The Return of the 29th

12.29.13 (Jake Silco)

12.29.13 (Jake Silco)

The 29th of December holds a special place in Phish lore. For several years in the mid to late ‘90s, this date yielded many of the band’s most prolific exploits and most outlandish shows of their respective New Year’s Runs. After a standout showing on December 29th of their comeback year in Miami, Phish had played a couple of genuine stinkers on this date in 2011 and 2012, after skipping it all together in 2010. Needless to say, the hallowed date of the 29th had taken a hit in pantheon of Phish dates. Within these more recent years, the guys had made a practice of knocking the first show of any given tour or run out of the ballpark. On 12.28 of both 2011 and 2012, Phish kicked off their MSG run with high quality performances that were, arguably, the best two-setters of their respective runs. But when the band came out on the 28th of this year with a fairly straightforward show, the entire run picked up a different trajectory. And so did the potential of the 29th.

12.29.13 (J.Silco)

12.29.13 (J.Silco)

The opening set possessed a palpable energy right from the start, as “Moma Dance” and “Rift” persuaded our souls to ignite. “Roggae” and “Sparkle” provided two quasi-rarities early in the game, and two of Wingsuit’s well-loved songs “The Line” and “555” gave a fresh feel to the set as a whole.  Between the two songs, “Stash” led the band into their first jam of the night, one who’s ominous vibe provided a foreshadowing of what was to come. “It’s Ice” and “Gumbo” both featured enhanced improv—mostly between Page and Trey—and continued to raise the creative bar of the show. A searing rendition of “Walls of the Cave” punctuated the most complete first set of the run, while setting the table for the band’s most impressive playing of the year.

The opening 35 minutes of the second set, simply put, was a Phish fantasy; a deranged, indoor Eden, the likes of which we haven’t visited in quite some time. Straight up, “Down with Disease > Carini” was the stuff of legend. Not only were both jams developed and completely realized in concept, they contained lock step jamming and mind-bending creativity that covered a massive amount of the Phish spectrum. “Disease” traveled with criminal smoothness from its rock platform into a consciousness-altering ambient journey that was drenched in majesty. Melting into a dark, drone soundscape, the band showcased utter patience in allowing this excursion to unfold one note at a time. In the depths of the void, Trey unleashed mystical leads that cut through the darkness and formed a soulful peak. And then, in a genius maneuver, Fishman changed the shape of jam as he kicked into an upbeat rhythm, an idea that Trey jumped onto instantly. From this point, the band, collectively, worked their way back into an uptempo groove and seamlessly merged back into “Disease,” bringing the house down with their artistic triumph. But instead of basking in the glory, Trey wasted no time at all, morphing the final note of “Disease” into the first note of “Carini!” Ummm, yeah. The 29th was back.

12.29.13 (J.Silco)

12.29.13 (J.Silco)

Following the most prolific year of its career, with standout versions popping up almost every time played, “Carini” was the jam everyone was waiting for at MSG. Having gone in so many different directions in 2013, “Carini” had become the newest open-ended adventure, and its last three versions of fall were all highlights of the year. After scripting one all-time jam in “Down with Disease,” Trey was feeling IT, picked his moment, and went for another in “Carini.” And boy did he succeed.

When Phish are improvising at their highest level, their jams can reach a staggering fluidity in which every note is in the perfect place with a purpose—almost as if rehearsed. In their peak moments and passages, the band is able to compliment each other with such an airtight proficiency, it is as if they are controlled by a single mind. MSG’s “Carini” is one of these jams. Stylistically divergent from “Disease’s” multi-tiered jaunt into ambient space and beyond, this “Carini” was a clinic in evil, larger-than-life dance groove. Gritty, spacious and demonic, this jam evoked both the sound and feeling of vintage late-‘90s MSG Phish. The Garden—literally—shook with the intensity of sound and energy during “Carini,” a jam that united the band and audience like none other of the run. This was the filth, the gnar, the straight dope, the business, the bees knees—pick your colloquialism, because they are all true. Phish was locked and loaded with a comic book level of superhuman power, and they demolished this jam like the mechanical monster of lore. In the jam’s final sequence, used his Echoplex to create a dramatic and distorted delay pattern with which he nearly crumbled the foundation of New York’s legendary round room. This “Carini was one of those experiences in which time froze; one where you’ll always remember where you were and who you were with when it went down. This was a memory of a lifetime.

MSG 2013 (A.Nusinov)

MSG 2013 (A.Nusinov)

At this point in the show, Phish had dropped two consecutive first-ballot, Hall of Fame jams in a row, and upon the ending of  “Carini,” Trey began “Waves!” Had we all died and gone to heaven? One couldn’t have predicted such a move, when a ballad or rocker seemed like the more probable call. But this was the 29th at MSG and the band was neck deep in an all-time performance—Trey wasn’t gonna’ let song calls throw off the night. A gorgeous, jamless version of “Waves” provided the ideal cool down from the set’s opening fireworks, and the end of the song melted into the beginning of “Twist.” It was clear that the guys were going to see this set through.

Instead of their usual late-set ballad, Phish popped into “Golgi” to bridge the main event to its closer, “David Bowie.” A focused and intricate version took several twists and turns before arriving at the song’s final peak, and when the guys, collectively, nailed the last note of the song—and of the six-song set—they put down their instruments, stood before us and bowed. But in all reality, we should have been bowing to them.

The 29th was a real deal, two-set Phish show that will stand among the best ever played at Madison Square Garden. Finally, the band dropped a modern-era MSG show that can hold up to those cassette and DAT tapes we wore to death back in the day! With world-class improvisation, an awesome setlist, creativity throughout and nary a lull, this show stood out not only witihin the run and the year, but within their 30-year career. Going into this MSG run, a distinct energy coursed through the community following an incredible Fall Tour. With so much momentum and with four nights to play, something monumental was bound to happen. And on the second night of the run—on a date that is now restored in the Phish universe—that something happened.

12.29.13 (Jake Silco)

12.29.13 (Jake Silco)

I: The Moma Dance, Rift, Roggae, Sparkle, The Line, Stash, 555, It’s Ice, Gumbo, Walls of the Cave

II: Down with Disease > Carini, Waves > Twist, Golgi Apparatus, David Bowie

E: Possum

746 Responses to “The Return of the 29th”

  1. alf Says:

    too early to tell i’d say jg

    my heavy travel schedule re-commences this week so i’m working on a couple more today, will share if/when i finish them

  2. Mr.Miner Says:

    im a jets fan a and a very mild bandwagon 9ers fan. def root for them though.

  3. chris Says:

    i’ve been on a movie kick lately. Seen some great ones: Mud, American Hustle, Her, and the Dallas Buyers Club.

  4. Jerome Garcia Says:

    chris what did you think of Her? My good buddy is super gung ho about seeing that movie & actually would like to have a female AI life partner now.

  5. chris Says:

    I really really liked it. It wasn’t what I was expecting. You should definitely check it out. Jaquim Phoenix is great selling the ‘relationship’. It’s entertaining and thought provoking.

  6. Jerome Garica Says:

    Thx chris for your Her thoughts. Your post was 555 which is your favorite Wingsuit song. If it’s not it should be 😯

  7. chris Says:

    i like 555 but my favorite wingsuit song is waiting all night followed by wingsuit. That was a great moment, the band debuting that song.

  8. Jerome Garica Says:

    BGCA3 ’12 II incl encore is pretty amazeballs.

    Switching it up to Nick B’s NOLA Live on soundcloud. Eddie Roberts & Friends 12/4/13 @ Maple Leaf.
    https://soundcloud.com/nickbnolalive/sets/eddie-roberts-friends-ft-james

    Eddie Roberts & Friends ft. James Singleton, Khris Royal and Jermal Watson
    12/04/2013
    Maple Leaf Bar
    New Orleans, LA
    Source: SBD + Onstage Matrix
    Mic Source: Neumann USM69i > Tascam DR-680 @ 24/48
    Location: M/S Omni + Fig8, Center of Stage at 2.5ft
    DSP: SDHC > Logic Pro > Sound Studio > xACT

  9. chris Says:

    one other thing about Her ..i think for every person that likes the movie there is someone who will think it’s totally rediculous.

  10. sumodie Says:

    Mud is an awesomeflick. Matthew McConaughey sure has reignited his career over the last few years

    Hope to see his latest, Dallas Buyers Club, this week

  11. little umbrellas Says:

    ::::@Lycan::::
    got some Nord info for ya.

    If you want one that is just for Organ, then the Nord ‘C’ series is your jam. They’ll have a few different organ models in there, plus you get the two racks of keys and tone bars. They discontinue their old models as new ones come out, so the C1 and C2 you’ll find used (craigslist, ebay, whatevs).
    This is probably the most cost efficient way to get an Organ that you can rock at shows without buying a van taboot. The new Nord Organ C2D is pretty badass though, because it has physical draw bars, instead of button ones for tone.

    However, if you want a keyboard that does Organ and Clav, then you want to go Nord ‘Electro series’. Same deal with buying used ones that are the previous models vs buying their newest version. The new one is the Electro 4. Models 2 and 3 will still do the trick though and can be found for much cheaper. They also have MIDI out.

    ::::
    I feel like the Clav sound is a little less authentic sounding then the Organ sounds in the Nord world. If you can get a Hohner Clav, and get a Nord C series organ, you’ll probably have a really good sounding rig that is decently portable.
    ::::
    Our keyboard player in Sun Hop Fat uses the C2 for his organ, and I’ve been trying to convince him to buy one of these new Yamaha speakers that has a rotating Leslie you can switch on and off. They’re really portable and you can put your whole rig through em. Footswitch to flick the Leslie on and off.

    Having a Leslie makes a world of difference.

  12. xpun Says:

    McDonald’s bad lip reading commercial was great. But they still suck ass.

  13. xpun Says:

    McDonald’s bad lip reading commercial was great. But they still suck ass.

  14. little umbrellas Says:

    3/5 Greensky eh.. yum. Just put it up on the calendar. But what was that Bootsy Arcata date?
    ….. team Stoney.

    @JG. did you fully absorb that Xeyed>Light>Sally>Xeyed? So amazing. Trey utterly rips the ‘type 1’ parts of both Xeyed and Light…

    Love the halftime drop in Xeyed, accompanied by a Jedi Tzra lick and Bass bomb.
    Plus the dual synth work by Page during the Light gets me every time.

    … and of course the massive ‘Tweeprise style’ chord progression rock build and drop into Sally is the tits. $$$( · )( · )$$$
    :
    :
    :
    Someone hearing ‘A Tribute to Jack Johnson’ for their first time makes Umbrellas happy. 🙂 > 🙂

  15. xpun Says:

    Fuck me. McStabbin’

  16. vapebraham Says:

    1/2 time, party time. 9.8.73 Eyes time.

    1 hop ranch ($$$) into the day and working on a sly fox ipa (pottstown, PA) — an above decent east coast style w/ an interesting international hop profile and aroma of citrus and shortbread.

    they should remake different strokes — wealthy, stoic african widower w/ attractive daughter adopts an under privileged cute, baby faced, diminutive caucasian boy and his lanky brother.

  17. RoosterPizza Says:

    @Alf

    Been rocking Sweet Soul Music. Thanksfor adding the Cannonball Adderly!

  18. MiA Says:

    Under looks pretty likely.

    Omaha!

  19. Type III Jamming Personality Disorder Says:

    Bingos, that is so true about shows. Good point.

    Don’t think it is considered a double but at 8.0% the Deviant version of Dale’s Pale is a mighty fine offering you can get almost everywhere it seems. Reminding myself of its quality on this fine wintry Sunday afternoon

  20. Jerome Garcia Says:

    2 more EBs @ Cent Mkt; think got the last of it. 6er of Sucks @ local heady brew shop. HopRanch in fridge & currently in glass. 2 grills goin w/ assorted meat products the other w/ veggies. Roasted sweet tats & broccoli tabooty. Curtis Live @ Bitter End spinnin. 75 & sunny.

    #ATXlivin

  21. little umbrellas Says:

    ^sounds like you got it all.

  22. vapebraham Says:

    nice one, garcia. 7.26.98 reba and sculpin (remains a top fave. like the GFWCIPA but w/ brighter citrus and creamy mango.

  23. vapebraham Says:

    deviant dale’s is a thick, delicious offering. Heady-like

  24. Jerome Garcia Says:

    Indeed lil um on that sequence. Need to spin on hifi whilst powercooked. Yes yes the food was dank. Cent Mkt makes it easy but I do have a modicum of skills 😎 Ready for NFC Chmp. Duck off snow!

  25. Jerome Garcia Says:

    ^autocorrect ha! Sucks is $$$ & nice juxtaposition to the DIPAs. HR & 2 Sucks. Next up EB in honor of Cali.

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