A Portrait of the Past

12.31.13 II (Scott Harris)

12.31.13 II (Scott Harris)

If there has been one constant throughout their 30-year career, it has been Phish’s ability to keep their audience on its toes, expecting the unexpected. And on New Year’s Eve, they band flipped the script once again, ditching their tradition of an elaborate midnight gag in favor of a stripped down set of old material to pay homage to their 30th Anniversary. From the stage last year, Trey and Page mentioned the significance of their thirtieth year only in passing. But on the last night of 2013, the band gave the ultimate nod to their past, performing a retro second in a very special setting.

A video that started as the first set ended was integral in setting up the entrance of the band’s first equipment truck, labeled “JEMP.” And to make room for the truck, the crew began rearranging the floor at the Garden! Always seeking to shrink the gap between themselves and their audience, for their thirtieth birthday, Phish was going to perform—literally—amidst their adoring fans, in the round at Madison Square Garden! The GA East became the front section; the rail monkeys watched from afar, and Phish performed an momentous set of music.

Not only did the guys play atop their JEMP truck, they replicated the exact setup of their very first show at the Harris-Millis cafeteria at the University of Vermont in 1983. Not only were the details in the staging, such as the hockey stick mic stands and Kuroda’s miniature, four-can lighting rigs, but they were also in the music. Fish and Page played on bare bones kits, while Mike and Trey used their original Languedoc guitars. In this era of larger-than-life Phish experiences, the simplicity of the JEMP set became its spectacle. Gone were the sprawling improvisations and gargantuan effects we had witnessed over the past three nights; all that was left was Phish in their purest form—exposed and vulnerable. And it was a sight to behold.

12.31.13 II (Scott Harris)

12.31.13 II (Scott Harris)

Despite having played the song two other times since Coventry (interestingly, both at MSG), as soon as “Glide’s” signature drumbeat broke the silence of setbreak, my mind raced back to 2004’s mud-laced apocalypse. The message of the moment was both literal and powerful as the guys looked at each other and sang, “We’re glad, glad, glad that you’re alive.” Back when this song fell apart during that fateful Vermont weekend so many years ago, as band members were enmeshed in mortal struggles, few could have predicted that we’d gather nine years later to celebrate life, love and Phish at Madison Square Garden. But here we were—and the band’s musical acknowledgement in “Glide” dripped with this poignancy.

Tearing into “Llama,” Phish was off and running into a frame of music that nobody would soon forget. Comprised completely of old-school staples, the most recent of which was 1991’s “Glide,” the guys worked through a setlist of elusive crowd favorites that pointed to a simpler time. The dramatic drop into the first performance of Gamehendge’s “Cololnel Forbin’s Ascent” since UIC 2011, brought a roar from the enraptured crowd. But it was the nearly note-perfect rendition of the notoriously difficult, “Fly Famous Mockingbird” that left fans’ jaws on the cement floor in New York City. It’s been a hot minute since Phish navigated this composition as deftly as they did on New Year’s Eve, and to see them nail it on the year’s biggest stage infused my heart with awe and gratitude.

The interlude of “Fuck Your Face” set the table for the improvisational highlight of the JEMP set, a soaring and passionate “Reba.” One could only imagine the thoughts—or lack thereof—going through Trey’s mind as he gazed into the rafters of the Garden while emoting one of his most heart-tugging solos of a weekend that was filled with them. As Trey drifted off to his happy place, weaving magic out of thin air, we closed our eyes and joined him in that familiar Eden that has fed our souls for the past three decades.

12.31.13 (A.Nusinov)

12.31.13 (A.Nusinov)

And then that familiar vamp of “Icculus” arose from the center of the World’s Most Famous Arena. One could feel a shift in the energy in the building as people attuned their senses to what was transpiring. It was only proper that during Phish’s 30th Anniversary set, that we’d get a visit from Gamehendge’s higher power. Thirty years later—while Billy Joel played second fiddle at Brooklyn’s Barclay’s Center— Trey screamed at his audience, every bit as exuberant as in the ‘80s, imploring us to “Read the fucking book!”  It was 2013—almost 2014—and the sun was shining in the Land of Lizards.

Pairing “Lizards” with a concise, retro take on “Split Open and Melt,” Phish concluded their intimate main event. The juxtaposition Colonel Forbin’s entrance into Gamehendge with one of the Phish’s earliest entries into atypical, cerebral jamming provided a glimpse into both ends of the band’s earliest musical spectrum. In this carefully selected setlist, every piece had a meaning and every song had a purpose. The message was lost on no one.

Within the context of a single set, Phish had brought us on a joy ride through their formative years. For a band that is always moving forward, to take a momentary step back and perform the JEMP set was nothing short of sacred. What better way to showcase their reverence for their own past, than to recreate it right before our eyes. For about 65 minutes on New Year’s Eve, time stood still and we witnessed a portrait of a time long gone by. And when the lights came up, thirty years later, we were still upside down.

12.31.13 II (Andrea Nusinov)

12.31.13 II (Andrea Nusinov)

Tags: , , , ,

558 Responses to “A Portrait of the Past”

« Previous12345678...2223Next »
  1. HeadyBrosevelt Says:

    good on ya, miner- sunday post! first?

    phish phish phish, love love love

  2. HeadyBrosevelt Says:

    in my opinion, the beauty of the second set on new years was how good they sounded stripped down. gone was the spaceship phish- i was blown away at how good they sounded bare bones. very well done. my hat is off to them for the risk taking of wingsuit and the stripped down msg set- very cool moves.

  3. HeadyBrosevelt Says:

    happy sunday,bb- beatles, reggae, jerry, bluegrass, and soul music- always good sunday listening… moonshine and og jack herer are also good on sunday

  4. BRICCULIS Says:

    If you didn’t get The Message after that set reading The Book might not even help. I mean, you can’t just keep trying to send the same message for thirty years and have nobody get it. I would also be pissed if that was the case. Some of these assholes just need to read the fucking Book. YES your children are old enough to read Icculus.

  5. buddysmyles Says:

    A truly magical experience… So grateful to witness this set live!

  6. buddysmyles Says:

    I turned to a lady during FYF & said this is my first one, she says u are so blessed to have this as your 1st show! I said no this is my 1st FYF, but this set brings me back to my 1st show….bravo boys!

  7. Chonz Says:

    Nice article. I like the term JEMP set, and I don’t think I’ve ever seen a Phish set that’s meant more to me personally than that one.

  8. Sk Says:

    Rail monkeys… Good one.

  9. Willowed Says:

    This post gave me goosebumps.

  10. George W. Kush Says:

    During this set, the crowd’s concentration on the center of the arena was palpable. No reason to look away at the crowd, light rig, chicks in the front row etc…all eyes were firmly affixed atop the JEMP truck. From my section, felt like the crowd around me was hanging on every note. Me and my folks were certainly basking in the glow with ear-to-ear smiles all night, but especially during this set. Goosebumps indeed.

    Happy Monday BB. Gracias Senor Miner. Cheers to the Phish from Vermont. Get back to where you once belonged.

  11. buddysmyles Says:

    ^I concur… EVERYONE shut up & swayed in awe during Reba…

  12. Ulysses S. Wingsuit Says:

    (In response to a comment from the previous post)

    chris: Yes, one of the 3.0 SASS’s had the intro.The Superball version, I believe.

  13. George W. Kush Says:

    Phil and Friends with Trey just never gets old.


    This will pick your monday morning up for sure.

  14. buddysmyles Says:

    This is the best thing about Miner not doing any MSG reviews during the run… Weeks of reviews after the fact FTW! Thanks again Mr Miner & the BB!

  15. HeadyBrosevelt Says:

    here is a short film a friend of mine did for the alchemist- he did it for gas money, a place to stay while in vt, and beer. he said the owners are very sweet people.

  16. HeadyBrosevelt Says:

    http://vimeo.com/83585900- oops- here is the link

  17. George W. Kush Says:

    @heady, got another link? That one didn’t seem to work

  18. Ulysses S. Wingsuit Says:

    Fantastic video Heady. Now, who will send me a sixer? I will compensate.

    Hint- remove the dash from the end of HB’s link.

  19. vapebraham Says:

    Touching, well-written piece, miner. Thank you for putting the meaning and import of that magical set into words.

  20. MiA Says:

    Nice writeup. Great that a lot of 2.0 and 3.0 and even 1.0 kids got to feel the excitement of a pre-94 concert.

    I think Mike’s original Dragon Bass he played was stolen though.

  21. HeadyBrosevelt Says:


    this should work

  22. George W. Kush Says:

    thanks Voops

  23. dorn76 Says:


    Even more intense.

  24. Kaveh Says:

    Morning BBers…

    …nice writeUp @Miner. Really blessed to have been at MSG this year; JEMP set is one of those reason. Plus I don’t mind when the stage comes to you; nothing wrong with that!

  25. George W. Kush Says:

    7/24/99 is a smoker. Never spun it front to back but WOW. too many awesome parts to list

« Previous12345678...2223Next »

Leave a Reply