Boy, Mann.

The Mann '14 (Andrea Nusinov)

The Mann ’14 (Andrea Nusinov)

Phish continued their summer onslaught with two very different second sets at the Mann on Tuesday and Wednesday nights in Philadelphia. Tuesday’s showcase was chock full of creative improv, including the unquestionable jam of the tour thus far in a stunning, long-form rendition of “Fuego.” Wednesday night’s second set was highlighted by another in the recent line of exploratory, wide-open “Chalk Dust” jams, but was played in more straight forward fashion following the top-shelf opener. Instead of analyzing the shows as individual performances, let’s look at the overall musical takeaways from Phish’s stand the the City of Brotherly Love.

Mann Poster (LandLand)

Mann Poster (LandLand)

Any discussion of Mann highlights must start with “Fuego.” Phish drastically matured their newest springboard from its first to its second outing, unfurling one of their elite modern jams out of the brand new piece. Phish’s late-career musical re-development has led them to this type of wide-open, thematic excursion. The band demonstrated ultimate on-stage comfort as they calmly navigated this deeply exploratory adventure. The music was orchestral in nature and carried a very free, yet refined vibe. Trey carved out gorgeous melodies—delicate portals to heaven—as the band engaged in a jam that could only have been played in 2014. No rush, total comfort, and flowing as single course from start to finish while fluidly rolling through distinct improvisational ideas. “Fuego” is not only Phish’s newest jam, it is a launch pad to a new type of jam—patient, sprawling, free form journeys that move between developed themes. These are the jams that many of us dreamt of when we thought about Phish playing as the guys neared age 50. Each band member led different parts of this excursion, all with utmost nuance and subtly, forming a wholly collaborative endeavor. And just as one thought Phish would bring this jam to a huge crescendo like SPAC’s version, Trey led the troops out the back door and into the most intricate groove throwdown we’ve heard this tour. The Mann’s “Fuego” was pure, long form Phish genius, and all signs point to more stunning journeys from Phish’s newest monster.

Phish delved into a late set-run in Tuesday night’s show—“Ghost > 2001 > Harry Hood”—that absolutely demolished. Though Trey fought tooth and nail to get the band out of a “Tweezer” jam and into “Ghost,” once he got them there the band gained liftoff. Trey has been playing with revitalized dexterity this tour, featuring clean, multi-note runs that sound especially awesome in juxtaposition to his extensive whammy experimentation last year. Additionally, Trey has drenched his playing in original melodic phrasing has provided a powerful lead of so many Summer jams. The Mann “Ghost” combined both of these trends into a soaring piece of music that served as the night’s most profound peak. Any thoughts of a lopped off “Tweezer” vanished in this dizzying, highlight-reel “Ghost,” a second keeper from the Mann’s opening night.

The Mann (Andrea Nusinov)

The Mann (Andrea Nusinov)

And “Harry Hood” was the third. The second, deeply improvisational version in as many performances this tour punctuated a stellar set of Phish. And the beauty of this “Hood” was its absolute tenderness—a total juxtaposition to the flowing psych rock of Mansfield’s standout rendition. The Mann “Hood” saw the band delve into an immersive conversation within a stunningly delicate milieu, and they came up with yet another nugget of improvisational gold to end a very impressive frame of music. After an extensive rain delay pushed the start of the second set beyond 11 pm, the band made sure that the entire night was worth any inconvenience that people had been through.

The Mann (A.Nusinov)

The Mann (A.Nusinov)

Wednesday’s night’s second set kicked off with another top-shelf jam—something we have come to expect from the band on a nightly basis— in “Chalk Dust Torture.” Following in the footsteps of Dick’s 13’s and MSG 13’s versions, the Mann “Chalk Dust” featured many different segments of improv, however this one was notably more fluid as it morphed between feels. This jam carried an uptempo rhythm throughout, and the band seemed to surf a musical wave in whatever direction it would take them without truly developing any single section for too long. This type of protean jam has become a modern trend with “Chalk Dust,” and provides a stylistic contrast the band’s more singularly focused improvisations. (Note: They certainly have taken “Chalk Dust” in the mono-thematic direction such as Dick’s 12, but more often than not its jams fit this description.) Spanning several feels, Mann’s version’s provided a tasting menu of Phish sounds, all connected with a single thread.

Several other jams provided sub-highlights of the run. “Twist’s” tight rendition featured mini flourishes in different directions, but each time returned to structure, much like a jazz take on the song. “Mike’s Song,” though not extensive, featured more active interplay between Trey and Page, and didn’t simply default to a guitar solo. Could this be a sign of things to come? One can only hope. Each show saw one significant first set highlight each night—Tuesday, “Tube” and Wednesday, “Wolfman’s Brother.” Both pieces featured a developed jam that moved beyond convention and gave a burst of energy to otherwise routine frames of music.

All in all, the Mann was a very solid two-night stand. Whether you favor the more adventurous first show or the cleaner, more rocking second show largely depends on your stylistic preference. But whichever path Phish has chosen in each show of this short tour, whether jamming or rocking, they have executing it to near perfection. When looked at together, the two Philly shows demonstrated the yin and yang of live Phish.

7.5.14 SPAC (Chris LaJaunie)

7.5.14 SPAC (Chris LaJaunie)

Tags: ,

2,250 Responses to “Boy, Mann.”

  1. vapebraham Says:

    swinging Fishman – the champion of the tour, the savior of jamming, page’s hero.

    gdad: thanks for the art links. boss stuff. here’s my friends juan and kim’s gallery in santa fe. check out the santiago perez paintings for the delic.

  2. vapebraham Says:

    i hear why cal loathers winterqueen — live, trey lays the whale on heavy. In the Mannqueen he had some jerry style going before leaning whale — jerry ears rebuked. i like it better than the randyqueen, which goes full bore whale. borderline dying cat.

  3. vapebraham Says:

    ^^^ meant rebuffed. not rebuked.

  4. dorn76 Says:

    For being such a freak, Gdad dresses pretty straight.


  5. Stoney Case Says:

    Really digging the Mann Fuego on second spin. Not something you can have on in the background to really take it all in. That slower style of intricate playing has to be pretty tough? LilUmb? Good times. Can see that being a mixed bag live for the rage crowd..

  6. roberto luongo Says:

    outro though Stoney Fish and Page pick it up. gets swingin hard

    Gdad is old man suburban dad hipster. classy and stylish but refined.

    or a narc. can’t figure it out. ha

  7. roberto luongo Says:

    IMO though that is the best Trey work of this tour Stoney

    have to slow that TEMPO down to Tory speed to let him shine. brilliant delicate stuff.

    reminds me of BGCA Xeyed kinda

  8. Dorn76 Says:

    I’d go for that look but I have only 2 hips and they are degrading.

  9. marcoesq Says:

    Hope gdad isn’t a narc. Although sometimes I do feel like a slob next to him.

    I was rocking my old Barkley Suns jersey in Philly and old boy was all buttoned up. Don’t you get hot, gdad?

  10. Dorn76 Says:

    Nothing hip about bone on bone.

  11. roberto luongo Says:

    seersucker breathes well. quite cool actually.

  12. roberto luongo Says:

    one of my old narc tests when I used to work lot was if older dude actually had hip style not a cop.

    GD def lookin to fresh for a pig.

  13. Darth Vaper Says:

    The guys wearing flat brims that say “hustle trees” are probably narcs.

    Gdad looks mature and not worrying about people judging him for his clothes.

  14. Vapebraham Says:

    Man, these LP sbds sound great. Crispy.

    SPAC dwd – $$$. early tour group hose. trey playing space guitar. Spacious. That whole set (7.4) is super tight.

  15. sumodie Says:

    ” You all did not tell me how whale-filled the Randall first sets have been. Cortisone or stem cell injections at set break. Anyone have any insight?”

    I dont care if Trey used the whammy pedal, Sun set one was a good one

    Loved the whammy use in the Melt especially

    Sat set one was std avg w/out juice or flow

  16. Dorn76 Says:

    By “hip style” you surely mean khaki shorts, flip flops and a shipyard tee.

    (Only recently replaced flops with Air Max, which puts my look into orbit)

  17. roberto luongo Says:


    actually Vaper GD is a big clothes pimp. one of the few old men I know that digs stylish gear as much as I do.

    if he didn’t want peeps judging him he wouldn’t rock $500 shades. ha

  18. Dorn76 Says:

    Loving the Gdad wardrobe talk. Seriously you guys will kill time talking about anything. Where do you even come up with these things?

  19. sumodie Says:

    Earthless meets Heavy Blanket (aka J Mascis) – ‘In a Dutch Haze’ has arrived

    Almost an hour of intense heavy jamming from Roadburn Festival 2012

    Awesome stoner rock facemeltage!

    Srsly need to catch these guys opening for Sleep in August at Boston HOB

  20. Vapebraham Says:

    Still curious why Halley’ s got neutered. Jam it out to the fishman swing. He’s definitely more nola swing these days than prog rock. Maybe break out that go-go beat again. Did fish even know he was playing go-go style in that spac limb?

  21. btb Says:

    DTE re-re right now. Pulling pavs.

  22. Lumpyhead Says:

    lol “loving the Gdad wardrobe talk”

  23. Gavinsdad Says:

    Just as long as we don’t have to talk sprint vs scrum style project management on here all comments -about my sartorial flair, or lack of, or anything else for that matter- are fair game.

    Now where is my cane?

  24. marcoesq Says:

    I thought Tues was the night, vape. Gumbo even had that extra oomph but sign neither took a ride.

    We should get gdad up in the front row, if Trey sees him dressed all fresh and mature he might start thinking it’s cool to keep jamming bc it’s not just heads and cats landing planes in the Ph crowd.

  25. marcoesq Says:

    The question is, how far into Halley’s is Trey planning his exit strategy? I mean, It’s Ice is pretty fkn random tune to come out of there. Seems like it would be a LOT easier to let Halley’s ride than to force these new tunes into a 1sec window.

Leave a Reply