The Baker’s Dozen

The Baker’s Dozen (Andrea Nusinov)

Well, well, well… The band that has continued to outdo itself throughout their thirty-four year career did it once again with—unquestionably—the greatest event they have ever thrown. The Baker’s Dozen wasn’t just a run of shows, it was a summation of Phish’s entire career and a statement of where they stand today. Their residency at Madison Square Garden showcased the band’s endless musical catalog, unparalleled improvisational prowess, carefully contoured set crafting and cleverness of mind—the four central elements that define Phish. Meticulously planned and perfectly executed, the Baker’s Dozen will be talked about, listened to and remembered by the Phish community for the rest of time.

Jim Pollock

In the months leading up to the Dozen, perhaps the most popular topic of debate among fans centered on whether the band would repeat any songs during the course of the run. With thirteen shows spanning two and a half weeks, the band would essentially have to play an entire tour—Fall ’16 spanned exactly 13 shows—without repeating a song. Could they do it? Sure. Would they do it? That was an entirely different question.

Conventional wisdom said that if they chose to go the “no repeats” route, they would be forced to play long improvisational passages, thereby cutting down the number of songs per show, a stepping stone towards their goal. They would have to feature more than just a smattering of covers to supplement their original music, something they had done throughout their career. Fans debated back and forth, but in the end there was only one answer, as the band in question was Phish. Of course they wouldn’t repeat a song. This feat was likely impossible for any other band in history, but for a band that has made a living for three decades by breaking musical precedents, there was no other choice. 237 songs in thirteen nights, and not a single note repeated. Only Phish. Only Phish.

Baker’s Dozen (Andrea Nusinov)

Not since the late 90s, and dare I say not since their hallowed Fall ’97 tour, has Phish brought all facets of their superior game night after night after night, delivering sculpted musical journeys that will go down in the annals of their illustrious history. But unlike their legendary tour of Fall ’97, when Phish destroyed America, the mind-quests of the Baker’s Dozen were not birthed from a single musical paradigm, but from styles spanning their entire career, and sprinkled with some new sounds as well. In the yesteryears of Phish’s first Golden Age, the band honed in on a musical focus each tour and they fleshed out their ideas through that unique prism while often moving beyond those styles. But the brilliant sets of MSG featured improvisational escapades of all shapes, sizes and colors, forming a sonic smorgasbord that spanned the totality of the band’s musical spectrum. From the ambient sounds of “Wolfman’s > Twist > Waves” to the laid-back candy grooves of “Mike’s Song” and “You Sexy Thing;” from the soaring, bliss-drenched jams of “Chalk Dust” and “Ghost” to the murky abstractions of “Drowned > A Song I Heard the Ocean Sing;” from the knee-deep funk of “Everything’s Right” and “46 Days” to the psych-jazz of “Taste,” Phish showcased their diverse musical genius with utmost flair for thirteen straight nights.

Even more than their lights-out jamming, however, Phish’s set crafting stood out as the defining element of this run. The thirteen second sets were each thought out sagas with unparalleled flow—fantasy-like Phish. These seamless musical adventures wrapped one so intimately in their narrative arcs that it often surprised the listener when the final page turned—“Whoa—what just happened?!” And this wasn’t just the case on few of the nights, but nearly every evening of the run. Second sets contained nimble contours that guided the collective and delivered it to the Promised Land. Even during some of their most prolific tours, the band often did not consistently present coherent musical statements as they did at the Baker’s Dozen. And unlike previous tours, when certain shows and jams stood out amongst the rest, the Baker’s Dozen provided a counter-example—the entire thirteen nights was the highlight. Each night stood alone in its excellence, offering a flavor of its own. Every night was the best. We had ascended to Phish heaven.

Baker’s Dozen (Andrea Nusinov)

On top of the to-die-for music, the band threw a heap of classic Phishiness into the Baker’s Dozen with nightly, pre-announced donut themes, creating a community-wide mystery each day and making sleuths of every fan as they tried to figure out what the band would play to match the flavor of the night. Referencing themes with new covers, puns, lyrics and song titles, the band was in peak prankster form crafting these detailed affairs, clearly enjoying the process. The clever nature of the Baker’s Dozen added the proverbial cherry on top of the most unique and original extravaganza of Phish’s career.

And then it came down to the run’s twenty-sixth and final set. Within, ironically, the one show without a strong musical connection to its theme—this stanza unfolded like a poem that encapsulated the ethos of Phish’s career.

“We’ve got it simple ‘cause we’ve got a band.”

Behind the spectacle that is a Phish show—behind the lights, the crowds, the jams, the energy, the madness, and the beauty—there is a band, four lifetime friends who have had the ride of their lives making music with each other. Though the ride hasn’t always been easy, the choice has always been simple—this musical project is what these guys were put on this planet to do—to play together in a rock and roll band. The joy they derive from playing in Phish is self-evident, and play they did in one of the defining jams of the Baker’s Dozen.

“I’m a part of you, and you’re a part of me”

Baker’s Dozen (A.Nusinov)

This cosmically significant lyric from “Come Together,” when taken in reference to the Phish community, depicts how integral the band and its fan base are to one another, illustrating how the two forces have come together and risen up to form one of the most fabled communities in rock and roll history. Phish has never been shy about their symbiotic relationship with their notoriously passionate fans; it is, self-admittedly, what has driven this whole experiment from their humble Northeast beginnings. The exchange of energy between the band and its loyal followers at their live shows creates a unique, communal catharsis that none of the participants—on either side—find anywhere else in life. Forays into the unknown result in moments that transcend our individual nature and blossom in the one energy of which we are all comprised. Illusory boundaries of the self are shattered in explosions of metaphysical truth, and no one is never the same again. These ego-dismantling experiences allow all involved to tap into the one consciousness, the one soul of which we are all made, and revel in the divinity of existence.

“There’s a starman waiting in the sky / He’d like to come and meet us / But he thinks he’d blow our minds”

Baker’s Dozen (Andrea Nusinov)

“Starman” holds a important significance in story of The Rise and Fall of Ziggy Stardust. After he is contacted in a dream, Ziggy becomes the rock and roll messenger of an infinite Starman, who will descend from space to save humanity from it’s imminent demise. Ziggy spreads this messianic message of hope and love through his music, prompting people to follow him and believe in Ziggy, himself, as a prophet. The parallels between the story of Ziggy and Phish are striking. Phish has come into existence in this time and in this earthly dimension to invoke a musical and spiritual ecstasy within a western American society that has lost touch with the cosmic truths that exist within each and every person. Phish are messengers of the beyond, our Ziggy Stardust through whom the infinite is manifested.

A Phish show transcends music and enjoyment, giving fans a glimpse of reality beyond words and beyond the mind, something eternal. Peak live experiences remind participants that there is more to existence than what is routinely perceived. And I don’t think there is one person in the band’s massive fan base that wouldn’t claim that Phish and their music has saved them at least once in their life. Phish provides us inspiration and vitality, belief and spirituality, which we carry with us into our lives beyond the dance floor. Like modern day shamans, Phish has been our spirit guides through this crazy world, and has brought to us peace, community, and unconditional love. And beyond all of that, Phish—for three hours at a time and for decades on end—has “let all the children boogie,” providing fans an outlet to let go of life’s difficulties, and to bask in nothing but the timeless moment. In their own way, Phish has saved the universe.

You Enjoy Myself

7.23.17 (Andrea Nusinov)

Culminating this final set came Phish’s seminal composition-turned-throw down, “You Enjoy Myself.” Not only is this piece one of the most well-loved selections in the band’s musical cannon, but its silly and oft-dismissed title holds a significance in this set. “You Enjoy Myself”—you (the fans) enjoy myself (Trey, the composer / Phish, the musicians). This title is a selfless statement of Phish’s mission—they bear their souls for our enjoyment, or put from their perspective, “Our intent is all for your delight.” Sure, Phish has been the band members’ path to well-being and success, but their ultimate purpose is so much bigger than that. Trey has said it over the years many times in many ways, but perhaps most directly in “Joy“—We want you to be happy.” It’s plain and simple. To say they have succeeded in their goal would be a colossal understatement.

“What a beautiful buzz”

For all involved, band and fans alike, what a beautiful buzz the Phish experience is—the most beautiful buzz on planet earth. And with “Loving Cup,” this poignant, message-laced set of music concluded in an explosion of arena-wide exaltation.

“The life I love is making music with my friends”

With the encore, the epilogue of a seventeen-day odyssey, Phish brought this set-long statement full circle, back to the simplicity of music and friendship with the heartwarming cover of Willie Nelson’s “On the Road Again.” Its lyrics and meaning in the context of a career-defining residency need no interpretation.

On the road again
Just can’t wait to get on the road again
The life I love is making music with my friends
And I can’t wait to get on the road again

On the road again
Like a band of gypsies we go down the highway
We’re the best of friends
Insisting that the world keep turning our way
And our way, is on the road again

“Won’t you step into the freezer.”

And what other way to finish the Baker’s Dozen—after one last sprinkle of clever humor in a “Lawn Boy Reprise”—than with “Tweezer Reprise.” Phish’s go-to shot of musical adrenaline and rapture punctuated a signature run of shows that will go down in band—and music—history. We have all stepped into the freezer and found a home in the universe Phish has created. It is the most majestic, invigorating, and life-affirming universe we have ever known. It is a universe of truth, and it is most definitely a donut.

Baker’s Dozen (Andrea Nusinov)

Baker’s Dozen (Andrea Nusinov)

Baker’s Dozen (Andrea Nusinov)

Baker’s Dozen (Andrea Nusinov)

4,191 Responses to “The Baker’s Dozen”

  1. MrCompletely Says:

    vegas – all the albums on your list I’ve heard, I agree with, and out of the rest, they’re either stuff I know isn’t my style (four tet, war on drugs) or things I should check out…

    I’d add Joshua Abrams – Magnetoception
    https://eremiterecords.bandcamp.com/album/magnetoception

    and all 3 Idris Rahman albums from this year, starting with Wildflower
    https://wildflowermusic.bandcamp.com/album/wildflower

    collectively they’re the most interesting jazz albums of 2017 for me by miles

  2. MrCompletely Says:

    this album in particular

    https://illconsidered.bandcamp.com/album/ill-considered

    also great
    https://illconsidered.bandcamp.com/album/ill-considered-live-at-the-crypt

  3. MrCompletely Says:

    probably some great shit on here, given that it’s a mix of stuff I know and like (Gizzard, Moon Duo) and stuff I don’t know

    https://daily.bandcamp.com/2017/12/01/modern-psych-rock-concept-albums-on-bandcamp/

  4. MrCompletely Says:

    shit there’s one more absolutely great jazzy breakbeat trio thing from the UK out of that whole Shabaka – Idris Rahman new school but I’m blanking the name – garret, if you see this, you know the one – with that Arabic calligraphy

  5. vegas wolfmans Says:

    Bookmarking. I spun some Idris Rahman earlier this year and thought is was outstanding. Need to dig in deeper. Never heard Joshua Abrams.

    You may want to spin that new Four Tet even if it isn’t normally your bag. Transcends the genre IMO, just amazing.

  6. MrCompletely Says:

    Joshua Abrams performs mostly under the name Natural Information Society. You should absolutely dig his catalog some, including live stuff on YT. I think you’ll be into it. My favorite is a collab with Bitchin Bajas from a couple years back called Autoimaginary

  7. MrCompletely Says:

    Also I noticed the omission of the new Chris Forsyth album. I actually agree with the omission, since the more Forsyth I listen to, the more samey it all sounds. He’s a big deal among the NYCTaper/WFMU DJ crowd but for me it’s not holding up. Worth a spin if you haven’t though

    https://chrisforsyth1.bandcamp.com/

    for me, I listen to that stuff and just think “bruh, you got smoked by Desmedrados, why even bother” but it’s guitar based rock for trippers so…

  8. vegas wolfmans Says:

    I spun that NIS and Bithcin Bajas album and thought it was awesome. Will poke around further.

  9. vegas wolfmans Says:

    I’m pro Forsyth, but agree it all starts to sound alike. I haven’t actually spun the new one yet… Really liked Rarity of Experience, but that’s a whole lotta Forsyth in a short period of time. I may have reached my Forsyth quota for the next 5-10.

  10. MrCompletely Says:

    Ha. Quota is about right

  11. wilbard Says:

    C, you’re not thinking of Yussef Kamal back there are you?

  12. wilbard Says:

    Cool list Vegas, I’ll be digging into that.

    This is a working 2017 keepers Spotify list I’ve been throwing tracks into all year. It’s not a “best of” list yet… Still have to go back and weed out stuff, fill in gaps, etc, but this these are tracks that at least struck me at the time as worth going back to check out again.

    https://open.spotify.com/user/juridicus1/playlist/1JEd84B4yuhL5ZfckxsVNS?si=brjx0-dbTPi_cwflq6mQgA

  13. wilbard Says:

    Also I just straight slacked off with it the last few months

  14. garretcorncob Says:

    Yeah, Yussef Kamaal is def the one C is thinking of. Black Focus is their album that came out this year. Was actually just jamming that one yesterday

  15. phishm Says:

    Same as it ever was.

    https://www.youtube.com/watch?time_continue=80&v=nSuregWhlWk

  16. wilbard Says:

    ah, yeah, Black Focus is a good one but I had that as a 2016 release

  17. vegas wolfmans Says:

    My people out here really liked that Black Focus album. Didn’t make an impact on me at the time, but will revisit.

    Nice list wilbard! I haven’t heard half of that stuff.

  18. MrCompletely Says:

    Oh that’s 2016? Ok. I only heard it this year. I need to snag that one from Bandcamp sometime

  19. MrCompletely Says:

    I’ve gotten a lot of recs from both Vegas and Wilbard over the years and I expect you’ll find a lot of overlap between you taste wise

    I only thought Black Focus was decent until I spun it headspace’d. Then it clicked. Natural Information jams are the same way. Hypnotic shit, so you gotta let it work

  20. MrCompletely Says:

    I’m just so impressed with all these young UK drummers who have grown up with the EDM, breakbeat influence. Every Shabaka project, the Rahman albums, the Kamal, all absolutely great

  21. wilbard Says:

    Yes Yussef Kamaal grew on me over time too. They broke up at some point this year, I believe. Will check out Natural Information stuff, don’t think I know it.

    fyi, 2 or 3 things on that Spot list I made are 2017 releases of older stuff but the vast majority are new releases

  22. MrCompletely Says:

    You gotta be in a proper minimalist type mood for NIS though, srsly

  23. realoutcasty Says:

    Vegas – nice list. I’ll review, make notes, compare/contrast, discuss, and follow-up with my own. but i love this. we have some serious overlap as always.

  24. MrCompletely Says:

    riding the back of the worm in Amsterdam canals 2017

    https://i.imgur.com/jiq8jkx.gifv

  25. Type III Jamming Personality Disorder Says:

    canals looked like that for me at times back in the day 😯

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