The Path of Joy

Indio (G.Lucas)

As summer tour slowly approaches, it is natural to speculate what lies ahead for Phish. With new Anastasio / Marshall material expected, as well as other new Trey songs (e.g “Show of Life, “Liquid Time”), one wonders how their last batch of songs will pan out. While Joy gave us “Light” and “Backwards Down the Number Line,” it remains to be seen if any other songs from the band’s 2009 comeback album will have a lasting impact on shows.

After Joy’s two jam vehicles, no other song from the album provided serious repercussions in 2009, unless you compile all the minutes of show time that “Time Turns Elastic” ate up. While often incorporated into first sets, “Ocelot” still has yet to transform into something greater. Phish has stretched the song out within its playful structure more than a few times, but never used it to explore new territory. Miami’s version provided the first glimpse of something slightly more creative, hinting that “Ocelot” may yet come out to play. But without a second set version to date, the intention to push the piece outwards just doesn’t seem to be there.

Trey and Tom (Relix)

“Kill Devil Falls” speckled ’09 setlists with healthy doses of innocuous, straight-forward rock and roll. Although Phish twice took the song into original terrain, and Bonnaroo’s version provided one of June ’09’s highlights, the jams hardly had to do with the actual song. The composition essentially ends before the band revs up a rock groove, rebuilding the piece into a quasi-“Birds of a Feather” jam. While some may enjoy the blues-rock textures, the song adds little to the overall contour of a Phish show. When the desire strikes Trey to play “Kill Devil Falls,” “Birds” would be the more engaging choice to reach a similar musical plane.

The statute of limitations has almost expired on “Stealing Time From the Faulty Plan.” When the band debuted this song at Jones Beach last summer, it seemed they were unveiling the next dirty jam vehicle into the mix. And each time Phish played the song throughout the year, everyone kept expecting the next version to be the one that took a jump into the dark side. But Phish never as much as hinted at jamming this “Stealing Time.” Every single rendition likened the album version, and at this point, the song slides in below “Character Zero” in intrigue and improv. Trey seems content keeping this one as a boisterous first setter, but I’ll be the first to celebrate an extended jaunt through the blank space were my mind should be.

Jones Beach '09 (W.Rogell)

Aside from Joy’s title track, a poignant ballad which works quite well as the landing point for jams, “Time Turns Elastic,” is the album’s only other piece that Phish infused into 2009 setlists with any regularity. Unfortunately, Trey’s meticulous orchestral composition bombed horribly as a rock song, chewing up valuable set time with anti-climactic, over-indulgent prog-rock. The composition works beautifully in the symphonic setting, but by the end of the year, whether smoking a spliff or taking a piss, many fan adopted accompanying activities to enhance the near-twenty minute lull the song represented during a show.

“Sugar Shack” and “Twenty Years Later” appeared five and four times, respectively, but neither song did much when they showed up. “Twenty Years Later” provided a surreal landing point for SPAC’s “Number Line” Philly’s “Disease,” but the song itself remained a straight composition. This piece, however, illustrates the fact that a well-placed song doesn’t have to be a jam vehicle to enhance a show. Perhaps the band will play place a greater focus on “Twenty Years Later” in 2010, but it doesn’t seem like the most likely scenario. While a clever and catchy song, “Sugar Shack” never found its niche in 2009, unable to jive with its surroundings songs. Probably best used in the first set, Phish placed it in Camden’s second set and Indio’s third set, doing nothing for either frame’s continuity.

12.29.09 (W.Rogell)

“Light” provides the glaring exception to this jam-less trend, emerging as one of the year’s most diverse and dynamic vehicles for improvisation. Providing both a philosophical and musical ethos for Phish’s modern era, the band merely scratched the surface of this song’s potential during fall tour; more intergalactic journeys coming soon. Interestingly, “Light” didn’t really fit into the Americana, blues-rock vibe of Joy, and it transformed into the most psychedelic piece off the album by far. “Number Line” took two notable jaunts last summer, but its significance completely disappeared once fall rolled around. The de facto theme song of 2009, “Number Line’s” 2010 destiny is unbound.

While Joy excited the community as Phish’s first album back from retirement, most of the songs provided little improvisational influence on 2009 Phish. Some of these event-less singles may prove to be more in 2010, but when the dust settled last year, Joy’s songs didn’t contain very sharp teeth. While providing solid musicianship and quality songwriting, the pieces often left improvisational gaps in Phish’s live show with similar, vanilla incarnations. Although we have yet to see the best these Joy’s songs have to offer, more rhythmically-angular and musically-open songs would be a welcome addition come summer tour.

It was Joy to reunite in 2009, but something tells me that the mystery of 2010, looming only a month away, will be far more riveting.


Jam of the Day:

Free” 6.30.99 II

From the opening night of Summer ’99, a “Free” the way they oughta’ be.




5.17.94 The Arlington Theatre, Santa Barbara, CA < Megaupload

5.17.94 The Arlington Theatre, Santa Barbara, CA < Torrent

The Arlington Theate

An under-circulated show from Spring ’94.

I: Suzy Greenberg, Maze, Mound, If I Could, Scent of a Mule, Ginseng Sullivan*, Dog Faced Boy*, Split Open and Melt, The Squirming Coil

II: Runaway Jim, Glide, Tweezer** > Lifeboy, Uncle Pen, Big Ball Jam > Sample in a Jar, Hold Your Head Up > Love You > Hold Your Head Up, Slave to the Traffic Light

E: Highway to Hell

*Acoustic and without microphones

** w/ Earache My Eye jam (Cheech & Chong)

Source: AKG 461

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606 Responses to “The Path of Joy”

  1. Robear Says:

    i think i grabbed the phishows copy a while back. never looked for it on bt.etree or anything.

  2. Willowed Says:

    Repost: I hate being the last post on the page:

    One more thing (I know I keep saying I am out) with tour approaching I would love to see one of those Monkey Mails.
    Those things make me wet myself!!


  3. Mr.Palmer Says:

    Monster set II of that Patriot center ’94 show

    Set 2: Also Sprach Zarathustra > Sample in a Jar, Rift > Mike’s Song -> Simple -> Mike’s Song > I Am Hydrogen > Weekapaug Groove, Fluffhead > Purple Rain > Hold Your Head Up, Harry Hood, Suzy Greenberg

    e. Foreplay/Long Time, Rocky Top

  4. Willowed Says:

    Thanks in advance

  5. HarryHood Says:

    Sorry, probably an off topic question since I haven’t gotten to read back, but what show is the Mike’s Song from Slip Stich and Pass from? I really need to listen to the whole show that spawned that dark monster……

  6. Mr.Palmer Says:

    I think its Germany ’97, Hood. Not 100% sure though.

  7. Mr.Palmer Says:

    3/1/97 ^^^

  8. Willowed Says:

    My family wants nothing to do with me so I am going to stay on for a bit.

    I posted this the other day. If you guys haven’t had a chance to see it I strongly recommend it. Funny shit:

  9. HarryHood Says:

    Thanks man.

  10. halcyon Says:

    There was a SBD Patriot Center on Etreee not too long ago. I might have it as that was a sick show. Too bad I lived too far away at the time.

  11. Mr.Palmer Says:

    Absurdly funny Willowed

  12. Mitch Says:

    evening BB. got my telly dates secured off finally! life is looking up!

  13. Willowed Says:

    I knew you would like it!!
    The more I watch it the funnier it gets
    I love when the Docotr says “Know that’s fast relief”
    Patient (slaps clip board) FUCK YOURSELF

  14. Mr.Palmer Says:

    Mitch- did you happen to see that Jen Hartswick came out and played with Kung Fu in Teaneck last week. They had a few different horn players guest. Damn! We blew that one too.

    Congrats on the days off. Nice to get the “official” green light.

  15. Willowed Says:

    Congrats Mitch

  16. Willowed Says:

    I heart Buried Alive openers

  17. Mitch Says:

    fuck. blame neemor. he’s gonna get an ear full next time he’s around.

    i watched the princess brides yesterday for the first time. i vaguely recall it as a child.

  18. Mr.Palmer Says:

    I was pumped for that Buried Alive at JB3 last summer.

  19. Mitch Says:

    benevento is playing sat may 22. wanna go to that? i’m going. dont have tix but i’m going.

  20. Willowed Says:

    Yes sir. It is always a treat to hear

  21. Willowed Says:

    Mitch..It’s a classic. Great film

  22. Willowed Says:

    That JB 3 show is way overlooked IMO.

  23. Willowed Says:

    2001>Slave is bonerrific

  24. ChefBradford Says:

  25. Mr.Palmer Says:

    Willowed- set II was hot to trot. Twist w/ the oye como teases, debut of 20 years later. Great set.
    I’m also a sucker for My Friend

    Mitch- no can do. That’s a bad weekend for me. Will be on LI for a family function.

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