Boy, Mann.

The Mann '14 (Andrea Nusinov)

The Mann ’14 (Andrea Nusinov)

Phish continued their summer onslaught with two very different second sets at the Mann on Tuesday and Wednesday nights in Philadelphia. Tuesday’s showcase was chock full of creative improv, including the unquestionable jam of the tour thus far in a stunning, long-form rendition of “Fuego.” Wednesday night’s second set was highlighted by another in the recent line of exploratory, wide-open “Chalk Dust” jams, but was played in more straight forward fashion following the top-shelf opener. Instead of analyzing the shows as individual performances, let’s look at the overall musical takeaways from Phish’s stand the the City of Brotherly Love.

Mann Poster (LandLand)

Mann Poster (LandLand)

Any discussion of Mann highlights must start with “Fuego.” Phish drastically matured their newest springboard from its first to its second outing, unfurling one of their elite modern jams out of the brand new piece. Phish’s late-career musical re-development has led them to this type of wide-open, thematic excursion. The band demonstrated ultimate on-stage comfort as they calmly navigated this deeply exploratory adventure. The music was orchestral in nature and carried a very free, yet refined vibe. Trey carved out gorgeous melodies—delicate portals to heaven—as the band engaged in a jam that could only have been played in 2014. No rush, total comfort, and flowing as single course from start to finish while fluidly rolling through distinct improvisational ideas. “Fuego” is not only Phish’s newest jam, it is a launch pad to a new type of jam—patient, sprawling, free form journeys that move between developed themes. These are the jams that many of us dreamt of when we thought about Phish playing as the guys neared age 50. Each band member led different parts of this excursion, all with utmost nuance and subtly, forming a wholly collaborative endeavor. And just as one thought Phish would bring this jam to a huge crescendo like SPAC’s version, Trey led the troops out the back door and into the most intricate groove throwdown we’ve heard this tour. The Mann’s “Fuego” was pure, long form Phish genius, and all signs point to more stunning journeys from Phish’s newest monster.

Phish delved into a late set-run in Tuesday night’s show—“Ghost > 2001 > Harry Hood”—that absolutely demolished. Though Trey fought tooth and nail to get the band out of a “Tweezer” jam and into “Ghost,” once he got them there the band gained liftoff. Trey has been playing with revitalized dexterity this tour, featuring clean, multi-note runs that sound especially awesome in juxtaposition to his extensive whammy experimentation last year. Additionally, Trey has drenched his playing in original melodic phrasing has provided a powerful lead of so many Summer jams. The Mann “Ghost” combined both of these trends into a soaring piece of music that served as the night’s most profound peak. Any thoughts of a lopped off “Tweezer” vanished in this dizzying, highlight-reel “Ghost,” a second keeper from the Mann’s opening night.

The Mann (Andrea Nusinov)

The Mann (Andrea Nusinov)

And “Harry Hood” was the third. The second, deeply improvisational version in as many performances this tour punctuated a stellar set of Phish. And the beauty of this “Hood” was its absolute tenderness—a total juxtaposition to the flowing psych rock of Mansfield’s standout rendition. The Mann “Hood” saw the band delve into an immersive conversation within a stunningly delicate milieu, and they came up with yet another nugget of improvisational gold to end a very impressive frame of music. After an extensive rain delay pushed the start of the second set beyond 11 pm, the band made sure that the entire night was worth any inconvenience that people had been through.

The Mann (A.Nusinov)

The Mann (A.Nusinov)

Wednesday’s night’s second set kicked off with another top-shelf jam—something we have come to expect from the band on a nightly basis— in “Chalk Dust Torture.” Following in the footsteps of Dick’s 13’s and MSG 13’s versions, the Mann “Chalk Dust” featured many different segments of improv, however this one was notably more fluid as it morphed between feels. This jam carried an uptempo rhythm throughout, and the band seemed to surf a musical wave in whatever direction it would take them without truly developing any single section for too long. This type of protean jam has become a modern trend with “Chalk Dust,” and provides a stylistic contrast the band’s more singularly focused improvisations. (Note: They certainly have taken “Chalk Dust” in the mono-thematic direction such as Dick’s 12, but more often than not its jams fit this description.) Spanning several feels, Mann’s version’s provided a tasting menu of Phish sounds, all connected with a single thread.

Several other jams provided sub-highlights of the run. “Twist’s” tight rendition featured mini flourishes in different directions, but each time returned to structure, much like a jazz take on the song. “Mike’s Song,” though not extensive, featured more active interplay between Trey and Page, and didn’t simply default to a guitar solo. Could this be a sign of things to come? One can only hope. Each show saw one significant first set highlight each night—Tuesday, “Tube” and Wednesday, “Wolfman’s Brother.” Both pieces featured a developed jam that moved beyond convention and gave a burst of energy to otherwise routine frames of music.

All in all, the Mann was a very solid two-night stand. Whether you favor the more adventurous first show or the cleaner, more rocking second show largely depends on your stylistic preference. But whichever path Phish has chosen in each show of this short tour, whether jamming or rocking, they have executing it to near perfection. When looked at together, the two Philly shows demonstrated the yin and yang of live Phish.

7.5.14 SPAC (Chris LaJaunie)

7.5.14 SPAC (Chris LaJaunie)

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2,250 Responses to “Boy, Mann.”

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  1. bobby weird Says:

    I am not worthy

  2. phishm Says:

    First.
    Absolutely xpun and bw. I’d love to meet you both sometime. I’m sure we actually have a lot in common. That is if you listen to music most of the time and enjoy the hell out of your kids. What else is there?

  3. phishm Says:

    2nd actually. There you go again bw.

  4. phishm Says:

    For the trifecta, great write up Miner. A couple of great shows. Can’t wait to be in attendance on Wednesday. Yes Phish shows are therapeutic. Night all.

  5. Random Poster...Nutbag Says:

    It seems like there are a lot of really cool intricacies going on everywhere and in some unusual places taboot. Trey making cool sounds (easiest way I can say it). Band communicating very well. Miner is much more eloquent…

  6. Random Poster...Nutbag Says:

    ^above post by me brought to you by Simple Jack.

  7. sumodie Says:

    Weird. Normally changing pages on the previous post brings up the orange hyperlink for the new post. Not this time. Had to go back to the homepage to get the new post link

    Miner, thanks for the review!

    ***
    Manhattanhenge goes down on Saturday night, 8:25pm

    Looks like if you face stage, off to the right the streets of Manhattan will be perpendicular to the stage, ~118th st. Dunno how good the Manhattanhenge effect will be from Randall’s

    http://en.m.wikipedia.org/wiki/Manhattanhenge

  8. Random Poster...Nutbag Says:

    BingosBrother Says:
    July 10th, 2014 at 7:49 pm
    http://www.amazon.com/gp/aw/d/0615482155?pc_redir=1404875660&robot_redir=1
    After I read this book, the day I stopped smoking I knew I’d never smoke again and still have no desire almost 2 years later. Take it from me and a bunch of other drug addicts and read the fucking book. It’s boring and seems stupid, but it works. Do it.

    ^ I 100% validate the above email. I read “the fucking” book casually over 3 nights and quit on 2/1/14…20 years later. It seems hokey for sure, but it flat out worked for me and I rarely even think about cigs anymore, even whilst drinking. It was almost easy in a way and for the cost of a webcast. Seriously…Do it. Do it.

  9. sumodie Says:

    Mann Fuego jam 2nd longest 3.0 jam during a regular show

    http://phish.net/setlists/twenty-minute-jams.php

    Yo, I told you Phish was all about the math!

  10. Random Poster...Nutbag Says:

    If the echoplex is what I think it is then I’m loving it’s usage. Great addition.

  11. Random Poster...Nutbag Says:

    I feel like Yogi Berra. Goodnight!

  12. bob dylan Says:

    I heard there is a map for randall’s. went to phish.com randall’s info and couldn’t find it. Can someone link me?

    What I did find on what not to bring:

    No sleep till Brooklyn

    ^beastie cover would be slick. shit bring out ad-rock and mike d while you’re at it.

  13. bob dylan Says:

    found the map. minifest ftw

    burns missing another nyc run. esp this run.

  14. bob dylan Says:

    and there’s even a fuck tracking booth! gonna go dream now about randall’s concerts

  15. phishm Says:

    Sorry to break my new rule of not posting too much at night, but I gotta know what a fuck tracking booth is.

  16. xpun Says:

    what the hell is a fuck tracking booth and when will MiA have his design proposal done for it?

    must sleep now. early drive into DC and then on the hound to Randall’s!!!

  17. xpun Says:

    forbin’s>manhattanhenge narration>mockingbird

  18. Berkeley Head Says:

    THANKS Miner! Keep em’ coming

    Respect to the BB… for all that you do. To reciprocate the earlier candor I’ll sing

    “My problems got problems, I can’t explain
    Pass me the wheat straw, I will try it again”

  19. Berkeley Head Says:

    ’em

    whatever grammar police

  20. Berkeley Head Says:

    “Whatever,” grammar police.

  21. Berkeley Head Says:

    “Whatever,” Grammar Police.

    .

  22. Berkeley Head Says:

    “Whatever, Grammar Police” said Berkeley Head.

    Sorry. I’m ripped. Good night. Rip Randy a new one kids.

  23. phishm Says:

    I’m starting to believe that a fuck tracking booth isn’t a real thing. If it is it’s brand new and just became hip. I’m so out of touch with the youngsters nowadays.

  24. garretcorncob Says:

    If I’m not mistaken, booby d meant “fuck fracking booth,” as fracking autocorrects to tracking.

    Unless they stick sensors on you and measure your coitus…

    Equally likely.

  25. Selector J Says:

    Re: n00bs
    Tracking booth is where you get to play sound guy on the mix.
    Shit is boss. Like a rounded 5 man shit tent.
    Making Flippy Floppy. No fracking necessary.

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