For the past two weeks, I’ve been playing a game that has totally diversified my Phish listening. If you have the Phish On Demand app, and can get a speaker for your phone in your bathroom, you can play too! Before every shower, I hit the random show selector. No matter what show comes up, I choose one jam to listen to from that show for the duration of that shower. Several of these jams have been featured in my last couple playlists, but last night I hit the jackpot!
The random show selected was 8-14-98, Limestone, Maine. Your thought is correct, there was no show on that date. The app had pulled up the Lemonwheel soundcheck. I almost just hit the button again to select a real show, but staying true to the rules of my game—you can’t pass on a show—I decided to let it ride. I’ve never been one to listen to soundchecks all that much beyond The Bunny or live at a festival, and I had never heard any of this multi-tracked Lemonwheel affair. I selected the 20-minute jam and hopped in, not sure what to expect.
The tape cut in on a laidback bluesy, groove—nothing all too special. But after a couple minutes, the band dissolved into an ambient jam that clearly foreshadowed the late-night “Ring of Fire” jam in which they—essentially—debuted their next improvisational palette that would take them through the fall and beyond. This was a spectacular, and totally unexpected end-of-the-day soundtrack! And, boy, Phish sounded like they were at complete ease, clicking immediately into a gorgeous, emotive passage. But they weren’t just testing levels here, it was much more than that. This was the first time the band had stepped on stage at Limestone since The Great Went. They were re-acclimating themselves to the magical surroundings and reacquainting themselves with the spirits of the north woods. You can hear the guys’ awe and sense of majesty in their playing. They had reached the end of a long and winding summer tour that started six weeks earlier in Copenhagen, came stateside in Portland, Oregon, and wound its way to the northeast corner of America. The near-psychic connection the band had developed over this time is evident in the utter relaxation and collaborative nature of their jamming. And you wanna talk collaborative? Wait to hear what comes next.
After coming to a natural pause, the band’s dripped into a quintessential, Summer ’98 funk groove that absolutely slays. At this point I’m dancing to some never-before heard ’98 Phish in my shower at 1:30 am—and fuckin’ loving it! This music transported me back in time instantly. They say that smells can evoke specific memories of a place in time, well so can chunky Phish grooves, because I felt like I was back at Limestone, 16 years ago. Comfortable and confident, the band sounded in their element, neck-deep in groove and playing to a wide open field.
This 22-minute jam truly represents a sonic portrait of 1998 Phish—a year when they had built on their raw funk of ’97, smoothed things out considerably and began to travel outwards via melodic, ambient-amoeba jamming. Two of the band’s signature sounds of the year are captured in this single soundcheck jam. And don’t let the word “soundcheck” throw you, this is the straight dope! Listen below.1998, Festivals, Jams, Miner's Picks