodology worked wonders as the band’s jams—even within a single song—varied greatly, providing the ultimate smorgasbord of Phish delicacies.

Atlantic City (A.Nusinov)

Atlantic City (A.Nusinov)

This fall, the band played three versions of just about every major jam vehicle, and by comparing the three, the incredible diversity of Phish’s current jamming will leap off the table. My favorite reference point in the Phish universe is “Tweezer,” and so let’s start there. The band’s first “Tweezer” of fall came as part of Hampton’s instantly legendary third night performance. Once the guys pushed through a set of whammy-laced grooves, they took a sharp left turn for the dark side. Phish favored a loose, grungy and highly-effected sonic palette, as the music likened a descent into Hades. This ominous march became more and more intense—a harrowing segment of musical mania that pushed further and further into abstraction. Sounding as if they had been burrowing through the earth, the band—finally—popped through the darkness into the tranquil, deep sea where they floated hundreds of feet below the surface. And thus began the majestic final segment of the jam—a truly holy exchange. Needless to say, in Hampton, Phish put the lens of the exploratory and psychedelic side of their game, and came out with quite the result.

The next “Tweezer” came exactly one week later, on Sunday night in Hartford, Connecticut, and it was a totally different story. Whereas Hampton’s was loose, Hartford’s was tight. Whereas Hampton’s was quintessential “evil” Phish, Hartford’s was uplifting. Whereas Hampton’s was distorted and dissonant, Hartford’s was silky smooth and melodic. And whereas Hampton’s got abstract, Hartford’s grooved ’til dawn. You catch my drift? These two “Tweezer” jams couldn’t really be more opposite. Such utter diversity between versions makes any comparison a matter of apples and oranges. Hampton’s version felt perfect in the old, shoddy Coliseum, while Hartford’s uplifting groove exercise fit congruently with the most wide open dance floor of tour. As Mom used to say, “There’s a time and a place for everything.” And she’s never been more right than in Fall 2013.

Atlantic City (G.Estreich)

Atlantic City (G.Estreich)

“Tweezer’s” final outing came in Atlantic City’s fall tour finalé, and it was, perhaps, the most unique of them all. This version focused exclusively on rhythm, as each member used their instrument in percussive fashion rather than offering any melodic leads. Many times this is how Phish jams start before moving into a second section of more conventional playing. But Atlantic City’s never made that jump, instead undulating between varying rhythmic textures. This made for an extremely danceable version that entered some decidedly unique late-jam grooves. While this “Tweezer” developed in concept throughout, never did anyone look to build the jam vertically or melodically, as Phish remained a growling, mechanical dance factory for the duration of tour’s final jaunt. This excursion, truly, bears no resemblance to either Hampton’s or Hartford’s, making the trifecta of fall “Tweezers” about as different as three Phish jams can get.

If we were to draw roots of these “Tweezers” into Phish history, they would certainly touch several different eras. Hampton’s version references the growling abstraction of ’03 and ’04, Hartford’s nods to the funk era of ’97 and ’98, while Atlantic City’s is a bit tougher to trace—some combination of the intricacy and innovation of ’94 with a sonic palette of ’99-’00 and beyond. While musical genealogy is hardly a precise science, the overall takeaway is that Fall 2013 was comprised of a hybrid of improvisational styles from throughout the band’s illustrious career. And what makes Phish such a special band is that they are still creating at this stage of the game, forging new pathways nightly, all while referencing tricks learned over a Hall of Fame career. The result of this is a Phish tour that is more dynamic than ever before, as nobody knows what style of jam will spring from what song on any given night. In past eras, as unpredictable as Phish has been, one could know—more or less—what style of jamming they would witness when they walked through the arena doors. These days, however, with’s the band’s ever-diversifying improvisational tendencies, it’s just not that simple. When extrapolating this trend to every jam vehicle in the catalog, the possibilities contained within any current Phish show become limitless. Through the years, the band has taught us to expect the unexpected, but in this, their thirtieth, year, Phish has once again redefined the meaning of “unexpected.”

11.1.13, Atlantic City (Jake Silco)

Hampton Coliseum (Jake Silco)

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368 Responses to “Three of a Different Kind”

  1. butter Says:

    oh to be back at Dicks. i guess were assuming its on next year again?

    my sister is getting married Sept 6 and i freaked thinking it was Labor day, but its 9/1 next year. making the potential run 8/29,30,31st. 29th is my son’s 3rd bday, will have to figure that one out. i want to take him to a show next year, but not Dicks. my daughter hasn’t gone since Father’s Day ’11 at Portsmouth, and i’d like to take both kids next summer. it was a good few years off for my 11 year old as she’s been in a mode where she been really looking at adults and what they do and judging them. she’s out growing it and wants to go with her little brother, and that would give us a solid family theme up on the top of a choosen lawn. the bay area shows have been to heady for kids lately imo.
    BGCA, Tahoe (good prob to have)

  2. butter Says:

    give us a Greek run again and i’ll have the whole fam at top of the lawn, puffing J’s watchin the sunset over Berkeley Hills

    much prefer BGCA and hope it stays in the rotation. imagine it will. strong sell outs. band gets to be in SF for a long weekend

  3. sumodie Says:

    NPR had a great 8min interview with Blood Orange tonight. While the music clips weren’t grabbing me, what was interesting is that Blood Orange (/Dev Hynes) has synesthesia – when he hears something he also sees colors associated with each sound, be it music, conversation, noise, etc. Best to let him describe it:

  4. Spasm Waiter Says:

    Just had a great beer… New to me. Hitachino. Japanese IPA. Yum.

  5. Mr. Palmer Says:

    New release

  6. sumodie Says:

    2014 Dave’s Picks subscription

    Any idea what other show(s) are being tapped for 2014 besides Volume 9 – May 14, 1974, University of Montana in Missoula?

  7. xpun Says:

    First post from my new galaxy phone. After years of iphones finally made the switch. Bit of a learning curve.

  8. RoosterPizza Says:


    Dick’s is going to be a yearly pilgrimage for me as long as it’s going on. I had such an amazing time there this year. Though it was brief, it was nice to meet you. Too bad I didn’t catch you at GF.

  9. little umbrellas Says:

    @butter, here here! let’s have another Greek run.

  10. sumodie Says:

    DP 2014 ordered

    Had to sit in the car today until the Playing > Drums segment off of DP v8 finished. Of course I ordered the 2014 subscription

  11. Random Poster...Nutbag Says:

    A couple days late but my Phanniversary was Monday. 11/18/94 at the MSU Auditorium, East Lansing, MI. Walked to the show. How awesome was that?It’s also my boy’s birthday so I’ll take that as a cool coincidence. Almost 20 years later’d…getting good and old I guess.

  12. lumpyhead Says:

    happy week, random poster!

  13. MiA Says:


  14. bob dylan Says:

    For shame Xpun.

    Left your lady for some strange cause you wanted strange but it’s not better and now you gotta live with the fact that you left your lady.

  15. Random Poster...Nutbag Says:

    Thanks. Sparty on indeed! Meant to say my son’s bday and my first show are both 11/18 which is pleasantly odd. Been working my way through that machine gun Trey mix (very awesome) but I find myself wanting to revisit this fall again which is a pretty cool testament to the current state of Phish.

  16. Random Poster...Nutbag Says:

    ^^based on my own personal ear calibration of course

  17. butter Says:

    Cheers Rooster, hope to see ya again at a show sooner than later

    Lil um, would be cool to see Phish start taking residency, and doing 4-5 night runs at Greek or BGCA. Would take a bit of pressure off a tight 3 night sell out.

    West coast 14:

    2 Desert Skye, AZ
    2 Hollywood bowl
    4 Greek, Berkeley
    4 BGCA
    2 PDX Rose Garden Arena

  18. Stoney Case Says:

    Random, was at that MSU show! Butters first the night before at Hara’s of Dayton.

    11/14/94 = the show barely anyone knows yet should.

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