The Summer Debuts

6.18.09 Star Lake (M.Stein)

6.18.09 Star Lake (M.Stein)

As we turn the page on a new chapter of Phish history, one of the most exciting facets of this era is the plethora of new songs that were introduced in June.  As we begin our reflections on the past tour, I thought that their new songs would be a good place to start.  Showcasing diverse songwriting and various musical styles, the band has come out with a slew of new material- with more waiting in the wings.  Let’s take a look at each song one by one, in the order of their summer premieres.


“Ocelot” – debut: 5.31 Fenway Park I

Unveiled as the first new song of tour, many fans had heard the band’s rehearsal of this piece at The Centrum from the previous night, which somehow made it to the internet.  A playful song that evokes memories of the ’70s folk-rock tradition, “Ocelot” hopped into rotation from day one.  Trey’s lyrical melodies complement the the song’s loafing, casual grooves, creating a catchy piece that would stick in your head far after the show was over.  Growing in improvisation each time out, the band stretched the final Deer Creek version into a real jam.  Expect much more to from “Ocelot” in August- “Won’t you come out to play?”

“Light” – debut 5.31 Fenway II

6.18.09 (M.Stein)

6.18.09 (M.Stein)

Debuted as the landing point of Fenway’s colossal tour-opening “Tweezer,” “Light” was the one song that I really anticipated making the jump from TAB to Phish.  Sped up from its Trey Band incarnation, “Light’s” jam has adopted a feel of a new-school “Piper.”  With soaring guitar work and full-band improvisation, the Bonnaroo version, which emerged from “Rock and Roll’s” ambient jam, provided one of the weekend’s highlights.  An open-ended jam that even found its way into some funk grooves at Manchester, it seems that “Light” has limitless potential.  I have a feeling that this could develop into one of 3.0’s shining stars.

“Time Turns Elastic” – debut Fenway 5.31 II

6.18.09 (M.Stein)

6.18.09 (M.Stein)

This controversial opus was showcased on the first night of tour, and played several times throughout.  Certainly a great piece of music, its place in a live show is questionable, in my opinion.  As soon “Time Turns Elastic” started, we knew we were in for nearly twenty minutes of straight composition.  Appearing in the middle of three second sets, “Time Turns Elastic” played the role of vibe-crusher more than once.  But when placed as a first set closer at Alpine- coming out of “TMWSIY”- it worked much better.  If Phish is going to continue to play this song, which I’m sure they will, they need to be extra-selective about where they place it in a show.  A complex musical accomplishment, this one seems better suited for at-home couch listening than at an energetic, psychedelic Phish show.

“Stealing Time From the Faulty Plan” – debut 6.2 Jones Beach I

“I got a blank space where my mind should be”- centered around this intriguing refrain, this heavier song became an instant favorite when they broke it in the second show of tour.  Featuring a slower pace and ominous feel, “Stealing Time” seems like an ideal launchpad for dissonant, psychedelic improv.  Throughout June, however, this song remained largely in the box, with it’s final version at Deer Creek extended with some blues-rock, guitar led improv.  This piece won’t remain shackled forever, and when the band finally steps to it, the results could be astonishing.

“Kill Devil Falls” – debut 6.2 Jones Beach II

6.18.09 (M.Stein)

6.18.09 (M.Stein)

Sounding distinctly like a TAB piece, “Kill Devil Falls” is essentially two songs in one.  First, we have the straight ahead rock and roll composition, that to be honest, leaves a bit to be desired.  Yet, when the verses end, the band enters a segmented jam that sounds almost identical to a “Birds of a Feather” jam.  (In fact we were sure they were soundchecking “Birds” at Fenway while they played this.) Once its improv section began, this song heated up considerably, with its most exploratory and enticing version coming during Bonnaroo’s late-night set.  Producing one of the standout “type-II” jams of tour, Trey clearly loves this song, and we have only begun to hear the places it will go.

“Twenty Years Later” – debut 6.5 Jones Beach II

With a chorus that approaches the sound of an “indie” Phish song, “Twenty Years Later” features engaging lyrics and layered vocals that almost sounds like a different band.  The song then progresses into a heavier section reminiscent of “I Saw It Again.” Clearly a reflection on Trey’s journey over the past two-decades, this song seems more autobiographical than any other.  Only played this one time, we have yet to see what really in store for this one.  But after only one version- I like it.

“Let Me Lie” – debut Great Woods 6.6 I

6.18.09 (M.Stein)

6.18.09 (M.Stein)

Originating from Trey’s solo album Bar 17, Phish transformed “Let Me Lie” into their newest ballad- just as predicted.  A poignant memoir about recovery and resilience, this one also contains metaphorical imagery about Trey’s trials and tribulations.  A gorgeous composition, the rest of Phish really fills out this song in the way that TAB could never do.  Appearing a second time as an interlude amidst Deer Creek’s monster second set, this one will be a 3.0 staple before all is said and done.

“Sugar Shack” – debut Camden 6.7 II

One of the songs that I wish we had heard more often, Mike’s newest contribution to the Phish catalog made an impressive debut in Camden’s second set.  Combining quirky changes, segments of groove, and carnival-like guitar lines, “Sugar Shack” is one of the most unique songs of the new bunch.  Only appearing once during June, we can only hope that this gets pulled into rotation come the second leg of tour.

“Joy” – debut 6.7 Camden Encore

Played only twice this June, “Joy” is another new ballad, describing the emotional plight of a woman and her connection to the outside world.  The lyric, “We want you to be happy, because this is your song too” also carries figurative meaning for the entire audience, as we are all a part of this great Phishy experiment.  An outwardly emotional song, this one will probably gain mixed acceptance in the larger Phish community.  I think it’s great.

“Alaska” – debut 6.9 Asheville II


6.18.09 (M.Stein)

Another TAB > Phish transplant, this may be the least interesting of the June debuts.  A comical blues-rocker with a guitar-based “jam,” this one appeared twice in three shows, and then we never heard it again.  As any Phish song, its jam has potential, but the composition of “Alaska” falls a bit flat.

“The Connection” – debut 6.19 Deer Creek I

album-undermind-bonus-dvdIt was a complete surprise when the band broke out “The Connection” towards the end of Deer Creek’s first set.  Off of the band’s last album, Undermind, this song never made it into a live show in 2004.  The debut of “The Connection” came off quite well, with catchy hooks and Jerry-esque noodling.  More proof that any song is fair game this time around, “The Connection” is a welcome reminder of its wholly-underrated album whose 2004 release was squeezed in just before Phish called it quits.  It will be interesting to see how this song develops come August.

Eleven songs made their Phish debut in the band’s first tour back on the road, most which will find their way onto their upcoming album, Joy. Differing in musical quality, most all of these songs hold great potential for improvisation.  We have only seen the tip of the iceberg in terms of what these songs will grow into, as Phish mostly played basic templates this tour.  As they embark on a new era of their career, Phish has ushered in their most impressive batch of new songs in over a decade, adding a distinctly fresh feel to their ’09 setlists; and I foresee even more debuts in August.  Stay tuned – to Red Rocks and beyond!

What do you think of the Phish’s new songs?  Respond in Comments!



Yesterday, a story on Rolling broke some new information about Phish’s forthcoming album, now officially titled Joy. Later in the day, issued a small news release about Joy, with an official track listing.  A clear theme about the passage of time and a reflection on life runs through the album, starting with “Twenty Years Later” and concluding with “Time Turns Elastic.”  The only song hasn’t been played live is “I’ve Been Around.”  Look for the album some time in August.

1. Twenty Years Later
2. Backwards Down the Number Line
3. Stealing Time From the Faulty Plan
4. Light
5. Joy
6. Sugar Shack
7. Ocelot
8. Kill Devil Falls
9. I’ve Been Around
10. Time Turns Elastic



6.21 Alpine Pollock

6.21 Alpine Pollock

6.21.09 Alpine Valley, East Troy, WI < TORRENT LINK

Set II contains some of the tightest and most exploratory improv of the run.

I: Brother, Wolfman’s Brother, Funky Bitch, The Divided Sky, Joy, Back On The Train, Taste, Poor Heart, The Horse > Silent in the Morning, The Man Who Stepped Into Yesterday > Avenu Malkenu The Man Who Stepped Into Yesterday, Time Turns Elastic

II: Crosseyed and Painless  > Down With Disease > Bug > Piper > Wading In The Velvet Sea, Boogie On Reggae Woman, Slave To The Traffic Light

E: Grind, Frankenstein

Source: Schoeps CCM4V’S(din) > Lunatec V2 > Benchmark AD2K > Sound Devices 722 (24/48) – Recorded by Z-Man

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223 Responses to “The Summer Debuts”

  1. old dude Says:

    Party Time (Run DMC cover) = 127

  2. DaNcInG fOoL Says:

    @completley “at this point, Duane Allman is just about the only guitar player who can make an extended blues solo interesting for me.”

    i think jimi hendrix’s extended blues solos are pretty interesting

  3. Mr. Completely Says:

    @f0ol a fair counterexample – but I think the blues is the least interesting thing Hendrix does, and I’ve heard every available, listenable Hendrix performance many times. Also Duane takes really really long blues solos and somehow makes them awesome.

    But a good point.

    So hey – yesterday on page 2 of the comments, sumodie posted links to downloads. One of them is a guy who is tracking matrix releases. I grabbed all 4 he had up and have been listening to them this morning. I recommend all 4. 6/5, 6/7 and 6/16 are pretty big upgrades. 6/7 is really in your face, I need to listen to it more to decide whether I really love it, but it’s definitely an upgrade. 6/21 was the best of the straight SBDs so it’s the smallest upgrade, but it’s still noticeably better. Both FLAC and MP3 are available, my home computer is seeding the FLACs right now so you should be able to get them easily.

    Hm yeah really liking this 6/7 Tube right now. Hey’ did you know there’s a guy named “Mike” in this band? Apparently he plays something called a “bass” that emits low frequency tones. Who knew?

    Thx sumodie!

  4. Albert Walker Says:

    Check out Scott Henderson
    one of Jimmy Herring’s teachers

    used to play with Miles mainly a fusion player, but
    did a couple of blues albums that were amazing, very interesting

  5. halcyon Says:

    “Business Time” – Flight of The Conchords = 128

  6. DaNcInG fOoL Says:

    @commpletely “but I think the blues is the least interesting thing Hendrix does” – i guess it depends what you consider the blues here, because i’d consider something like machine gun to be blues guitar

  7. Mr. Completely Says:

    another great point f0ol, Machine Gun is an epic jam for sure and I could watch the Isle of Wight version over and over.

    And Voodoo Chile is really a blues jam. And most of his tunes have some kind of blues flavor of course.

    But I really love the First Rays of the New Rising Sun stuff the best. Freedom, etc…that’s the stuff I find the most exciting at this point

  8. Mr. Completely Says:

    Scott Henderson did blues albums? i didn’t know that.

    ‘Course I love SRV too, and many other great blues players, but I have just heard a lot of that stuff over and over.

  9. DaNcInG fOoL Says:

    hendrix’s latter stuff makes me sad to think of what could have been… i love the solo on message to love from woodstock where you can hear him singing his solo

  10. DaNcInG fOoL Says:

    i love SRV but he gets really really repetetive, i’m learning his version of little wing and when i’m done i will know every single one of his licks

  11. Albert Walker Says:

    Scott Henderson- Dog Party, Tore Down The House

    think that’s the name of the mid 90’s blues albums- great stuff

  12. El Duderino Says:

    Cry Of Love maybe Hendrix’s most interesting studio album

  13. Mr. Completely Says:

    @f0ol – yeah I know, I feel the same way. He was really elevating to another level in his last year. Hanging out with Miles Davis and actually learning music theory – there was no limit to what he might have done.

    ::Mr. Completely spends 5 seconds imagining Jimi learning modal theory and jamming with the Bitches Brew band – then Mr. Completely’s head explodes

    @El Dude – Cry of Love fantastic but is still a kind of fragmentary release of part of the First Rays of the New Rising Sun material. The 1997 re-release by Eddie Kramer under the “First Rays” title is absolutely essential for any Jimi fan IMO. Janie Hendrix may be a complete loser in many ways, but she let Eddie K put that later material together and remaster it right – the result is phenomenal I think.

  14. Mr. Completely Says:

    thanks @Albert, I will look for those

    SRV was all feeling and intensity – I don’t listen to a huge amount of it but I really treasure the couple times I got to see him – a great presence

  15. DaNcInG fOoL Says:

    what blows your mind more, hendrix with miles or hendrix coming soooooo close to jamming with the dead on two occasions

  16. Mr. Completely Says:

    Miles + Hendrix. I love the boys, but…

    Equally crazy is the idea of seeing Miles open for the Dead in 1970, which actually happened. Far from the best Dead shows of the year, but wow. They were quite embarassed that he was the opener, they knew quite well they were unworthy (tho Miles said nice, complimentary things about them in his book).

  17. Mr. Completely Says:

    wait, so close on which two occasions?

    um, phish content:

    these matrixes pwn, get them

  18. DaNcInG fOoL Says:

    yeah i think phil wrote about miles opening for them in his book, going to one of those shows would be like a dream… they also toured with zappa i believe

  19. DaNcInG fOoL Says:

    the story is that hendrix was invited one night and stood them up for a girl and then the second time he was backstage and they never called him on the stage – i’ll look up which show it was

  20. Mr.Miner Says:

    @ mrC….Are the matrixes on BT?

  21. DaNcInG fOoL Says:

    @completely – 1968-10-12, hendrix allegedly backstage

  22. Mr.Miner Says:

    found the link to pirates bay, but Camden’s torrent file won’t load into my program…oh well- not a big deal

  23. whole tour! Says:

    can anyone direct me to the matrix links?
    or possibly do blanks + postage since i can’t use bit torrent?

  24. whole tour! Says:

    fishman’s hands looked just like two balloons (sung to ‘comfortably numb’)

    anyone else notice that on the band photo on ‘joy’ news?

  25. Weyoun42 Says:


    Holy crap. Yeah, what’s up with that?

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