The Palace Tweezer—Twenty Years Later

My Actual Ticket Stub—12.6.97

Twenty years later and I can still remember everything about that night—where I was, who I was with, what I was wearing. They say that live music can change your life, and that is exactly what happened to me on the sixth of December in 1997. On this night, something momentous happened. A piece of music harnessed from the outer realms of the universe came down through the instruments of a band from Vermont and transformed The Palace of Auburn Hills into a place of worship. On this night, we received “The Palace Tweezer.”

This jam is hands down, far and away, my favorite piece of music ever created by mankind. And it’s not even close. The Palace Tweezer has it all—the grimiest, subliminally connected funk grooves, a passage of ascension into spiritual realms of sound and soul, and an indescribable section of musical wizardry that I suspect was the soundtrack of the universe’s creation. The entire piece unfolds like poetry without a moment of hesitation, as if the music already existed—perfectly composed—and the band just allowed it to come through them. It seems impossible that a piece of improvised music so immaculate, so powerful, and so utterly dynamic could be generated by human beings on the fly.

I cannot begin to guess how many times I have listened to this jam over the past twenty years, but it sounds every bit as good today as it did when I got the analog copy sometime after tour. It has not lost a drop of freshness or power. The Palace Tweezer is a part of the fabric of my existence. Though I know the piece by heart, the feelings it produces on each and every listen are no less stirring than on the day I heard it.

Though Phish crafted so many sections of “funk” that fall, none approach the nuanced, four-minded mastery on display in this jam. The band members finish each other’s musical sentences, speaking as one entity rather than individual musicians. These grooves have a life of their own—locked in doesn’t begin to describe it.

The band gradually and ever so smoothly builds from these opening dance rhythms into a section of improvisation that opens a wormhole in space-time, allowing the music—and the Palace—to slip into an alternate dimension. This passage gives me chills every time I listen to it. Literally. Every time. Trey hits a lick in here that elevates the possibilities of the entire jam, and the band is right with him. From this point forward in the jam, words fail me. The music is beyond linguistic expression—a deeper magic from before the dawn of time.

I truly believe that the band communed with the divine while playing this jam. It is not far fetched, as we are all individual manifestations of the one divine energy of the universe. We are the universe awakening to itself and expressing itself as human beings for a short blip of time. Life is but a process of remembering not who we are, but what we are. Yet, because we are in human form, we are not in always in touch with this higher truth. But on that Saturday night in December, twenty years ago, Phish was not only in touch with it, they channelled this truth through music, through themselves and, subsequently, through everyone in the room.

It is this process that makes transcendent Phish jams such incomparably powerful experiences. This is the reason we keep going back—to remember and experience our truth. The Palace Tweezer is the greatest expression of my personal truth that I have ever heard. It is primordial music, an oracle of the infinite, telling a story of our past, present and future all at once.

Today—twenty years later—I will listen to the The Palace Tweezer again, and I will smile with awe and wonder, just as I did when the lights came on, oh so long ago.

4,106 Responses to “The Palace Tweezer—Twenty Years Later”

  1. theBaker Says:

    SPAFFORD’s got the LizardLounge in their hands down in Lancaster…

  2. theBaker Says:

    …sending “Portigual” InTo the PORAT, taBoot!

  3. theBaker Says:

    ^P0RTAL

  4. phishm Says:

    Portugal needed it.

  5. sumodie Says:

    The phan who travels to shows, including FTW, with his pet goat was severely beaten & robbed:

    http://www.mlive.com/news/detroit/index.ssf/2018/01/man_who_travels_with_a_goat_na.html

  6. little umbrellas Says:

    never counted my phish shows , here we go . the shows i’ve had been so blessed to have seen-

    1– 9/16/99 Shoreline (hippie event cherry pop’d, 2001>Mike’s Groove )
    2– 9/17/99 Shoreline (PHIL!)
    3– 10/6/00 Shoreline (Bobby!)
    4– 10/7/00 Shoreline (trippy vibe, first LSD with Phish, YEM Closer)
    5– 7/9/03 Shoreline (YEM opener, they’re back!!!)
    6– 7/10/03 Shoreline
    (something happened to me during the ‘Friday Free 7Below Velvet Sea,.. by Velvet Sea i stopped liking Phish, and didn’t listen to them again until 09)

    7– 8/7/09 Gorge (Went to play with Sun Hop on lot, Fell in love again so hard)
    8– 8/8/09 Gorge (RnR jam to seal the deal. Sun Hop after)
    9– 10/30/09 Indio (don’t forget that Wolf 😉 )
    10– 10/31/09 Indio (EXILE)
    11– 10/31/09 Indio (acoustic , was so spun during set 3 thought Trey was god)
    12– 8/5/10 Greek (Tweez Fluff show closer, so cool to see em there)
    13– 8/6/10 Greek (Cities, RnR Ghost Mike’sSimpleGroove YEM)
    14– 8/7/10 Greek (Light)
    15– 8/5/11 Gorge (RNR!!!!! wowowow, played the lot with Sun Hop)
    16– 8/6/11 Gorge (reprise dance party, played the lot with Sun Hop)
    17– 8/12/11 OutsideLands (was working but that was fun, oops now im high)
    18– 8/17/12 BGCA (smallest place i’ve seen em)
    19– 8/18/12 BGCA (nothin pop’d off, was worried it was the webcast fault lol)
    20– 8/19/12 BGCA (WOW Xeyed Light Sally Xeyed, started posting here after)
    21– 7/26/13 Gorge (turned 30 with CK5&the band, lady umb’s first, MOON)
    22– 7/27/13 Gorge (open air get down)
    23– 8/2/13 BGCA (was so bored by the time fuckerpants ripchorded Disease that i sold my tickets for the next night and saw Shuggie Otis and SunRa arkestra on 8/3 instead )
    24– 8/4/13 BGCA ( was praying for the ’12 Sunday show, we got some goodness)
    25– 4/26/14 JazzFest (first JF’d)
    26– 10/21/14 SB Bowl (what a great venue, fun show)
    27– 10/22/14 ( water set, saved by Malibu Steve)
    28– 10/27/14 (ghost had some sauce, at this point the BGCA is erking me)
    29– 10/28/14 (Twist had that Dm jam)
    30– 10/29/14 (world series collides, MomaChampions, Disease Split Light)
    31– 7/21/15 Bend (first post FTW Phish show, new material debuts)
    32– 7/22/15 Bend (second set was amped)
    33– 7/25/15 Shoreline (Dad’s first, BlazeTwistLightJoyHood yesss)
    34– 9/4/15 Dick’s (1st set openers, WolfBlazeGoldenRoses)
    35– 9/5/15 Dick’s (ashitosDustTwistLightMercury)
    36– 9/6/15 Dick’s (Disease, fun fun second set, THANKYOU)
    37– 7/18/16 BGCA (Age and Sally were good)
    38– 7/19/16 BGCA (This show was so sick, Phish brings back the epic)
    39– 7/20/16 BGCA (secet song 1st set, left during 2nd set to set up with Sun Hop at the BoomBoom Room for our sold out Phish after party)
    40– 8/4/17 (LEMON)
    41– 8/5/17 (boston cream)
    42– 8/6/17 (GLAZED)
    43– 9/1/17 (daaaayum sons)
    44– 9/2/17 (old school Trey shred)
    45– 9/3/17 (Disease so dark and funky)

    guess i’m gonna be celebrating my 50th phish show in the next year or two 🙂

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