The Baker’s Dozen

The Baker’s Dozen (Andrea Nusinov)

Well, well, well… The band that has continued to outdo itself throughout their thirty-four year career did it once again with—unquestionably—the greatest event they have ever thrown. The Baker’s Dozen wasn’t just a run of shows, it was a summation of Phish’s entire career and a statement of where they stand today. Their residency at Madison Square Garden showcased the band’s endless musical catalog, unparalleled improvisational prowess, carefully contoured set crafting and cleverness of mind—the four central elements that define Phish. Meticulously planned and perfectly executed, the Baker’s Dozen will be talked about, listened to and remembered by the Phish community for the rest of time.

Jim Pollock

In the months leading up to the Dozen, perhaps the most popular topic of debate among fans centered on whether the band would repeat any songs during the course of the run. With thirteen shows spanning two and a half weeks, the band would essentially have to play an entire tour—Fall ’16 spanned exactly 13 shows—without repeating a song. Could they do it? Sure. Would they do it? That was an entirely different question.

Conventional wisdom said that if they chose to go the “no repeats” route, they would be forced to play long improvisational passages, thereby cutting down the number of songs per show, a stepping stone towards their goal. They would have to feature more than just a smattering of covers to supplement their original music, something they had done throughout their career. Fans debated back and forth, but in the end there was only one answer, as the band in question was Phish. Of course they wouldn’t repeat a song. This feat was likely impossible for any other band in history, but for a band that has made a living for three decades by breaking musical precedents, there was no other choice. 237 songs in thirteen nights, and not a single note repeated. Only Phish. Only Phish.

Baker’s Dozen (Andrea Nusinov)

Not since the late 90s, and dare I say not since their hallowed Fall ’97 tour, has Phish brought all facets of their superior game night after night after night, delivering sculpted musical journeys that will go down in the annals of their illustrious history. But unlike their legendary tour of Fall ’97, when Phish destroyed America, the mind-quests of the Baker’s Dozen were not birthed from a single musical paradigm, but from styles spanning their entire career, and sprinkled with some new sounds as well. In the yesteryears of Phish’s first Golden Age, the band honed in on a musical focus each tour and they fleshed out their ideas through that unique prism while often moving beyond those styles. But the brilliant sets of MSG featured improvisational escapades of all shapes, sizes and colors, forming a sonic smorgasbord that spanned the totality of the band’s musical spectrum. From the ambient sounds of “Wolfman’s > Twist > Waves” to the laid-back candy grooves of “Mike’s Song” and “You Sexy Thing;” from the soaring, bliss-drenched jams of “Chalk Dust” and “Ghost” to the murky abstractions of “Drowned > A Song I Heard the Ocean Sing;” from the knee-deep funk of “Everything’s Right” and “46 Days” to the psych-jazz of “Taste,” Phish showcased their diverse musical genius with utmost flair for thirteen straight nights.

Even more than their lights-out jamming, however, Phish’s set crafting stood out as the defining element of this run. The thirteen second sets were each thought out sagas with unparalleled flow—fantasy-like Phish. These seamless musical adventures wrapped one so intimately in their narrative arcs that it often surprised the listener when the final page turned—“Whoa—what just happened?!” And this wasn’t just the case on few of the nights, but nearly every evening of the run. Second sets contained nimble contours that guided the collective and delivered it to the Promised Land. Even during some of their most prolific tours, the band often did not consistently present coherent musical statements as they did at the Baker’s Dozen. And unlike previous tours, when certain shows and jams stood out amongst the rest, the Baker’s Dozen provided a counter-example—the entire thirteen nights was the highlight. Each night stood alone in its excellence, offering a flavor of its own. Every night was the best. We had ascended to Phish heaven.

Baker’s Dozen (Andrea Nusinov)

On top of the to-die-for music, the band threw a heap of classic Phishiness into the Baker’s Dozen with nightly, pre-announced donut themes, creating a community-wide mystery each day and making sleuths of every fan as they tried to figure out what the band would play to match the flavor of the night. Referencing themes with new covers, puns, lyrics and song titles, the band was in peak prankster form crafting these detailed affairs, clearly enjoying the process. The clever nature of the Baker’s Dozen added the proverbial cherry on top of the most unique and original extravaganza of Phish’s career.

And then it came down to the run’s twenty-sixth and final set. Within, ironically, the one show without a strong musical connection to its theme—this stanza unfolded like a poem that encapsulated the ethos of Phish’s career.

“We’ve got it simple ‘cause we’ve got a band.”

Behind the spectacle that is a Phish show—behind the lights, the crowds, the jams, the energy, the madness, and the beauty—there is a band, four lifetime friends who have had the ride of their lives making music with each other. Though the ride hasn’t always been easy, the choice has always been simple—this musical project is what these guys were put on this planet to do—to play together in a rock and roll band. The joy they derive from playing in Phish is self-evident, and play they did in one of the defining jams of the Baker’s Dozen.

“I’m a part of you, and you’re a part of me”

Baker’s Dozen (A.Nusinov)

This cosmically significant lyric from “Come Together,” when taken in reference to the Phish community, depicts how integral the band and its fan base are to one another, illustrating how the two forces have come together and risen up to form one of the most fabled communities in rock and roll history. Phish has never been shy about their symbiotic relationship with their notoriously passionate fans; it is, self-admittedly, what has driven this whole experiment from their humble Northeast beginnings. The exchange of energy between the band and its loyal followers at their live shows creates a unique, communal catharsis that none of the participants—on either side—find anywhere else in life. Forays into the unknown result in moments that transcend our individual nature and blossom in the one energy of which we are all comprised. Illusory boundaries of the self are shattered in explosions of metaphysical truth, and no one is never the same again. These ego-dismantling experiences allow all involved to tap into the one consciousness, the one soul of which we are all made, and revel in the divinity of existence.

“There’s a starman waiting in the sky / He’d like to come and meet us / But he thinks he’d blow our minds”

Baker’s Dozen (Andrea Nusinov)

“Starman” holds a important significance in story of The Rise and Fall of Ziggy Stardust. After he is contacted in a dream, Ziggy becomes the rock and roll messenger of an infinite Starman, who will descend from space to save humanity from it’s imminent demise. Ziggy spreads this messianic message of hope and love through his music, prompting people to follow him and believe in Ziggy, himself, as a prophet. The parallels between the story of Ziggy and Phish are striking. Phish has come into existence in this time and in this earthly dimension to invoke a musical and spiritual ecstasy within a western American society that has lost touch with the cosmic truths that exist within each and every person. Phish are messengers of the beyond, our Ziggy Stardust through whom the infinite is manifested.

A Phish show transcends music and enjoyment, giving fans a glimpse of reality beyond words and beyond the mind, something eternal. Peak live experiences remind participants that there is more to existence than what is routinely perceived. And I don’t think there is one person in the band’s massive fan base that wouldn’t claim that Phish and their music has saved them at least once in their life. Phish provides us inspiration and vitality, belief and spirituality, which we carry with us into our lives beyond the dance floor. Like modern day shamans, Phish has been our spirit guides through this crazy world, and has brought to us peace, community, and unconditional love. And beyond all of that, Phish—for three hours at a time and for decades on end—has “let all the children boogie,” providing fans an outlet to let go of life’s difficulties, and to bask in nothing but the timeless moment. In their own way, Phish has saved the universe.

You Enjoy Myself

7.23.17 (Andrea Nusinov)

Culminating this final set came Phish’s seminal composition-turned-throw down, “You Enjoy Myself.” Not only is this piece one of the most well-loved selections in the band’s musical cannon, but its silly and oft-dismissed title holds a significance in this set. “You Enjoy Myself”—you (the fans) enjoy myself (Trey, the composer / Phish, the musicians). This title is a selfless statement of Phish’s mission—they bear their souls for our enjoyment, or put from their perspective, “Our intent is all for your delight.” Sure, Phish has been the band members’ path to well-being and success, but their ultimate purpose is so much bigger than that. Trey has said it over the years many times in many ways, but perhaps most directly in “Joy“—We want you to be happy.” It’s plain and simple. To say they have succeeded in their goal would be a colossal understatement.

“What a beautiful buzz”

For all involved, band and fans alike, what a beautiful buzz the Phish experience is—the most beautiful buzz on planet earth. And with “Loving Cup,” this poignant, message-laced set of music concluded in an explosion of arena-wide exaltation.

“The life I love is making music with my friends”

With the encore, the epilogue of a seventeen-day odyssey, Phish brought this set-long statement full circle, back to the simplicity of music and friendship with the heartwarming cover of Willie Nelson’s “On the Road Again.” Its lyrics and meaning in the context of a career-defining residency need no interpretation.

On the road again
Just can’t wait to get on the road again
The life I love is making music with my friends
And I can’t wait to get on the road again

On the road again
Like a band of gypsies we go down the highway
We’re the best of friends
Insisting that the world keep turning our way
And our way, is on the road again

“Won’t you step into the freezer.”

And what other way to finish the Baker’s Dozen—after one last sprinkle of clever humor in a “Lawn Boy Reprise”—than with “Tweezer Reprise.” Phish’s go-to shot of musical adrenaline and rapture punctuated a signature run of shows that will go down in band—and music—history. We have all stepped into the freezer and found a home in the universe Phish has created. It is the most majestic, invigorating, and life-affirming universe we have ever known. It is a universe of truth, and it is most definitely a donut.

Baker’s Dozen (Andrea Nusinov)

Baker’s Dozen (Andrea Nusinov)

Baker’s Dozen (Andrea Nusinov)

Baker’s Dozen (Andrea Nusinov)

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4,191 Responses to “The Baker’s Dozen”

  1. Stoney Case Says:

    just wanted to clarify that i’m neither a russian bot, nor a trump supporter. being a californian, and single father of a daughter, i’ve had the misfortune of following the aforementioned case from the start.

    there are so many travesty’s. why was he transferred from central california to SF for a fucking weed ticket from the 90’s??! It’s been one long miscarriage of justice with a tragic ending and a bill for the taxpayers.

    4.4 lbs is not a hair trigger at all.

    most police discharge their weapon because they holster their gun with finger still on trigger. holster pushes finger into trigger. the stats make it sound like police guns just pop off on the regular with no real explanation.

    i’m done. thanks for the thoughtful feedback. just didn’t want people to think i was triggered by some headlines. this was actually a case we’ve been waiting for, though not the verdict anyone dreamt.

  2. Stoney Case Says:

    Happy Friday, and a blessed weekend to you all! Just finished work for the day. The joys of owning a business!

    Interesting tid bit about trying to start a legal cannabis business in California:

    In order to apply for a permit, you need to be in a lease in a properly zoned property, or own the place, in a properly zoned area. Most every building needs to be retrofitted. Many people like myself are paying thousands of dollars a month on a building that’s not close to being finished, for a permit and license we can’t even apply for yet. It’s really a crazy cash grab the likes of which I haven’t seen. We have paid for 4 months rent on a warehouse that doesn’t have the sheetrock or insulation done yet. Electrical, HVAC, plumbing, barely started. It’s amazing.

  3. Stoney Case Says:

    “San Francisco Deputy District Attorney Diana Garcia urged jurors to convict him of first-degree murder. Jurors also considered and rejected second-degree murder and involuntary manslaughter“

    And there you have it. You can shoot and kill in California as long as you can get the bullet to ricochet. I’m dead over here

  4. phishm Says:

    Got to be the coolest Dog Faced Boy I’ve heard. Quite the run of tunes. Must of been fun in house.

  5. hoedown Says:

    Joe I too have pics with the band cutout thing. It was located near the boardwalk/time capsule iir.

  6. realoutcasty Says:

    I’ve suspected you were a bot since summer tour ‘13 with your wave of whale propaganda. Now it’s comfirmed.

  7. treark Says:

    Long time lurker, thought I’d share this here for everyone’s pleasure on a fine Saturday morning…so my best and oldest friend is currently doing Maynard’s monitors for the Perfect Circle tour. They have a hilarious relationship that gets to be quite antagonistic at times such as my buddy pumping the ALO tweezer into Maynard’s in-ears instead of his own vocals and Maynard in turn giving ridiculous song devotions to him on stage. Well, apparently they’ve been covering the AC/DC tune “Dog Eat Dog” to pay respects to Malcolm, and Maynard’s been inserting the line, “I need a miracle”, and changing the words to “Dog eat Phish” as he sings directly to my friend…gave me a good laugh…

  8. sumodie Says:

    But what does Alan do after he pulls up to your broken down car? Is this a creepy ending or a happy ending…?

    I can’t wait till 2033 to read about Stoney’s reawakening as he revisits the 2013 whaling era

  9. Stoney Case Says:

    Sumo, will be hard to read because I’ll be in a straight jacket and talk to text always messes up.

  10. little umbrellas Says:

    Love em close while you got em. Dec 2nd. One year anniversary of the Ghostship Fire. Life goes on and on but it will never be the same.
    Missing friends dearly. And in a way i don’t think i can even believe it yet.

    Pale Blue Dot, ‘What happens on earth stays on earth’. Let’s put it in reverse. Peace to the World, let it rotate.

  11. bobby weird Says:

    so this looks pretty neat.

  12. Stoney Case Says:

    Anyone have a country or island we can move to? Relatively safe and stable?

  13. Stoney Case Says:

    Blessings LilUmb. Apparently, time flies whether you’re having fun or not.

  14. bobby weird Says:

    article about the Neil archive. all of his music, ever. free (for now)

  15. Stoney Case Says:

    dis philly ghost straight philthy

  16. Stoney Case Says:

    kicking down the doors into that hallowed “favorite of jams i’m hearing for the first time” space

  17. BingosBrother Says:

    Vibes LU. Much love.

  18. MrCompletely Says:

    Stoney, if they had the manslaughter option and didn’t take it then I’m baffled too.

  19. Stoney Case Says:

    C, according to the two articles I’ve read, one from SF Examiner and one from USA Today, claim the jury had all three options.

    I mean, the guy’s going to jail/deportation.

    The parents are left with a “Not Guilty Verdict” regarding their daughters death.

    Feels like I lost my State and Country in the last 48 hours.

  20. MrCompletely Says:

    Peace to you and those mourning with you, big hearted bass man

  21. MrCompletely Says:

    That’s pretty bad, stoney, but remember, your country and state aren’t their governments, they’re the people around you and that you’re connected to…

    “Don’t despair. Get radicalized.”

  22. MrCompletely Says:

    Or in its original form: don’t mourn, organize

  23. Stoney Case Says:

    Mr. C, therein lies my pain and disappointment.

    Those 12 jurors are “my people I’m surrounded with”.

    Well them, and the tweaked out losers that occupy much of eureka anymore.

  24. Stoney Case Says:

    Is there anything left to do for the TaxScam?

    I mean, my senators and reps are democrats, i left messages, they voted “No”

    Can we call and leave messages for Republicans in other states or districts?

  25. little umbrellas Says:

    Wanting to share the stories of these beautiful people here in this most appreciated space. Im all good. Just sending out loves.
    Knew ten of these people personally. Billy in particular was like a brother. Click on any of the pictures to read stories about amazing humans.

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